Fatty Cakes And The Puff Pastries – Self Titled

Primed to have you eagerly bouncing with a massive grin on your face, the debut album from Fatty Cakes And The Puff Pastries is a romp of glorious mischief and mayhem. The self-titled introduction certainly has no reticence in challenging prejudices and the bigoted standards so many live by but does so with a rousingly unapologetic sense of devilish humour. In other moments it is quite simply delicious grrrl riot misbehaviour and throughout instinctive often disdainful fun which we quickly bred greedy lust for.

Consisting of Amber Fargano (lead vocals/ukulele), Vishinna Turner (bass/backing vocals), Audrey Johnson (drums), Victoria Crow (back vocals/glockenspiel) and Staci McDowell (back vocals/chord), FC&PP hail from Fresno, CA. It appears they have kicked off a bit of a stir with their inimitable sound back home and listening to their first full-length it is easy to see why and expect that to spread far further. As soon as opener Panic Attack launches the release, ears are fronted up with a proposal which dares you not to have fun or get heavily involved, a taunt impossible to take up. Senses harrying beats and dirt laded riffs are the first lure, Fargano’s vocal incitement the swift second before the band’s soon established melodic and harmonic revelry gets involved. Just as quickly, the band’s music sets out its inescapable individuality though there is plenty which reminds and hints at bands such as 4 Non Blondes and Lunachicks and even more so here and across the album British artists such as Girls At their Best, X-Ray Spex, The Modettes and in certain moments The Rezillos.

It is an outstanding start easily backed by next up Fat Grl Tears. It is a compelling blend of guitar scuzz and melodic enterprise fuelled by mischievous shenanigans. As proven time and time again across the album though, that devilment cannot hide the fact that the band writes and craft some striking pop punk songs unafraid to involve a host of varied flavours and merciless hooks.

Petty Petty Princess is quickly a case in point, its core lure a jangling hook around which vocals, individual and en masse, tease as rhythms tenaciously canter. The fact the song did not grip as greedily as those sandwiching it is down to their magnificence only especially that of the following Alien Babe. From the delicious throaty bait of bass to the fuzzy wash of guitar amidst vocal incitement, the track got under the skin. Again The Rezillos came to mind as too early Blondie but mouth-watering spices in a unique Fatty Cakes recipe of rousing commotion and pop disorder.

Across the likes of the equally irresistible BFF, a slice of pop seduction with a calm but truly manipulative swing, and the gang fronted punk rock sorcery of Witch, band and album only further their enthralment of ears and appetite while Antifa Cakes (Not My Puff Pastry) provides a melodic intoxication which has the body instinctively swaying before it all breaks into feral punk turbulence and attitude; ingredients as proud within the relatively calm but thickly defiant Grrrl Gang.

The vocal harmonics within the band, whether bold or understated, are just as magnetic as any other aspect and are the delicious fuel to Magic Grl, a superb song which firmly hints at those earlier mentioned UK references before Feminist Gold 2k uncaged its punk ‘n’ roll exploits on an increasingly greedy appetite. As with all songs, it adds another potent hue to the album’s varied but melodic punk palette, a web increasing again through the loudly irritable stomp of Minimum Rage.

The release is closed up by Internet Bitch, a track which stole favourite track honours at the last breath with its rhythmically rousing and vocally animated rascality. With more than a passing echo of the Au Pairs, the track was manna to our ears; its emotional dissonance echoed in sound and imagination whilst springing yet another deviously infectious indeed viral temptation. It is a sensational end to a similarly thrilling encounter from a band before which global attention and ardour is surely on the way.

The self-titled Fatty Cakes and the Puff Pastries album is out now through Emotional Response Records; available @ https://fattycakes.bandcamp.com/album/fatty-cakes-and-the-puff-pastries

 https://www.facebook.com/FattyCakesPuffPastries/

Pete RingMaster 8/01/2019

Copyright RingMaster: MyFreeCopyright

The Orielles – Jobin EP

orielles_RingMasterReview

Following an especially successful 2015, British surf pop trio, The Orielles, are ready to bring the same romancing of ears and imagination to this year with the seriously tantalising Jobin EP. Consisting of three slices of the band’s increasingly acclaimed blend of sultry melodies, bewitching harmonies, and feverish flavours bound in lo-fi beauty, the EP beguiles and inflames the senses whilst hinting that 2016 can be just as big if not greater in the band’s emerging history as its predecessor.

The Orielles began early 2013, the result of a house party and the creative uniting of sisters Esme and Sid Hand-Halford and friend Henry Wade. It was not to be an immediate launch into active duty as the girls only began learning their instruments from that point but with inspirations coming from riot grrrl and California surf bands, the Halifax trio were soon working on songs and honing their creative exploration. Since then, well-received tracks and releases has reinforced their rising reputation as a live proposition with 2015 especially potent as The Orielles drew big doses of acclaim at festivals such as Dot To Dot, Live At Leeds, and Liverpool Sound City as well as their individual shows.

orielles art_RingMasterReviewWith a UK tour in motion and a host of other events lined up, the band is set to be as busy as ever with the strong potential of greater success and praise heading their way just taking Jobin as a cue. It opens with its title track grabbing ears with an instant bait of crisp beats from Sid and the siren-esque lure of Henry’s seductive grooves. Their winding tendrils continue to entice and vein the rhythmic potency of the song, Esme’s bassline as captivating and alluring as her magnetic vocals and the surrounding celestial harmonies. The melodic character of the song has a House Of Love hue to its tempting with a psych rock flavouring only adding to the overall richness and raw yet elegant climate of the spellbinding track.

Twin Freaks is equally as compelling as it settles into a sweltering landscape with thick shadows to its evocative tone and inventive depth. Led by the almost flirtatious stroll of bass, there is an immediate infectiousness which is keenly shared by the vines of surf rock enterprise cast by Henry and the siren-esque quality of the vocals; both resonating in ears and memory as potently as the virulent charm and touch of the song.

The EP closing Sliders is the most feisty and energetic of the three tracks with tenacious beats and a vivacious energy stoking its melodic fire and anthemic gait. There is a punk rock scent to its revelry too, a touch of eighties band the Mo-dettes joining hues reminding of bands like The Raveonettes and Throwing Muses though being organically cultured in surf rock, the song emerges as something openly distinct to The Orielles.

Robed in discord tinged melodies, equipped with vociferous guitar, and basking in soaring harmonies, Jobin is a release which truly lingers in the memory. It is the persistent bringer of great pleasure and a strong nudge to pay close attention to the continuing and enthralling emergence of The Orielles.

The Jobin EP is released April 1st via DIY label Art is Hard. It will be available @ http://artishardrecords.bandcamp.com/album/jobin-ep as a 7″ flexi-disc featuring lead track Jobin, a 20 page colouring book zine illustrated by Alex Gamsu Jenkins and a download code for the full 3 track EP.

https://www.facebook.com/theorielles   https://soundcloud.com/theorielles

The Orielles – Upcoming UK dates:

APRIL

2nd READING Oakford Social Club

3rd BRISTOL Lousiana

9th LONDON Flying Vinyl Festival

MAY

1st LIVERPOOL Festevol

AUGUST

5th TUNBRIDGE WELLS Forgotten Fields Festival

Pete RingMaster 31/01/2016

Copyright RingMaster: MyFreeCopyright

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