From Her Eyes – Demons

From Her Eyes Online Promo Shot

From Her Eyes may be young in age, its members just slipping out of their teens, but there is a maturity to their sound which instantly impresses as it belies their youth and ensures the Welsh metalcore band is a thoroughly captivating proposition. The release of their debut EP Demons reinforces an already keen buzz for the band whilst taking their presence to a national level to, it is easy to expect, similarly eager but ultimately wider attention growing up around them.

Formed in 2012, the Bridgend consists of school friends Tom Owen (vocals), James Kearle (guitar), Jesse Simmonds (bass) and Gary Holley (drums). From Her Eyes since day one has been a rigorously active proposition, sharing stages with the likes of One Last Breath, Red Seas Fire, Continents, When We Were Wolves, Set to Break, and Reaper in Sicily amongst hordes of shows before settling down to create their first release. That saw the band linking up with Jonny Renshaw (Devil Sold His Soul) at Bandit Studios to record Demons with the resulting EP a compelling and gripping slice of voracious angst fuelled metal.

The EP opens up with brief instrumental Decay, a haunting piece with elegant guitar craft coaxing ears and imagination within a brooding air of portentous persuasion. More subtle than dramatic and beautifully crafted, the track is a From Her Eyes Cover Artworkmagnet into the release and the following Comatose. From its first breath the vocal delivery and narrative of Owen is an impassioned presence which roars within an immediately enticing web of sonic and rhythmic enterprise. There is ruggedness to the beats of Holley and riffs of Kearle whilst Simmonds unveils a heavy throated lure from his bass which only adds to the weight and presence of the track. To that muscular intent though the acidic melodies and sonic weaving brings a vibrant colour and strained charm which exposes the strength and invention of the band in songwriting and sound impressively.

From that mighty proposition the releaser grows another level with Porcelain, its gentle initial coaxing where again melodies seduce and intrigue with their emotive hues, leading into a tempestuous storm of heavily descending rhythms and abrasing riffs. An additional squall of anger to that offered by Owen makes an imposing and pleasing pressure whilst the song almost flirts with the antagonism that rages with every beat and chord. As in its predecessor though, in the wall of confrontation there is elegant veining which is as dramatic in its evocative presence as the brawling endeavours surrounding its beauty. The track is outstanding, easily the best on the release and another potent reason why From Her Eyes is being touted as a big event waiting to happen.

The next up Disillusionist is a rawer abrasion than the previous tracks, though it too is equipped with intelligent and intricate sonic suasion. It does lack the spark of those earlier songs with its hostile breath overpowering the previously perfect blend of rage and elegance but it still makes for a stirring and riveting incitement to keep the release firmly entrenched in attention and appetite.

Elysium with its post hardcore resonance is a brief respite from the rage of the last song but it too is lacking something to make it spark in the passions. Despite that its masterful sculpting is a draw in its own right to ready ears and emotions for the final evocative tide of the title track. The last song’s first touch is a controlled but turbulent wash of heavy swiping rhythms and vivacious sonic enticing which swiftly enslaves the senses before its finds a sturdier antipathy. It is a powerful and robust finale infused with the richly appealing melodic lacing and sonic colouring which sets the band apart from the majority of the metalcore crowd, though still not quite enough for the band to find its own distinct corner. The song also features Lucas Woodland, the vocalist from Falling With Style. His presence and excellent clean tones highlights the only wish to be had with the EP, a bolder variety to the vocals. Owen is impressive but as with seemingly the majority of metalcore seeded bands there is an aversion to temper or fuse the raging single minded roars of passion with something openly different. If there is one band which could do it to striking success though, on the evidence of the last song, it is From Her Eyes.

The song is an excellent end to a similarly impressive release. Demons will push From Her Eyes into a richer attentive spotlight and the country will embrace their debut with relish, that is surely a given so now it is up to the band to take it to the next highly anticipated level.

The Demons EP is available now @ https://fromhereyes.bandcamp.com/

https://www.facebook.com/FromHerEyesOfficial

8.5/10

RingMaster 26/08/2014

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Set To Break – Redemption

Set To Break Online Promo Shot

  Metalcore is one of those genres where it is not stale but it does seem to be under a general umbrella of similarity across certainly emerging bands. One unit which looks like having the sound and potential to buck that trend is Welsh metallers Set To Break. The band with the unleashing of their debut EP Redemption, do not yet stand distinctly apart from the rest but as shown by the six ferocious expulsions masquerading as songs, there is something uniquely compelling brewing within their passion soaked craft and sonic violence. The Imperial Music released fury is an expressive battering ram upon the senses and an encounter which sparks a healthy appetite for the band and their future.

     Hailing from Bridgend, Set To Break was formed last year by five friends who wanted ‘to create music that ripped apart the standard formulae of metalcore, yet remained true to the band’s influences and beliefs.’ It was not long before the quintet of vocalist George Ross, guitarists Shaun Owens and Craig Owens, bassist Dan Charles, and drummer Rhys Morgan were building a potent reputation across Wales and the south of England, sharing stages with bands such as Crossfaith, Heart Of A Coward, Malevolence, and The Charm The Fury along the way. Infusing inspirations from bands like Parkway Drive, August Burns Red, and Continents into their own inventive premises, Set To Break signed to Imperial Music who got one of their tracks placed on a Metal Hammer Magazine cover mounted CD. The band next entered the studio with Jonny Renshaw (Devil Sold His Soul) to record Redemption, a release which easily marks out the band as a target for attention and enthusiastic anticipation towards their horizons.

    The brief opener Lost draws the imagination into the depths of the release, its melodically cast emotive dawning courted by Set To Break Cover Artworkresonating rhythms and intrigue drenched evolving drama. As the piece stretches its height and intensity, an intimidating atmosphere soaks ears and senses, its arms wrapping intimidatingly around thoughts as sonic endeavour veins the dark climes spawning the portentous adventure. The coarse angst drenched squalls of Ross add further corrosive emotion to it all before the track makes way for the excellent Made To Suffer. The new track submerges ears in an expanse of crisply delivered antagonistic rhythms and predatory riffing driven by guttural washes of vocal vehemence. There is also a persistent if understated groove which teases and hints throughout the tempestuous incitement. It all merges for a contagious enveloping of the senses but one enriched with magnetic enterprise and exhausting energy. The song is an excellent draw into the imaginative aggressive world of Set To Break, and immediate suggestion of something different and exciting to this new metallic force.

      The following Paid Pride is a less imposing treat than its predecessor, though it does not skimp on sinew and intense provocation. The track twists and meanders with deliberate restraint and heightened emotive investigation as the sonic guitar sculpting adds rich hues to the gripping canvas of the song. It is not as dramatically gripping as the previous track but still lays down a masterful and enthralling narrative to immerse within. Its position between the excellent second song and the brilliant Ulterior Motives does it no favours either though it fights its corner well and satisfyingly before the next track explodes in the passions. Ulterior Motives has a carnal breath to its bestial intrusiveness, an opening melodic acidity and beauty merging with guttural vocal bruisings and overbearing rhythms. The new provocation then launches into a groove led chorus which has a definite familiarity to it, vocally and musically with Slipknot the most obvious comparison. This only adds to the strength of the track, its consistently shifting and changing attack an unpredictable and riveting onslaught furthering still the uniqueness of the band amongst other metalcore provocateurs.

     The EP is completed by Khan and Bermuda, two pleasing and expertly crafted furies but neither stepping into the distinctively inventive fields of the earlier songs. To be fair the two songs easily captivate and impress but that spark which sets the band apart is not as prominent and gripping within them, though the keys and furious intensity of the first of the two and the group confrontation of the second certainly keeps the hunger for the band alive and greedy.

    Redemption is an excellent debut from a band which we can be certain of hearing plenty more of ahead. Set To Break reek of the promise of greater and more special incitements to be discovered within their already creative quality and voraciousness; watch this space and enjoy is our recommendation.

http://www.facebook.com/settobreak

8/10

Ringmaster 17/03/2014

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SET TO BREAK poised to show ‘Redemption’, on Monday 17th March‏

Set To Break Online Promo Shot

 

 

DEBUT EP NATIONALLY RELEASED THIS SPRING!

 

High Flying South Wales metalcore crew Set To Break drop their explosive debut EP Redemption on Monday 17th March, through Imperial Music.

Bridgend bruisers Set To Break were spawned at the foot of 2013 by long-time friends George Ross (Vocals), Rhys Morgan (Percussion), Dan Charles (bass), Shaun Owens (guitar) and Craig Owens (guitar), who wanted to create music that ripped apart the standard formulae of metalcore, yet remained true to the band’s influences and beliefs. The band soon found their feet, and began to widely play throughout the heart of their native Wales and southern England, landing support slots with the likes of Crossfaith, Heart Of A Coward, Malevolence and The Charm The Fury. With their eclectic leanings straddling many areas, the band pull inspiration from the likes of Parkway Drive, August Burns Red and Continents, while they find their own characteristic voice in the alchemy of creating music.

Set To Break were soon snapped up by Imperial Music, who placed a track of theirs on the cover CD of Metal Hammer Magazine, and subsequently booked the band into Bandit Studios with Jonny Renshaw (Devil Sold His Soul) behind the desk. After relentless sessions, the quartet produced their debut EP entitled ‘Redemption’, and it’s purely intoxicating. From the first notes of the progressively textured ‘Lost’, to the breathtaking ‘Made To Suffer’, which pitches gut-wrenching vocals against veracious guitar lines, and on to the low slung pounding groove of ‘Paid Pride’, it’s evident that Set To Break have forged something special. ‘Ulterior Motives’ continues to compound the band’s potency with its sheer power and layered guitar work, while their recent single ‘Khan’ shifts gears, incorporating subtle piano with stunning dynamics. Last up, ‘Bermuda’ closes the EP in style with its blistering riffs and fiery drive. The UK noise tyrants will now head for the road as they prime to break to a national level.

= SET TO BREAK RELEASE ‘REDEMPTION’ ON MONDAY 17TH MARCH THROUGH ALL STORES =

Set To Break Cover Artwork