Secret Sight – Shared Loneliness

Back in 2014, we like so many others were impressed and hooked on the debut album from Secret Sight. It was a release which surprised having come out of the blue awareness wise and introduced us to the captivating dark post punk/gothic rock sound of the Italian band. Now the Ancona hailing outfit has repeated the feat with their second full-length, Shared Loneliness; a collection of songs as striking and captivating as their predecessors but with a maturity and enterprise which sets it apart.

Secret Sight emerged the same year as their Red Cat Records released debut album Day.Night.Life, though there is a 2013 self-titled EP under the name Coldwave before then. Recorded with Paolo Rossi (Soviet Soviet, Be Forest, Brothers In Law), Day.Night.Life swiftly sparked support and praise carrying attention, the band supporting its release with an extensive tour around Italy, Switzerland and Austria where the plaudits continued coming. A quartet at the time, the band has since slimmed to a trio with former vocalist Matteo Schipsi leaving, vocals being shared across guitarist/synth player Cristiano Poli and bassist/synth player Lucio Cristino. With its line-up completed by the dramatic rhythms of Enrico Bartolini, Secret Sight linked up with producer Alessandro Ovi Sportelli for Shared Loneliness, resulting in an album which has mellowed out in regard to the raw edged post punk tone of its predecessor but blossomed in its haunting melancholic drama and melodic suggestiveness.

As with their first album, the band’s sound harkens back to eighties post punk/new wave and their gothic companions but with a bolder identity and imagination belonging to Secret Shine. It opens with Lowest Point, the initial coaxing mist of synths soon joined by the atmospheric lures of guitar and bass, keys simultaneously thickening as melodies simmer and echo in the ears. The instrumental’s shadows carry over into the following Stage Lights where the mesmeric groan of the bass and aligning dark textures seduce the imagination ready for the song’s spirited stroll which erupts soon after. Like a fusion of Leitmotiv and The Sound the track dances on the senses, its rhythmic shuffle sculpting their own catchy charm to the temptation. Superb in voice and enterprise, the song swiftly grips attention, vocals as enticing as the sounds around them and with a great nagging essence to its tenacious rhythms, infectious melodies, and tantalising hooks, the tone and heart for the album is set.

The following Blindmind matches its success with its own compelling design and creative intimacy. As in the last song Cristino’s bass makes an addictive proposal, moody and melancholic in its bold exploits with the same traits fuelling the adventure and intimation of Poli’s guitar which beguiles the imagination in its own right. To be honest all three musicians seize attention with their individual prowess but uniting perfectly to create an even greater temptation, that aforementioned maturity lining every twist and turn.

There is also a breath and tone to the song which reminds of The Cure around their second album, a thick shadow draped air which is as open in songs like next up Fallen and its successor Flowers if to lesser degrees. The first of the two similarly bounds through ears, emotively conjured melodies webbing its rhythmic canter as a China Crisis like catchiness brews while the second with a calmer energy has something of a Modern English to it. Though neither song quite matches up to those before them each leaves pleasure high and attention glued before Swan’s Smile envelops the senses and drives the spirit with its sprightly canter. With a scent of The Danse Society cast, the track simply made an already keen appetite hungrier for more, a want quickly satisfied by the rampant dynamics of Over led by the skilful endeavour of Bartolini. A fusion of post punk with gothic and synth pop, it is a rousingly infectious affair with theatre in its veins and emotional drama in its voice.

The pair of Surprising Lord and Sometimes completes the album in compelling style, the first a pulsating and again relentlessly catchy incitement on body and pleasure as dark and imposing as it is hopeful and anthemic. The evocative balladry of the final track ensures the pleasure listening to Shared Loneliness is relentless even if the song does not quite meet the lofty heights of many of its companions such their might. Epitomising the release in its emotional depth and musical enterprise, it is a fine end to another mouth-watering outing with Secret Sight.

We suggest focusing on the CD edition of the album as it carries a quite excellent cover of The Sound song The Fire as a bonus track, Secret Sight not detouring too far from the original but giving it all the energy and passion it and that great band deserves; just a shame it is not on all versions.

Shared Loneliness is available now through Manic Depression Records for its vinyl edition, Unknown Pleasures Records for the CD, and digitally @ https://secretsight.bandcamp.com

https://www.facebook.com/secretsight

Pete RingMaster 16/01/2018

Copyright RingMaster: MyFreeCopyright

Secret Sight – Day.Night.Life

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Seemingly bred from the heyday of the genres it embraces with its spellbinding sound and presence, Italian band Secret Sight has brought 2014 one of its unexpected and compelling triumphs in the dramatic lure of Day.Night.Life. Brewing up a starkly haunting and rigorously riveting blend of post punk and gothic rock, band and album is one of those finds which you hope for but rarely get over the course of a year, an encounter which connects with primal instincts and personal passion with a recognisable sound explored and twisted into a new distinct adventure. There is plenty to intrigue and ignites ears of those without a post punk/gothic bent to their preferences though, incendiary melodies and rhythmic tenacity as prevalent as the core sound driving the release. It is a tremendous proposition and one to put the band in a firmly attentive spotlight.

Emerging from the ‘ashes’ of the members previous band which released a self-produced EP and played several gigs around Italy, Secret Sight was formed earlier this year and took little time to start working on their first release and debut Day.Night.Life. Consisting of vocalist Matt Schipsi, guitarist Cristiano Poli, bassist Lucio Cristino, and drummer Enrico Bartolini, the Ancona quartet linked up with Paolo Rossi to record the album at Studio Waves in Pesaro. Released on Red Cat Records it is fair to say that as young as Secret Sight is as a band, there is an experience and maturity which shines from obviously the member’s previous endeavours within what is a quite striking introduction to the band.

The release opens with Conquest and instantly has ears and appetite tight in its grasp as the bass of Cristino sets a dark and flavoursome coaxing in motion from within a subdued sonic squall around thumping rhythms from Bartolini. It is a4203391273_2an irresistible lure reminiscent of Leitmotiv and Joy Division, especially once the drama of the guitars and throaty tones of Schipsi join the infectious aural narrative. With a voice somewhere between Ian Curtis and Nick Cave, the frontman is a captivating shadow to the feisty but dark beauty coating the virulent energy and hook littered grooves of the song. It is a tremendous start to the album, and early pinnacle swiftly matched by Earth Overflows. With new wave seeded melodies flirting with the cold steely glare of bass amidst the song’s chilled atmosphere, it is a captivating and eagerly striding encounter. Every element of band and song casts a contagious hex without defusing the haunting resonance and cavernous emotion of the mouth-watering proposition. It many ways the track is like Interpol meets Bauhaus or maybe more so Tones on Tail, a web of scintillating sonic grooves and virulent rhythms entwined with a cold post punk voracity.

The pair of Under This Truth and Life keeps the exceptional charge and majesty of the album going, the first another melodic flirtation with a She Wants Revenge like vivacity and catchiness but exploring a heavier and imposing landscape than its predecessors. Again it is hard to ignore the pleasing Joy Division whispers but also there is a Play Dead and Public Image Ltd spicery, though it should be reinforced that despite the references Secret Sight weaves a sound which is familiar yet openly fresh and uniquely gripping. The second of the two takes a slower gait to its entrance, punchy rhythms from Bartolini leading the imagination into the waiting web of bass and guitar temptation. Though beats make a forceful energetic stride, sonically the track is a more reserved wash but no less inciting in the intriguing melodic and caustic designs of Poli and the pungent ensnaring lures spawned by Cristino.

The bassist again springs the first seduction of Indelible, an enticing swiftly enhanced and fuelled by the grooves and hooks spicing up the exceptional track. Schipsi stands powerfully over the brewing contagion of the song with his raw and starkly emotive tones but it is the bass bait and acidic strands of guitar ingenuity which sets the biggest fire. As in all the songs there is a cinematic drama which is as equally persuasive and engrossing, the following Need an instant example at this point, its noir cloaked almost sinister breath and intrigue a delicious spark for ears, feet, and imagination.

The album is completed by the similarly visually suggestive Long Line and the slightly Sister of Mercy-esque If You Turn, both songs resourcefully provocative and elegantly structured within their roaming lyrical and sonic shadows. The first has a sultry twang to its climatic presence and voice whilst the closing song ebbs and flows with intensity and energy as its masterful soundscape explores the corners and depths of dark emotions and melodic intimacy. It is arguably the most involved and exploratory track on the album and just as irresistible and explosive as those before it.

Day.Night.Life is a must for all post punk/gothic rock fans, and for us a definite favourite of 2014. There is little more to say than just go treat yourselves.

Day.Night.Life is available now from Red Cat Records @ http://www.amazon.co.uk/Day-Night-Life-Secret-Sight/dp/B00NODLP1I/ref=sr_1_1?ie=UTF8&qid=1412691294&sr=8-1&keywords=Day.Night.Life+Secret+Sight

https://www.facebook.com/secretsight

RingMaster 07/10/2104

Copyright RingMaster: MyFreeCopyright

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