Returning to the garden with Leaving Eden

Two years on we have linked back up with Leaving Eden songwriter/multi-instrumentalist Eric Gynan to catch up with the band. Already renowned for their ear grabbing, imagination stoking rock sound, the band is poised to release its new album this month. One highly anticipated release we join Eric to look into its body and character with more besides…

Hello and thanks for taking time out to talk with us.

Howdy Eric Gynan here from the band Leaving Eden, Boston Mass area USA. It’s great to talk with you again. I think it was a couple years ago when we chatted last.

To remind people can you first introduce the band and give us some background to how it all?

Myself and Eve are the co-founders of Leaving Eden We had some songs; I’ve always been recording so we wanted to play some of these live. I think one must make a choice as to what they want to do with their life. It takes sacrifice, let downs and one must have a thick skin. Let’s face it most artists are different than others, so not only is there issues with all the variables outside the band, but from within too. I think the current line-up is great where everyone sees the bigger picture.

What are the musical backgrounds to you all; previous bands, projects etc…

Yes myself and Eve were in a band before leaving Eden. The band was regionally successful, but it usually comes down to the members. I remember for instance the drummer wanted no part of having a female in the band. He just hated it. Well, I saw the bigger picture, and after the first 100 people came up to me and told me how great Eve was, I knew I had to really do something about it…Shortly after we formed Leaving Eden.

Tell us about the band name?

We thought that this planet being the entire Garden of Eden has become corrupt full of Deceit and Hate so we thought wouldn’t it be nice to go somewhere else that’s the name leaving Eden.

Did you have a particular aim for the band initially and also in what you wanted it and your sound to offer?

Originally we wanted two female singers that never seemed to work out. Eve was really 2nd to none when it came to a front person, so anyone else up there trying to almost compete was pretty much a ridiculous situation. Now we do have another female, but she plays keys and sings backup vocals so it’s different now. I can’t stress enough how important it is to have not only the right people for the right sound, but the right personalities for perseverance.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

I think so. I think we are a little more reality oriented and understand more the barriers and pitfalls associated with the business. I think more so now we’re happy doing what we’re doing instead of being unhappy about not achieving our goals to the fullest.

How do you see the evolution of the band’s sound since starting out?

I think first and foremost you must always be listening to what’s out there what’s current what’s new and changing with the times. Also, one must try and be a trendsetter. It’s the new artists that forge the future, the ones out there in the gutters so to speak who are really at the pinnacle. As I said, for me I listen and get these songs kind of fully produced in my mind’s eye and I just go with the flow.

So it is a more organic movement of sound than deliberately wanting to try new things or an equally sided process?

Good question maybe both. We always want to try new things but also I think organically speaking the band naturally moves in a particular direction.

You said you eagerly listen to the sounds out there; are particular inspirations which have impacted not only on the band’s music but your personal approach and ideas to creating music?

I think playing I’m sharing the stage with many of the best bands in the world has definitely been a great influence on us. Leaving Eden has toured the USA, UK and Canada sharing the stage with hundreds of the biggest national bands in the world including; Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio, Rob Zombie, 5 Finger DeathPunch, Disturbed, Marilyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, Buckcherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s, Alice in Chains, Papa Roach, Bret Michaels, Halestorm,Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel, Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) Adelitas Way, Scott Stapp (The voice of Creed), Gemini Syndrome, Pop Evil, Ratt, Anthrax, Testament, Napalm Death & many more..

How does the songwriting work within the band; is there a particular process?

Yes I think it’s best for me as the songwriter to make a connection with the universe and listen because there’s always songs out there trying to come in; it depends if they come while I’m sleeping and I have the ability to wake up from that and go record something or if it comes while just almost meditating and communicating again with the universe and just listening.

How about the sparks to the lyrical side of your songs?

It’s definitely drawn from reality; all the lyrics are based on what’s happening at the time. Good, bad or indifferent I’m constantly writing lyrics so it’s going back to those and using them for music that I may already have written or writing the music around those lyrics. The skies aren’t always blue, thus our song Skies of Grey. “It’s not too late to open your eyes and sail through skies of grey”. “We’ve been screwed overcharged underpaid and abused, we’ve been exploited avoided and falsely accused, we’ve been cut down let down fucked around, tied and bound but NOTHING could take the music away”. From our Tied and Bound album.

Tell us about the band’s latest release?

Our latest release would be our last album Out of the Ashes (Recorded/mixed By Johnny K. (Disturbed, Pop Evil, Staind, 3 Doors Down,) Mastered by Brad Blackwood (Sevendust, Dave Mathews, Adelitas way, Korn) and produced by myself reinterpreted by Leaving Eden.) We also released a single, Jailbreak and it is going to be on our new album to be released October 19th 2018 called Descending again through Dark Star Records/Sony Music worldwide.

Our new album to be released, Descending, I’m excited about this album because it was recorded at Leaving Eden Studios. We were able to take all the time we needed and really craft this album to exactly what we wanted it to be. I did a premix on it and sent it off to Bob St John for the Final Mix and Mastering. Bob is a Grammy award-winning engineer and has done bands like Duran Duran, Extreme, Collective Soul, Steven Tyler…Such a great guy to work with too.

Can you give us some insight to the themes and premise behind Descending and its songs.

The title Descending, is taken from a song off the album called Shallow Waters. Shallow Waters is very cool because it’s one of those songs where I woke up from a dream and the song was playing in my head; this happens a lot most of the time I can’t pull myself out but this time I was able to. It’s great when you can hear songs already produced in your dreams, takes a lot of work out of it. It definitely comes from somewhere else. We wanted to have different genres such as heavy, acoustic, different key changes and tempos, really trying to have such diversity. We even got some songs you can dance to the beat.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Yes because studio time is so expensive it’s really best to have it all complete so we have typically recorded the entire album in our studio first working out all the bugs and adding everything we want to add so that when it comes time in the studio we know exactly what we’re doing because there’s usually not as much time as you need, so you try to prepare for that. In the case of our Descending album soon-to-be-released we actually recorded this completely in our studio so we had the time to really craft what we believe is a great album.

 Tell us about the live side to the band, presumably the favourite aspect of the band?

Yes when I have always said that Leaving Eden is best seen and heard live. There’s a lot of energy sharing that goes on with the crowd. We don’t look at it like hey man look at me I’m a rock star check me out I’m too cool man, rather quite the opposite. It’s like hey we’re all here together all night to have a good time so let’s party together and let’s have some fun together. We are all involved in this.

You obviously know how hard it is for any new band to make an impact regionally let alone nationally and further afield. How have you found it with Leaving Eden?

Really I think with the onslaught of the internet anywhere you are you can really make a mark. I get it that making a mark by playing the venues that’s in your own region could make a difference. The reality is that if you’re good, fresh, have really put some time into the band look and made a great recording then it doesn’t really matter where you are. You can get it out there with a good publicist, good radio guy, good record label and good distribution also good management. We’ve pretty much always taken care of all of this on our own and hiring certain people and companies. I think it all works together. The most important thing for us is we will play anywhere anyhow anyway, so long as we can because this is what we love to do

You mentioned the internet. How do you work and weave your social media sites to use them most effectively?

The internet is very important to any band because that’s where people are getting most of their information now from and you can do it for free and make an impact on different social media platforms for sure. At the end of the day it comes down to a song, is the song good; is it one somebody wants to listen to? Our song Out Of The Ashes says digging deeper underground faster than the speed of sound. What that means is I feel we’ve always been an underground type band, you know really building its base of friends organically so an underground band able to, with the click of a mouse be in China for instance so that is faster than the speed of sound. It’s definitely referencing the internet and for that you can’t even quantify how important it is when talking about streaming on Spotify, iTunes, Amazon. You know that’s the way people are listening to the music they’re not going out and spending money to pay for music when they can listen to it for free or maybe $10 a month. Now this doesn’t really pay the artist much but if your song caught on and you had millions of listeners every day well then you would be making a lot of money so it’s really the same, only different is the means. People will still buy CDs more at a gig than anywhere else.

Once again a big thanks for sharing time with us; anything you would like to add?

Well, without our friends, we got nothing so we hope to make new friends here and hope they enjoy learning more about Leaving Eden. We definitely want to say Thanx Much and Peace!!

https://www.leavingeden.com/   https://www.facebook.com/bandleavingeden   https://www.instagram.com/leavingedenofficial/   https://twitter.com/Leavingeden   https://www.youtube.com/user/leavingedenband

Pete RingMaster 02/10/2018

Copyright RingMaster: MyFreeCopyright

 

Contemplating Leaving Eden

le-3-11-16_RingMasterReview

It is quite simple. Leaving Eden is a band which demands attention with a sound and creative flair that persistently captures the imagination drawing an ever growing following simultaneously. Their ear catching and thought provoking music has help lead the band to sharing stages with hundreds of the biggest national bands in the world and tours across numerous countries. We managed to grab some time with Eric from the band to learn more about Leaving Eden and what makes them tick…

Hello and thanks for taking time out to talk with us.

Can you first introduce the band?

Hi, great chatting with you also.

Eve: Lead Vocals

Ryan: Manning Drums

Johhny V: Bass

I’m Eric Gynan: Guitarist, vocals, Keys.

Have you been involved in other bands before? If so has that had any impact on what you are doing now?

Yes we’ve all been in various bands along the way and learning from the past always gives you a jump on the future.

What inspired the band name?

Leaving Eden came to be simply that this planet is like the Garden of Eden right, with all of its corruption; wouldn’t it be nice to take off and go somewhere else to visit? Lol.

Was there any specific idea behind the forming of the band and also in what you wanted it to offer and does that intent still drive the band or has it evolved over time?

Definitely we have evolved. I think you have to in order to change with the times so long as it’s better. It’s important though to maintain your individuality. For us we set out to be different. Quick story here, we went to this huge studio once where bands like Seven Dust, The Rolling Stones and Boston recorded. The person there brought out a white board in the conference room and drew a box. They said you are here, pointing outside the box and you need to be here, pointing inside the box. I immediately said wait, are you telling us we need to be in that box?  They said well yes I guess I am. I said thank you very much and got up and walked out. I get it, if you wanna ride a wave and be like everyone else on that moment of time, they can easily slip you into a genre. For us though it’s hard to just slip us in to any particular genre. We won the best Hardcore act in New England and I thought that was funny because they couldn’t find the appropriate Genre for us. We stay true no matter what the times may change to our roots, Rock Music.

Since your early days, how would you say your sound has evolved and has that been an organic movement or you guys deliberately heading in certain directions?

I think being a recording artist, endlessly recording and working with some incredible recording engineers like Johnny K (Disturbed, Pop Evil) you learn what it really takes. When they say they will go through your music with a fine tooth comb, they mean that literally that down to the 64th beat your music will be scrutinized for perfection. Ya know good bad or indifferent, when you listen to the radio, you may not like the band you’re listening to but aside from that, you will NEVER hear something that’s not polished. It’s gotta be perfect or you’ll never make it to the radio. With this on mind, you take this knowledge of being tight to the live performance and it makes all the difference in the world. This is why some bands may record a great album but when you see them live, it’s just not the same. We try and stay true to our recordings.  We also evolve in that area after the recording we may change it up live where we may think we’ve built upon that foundation.

art_RingMasterReviewPresumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

I think all of us are inspired by what we like as far as taste in other bands music. For us what greatly inspires us is that organic sound that manifests itself in a way that is kind of like connecting the dots. We feel that Leaving Eden learns from the past, encompasses the present and forges the future. Any band that has been in the gutters not in the limelight, they’re the ones whom always forged the future. This is why we named our last album Pinnacle…Because it’s at that pinnacle where trends will be forged.

Is there a particular process to the band’s songwriting?

Sure. For me I connect with the Universe in a way that opens my mind to listening. I use my fingers as kind of line antennas to pick up the frequencies, as strange as that sounds, if you listen, you can hear the music that lyrics, melodies and harmonies completely produced. Just gotta transfer that info to the recording. Then the rest of the band puts their stamp on it and presto, there’s a new song. I’ve even felt the influence of dead poets coming through. Sometimes I feel like I really can’t even take credit for the songs as they’ve come from somewhere else. It’s a deep meditative state of mind that brings these ideas into fruition.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Great question… Our songs speak from experience, life’s experiences…Sometimes good but mostly bad lol. Bad in the way of getting screwed, for instance our song Tied and Bound comes from the frustration of the music industry; “We’ve been screwed overcharged underpaid and abused, exploited avoided and falsely accused, we’ve been cut down let down fucked around tied and bound, but nothing can take the music away”

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Pinnacle released by Rock Avenue Records USA, was completely written before we got to the studio. We like to do pre-production first, be prepared so to speak, so that we aren’t wasting valuable time and money. Pinnacle is really an eclectic array of song themes and music. We tried to keep it again organic so you won’t hear all these extra vocal harmonies for instance that we could never do live. Yes there is harmony, but it can be done live.

Tell us about the live side to the band, presumably the favourite aspect of the band?

That is where one should shine right?  I feel it is our live sound which is one of our trade marks. It’s so hard in the studio to capture that live performance primarily because it’s a one sided energy exchange. When you have a crowd, that’s where the sharing of the energy happens, therefore it really helps to put you on top of your game. You can’t see the band for instance when listening to an album, so that performance is so necessary.  Can the band reproduce that sound live? With Eve in front, she is clearly universal and really takes control of the room or festival, really just connecting with the crowd.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?14195978_1274693589207580_3294288122701219788_o

Correct. We’ve been fortunate, lucky, graced, whatever you’d like to call it. Our motto has always been that we will play anywhere, anytime, any way we can so long as we can. This philosophy has led us to share the stage with some of the biggest bands in the world with;  Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio,  Rob Zombie, 5 Finger DeathPunch, Disturbed, Marylyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, BuckCherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s,  Alice in Chains, Papa Roach, Bret Micheals, Halestorm, Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel,  Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) and many more..  This has led us to Winning The New England Music Awards & The Pulse Magazine Worcester MA Music Awards and Touring The USA, UK & Canada. If we didn’t get out there we would have never found these opportunities. There’s usually someone there that can help move you forward.

Are there the opportunities to make a mark if the drive is there for new bands?

Absolutely…In fact I believe bands who haven’t “made it” have more of an opportunity. Let’s take a band that has made it whether it was one song or many. As time passes, for whatever reason, they stopped making hits. It’s very rare for them to have another hit song or even get on the radio. It’s very strange but true. As a new artist you have more of a chance because again you’re at the pinnacle forging ahead.

How has the internet and social media impacted on the band to date?

I find this very interesting. In a moment you can be heard all over the world. It’s absolutely amazing. Back in the day I feel bad for the artists before the internet that never had that chance. Shit, back then you couldn’t even stay connected with different states via phone. It was too expensive to make a phone call so you were quite limited as far as how far you could reach. Now, our music is flying through the airways, our unreleased song Out of the ashes says; digging deeper underground faster than the speed of sound

I can see the light of day, darkness fades away”. This just says as a band that’s not superstars, they are basically underground in the gutters spreading like swill in the harbor of slime lol. God some of the venues we’ve played have been the scum of the earth. Shit when we went to UK, there was a dirt floor. But in order to really appreciate where you may end up you’ve got to crawl through the slime in the gutters. If I for instance just started a band, had lots of money, related to someone big in the industry, getting signed immediately and becoming famous overnight, how then could I appreciate where I came from? When you come from the bottom of the barrel and make your way to the top, you never forget where you came from.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers

This was fun. Please excuse my unorthodox replies here and appreciate your time. Leaving Eden will be touring the USA, Canada and Europe. Hopefully South America as well, where our management/touring Co. Alpha Omega/Darkside Entertainment has offices in Europe, USA and South America we feel honored to be part of the family there. We hope to see all of you soon!! For all Leaving Eden Info go to http://www.leavingeden.com

And see us on Facebook Leaving Eden and Peace and Harmony to all!!  I say harmony because this planet, the universe, everything in it works in perfect harmony accept one species, Humans. WTF is that about right? Let’s make it happen.

https://www.facebook.com/bandleavingeden

Pete RingMaster

The Ringmaster Review 01/12/2016

Copyright RingMaster: MyFreeCopyright

The Idol Dead – Dark Little Heart

The Idol Dead Online Promo shot

If you missed out on the initial release of Dark Little Heart at the tail of 2012 from UK rockers The Idol Dead then stand ready to leap on board with its reboot this week through the band’s own label RAAA! Records. It is a feisty and fiery slab of rowdy and bruising rock ‘n’ roll but one with all the insatiable charm of a lady of the night and the contagious strength of the common cold. The Leeds hailing quintet merges glam and hard rock with a voracious breed of punk resulting in an invigorating and immensely enjoyable rampage of sound and enjoyment. Admittedly its first contact courtesy of the opening song left a promising and pleasing suasion but one which left reservations in regard to its originality and finding a spark to ignite more than simple satisfaction. They were short lived concerns though, the second track bringing a voracious bait before the imagination which set thoughts and emotions on fire. Certainly the album stays away from forging a really distinctive new proposition, thoughts of The Wildhearts and Backyard Babies an undeniable comparison, but Dark Little Heart emerges as one rebellious stomp of rock ‘n’ roll which simply hits the sweet spot.

The Idol Dead began in 2008 and soon made a rapid impression on the local rock scene. Their reputation for explosive live performances went before them as the band played throughout the UK, sharing stages with the likes of Killing Joke, Sebastian Bach, Buckcherry, Evil Scarecrow, Blackfoot, Warrior Soul, Molly Hatchet, Hatebreed, Pitchshifter, Laika Dog, and Spear of Destiny along the way as well as enjoying great responses at numerous festivals. After the well-received Shooting Star EP, the band’s debut album Die on my Feet or Live on my Knees on their own label marked the band out and drew strong responses but it is through the crowd funded Dark Little Hearts that you feel that The Idol Dead will find access to a much wider attention and fevered spotlight. Inevitable line-up shifts along the way have seen the band adapt and grow so that the five piece of vocalist Polly Phluid, guitarists KC Duggan and Tim Jeffs, bassist Dan Sugden, and drummer Nish Gonsalkorale now show themselves to be a potentially explosive proposition within British rock.

As mentioned at the start of the review, opening track Blue Skies provides an appealing encounter but is somewhat underwhelming in its The Idol Dead Cover Artworkpersuasion due to there being little surprise or unpredictability to its otherwise potent presence. Certainly the passion and craft of the band is an open declaration whilst infectiousness is rife from the riffs to the thumping rhythms and from the impressive vocals to the united anthemic band calls beside them. In hindsight it feels like the band is playing safe to start things off, giving ears a well formed and boisterous yet easily accessible entrance into the album. The track is still a thoroughly pleasing offer though but soon left looking pale as the following song lights the fuse to a passionate and imagination stirring experience.

Six Feet Under is just glorious, from its initial flush of raw flame of riffs and inciting rhythms it is an instantaneous trap which has feet, senses, and imagination recruited with its punk ‘n’ roll bred contagion. Holding an essence of Misfits to its sinewed romp and passions corralling enterprise, the track drags out a hungry appetite for it and the album. Again it is fair to say surprises are scarce in many ways, though just the weighty temptation and resourceful triumph of the track alone makes a detonator to the expulsion of expectations whilst leaving thrills and spills rampant. It is a major highlight but one which itself is exceeded by the following Vampire. From an atmospheric intimidating ambience in the dead of night, the song erupts with scorching flames of guitar and moody rhythms matched by the dark throated bass. The vocals of Phluid equally have a sinister edge and leer to their tone which adds greater intrigue to the narrative of the outstanding song. The band finds an even more addictive toxin to the chorus and infection veining the horror punk like predation, sculpting a track even more immense and irresistible than its predecessor.

Both Dion and Hey Girl unveil superbly crafted and shaped bodies of hard rock bred enticement and though neither can match the heights of the previous pair, the songs feed compelling strides of rock ‘n’ roll into a hungry appetite. The first is much like the opener in that is has few moments of wrong footing assumptions but provides enough invention in its unrelenting catchiness to bring a wholesome appetiser to devour before the more substantial feast of its successor twists and rolls with its garage punk/hard rock fusion. The song takes mere seconds to have limbs and voice enlisted in its cause, giving them a vivacious ride of riffs and grooves with barbed rhythmic hooks before making way for the ferocious Bad Fiction. The punk sided heart of the band is an open brawl in the song, rapacious mischief and energy surging through riffs and adrenaline gifted rhythms. Vocally too the band snarls and incites but it and the sounds all come with a wink and a loud whisper of Generation X within the urgency and pent up roar which wants to rock rather than fight.

The pair of I’m Drowning, a captivating stirring ballad featuring the excellent guest vocals of Claire Cameron alongside the again strongly impressive Phluid, and the magnetic Bleed continue to keep imagination and emotions on their feet; both with a longer to convince persuasion but each evolving into easy to recommend highlights upon the album.

The closing stretch of the album is a little undulating but continues to thrill; the blues filtered You Don’t Know a sonic fire which misses finding the trigger which elevates other tracks so masterly and the closing Beautiful Disaster almost ending the album as it started with a less than imposing offering but a skilfully written and presented one which does enough to leave a contented listener. Between them though the band unleashes one final gem in the rabid punk spawned I Don’t Wanna, an unbridled charge of dirty and belligerent rock ‘n’ roll with all the lures and seduction to spring the inner punk in us all. It is a terrific provocation again proving the potential and already open quality of The Idol Dead.

With Dark Little Heart you are not going to find new pastures to explore but for excitingly accomplished and virulent rock ‘n’ roll, there are few around right now to impress more than The Idol Dead.

Dark Little Hearts is available on 5th May through RAAA! Records.

http://theidoldead.com

8/10

RingMaster 04/05/2014

Copyright RingMaster: MyFreeCopyright

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The Idol Dead reveal their ‘Dark Little Hearts’, on 5th May‏

The Idol Dead Online Promo shot

 

UK ROCKERS THE IDOL DEAD RE-RELEASE STUNNING NEW ALBUM!

 

Leeds rock crew ‘The Idol Dead’ spit out a heady amalgamation of infectious Rock ‘n’ Roll and spiky punk which tips its hat to the likes of Guns ‘n’ Roses, Foo Fighters and The Wildhearts. Pinning sledge hammer riffs against gargantuan choruses backed by thunderous drumming, The Idol Dead are poised to bring their sound to the masses in the shape of their blistering new album ‘Dark Little Hearts’, which is rebooted on 5th May, through the band’s own RAAA! Records label.

Born out of a mutual love for blistering riffs, The Idol Dead sport a varied collection of influences stemming from Rachael Stamp, Foo Fighters and Sex Pistols, to David Bowie and Queen. It’s no wonder that, given their eclectic tastes, the 5 piece offer something different – their own brand of big booted rock n roll!

Formed in 2008 and consisting of Polly Phluid (Vocals), Nish Gonsalkorale (Drums,) KC Duggan (Guitar), Tim Jeffs (Guitar) and Dan Sugden (Bass), the five-some soon became the best of friends. After honing their live set, the quintet began to play throughout the UK and swiftly earned a hearty reputation for delivering explosive live performances. The band have gone on to share stages with the likes of Killing Joke, Sebastian Bach, Buckcherry, Evil Scarecrow, Blackfoot, Warrior Soul, Molly Hatchet, Hatebreed, Pitchshifter, Laika Dog and Spear of Destiny, to name just a few.

The Idol Dead also have a strong DIY ethos which led them to form their own label, Raaa! Records. The label spawned the release of their debut album ‘Die on my Feet or Live on my Knees’, which was totally self-funded. However, the band decided to utilise the pledge platform for their sophomore album ‘Dark Little Hearts’, and within six weeks, they had what they needed in order to complete the album. Needless to say, The Idol Dead were simply blown away by the dedication and support of their fans.

Now with ‘Dark Little Hearts’ recorded and prepped for a national release, the sky is the limit. The band’s album certainly delivers on all fronts. From the urgency and cut throat riffery of ‘Blue Skies’, to the buoyant vigour of ‘Hey Girl’ and the radio friendly melodic brilliance of ‘I’m Drowning’, the five piece have everything in line and are set to battle it out for their place as one of the new breed of Brit Rock bands set to break in the UK!

 

Check out The Idol Dead live: 21st March – Sitwell Tavern, Derby; 30th April – The Duchess, York; 3rd & 4th May – Noize Level Critical, The Maze, Nottingham; 9th May – 360 Club, The Library, Leeds; 24th & 25th May – TBFM 5th Birthday Bash, The Snooty Fox, Wakefield; 31st May – The Riverside, Selby.

The Idol Dead Cover Artwork

www.facebook.com/theidoldead

FALLING RED announce video single’We Escaped A Cult’ and tour dates.

Falling Red Online Promo Shot
BRIT ROCKSTERS FALLING RED RELEASE NEW VIDEO SINGLE AND HIT THE ROAD!
“Riotous slabs of hard edged sleaze that remind me of the likes of Guns N’ Roses and Skid Row but with the attitude of the Sex Pistols. One of the finest live bands I’ve seen this year.” Power Play Magazine
 
Within just three short years, rising rockers ‘Falling Red’ have taken their high octane fist pumping brand of Rock from the backstreet clubs to the legendary Hammersmith Apollo! Now, with further fire in their bellies, Falling Red set loose their brand new video single ‘We Escaped A Cult’, which is taken from their forthcoming album ’Empire Of The Damned’. The band release ‘We Escaped A Cult’ on Monday 14th October and head out on tour in support of the record this October.
Formed in 2007 and hailing from Carlisle, Falling Red have already acquired a stellar name for themselves for their intoxicating blend of hard rock. Just about every rock publication, from guitarist magazines through to national rock press such as Classic Rock, Rocksound and Metal Hammer, have reviewed, interviewed or supported the band. And they are rightly deserving such attention, as everything the band has achieved has been born out of sheer hard work. The rampant rocksters cut their teeth by playing just about every sweat-drenched flea pit from the highlands in Scotland to the pits of Southern England. With a glowing reputation for energetic live shows, the quartet soon chalked up invites to play both Hard Rock Hell & Hammerfest; the band grasped the opportunity with both hands and graced audiences with a series of invigorating performances. Supports slots with Skid Row’s front man Sebastian Bach followed, and Falling Red upped their game both on & offstage, with the wild man of rock being over shadowed at every turn. Due to their growing status, the band were hand-picked as main support to the meteoric rising rock crew Steel Panther. Falling Red killed it again and left the stage every night to mass applause, with thousands of new fans wanting more. Falling Red toured again in March 2013 with a Headline tour which packed out 02 Academy 2 venues.
The band have now just finished working with Matt Elliss (The Black Spiders, Scarlett Riot) on their eagerly awaited new album ‘Empire Of the Damned’ and the UK rock crew unleash their first video single ‘We Escaped A Cult’ this October. Look out for a series of headline tours in the UK & mainland Europe starting with a tour this October with fellow Brit Rockers New Device.
cult cover lrg
FALLING RED LIVE: October 5th – The Brickyard, Carlisle (FR’s album launch); 10th – Trillians, Newcastle; 11th – Star & Garter, Manchester; 12th – Melbourn Rock Club, Royston; 16th – Wedgewood Rooms, Portsmouth; 20th – Black Heart, London.

Ram – Death

Mark it in your diaries; January 31st sees the return of Swedish heavy metal band Ram with their new album Death. Released via Metal Blade Records the album places the band back to the fore of the genre, its powerful and thoughtful songs a treat for all hard rock and metal fans from classic to heavy. For even those that feast upon the more muscular and harsher sounds that consume there is plenty to engage with on Death, its varied elements holding delights for all.

Formed in 1999 by guitarist Harry Granroth to play the music he wanted to hear not, as their bio says ‘the misinterpretation of metal that ruled the scene back then’, Ram soon found its thrust and direction with the addition of Daniel Johansson, another like minded guitarist to Granroth. Working together on Granroth’s wealth of written songs new compositions emerged, and Ram grew further still when they found vocalist Oscar Carlquist, another with a dislike of the current metal music and direction. The band was completed when drummer Morgan Pettersson and bassist Leif Larsson (renowned from his time with Frozen Eyes) joined up. The quintet had an instinctive unity in making real metal which found an immediate connection with people when they released their debut EP Sudden Impact in 2003. Shows and festival appearances soon followed as did a tour with Sebastian Bach. Live shows was and is the band’s forte garnering acclaim and increasing amounts of new fans over the years at home and around Europe though their full-length debut Forced Entry of 2005, and album Lightbringer in 2009 did them no harm either, both drawing excellent responses. The year before the band recorded Lightbringer saw Larsson asked to leave the band to be replaced temporarily by Tyrant of Nifelheim and in 2009 permanently by Tobias Peterson.

2010 saw the band enter the studio to record Death with producers Per Stålberg and Olle Björk, and last year the signing with Metal Blade Records for its release, a label that seems the perfect like home for their striking metal sounds. The band themselves stating “We are very pleased and proud to sign with a metal label that has done so much for heavy metal and has such an amazing legacy.”  The album is a pulsating array of hard rock sounds delivered on metal riffs and attitude and is a perfect fit for the varied and dynamic roster the label has built, even more so it is a feast of rock thrills that will excite a great many.

The title track opens the release and in many ways is the best thing on the album. There may be better songs and equally enjoyable tracks but it is immediately striking and attention holding with its atmospheric instrumental ‘drama’. Dramatic in that it brings a powerful emotive peace and threat at the same time and though not a true representation of what is to come shows the quality within the band’s creativity. ‘…Comes From The Mouth Beyond’ takes over to rile up the senses with its expressive rampage through the ear. The song is a stirring array of scorching guitar play and storm powered riffs and excellent vocals from Carlquist. The track also twists and turns ensuring there is always something to intrigue and excite and but for the wonderful ‘Flame Of The Tyrants’ further down the album’s playlist would take best track honours.

Flame Of The Tyrants’ like a whirlwind picks up the senses buffering them with eager riffs that relentlessly thrust through the ear whilst the commanding bass and punchy  drums drive the track effortlessly. The track is partly anthemic and a kind of call to arms that gets pulses racing and one can imagine its power live easily, with its ability to pull such enthused response.

The rest of the album is less stunning compared to these tracks but still impressive in its sound and songwriting. Tracks like ‘I Am The End’, ‘Defiant’, and ‘Under The Scythe’ bringing honest and hearty metal that is impossible to not enjoy to some high degree. One has to admit that heavy metal music of any kind is not the sweetest flavour here but Ram had no problem in wiping away that prejudice and satisfying these ears. With a limited first edition to include a DVD of the full show Ram played at the Keep It True festival in 2010, Death is an album eager to please and thrill and it will, try it.

RingMaster 16/01/2012

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