It is quite simple. Leaving Eden is a band which demands attention with a sound and creative flair that persistently captures the imagination drawing an ever growing following simultaneously. Their ear catching and thought provoking music has help lead the band to sharing stages with hundreds of the biggest national bands in the world and tours across numerous countries. We managed to grab some time with Eric from the band to learn more about Leaving Eden and what makes them tick…
Hello and thanks for taking time out to talk with us.
Can you first introduce the band?
Hi, great chatting with you also.
Eve: Lead Vocals
Ryan: Manning Drums
Johhny V: Bass
I’m Eric Gynan: Guitarist, vocals, Keys.
Have you been involved in other bands before? If so has that had any impact on what you are doing now?
Yes we’ve all been in various bands along the way and learning from the past always gives you a jump on the future.
What inspired the band name?
Leaving Eden came to be simply that this planet is like the Garden of Eden right, with all of its corruption; wouldn’t it be nice to take off and go somewhere else to visit? Lol.
Was there any specific idea behind the forming of the band and also in what you wanted it to offer and does that intent still drive the band or has it evolved over time?
Definitely we have evolved. I think you have to in order to change with the times so long as it’s better. It’s important though to maintain your individuality. For us we set out to be different. Quick story here, we went to this huge studio once where bands like Seven Dust, The Rolling Stones and Boston recorded. The person there brought out a white board in the conference room and drew a box. They said you are here, pointing outside the box and you need to be here, pointing inside the box. I immediately said wait, are you telling us we need to be in that box? They said well yes I guess I am. I said thank you very much and got up and walked out. I get it, if you wanna ride a wave and be like everyone else on that moment of time, they can easily slip you into a genre. For us though it’s hard to just slip us in to any particular genre. We won the best Hardcore act in New England and I thought that was funny because they couldn’t find the appropriate Genre for us. We stay true no matter what the times may change to our roots, Rock Music.
Since your early days, how would you say your sound has evolved and has that been an organic movement or you guys deliberately heading in certain directions?
I think being a recording artist, endlessly recording and working with some incredible recording engineers like Johnny K (Disturbed, Pop Evil) you learn what it really takes. When they say they will go through your music with a fine tooth comb, they mean that literally that down to the 64th beat your music will be scrutinized for perfection. Ya know good bad or indifferent, when you listen to the radio, you may not like the band you’re listening to but aside from that, you will NEVER hear something that’s not polished. It’s gotta be perfect or you’ll never make it to the radio. With this on mind, you take this knowledge of being tight to the live performance and it makes all the difference in the world. This is why some bands may record a great album but when you see them live, it’s just not the same. We try and stay true to our recordings. We also evolve in that area after the recording we may change it up live where we may think we’ve built upon that foundation.
Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?
I think all of us are inspired by what we like as far as taste in other bands music. For us what greatly inspires us is that organic sound that manifests itself in a way that is kind of like connecting the dots. We feel that Leaving Eden learns from the past, encompasses the present and forges the future. Any band that has been in the gutters not in the limelight, they’re the ones whom always forged the future. This is why we named our last album Pinnacle…Because it’s at that pinnacle where trends will be forged.
Is there a particular process to the band’s songwriting?
Sure. For me I connect with the Universe in a way that opens my mind to listening. I use my fingers as kind of line antennas to pick up the frequencies, as strange as that sounds, if you listen, you can hear the music that lyrics, melodies and harmonies completely produced. Just gotta transfer that info to the recording. Then the rest of the band puts their stamp on it and presto, there’s a new song. I’ve even felt the influence of dead poets coming through. Sometimes I feel like I really can’t even take credit for the songs as they’ve come from somewhere else. It’s a deep meditative state of mind that brings these ideas into fruition.
Where do you, more often than not, draw the inspirations to the lyrical side of your songs?
Great question… Our songs speak from experience, life’s experiences…Sometimes good but mostly bad lol. Bad in the way of getting screwed, for instance our song Tied and Bound comes from the frustration of the music industry; “We’ve been screwed overcharged underpaid and abused, exploited avoided and falsely accused, we’ve been cut down let down fucked around tied and bound, but nothing can take the music away”
Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?
Pinnacle released by Rock Avenue Records USA, was completely written before we got to the studio. We like to do pre-production first, be prepared so to speak, so that we aren’t wasting valuable time and money. Pinnacle is really an eclectic array of song themes and music. We tried to keep it again organic so you won’t hear all these extra vocal harmonies for instance that we could never do live. Yes there is harmony, but it can be done live.
Tell us about the live side to the band, presumably the favourite aspect of the band?
That is where one should shine right? I feel it is our live sound which is one of our trade marks. It’s so hard in the studio to capture that live performance primarily because it’s a one sided energy exchange. When you have a crowd, that’s where the sharing of the energy happens, therefore it really helps to put you on top of your game. You can’t see the band for instance when listening to an album, so that performance is so necessary. Can the band reproduce that sound live? With Eve in front, she is clearly universal and really takes control of the room or festival, really just connecting with the crowd.
It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?
Correct. We’ve been fortunate, lucky, graced, whatever you’d like to call it. Our motto has always been that we will play anywhere, anytime, any way we can so long as we can. This philosophy has led us to share the stage with some of the biggest bands in the world with; Lacuna Coil, In This Moment, Black Sabbath (Heaven & Hell), Ronnie James Dio, Rob Zombie, 5 Finger DeathPunch, Disturbed, Marylyn Manson, Alice Cooper, Lynyrd Skynyrd, ZZTop, Puddle of Mudd, Korn, Killswitch Engage, BuckCherry (Jefferson Starship, Big Brother and The Holding Company, Country Joe, 10 Years After, 40th Anniversary Woodstock) Shinedown, Dropkick Murphy’s, Alice in Chains, Papa Roach, Bret Micheals, Halestorm, Theory of a Deadman, Avenged Sevenfold, Seether, Hell Yeah, Trapt, Dope, Soil, Fuel, Queensryche, Saving Abel, Hinder, Damage Plan, 7Dust, Sebastian Bach, SoulFly, Days of the New, NonPoint, DrowningPool, The Misfits, The Butcher Babies, Collective Soul, MushroomHead, Mudvayne, Chevelle, Godsmack, Powerman 5000, 10Years, Taproot, Gin Blossoms, Michael Schenker (UFO, MSG & The Scorpions) Herman Rarebell (The Scorpions), Nicko McBrain (Iron Maiden), Kittie, One eyed doll, Uncle Kracker, Tremonti (Creed/Alterbridge) Lamb of god, Slayer, Stone Sour, Motorhead, Blackstone Cherry, HOOKERS & BLOW Featuring GUNS N’ ROSES, QUIET RIOT, W.A.S.P. Members, Steven Tyler, Ted Nugent, Lita Ford, LA Guns, Trixter, Warrant, Apocalyptic Review (featuring members of Godsmack) and many more.. This has led us to Winning The New England Music Awards & The Pulse Magazine Worcester MA Music Awards and Touring The USA, UK & Canada. If we didn’t get out there we would have never found these opportunities. There’s usually someone there that can help move you forward.
Are there the opportunities to make a mark if the drive is there for new bands?
Absolutely…In fact I believe bands who haven’t “made it” have more of an opportunity. Let’s take a band that has made it whether it was one song or many. As time passes, for whatever reason, they stopped making hits. It’s very rare for them to have another hit song or even get on the radio. It’s very strange but true. As a new artist you have more of a chance because again you’re at the pinnacle forging ahead.
How has the internet and social media impacted on the band to date?
I find this very interesting. In a moment you can be heard all over the world. It’s absolutely amazing. Back in the day I feel bad for the artists before the internet that never had that chance. Shit, back then you couldn’t even stay connected with different states via phone. It was too expensive to make a phone call so you were quite limited as far as how far you could reach. Now, our music is flying through the airways, our unreleased song Out of the ashes says; digging deeper underground faster than the speed of sound
I can see the light of day, darkness fades away”. This just says as a band that’s not superstars, they are basically underground in the gutters spreading like swill in the harbor of slime lol. God some of the venues we’ve played have been the scum of the earth. Shit when we went to UK, there was a dirt floor. But in order to really appreciate where you may end up you’ve got to crawl through the slime in the gutters. If I for instance just started a band, had lots of money, related to someone big in the industry, getting signed immediately and becoming famous overnight, how then could I appreciate where I came from? When you come from the bottom of the barrel and make your way to the top, you never forget where you came from.
Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers
This was fun. Please excuse my unorthodox replies here and appreciate your time. Leaving Eden will be touring the USA, Canada and Europe. Hopefully South America as well, where our management/touring Co. Alpha Omega/Darkside Entertainment has offices in Europe, USA and South America we feel honored to be part of the family there. We hope to see all of you soon!! For all Leaving Eden Info go to http://www.leavingeden.com
And see us on Facebook Leaving Eden and Peace and Harmony to all!! I say harmony because this planet, the universe, everything in it works in perfect harmony accept one species, Humans. WTF is that about right? Let’s make it happen.
https://www.facebook.com/bandleavingeden
Pete RingMaster
The Ringmaster Review 01/12/2016
Copyright RingMaster: MyFreeCopyright
It is an intrigue and hunger fed further by the surging presence of Cope. Again guitars drive a start demanding attention, though taking a less forceful tact as keys and bass collude in a swinging stroll guided by the increasingly impressive tones and expression of Adam. At times spiky and in other moments gently flirtatious, the track hits the spot, eclipsing its predecessor with ease as the band’s imagination further blossoms. It is invention which seems to become bolder song by song, The Beast Inside building its infectious character upon wiry grooves and boisterous rhythms draped in warm harmonies. A nagging hook only adds to the lure of the song, its slightly darker edge just another catchy enticement in league with a spicy solo.
Released through Pavement Entertainment, the EP opens up with Afterlife. Making a low key entrance it soon hits a catchy stroll with simmering keys surrounding a great blend of vocals and am equally inviting and throaty bassline. Guitars add their own specific tempting to the swiftly infectious encounter too, especially as the tenacious chorus erupts, though it is the blend of Hosenfeld and Bowden’s vocal harmonies which grab biggest attention. Continuing to unveil inventive twists and turns through the stylish hooks and riffs of guitar, the track provides a potent start, one soon backed with similar potency by the feisty croon of Without You. Whereas there was a more unpredictable edge to its predecessor, the second track shares a more rounded melodic rock persuasion with again vocals and harmonies commanding as melodies take their share of the imagination involved.
Give us some background to your new release and some insight into the themes and premise behind it and its songs.
The album opens with Legion, a track which is in no hurry to own ears but instantly springs a web of engaging rhythms and electro bait crowded with enticing vocal roars. It is a restrained yet compelling lure which is soon stirring up a nest of fuzzy riffs and electronic sizzling as vocals prowl and in turn launch the anthemic heart of the track. In no time the song has an air of Korn meets Dope to it but equally has a scent of artists like Marilyn Manson and Society 1 whilst creating what is not exactly unique but certainly an organic character of its own. It is a magnetic and blistering start to the album, a masterful trap which has ears and appetite on board ready for what is to follow.
