Martyr Art – FearFaith Machines

Self-Dubbed as digital metal, the Martyr Art sound is a voracious mix of varied metal and industrial/electronic textures with more besides from an artist which embraces technology as eagerly as the cauldron of flavours woven into his bold recipe of enterprise. FearFaith Machines is the new and fifth album from the band, a release which for fans and newcomers can only make for one compelling adventure.

Martyr Art is the one man project of Joe Gagliardi III, an Orange County musician whose skills on the guitar are as captivating as the songwriting, vocal prowess, and imagination which equally escape his invention. The band is truly a solo project with Gagliardi playing every instrument before recording, mixing and mastering every second of adventure making up FearFaith Machines. Since emerging in 2004, Martyr Art has shared stages with the likes of Corey Glover, Doyle, KMFDM, Drowning Pool, Saul Williams, Full Devil Jacket, Brick By Brick, Dead Empires, and Moon Tooth whilst releasing a host of well-received singles and EPs as well as those previous four full-lengths. Up to this point Martyr Art had evaded our radar but FearFaith Machines has corrected that and will for a whole new tide of fans such its striking offerings.

The album starts with Motion, metallic electronic pulses and temptations luring ears before raw steely smog brings a rousing scourge of groove and alternative metal awash with industrial espionage. Quickly Gagliardi shows his vocal diversity as throat scarred and clean tones intermingle with the former heading the virulent contagion. Equally his craft on the guitar further ignites the tempest, shredding and picking multi-cultural sonic temptations.

The following cyclone of The Pleasure of Pain is just as invasively magnetic, its industrial inclinations steering the listener towards the waiting metal bred uproar. The cycle repeats with even greater heat and intensity, vocals again a great blend of attack and enterprise matching the adventurous emprise of sound. Like a maelstrom of Rabbit Junk, Squidhead, and Cynical Existence, the track is a captivating fury more than matched by next up Who Are You. The third song scowls as it plunders the senses, raging with punk dissonance as again a web of styles and flavours unite with voracity and imagination on the way to forging another major highlight within the release.

Across the sinister almost psychotic Just and the superb Constrict, the album simply expands its landscape of sound and captivation, the second of the two almost primal in its breath yet precise in its layers of boldly varied texture and spicing while their successor, Thundering, is a dark seduction with hues of bands like Type O Negative and Sisters Of Mercy to its irresistible gothic rock/post punk serenade.

Final track is Binary Slavery, a carnivorous slice of industrial metal gnawing at the senses yet soothing the wounds with melodic caresses though they too come with an edge of trespass to their infectious exploits. It is a rousing end to the album highlighting the craft, imagination, and bold fusions making up the heart of FearFaith Machines.

Gagliardi creates something that is nothing less than unique from the familiar styles and sounds he weaves with, indisputable evidence coming with one of the most fascinatingly individual and simply enjoyable encounters this year.

FearFaith Machines is out now; available @ https://martyrart.bandcamp.com/album/fearfaith-machines

http://martyrart.com/   https://www.facebook.com/martyrartofficial

Pete RingMaster 01/12/2018

Copyright RingMaster: MyFreeCopyright

Sabatta – Middle Of The Night

SABATTA NEEDS YOU _RingMasterReview

Creating a fiercely flavoursome breed of rock ‘n’ roll described as grunge soul, British band Sabatta follow up the release towards the end of last year of their well-received album Middle Of The Night with a new single in the fiery shape of its title-track. The track is a feverish mix of styles and flavours epitomising the band’s broad sound and a tenacious energy which ignites their live presence and its parent release.

Led by singer/songwriter guitarist Yinka Oyewole, the London based Sabatta has toured across the UK and Europe as well as the US over the years, sharing stages with the likes of Peter Doherty, Slaves to Gravity, Saul Williams, Zoe Kravitz, and Janelle Monae along the way. Numerous festivals has embraced the band’s crowd inciting live show too, whilst later albums like Emperor’s MOTN_SINGLE_COVER _RingMasterReviewNew Clothes and Sabatta have especially drawn acclaim and attention. With Oyewole exploring solo material as well as making appearances in films, TV, and music videos with the likes of Kevin Bacon, Ashley Waters, and James Arthur since 2011, the quiet Sabatta bounced back into ears in fine style with Middle Of The Night in 2015, its title track now poised to spark 2016 off in the same way last year ended for the band.

A guitar jangle and rhythmic roll breaks the silence first, its repeated rally sparking a strolling groove spreading sultry tendrils as the quickly engaging vocals of Oyewole join the brewing party. It is a growing energy which bursts into a fuzzy blaze stocked with soaring harmonies and rousing funk ‘n’ roll revelry. The track relaxes back into that initial catchy canter again, all the while building its energies and tenacity to spring up again, a repeating cycle which has anticipating glowing with each round as eagerly as the band’s own to burst into boisterous action.

Weaving a tapestry of dirty grunge and emotive soul, flirtatious funk and fiery classic rock, to name some of its textures, Middle Of The Night is a spirit raising feel good stomp which might not be re-inventing the rock wheel but certainly provides a whole new colour to its invigorating roll.

Middle Of The Night is released April 8th @ https://sabatta.bandcamp.com/album/middle-of-the-night

http://www.sabatta.net   http://www.facebook.com/sabatta   http://www.twitter.com/therealsabatta

Pete RingMaster 06/04/2016

Copyright RingMaster: MyFreeCopyright

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