Ghost Of Social Networks – If This Isn’t Love

Though being captivated by UK outfit Ghost Of Social Networks is becoming predictable there is nothing feeding expectations when it comes to the songs and invention crafting their appeal. It is a trait just as rampant in new single If This Isn’t Love; a song which holds no surprises in eagerly hungry ears but is a fresh escapade in the adventurous enterprise which has captured the imagination song after song so far.

Ghosts Of Social Networks is the one man project of Manchester based musician/songwriter Nathan Till, though a proposition which expands with the full-time assistance of drummer Ben Dargue and bassist Andrea Gobbi for shows. Early last year, Till released the debut GOSN single in the attention and acclaim grabbing shape of Love Potion/ Mockingbirds; a potent introduction only reinforced and built upon by subsequent singles Comeback Kid, No Going Back, and earlier this year the truly outstanding Outside The Wheel. The last of the releases laid down a new plateau for the sound and imagination of Till, one now magnetically courted by If This Isn’t Love.

Again seeing Till link up with producer Gavin Monaghan (Editors, Robert Plant, The Sherlocks), If This Isn’t Love instantly entices ears with a keen melodic jangle and swiftly entangles them in the following gnarly welcoming hook. As rich bait as they are though, they are the mere key to a surge of infectious temptation driven by boisterous rhythms and the ever alluring tones of Till. Quickly an eighties new wave scented hue emerges; a Paul Haig meets Lloyd Cole air adding extra spice to the track’s tenacious swing. Till is never one to keep things restricted to one line of persuasion though, adding imaginative twists and turns of energy which just add to the song’s boisterous appetite stoking adventure.

Whereas previous single Outside The Wheel slept with darker shadows, If This Isn’t Love sees Till play with openly warmer textures and a pop bred boldness which has hips and feet lustfully engaged even as a lyrical edge teases thoughts. It all makes for another outing with GOSN which leaves pleasure and a hunger for more, rampant…time for an album?

If This Isn’t Love is released 18th August via Integrity Records.

https://www.ghostsofsocialnetworks.com/    https://www.facebook.com/GhostsOfSocialNetworks    https://twitter.com/GOSNmusic

Pete RingMaster 02/08/2017

Copyright RingMaster: MyFreeCopyright

Ghosts of Social Networks – Outside The Wheel

From impressing with their debut AA-sided single Love Potion/ Mockingbirds last year, UK band Ghosts of Social Networks has gone from strength to strength in writing, sound, and attention. Earlier this year, No Going Back left its predecessor and the band’s second single Comeback Kid in the shade, a feat replicated now by Outside The Wheel, easily the outfit’s finest moment to date.

Created by and based around the craft and music of Manchester based Nathan Till, Ghosts of Social Networks create musical and emotional drama within their songs and no more striking than the suggestive theatre shaping Outside the Wheel. Again a song produced by Gavin Monaghan (Editors, Robert Plant, The Sherlocks), the new single winds a spicy groove around ears first, it’s tempting persona soon backed by tenaciously prowling rhythms the warm and expressive vocals of Till. At the same time, a haunting air rises and flows across the song, bringing a sense of The Mission to the brooding, politically charged encounter.

Building crescendos which erupt into a fiery chorus soaked in its own espionage of drama and creatively flirtatious escapades, moments with a touch of Bond to them; the song simply ignites ears and imagination not forgetting real pleasure.

There are some songs which leave a lingering mark on thoughts and emotions; Outside The Wheel one of them leaving Till and Ghosts of Social Networks a real task to match its majesty next time around.

Outside The Wheel is available now through Integrity Records.

http://www.ghostsofsocialnetworks.com/    https://www.facebook.com/GhostsOfSocialNetworks    https://twitter.com/GOSNmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

The Sun Hotel – A Quest For Knowledge

The Sun Hotel artwork_RingMasteReview

With the recently released A Quest For Knowledge EP already luring stronger and keener attention the way of The Sun Hotel, the British alternative rock trio is poised to pile on the temptation with a new single July 1st. The song is the title track from their current EP, a song which bounces along with devilment in its adventure and pure magnetism in its boisterous attitude and character.

With members hailing from Shropshire and North Wales, The Sun Hotel began on 2014 as a folk duo of guitarist/vocalist Jon Hamer and drummer Ed Brown. As its line-up evolved with the addition of vocalist/bassist Joe Warham in the February of 2015, so the band’s sound grew into the striking and fiercely engaging proposal offered by the new single inspired by classic and modern rock influences. Last year also saw the release of a self-titled and self-produced EP in August, a collection of demos backing up an acclaim earning live presence. This past March, the threesome recorded their new EP with producer Gavin Monaghan (Editors, The Sherlocks, Robert Plant) at Magic Garden Studios UK, an encounter which leaps at ears with creative relish, and in no more persuasive form than in forthcoming single, A Quest For Knowledge.

The track instantly engages ears with its guitar clang and rhythmic clash yet the hearty melodic warmth and endeavour which soon blossoms is already there laying its initial bait. Quite quickly the song has thoughts dipping into some nostalgic comparisons, the track carrying a scent of seventies/eighties power pop/new wave which simply sparks the imagination. In some ways there is an element of The Might Lemon Drops and Purple Hearts to the song but similarly, while creating its own individual character, current bands like The Jacques and The Sherlocks are hues in the mix.

There is also a great fiery edge to A Quest for Knowledge which simply adds to the enthralling theatre of the song and if new to The Sun Hotel, there is no better way to approach them than through this irresistible single.

A Quest for Knowledge, the single, is released July 1st.

Upcoming Live Dates:

Whitchurch Party In The Park – Saturday 11th June

The Bull Inn, Shrewsbury – Friday 15th July

https://www.facebook.com/thesunhotelofficial/   https://twitter.com/TheSunHotelJJE

Pete Ringmaster 10/06/2016

Copyright RingMaster: MyFreeCopyright

Paradigm – Realize EP

Paradigm Promo Shot _RingMasterReview

Offering four tracks which either hit the ground running with ears and imagination or simply blossom into just as potent propositions over subsequent listens, it is fair to say that the Realize EP is one attention commanding debut. The first EP from London trio Paradigm, it is a striking introduction to a UK rock band already stirring up strong words of acclaim.

With its initial seeds sown when vocalist/guitarist Alex Blake met drummer Angel D at school where they exchanged a Nirvana album and instantly became best friends, Paradigm truly stepped forward with a line-up completed by bassist/pianist Giulio Granchelli. Honing their sound whilst earning swift and potent reputation for their live presence, the band eventually hit the studio where producers John Cornfield (Muse, Oasis, Robert Plant, New Model Army, Supergrass) and Paul Corkett (The Cure, Bjork, Placebo, Nick Cave), after recording the EP with the band, announced that “This is one of the most fresh and exciting modern rock bands we‘ve produced!”

Realize opens with the instantly impressing Desire, a track which has the listener’s physical and emotional involvement on broad with little time or effort. Riffs and rhythms create a united coaxing further enhanced by spicy grooves and the quickly compelling and throaty bassline cast by Granchelli. As melodies add sultry temptation, the dark tones of Blake steal their big portion of attention, his presence already being described as Nick Cave-esque, and understandably so listening to the opener.  It is an enthralling persuasion catching further alight with its rousing chorus and volatile emotive energy. Every twist brings a new spice to enjoy, keys pulsating with an enterprise as resourceful and magnetic as the drama fuelled hooks and collusion of vocals cast across the band.

Paradigm Cover Artwork _RingMasterReviewThe stunning start is closely matched by Your Darker Side. It is a less intensive affair but just as rich in melodic tempting and creative imagination. Many bands have been offered up as an attempt to describe Paradigm’s individual sound; Muse, 30 Seconds to Mars, U2 among them but we suspect everyone will find out their own unique comparisons, as here the song reminds these ears of The Fatima Mansions and Teardrop Explodes as much as anyone else, a Julian Cope air also seemingly lacing Blake’s again impressing tones and delivery. The thrilling and highly infectious song itself proceeds to build crescendos of energy and intensity, each erupting seamlessly into anthemic roars and gentler hugs of expressive sound.

To reveal another shade to their songwriting and sound, the sombre yet fiery Strangers has a Walker Brothers air to it at times, going on to unveil a grungier presence leading up to and for its tempestuous chorus. Pete Wylie also comes to mind across the song, but as suggested each will hear their own references such the thickness and depth of the Paradigm sound and invention. Fusing various strains of rock, past and present, the song fascinates as much as its catchy qualities seduce, and though it does not leap on the passion as swiftly as its predecessors, Strangers has them just as greedily hooked in time

The same with closing track The Miracle. Its theatre of sound and emotion sees the poetic hues of a piano aligning with almost orchestral like drama, an imaginative blend needing longer to explore and get into but emerging as another easy to embrace proposal if admittedly not quite to the same strength as the previous three on personal tastes. Nevertheless the band only impresses individually and as a single thick flirtation of the senses.

Paradigm have announced their presence in big, bold, and at times breath-taking style with Realize so expect to hear much more from and of this potential bulging band.

The Realize EP is released April 8th through Sumind Records across all stores.

http://www.paradigmofficial.com/    https://www.facebook.com/Paradigmcomprock    https://twitter.com/paradigmrealize

Pete RingMaster 06/04/2016

Copyright RingMaster: MyFreeCopyright

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Ghosts Of Social Networks – Love Potion

art gosn_RingMasterReview

A dark seduction for the senses and a provocative adventure for the imagination, Love Potion is the debut single from UK band Ghosts Of Social Networks. It is not always easy to spark real attention with your first offering on unsuspecting ears, but the Manchester outfit certainly have no trouble with their magnetic fusion of post punk, indie rock, and neo-psychedelia.

Produced by Gavin Monaghan (Editors, Scott Matthews, Robert Plant, Paolo Nutini), the song is a dark tale of unrequited love and the use of alcohol as a way of getting close to someone. Embraced by a potent emotive exploration; its provocative narrative is more than match by thick waves of sultry and haunting sound which wash imposingly yet engagingly over the senses. With bold textures and lingering sonic caresses, the track openly bears the band’s inspirations from the likes of The National through to The Jesus & Mary Chain, with Echo & The Bunnymen the overriding scent especially when melodies and harmonies entangle and fuzzily smoulder in a fiery seduction. Despite those colours, the song reveals a distinct character belonging to the band, one which greedily enthrals as it sublimely slips into the psyche.

Love Potion is one half of an AA sided offering; its companion Mockingbirds, a similarly dark and provocative proposal looking at those imitating celebrity culture rather than carving out their own identity. The first side of the single is our first glimpse at Ghosts Of Social Networks though, providing a mystique soaked romancing of ears and imagination within a tempest of emotion and instinctive adventure from a band already suggesting they are going places.

Love Potion/Mockingbirds will be released digitally through all major sites May 6th on Integrity Records (INT 054).

https://www.facebook.com/GhostsOfSocialNetworks

Pete RingMaster 22/03/2016

Copyright RingMaster: MyFreeCopyright

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Paul Menel & The Essentials – They Call Her Leaf

Paul Menel pic 1_RingMaster Review

It is always a great move to tempt intrigue for your album with a slice of irresistibility, whether in single form, a video, or whatever and that is certainly what Paul Menel & The Essentials have down with new song They Call Her Leaf. Taking from their forthcoming album Spare Parts for Broken Hearts, the new single is a mighty lure of melodic, progressive, and classic rock that just captures ears and imagination.

Singer/songwriter/guitarist Paul Menel is no newcomer to the rock scene. He was the frontman of prog rock band IQ from 1985 to 1990, and for two of their albums in the shape of Nomzamo and Are You Sitting Comfortably? in 1987 and ’89 respectively. After leaving the band he ‘rested’ for a few years, concentrating on a growing family and writing new songs. These subsequently became his debut album Carpenter From Nazareth Seeks Joiners, an encounter earning great plaudits amongst many. Its release and success in reviews led to producer Gav Monaghan (Robert Plant/Jack White/Peter Gabriel) getting in touch and persuading Menel to record at his Magic Garden Studio from where the acclaimed Into Insignificance I Will Pale emerged in 2012. Now with a new band also consisting of bassist Steve Swift and drummer Tim Churchman, Menel is poised to releaser their first album, Spare Parts For Broken Hearts, and before it this new rousing single.

The forthcoming album also features a host of guests including Monaghan, Julianne Bourne, and on They Call Her Leaf, Menel’s long-time friend Vix Vox of Fuzzbox. Inspired by the sense of hope when all seems hopeless and portrayed through Leaf, an “ethereal spirit who drives us on, unseen but ever present”, the song opens on a melodic coaxing which swiftly builds into a rich and pungent blend of crisp beats, dark bass tones, and elegant melodic endeavour. Already though there is enthralling thickness to the textures and flavours combining to fascinate ears and grip the imagination, an enthralling blend vivaciously embracing the vocals of Menel which bring a Peter Gabriel like hue to the colourful affair just to add a little more captivation to it all..

With folkish dew dripping off certain moments and the siren-esque tones of Vox a perpetual seducing throughout as her warm tones perfectly mix with the restrained but open roar of Menel, They Call Her Leaf just ignites body and thoughts. As suggested, there is a depth and extensive weave of sound and instrumentation to the song which ensures it proceeds to grow in strength and persuasion with every listen, musically and vocally.

They Call Her Leaf is pure temptation and if Spare Parts For Broken Hearts has more songs to match its beauty and anthemic roar, then we might potentially have a modern classic on our hands.

They Call Her Leaf is out now via most online stores.

Pete Ringmaster 14/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Monster Jaw – Losing All My Friends EP

Monsterjaw-main-bg

The end of 2013 brought forth Get A Tattoo, the debut EP from UK rockers Monster Jaw and a release which we found to be ‘Drenched in promise and an intriguing raw pleasure’. It was release which frequently lured our ears back into its potential fuelled grasp from thereon in and inspired a broader wave of national appetite for it with a reboot earlier this year through Cobra Kitten Records. Now the band returns with its successor and not only realises some of that brewing potency but has thickened it further, to again captivate, excite, and raise expectations that the Bradford/Leeds based trio will evolve into a pungent rock ‘n’ roll protagonist.

The Losing All My Friends EP bulges with a clutch of songs which manage to snarl whilst they seduce, each combining a mellow smouldering with heavy and hungry intensity. The tracks grip and spark full involvement from imagination and attention yet also they feel like a little bit of a missed opportunity in not going for the jugular creatively and aggressively. Nevertheless the release is a sizeable persuasion and a thoroughly enjoyable encounter which increases the stock and stature of one of Britain’s more fascinating emerging bands.

Formed in the earlier moments of last year by vocalist/guitarist/songwriter Mik Davis (ex-New York Alcoholic Anxiety Attack), bassist Neil Short (ex- Down the Machine), and drummer John Bradford (ex-Utopian Love Revival), Monster Jaw was soon sculpting striking songs bred from the inspiration of their surroundings and life experiences. Narratives of such baiting as love, sex, drugs, and dystopian futures swiftly gripped as the band’s sound and live presence brewed up a buzz , something Get A Tattoo soon fuelled further. Shows and support slots on tours for the likes of Stiff Little Fingers and New Model Army only accelerated their emergence and it is easy to see Losing All My Friends, produced as its predecessor by Wes Maybe (The Libertines, Roger Waters, Robert Plant), giving it all another healthy thrust.losingallmyfriendscover

The title track opens things up and takes little time in cupping ears with melodic enticing and rhythmic incitement. Once relaxing into its fiery stroll, with the strangely low key yet highly alluring vocals of Davis spicing up the growing sonic blaze, the track unleashes an infectiousness which is more a slow invasion than a virulent infestation but finds the same irresistible results. The shadowed basslines of Short temper and compliment the scorched temptation of guitar whilst Bradford jabs and probes ears with a reserved but punchy tempting, everything merging for a feisty and compelling mix of garage rock and punk with just a whiff of Jesus and Mary Chain tangy acidity.

The impressing start is followed by the catchy stomp of Low and the punkish psychedelic alluring of Lidocaine. The first of the two songs ebbs and flows in force, melodic caresses building to raw and energetic crescendos which hit the sweet spot. Though that changing of attack is emulated a little in success, the track is a bruising seduction which emerges as another potent slice of nostrils flaring alternative rock persuasion flavoured with a blend of Birdland and My Bloody Valentine essences twisted into something distinctly Monster Jaw. Its successor is a sultry furnace of hazy atmosphere and flaming sounds which again grip most addictively in its explosive eruptions which descend from slower suggestive build-ups. As its predecessor, the song is one where it walks a fine line between calm and aggression and maybe might have found a new gear choosing one over the other. It has to be said though but both, and especially Lidocaine linger and flirt with thoughts and emotions long after their departure so maybe the band has it right after all.

The release is completed by two bonus tracks, first up being a studio version of fan favourite Do It Gay, Do It Straight. It is a ridiculously compelling and anthemic slab of rock ‘n’ roll for feet, voice, and passions, and so easy to see why it ignites audiences. Completed by an extended version of the title track, Losing All My Friends is an increasingly impressing proposition. It gets bigger and better with every listen and though yes it does feel like the band missed a potent trick with it, the EP shows a more imaginative, creatively mature, and adventurous Monster Jaw, and that works for us.

The Losing All My Friends EP is available via Cobra Kitten Records now @ http://www.amazon.co.uk/Losing-All-Friends-Monster-Jaw/dp/B00N953ZK0/ref=sr_1_1?s=music&ie=UTF8&qid=1414436807&sr=1-1&keywords=monster+jaw

http://www.monsterjaw.co.uk

RingMaster 27/10/2014

Copyright RingMaster: MyFreeCopyright

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