Erotic Market – Blahblahrians

©narcissenoyé

©narcissenoyé

With a name like Erotic Market you automatically expect and definitely hope to get something spicy from their album Blahblahrians and we can joyfully say that you do. The album is a fruity adventure of sound and imagination, quite simply a refreshing kaleidoscope of electronic mischief, vocal intrigue, and sonic ingenuity. There are times where the band finds more success with their riveting conjurations then in other moments but from start to finish the album is an excitingly unpredictable and invigorating exploration to capture the passions.

Erotic Market is the French duo of Marine Pellegrini and Lucas Garnier, the two forming the band in 2012. The pair has been making music for over a decade playing in contemporary jazz bands and has already worked on a project together called N’Relax, which across three years released two studio albums and undertook numerous tours. Describing Erotic Market’s sound is difficult at the best of times but undoubtedly flavours such as hip hop, psyche and noise rock, quirky electronic pop, and at times garage rock colour the cryptic canvas the band casts over the senses. Blahblahrians is as seductive as it is disorientating, as instinctively magnetic as it is bewildering, and ultimately an irresistible experiment to embrace and devour with greed.

The album immediately flirts with the imagination through opener Retro retardo, a mix of Morningwood and The Ting Tings meets em coverThe Knife. Resonating beats hit the senses first, awakening attention for the sharp appealing vocals of Pellegrini amidst percussive and sonic spatterings. It is an instant temptation sparking a hungry appetite in the emotions, a greed fed and inflamed by the expanding smog of electronic toxicity and exotic hues of electro teasing offered. There is a punk essence to the vocals and a j-rock whisper to the sounds at times which only increases the flavoursome presence of the animatingly mesmeric encounter.

The following I want to be some booty continues the potent emergence of the album, its smouldering and subtly sultry climate the surface for a minimalistic breeze of empowering seduction. Like its predecessor the song weaves and sways around the listener even if it is with restraint to its energy though it counters by sharing an irresistible potency to match the first.

Two songs in and diversity is an open roar and hopes that its continues are soon satisfied by Bitchy muses and Blah blah, the first fusing a pleasingly shallow breeze of hip hop bred vocals with climactic keys and tribal rhythms, both aspects skirting rather than imposing on ears and the delivery of Pellegrini. Again it is an appealing uncluttered premise precisely spotted with aural colours which voices launch their suasion over, a delicious siren of sound bringing danger through the increasingly heavier involvement of primal beats. Its successor is an enchanting slice of electro pop, though as already expected it comes through ever twisting manipulations of sounds and ideation. The track ebbs and flows with its melodic breast; breathing captivation and fascination with every rise and swell of its contagious narrative. There are times where you feel the legacy of bands like The Slits and Rip, Rig and Panic in the song and album to be honest, all adding refreshing spice to the ingenious recipe.

Pellegrini croons and smothers the ears in vocal elegance and glory to bring Blue blue into view next and such her charm and quality it would be easy and very satisfying to listen to her swarming over the senses alone for the remainder of the track. Instead evocative and heated keys bring their dramatic caresses and incisive inventive flames to enlarge and intensify her declaration. It is a gloriously smooching fire with Pellegrini quite scintillating and is replaced by the just as tantalising if wholly different psyche spawned DDDDrunk. It opens with smokey vocals and an ascending spotting of sonics which can only be described as Devo-esque. That alone steals a rabid rapture and when added to a barren but compelling and rigorously intriguing landscape of imagination and enterprise, the proposal is as bamboozling as it is invigorating, especially with its fiery scuzz infused climax.

She –ass provides twenty seconds of tempting sound but leaves before it can make any real impression and imprint on thoughts, and truthfully is soon forgotten when Snakes writhes and winds its engrossing techno lent electro maelstrom of adventure around the body. It is a sensational psychotic dance of prowling beats, electronic innovation, and carnal seduction; an exhilarating brew which simply increases its power and toxins across its vivaciously thrilling body, the vocals similarly catching fire towards a rigorously fertile finale. Easily the best track on the album, which shows how immense it is with the pack of triumphs around; it alone reveals the might and potential of the duo. In many ways the album struggles from here on to compete with its highest pinnacle though the vigorously resourceful Are U cool? and the bewitching It’s a breaking both entrance ears and imagination whilst Clitacasm brings one minute of racy and sensual tempting which is brief but sonically amorous.

The slow groove infested Societoy provides a last temptress for heart and mind, its predatory gait clad in a stirring and innovative design of melodic and rhythmic incitement honed into a warm embrace of electro adventure. The song feels like the real end to the album though it is followed by Weird arabic stuff which we have to be honest we could not get or find any peace with and a remix of It’s a breaking by Everyday. It is decent enough but from a promising start evolves into the expected direction and sound so many re-mixes bring to songs no matter the original’s uniqueness. Nevertheless neither can defuse the brilliance of Blahblahrians. Erotic Market is band which was unknown to us before this release but now is a permanent feature of thoughts and acclaim, something we suspect will be emulated torrentially as the album envelops the world.

Blahblahrians is available via Jarring Effects now!

https://www.facebook.com/EroticMarket

9.5/10

RingMaster 02/05/2014

Copyright RingMaster: MyFreeCopyright

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The Apples – Fly On It

The best apple is always a crisp and juicy one which is exactly how you can describe the new album from a band with the same name. Israeli post-funk nine-piece instrumental band The Apples simply light up the senses with latest album Fly On It, which is unleashed on August 6th. It is a collection of instrumental based tracks which twist and turn with relish whilst carrying a wicked glint in their eye to y thrill consistently.

The band and album brings sounds which are a hybrid fusion of jazz and funk with an enormous squeeze of multi flavoured essences veined with Middle Eastern influences. To be honest we do not have a great knowledge of this area of music but at times The Apples takes our thoughts and ears back to bands like Pigbag and Rip Rig and Panic whilst also bringing tints of the likes of De Staat, Les Negresses Vertes, and Mano Negra into view. The release is perpetually intriguing and exhilarating throughout to leave a permanent grin in the heart.

Released through Audio Montage, Fly On It was originally commissioned by Peter Gabriel’s Real World Studios for Bowers & Wilkins’ Society of Sound and was recorded over two days in Wiltshire at legendary studios Big Room. The setting and resulting tracks saw The Apples able to bring their explosive live sound and feel into the recordings bringing an irresistible energy to the album. Since forming in 2002 the band has gathered increasing acclaim with their albums Attention! (2006), Buzzin’ About (2008), and Kings (2010), not to mention their singles, EP, and a critically acclaimed version of the Rage Against the Machine track Killing In The Name. The new release is set to draw an even greater response one feels, its invention and vibrant creativity it is hard to imagine many not falling for.

The album opens with the stomping funk sounds of Preserve. Tribal with feisty rhythms and mischievous horns, the track teases and excites the ear with flickering melodies and beckoning near wantonness. Excitable and intent on exploding in every corner of the senses the song ignites a heated infection to set the release off to a great start.

The following title track ruffles the air with a sinister flicking of its tongue seemingly inspired by the trade mark Rage Against The Machine sound before opening up into an enveloping melodic atmosphere. All the time though the track winds up the senses taking them through darkened features and offshoots within the overall breath of the track which glows like a full sunset. It is another stunning irrepressible piece of music which leads into the vast soundscape of Sixth Stream.

This track is a musical world of its own bringing a slow prowl lit by Eastern promise and glowing fires of melodic imagination. Its journey is a fully contained episode to inspire evolving imagery and thoughts, a cinematic experience with an eccentricity which warms every pore. Nothing is expected or predicted on the album but this song especially is a wonderful mystery which reveals its heart note by note yet still able to offer more with each visit to its mesmeric terrain.

The brooding and pulsating funk soaked Thang and the fractious Rhinocerize keep things fully absorbing whilst the provocatively attitude dripping Looking For Trouble with its carefree belligerence, sets the heart racing with even more enthusiasm. It is the closing duo of Powder and Do The Car Horn which add extra heightened highlights to the release. The first is a swaggering weave of soulful beauty, the bass and keys prompting full engagement whilst the horns once more help build an atmosphere to fire up the passions.  The second of the two is the clear favourite from the album here, the busy, frantic, and at times niggling drive of the song overwhelmingly contagious. As the title suggests it is an industrious brew of heated mayhem and unrelenting energy brought with a wonderful cartoon/psychotic ambience to leave the most lingering pleasure on the album.

Fly On It is just wonderful and without doubt The Apples has created one of the great soundtracks for the summer if not the year.

http://www.theapples.net

Ringmaster 30/07/2012

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