Andreas S Jensen – Disturbed

To this point in time, Danish born, London based Andreas S Jensen has made a notable name for himself for being a guitarist in Dub Pistols, as a writer/producer whose co-writes with the likes of Kevin Lyttle, Armand Van Helden, and Nate James have sold close to a million copies, and in collaborations as remixer, producer, session player, and engineer with artists such as Dido, Rizzle Kicks, Vybz Kartel, Sam And The Womp, Beenie Man, Nerina Pallot and more. This month though sees the singer songwriter/musician make his own individual impact, expectantly what will be his biggest one yet, with the release of a debut solo album. Disturbed is an ear pleasing, imagination stroking collection of songs combining lyrical intimacy with an alluringly broad brushstroke of sound. It is a release which makes the most seductive company note to ear and then haunts the memory once departed; that in anyone’s book the sign of something special.

Jensen has already enticed praise carrying attention with his first EP Disconnected which was released at the beginning of 2014. Embracing inspirations ranging from David Bowie, Tom Petty, and Elliot Smith to Soundgarden and The Zombies, the encounter was the first step towards the lofty heights now awaiting the senses within Disturbed. For the album Jensen drew on the talent of a group of London session players he has met through his producer and session work including drummer Adam Falkner (Babyshambles/Dido), guitarist Garo Nahoulakian (Nadine Shah), cellist Ben Trigg (Arctic Monkeys, Unkle, Jamie Collum), and Antonia Pagulatos (Gorillaz, Blur) on violin and viola as well as Jesper Lind (Jack Savoretti), Nikolai Bjerre (Lamb), Jack Cowens (Dub Pistols/Bondax) and many others. The result of this union of craft and invention is a record as rampantly catchy as it is emotionally open; each song like a big brother knowingly understanding those moments in life, love, and longing we have all hugged or endured.

Disturbed opens with its new single released a week before the album and fair to say Only Die Once instantly has attention gripped. Jensen’s voice is the first enticement, his warm slightly sandy tones soon joined by a theatre of rhythms and keys as a guitar weaves its own suggestive bait. There is drama in piano and bass too whilst instinctive infectiousness fuels vocals and the melodic coaxing hooking the senses whether in a controlled smoulder or a fiery blaze. As a sign of things to come across the album, the track simply blossoms and grows with every passing second; a crowd of instruments and sounds uniting in a fanfare of imagination and enterprise.

The outstanding start is matched by next up Trust Is My Anchor, a single released earlier this year which had us on board with real anticipation right then for what Disturbed would subsequently bring. Like the first, the song makes a gentle start, acoustic guitar aligning with Jensen’s ever appealing voice and like its predecessor a proposal which just opens up its sound and invention with every breath. Soon it roars with a robust rock pop temptation which sublimely ebbs and flows in intensity whilst increasing its hold on ears and appetite second by second. There is something of Billy Momo to the subdued moments of the track and a hint of R.E.M. in its bolder expulsions; both deliveries as compelling as the other as another pinnacle within the album is exposed.

Take My Heart and Go needs barely a breath to seize ears as a glorious gnarly tendril of sound winds around the senses, a flirtatious bassline and the caress of acoustic magnetism swiftly stepping up alongside. Mixing country flavoured rock and eagerly strolling indie pop, the track has the body bouncing and hips swaying in no time with the imagination employed by word and another rich tapestry of textures and invention. For personal tastes it is probably fair to say that the track just misses the heights of the pair before it but the pleasure loaded grin our faces during its presence each and every time reveals all and alone why with every listen Disturbed  becomes more essential.

Through the electric shimmer of Another Way Of Leaving, a proposition merging sixties psych and eighties pop in its tantalising soulful croon, and the Baroque kissed Unchanged captivation is intense and greedy. The second of the two especially bewitches with its shadowy reflection and perpetually rising crescendo of sound and endeavour, the strings which magnetically colour most tracks voraciously manipulative and rousing before And She’s There calms things a touch with its vibrant canter. It too is a tenaciously catchy enticement all the same though which imagining The Everlys and Walker Brothers born as one and breaking out today gives a sense of this superb slice of contagious pop.

Thought gets the focus over body with the balladry of next up Looking Back For Something New, though it is hard not to sway to its melancholy lined tone and melodically intimate presence, while Run with at first a similar gait brews a contagion which has body and spirit rocking as again eighties funk/pop collude with electronic and creative drama. Both of the songs have a firm hand on ears and lustful attention though each is eclipsed by the bold exploits of Dangerzone, a theatre of rock pop which surely has to be the next single. Some tracks make you greedy for more, this is one for Jensen though one among quite a few to be honest but the show stealer of Disturbed for these ears.

The album concludes with I Carry My Cross, a beguiling dark folk/ country spectacle weaving in strands of gypsy, carnival and Latin rock which with its hypnotic funereal march is reason alone to take a chance on exploring one rousing release.

To be honest as much as we loved the single Trust Is My Anchor a few months back we were maybe expecting Disturbed to just back up its striking presence rather than take things to a whole new level. Boy, were we off the mark, the album a BIG must for all rock, pop, indie fans well everyone who loves boisterously catchy and emotionally honest music.

Disturbed is released September 15th with the single Only Die Once out September 8th.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 04/09/2017

Copyright RingMaster: MyFreeCopyright

Andreas S Jensen – Trust is My Anchor

With a new album due to drop this coming September, musician/songwriter/producer Andreas S Jensen releases new single Trust is My Anchor this month, a song which alone sparks plenty of intrigue for what the upcoming Disturbed might offer.

Moving to London from his native Denmark in 1998, Jensen first started working as a session player with the band Dweeb before concentrating on writing and production and signing a publishing and management deal with Wise Buddah Music. As part of writing team The Funktuary, he co-wrote and helped put together the radio edit/remix of Armand Van Heldens club classic My My My before the team released their own well-received EP. From there he joined Dub Pistols, who he still gigs with, and released a debut solo EP in the shape of Disconnected in 2014 and over the years has worked in various ways with the likes of Kevin Lyttle, Nate James, Stefanie Heinzmann, Dido, Rizzle Kicks, Beenie Man, Nerina Pallot, and Loick Essien among numerous others.

Jensen’s own music draws on the inspirations of artists such as David Bowie, Tom Petty, Soundgarden, Elliot Smith, and The Zombies; essences you can feel more than hear within Trust is My Anchor. A fusion of melodic rock and pop balladry, the song caresses ears initially with a single guitar alongside Jensen’s emotive tones. Both entice the listener into the heart of the track and the waiting muscular roar of the chorus. It is a quickly engaging mix; the minimalistic tone of the verse a blend of melancholy and hope openly sharing the track’s plaintive cries and its sturdier crescendo a defiant response which easily arouses the spirit.

Trust is My Anchor is a firmly satisfying encounter which invites rather than demands attention but easily provides a memorable and increasingly enjoyable experience.

Trust is My Anchor is released June 23rd.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Josh Savage – Mountains In Hurricanes EP

Photography by Ben Bentley

Photography by Ben Bentley

The Mountains In Hurricanes EP is a delightful release which with craft and ease plucks at the emotions with infectious vibrancy and potent passion. From the skilled musicianship and imagination of Josh Savage, the emotive blend of acoustic pop with rich classical and folk whispers captivates the imagination and treats the ear with a welcoming and pleasing experience.

Spending his first twelve years of life in Paris, Savage was learning the piano from 4 years of age though his bio states it was initially with reluctance until the threat of losing them ignited his motivation for them as well as to subsequently learn the trumpet and guitar too. Equally adept at singing which saw him as a soloist with the Académie Vocale de Paris which then led him to be a the last minute as a soloist for the Choir of the American Cathedral in Paris, Savage after moving to Winchester in the UK in 2003, continued singing and playing classical music. This found him touring New Zealand and Australia with the National Children’s Choir of Great Britain the following summer. With his first introduction to pop as such through A Rush Of Blood To The Head by Coldplay, he stepped forward with his own songwriting and exploration with involvements in jazz bands, rock bands, and musicals along the way. Since then he has developed and ventured into varied experiences including playing his first gig coming at The Talking Heads in Southampton aged 17, fronting indie/rock band Taming The Savage, and playing trumpet for soul band Soultana. Writing, recording, and producing the album Une Migration d’Oiseaux Sauvages in ten weeks came next, the album inspired by the small novel Le Petit Prince by Antoine De Saint-Exupéry seeing the artist go back to his Parisian roots. Having toured since with the likes of Benjamin Francis Leftwich, Feeder, Razorlight, Reverend & The Makers, Rizzle Kicks, and Roll Deep, his self-released debut Mountains In Hurricanes is the clear mark of an emerging very promising talent.

The title track opens things up, cradling the ear with gentle caresses of acoustic guitar which lay the canvas for the expressive vocalsJosh Savage Mountains In Hurricanes EP artwork of Savage to picture. It is a simple mix with the richest emotive hold, especially when a wonderful breath of strings adds their shade to the air. Once more the song settles back into the dual union of guitar and voice for an inviting hug on the ear but when the strings bring their melancholic shadows to bear on the equally dark tinged lyrics again the track is elevated to further pinnacles and depth. It is a masterful stroke of restraint and enterprise, the proof simplicity can be a pungent poetic persuasion equal to or beyond the mass confrontation of other styles.

The following Figure It Out is similarly clad but with a more energetic gait to its narrative and stroll across the emotions and thoughts. With a wonderful female accompaniment vocally within its contagious invitation and an equally delicious wind of brass temptation, the track enchants and dances with the senses. It is a summers stroll through reflective shadows and wholly magnetic like its predecessor.

Mountains In Hurricanes is completed by firstly the magnificent Take Off Your Shackles, the strings reacquainting their seduction with the ear whilst Savage again paints an alluring canvas with his fine vocals and guitar. The bulging beats bring further diversity to song and release, their resonating punch pressing welcomingly with darkened intent within the mesmeric air and heat of the song. The best track on the release it is followed by the least successful, a mix of the title track. Maybe it is reflected  by the fact the title is not listed on the sleeve of the CD sent through to us, but as inventive as it is and probably fans of re-mixes will love it, the version removes all the power and emotive depth of the impressive song.

Ignoring that final track, Mountains In Hurricanes is a wonderful release from in Josh Savage, an artist destined to provide and receive great things. A must have release for lovers of melodic and emotive beauty.

http://joshsavagemusic.com/

8.5/10

RingMaster 25/04/2013

Copyright RingMaster: MyFreeCopyright

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