For the past couple of years real attention has been gathering pace around Swiss metallers OPHELIA’S EYE, a band which though previously gathering its craft and qualities together for growing interest truly lit public awareness around 2020 and certainly a… Read More ›
Previously we have flirted with US outfit GREYHAVEN, enjoying their previous offerings but sensing there was something fuller, richer and more compelling to come. Now the Louisville quartet has dropped their new album, This Bright and Beautiful World, and effortlessly… Read More ›
As rowdy and raucously rousing as it is melodically becoming and hook compelling, So Far, So Good is the debut album from UK punksters OUT OF LOVE, a band which if, like us, you have somehow yet to discover ensures… Read More ›
Sure to sweep up further keen interest the way of their inimitably impressive debut album, a hAon, TELEFÍS follow-up the release of their final single with an EP version. As with previous tracks, the Irish band support a lure with… Read More ›
With his new album working its rich temptation since its recent unveiling, London indietronic artist RODNEY CROMWELL presents its latest single in a new remixes rich EP. The song, Opus Three, proved a potent incitement within Memory Box and as… Read More ›
A love letter to its inhabitants with a warning to the planet, Spaceship Earth is the new EP from electronic dance collective THE KEPLERIANS. Across three tracks, the record provides adventure for body and thoughts alike, making no demands but… Read More ›
With the crispy crack of frost underfoot and a bundle of sounds in her grasp proving equally potent at grabbing attention, our friend Shauna of shoegaze/dream pop weavers Ummagma and Shameless Promotion PR has again come a calling to spark… Read More ›
Shamefully we missed its unleashing earlier this year but thanks to vocalist/guitarist Neil Crud we were recently nudged and alerted to the presence of The Three Chords Of The Apocalypse, the latest album from Welsh punks Spam Javelin and all… Read More ›
There is no denying there is always a thick surge of excitement when we get an email from certain quarters saying “We have a new album coming out.” Australian noise mongrels Duckeye are one such protagonist for ears and anticipation,… Read More ›
His first album in five years, British singer-songwriter/composer Nick Hudson recently released Font Of Human Fractures. It is an encounter which provoked, evoked and seduced in equal measure; a haunting fascination that left ears and imagination alive and thoughts exploring… Read More ›
The RingMaster Review 