Zedi Forder – I Don’t Want To Set The World On Fire/Ditties 1 EP

For us one of music’s best adventures over the past decade has been the creative emprise of songwriter/vocalist/drummer Chris Kerley; an escapade taking in acclaimed releases from bands such as Tricore, An Entire Legion, Rind Skank, Kid Golhum and now Zedi Forder. It has been a journey Kerley has for the main taken with guitarist Mark Carstairs but is now just the songwriter with new creative mischiefs on board for the latest encounters from the latter of that long line of great projects.

Ahead of a new single released this December, Zedi Forder recently unveiled the Ditties 1 EP, a collection of tracks which did not quite fit the alt metal/rock palette of the band but more than deserved a full airing. It is fair to say that each has the inimitable touch and character of a Kerley song, his distinctive tones and melodic prowess unmistakable as too the devilish humour which always lurks around his compositions and often takes over the driving seat, but just fall outside the palette of the band’s previous offerings.

With guitarist April Cox and bassist Rich Tomsett alongside Kerley and more of an indie pop/rock sound to its contents, Ditties 1 opens up with Fine Wine. It is a song which as soon as its initial bass lure is joined by a similarly enticing guitar hook has the body swaying, a bolder bounced incited by its lively and increasingly bold, defiant and tongue in cheek stroll. With a Queen-esque hue to its captivation and imagination, the track needed barely a play to get under the skin and have mutual participation involved.

Teasing hooks and sultry shimmers accompany the entrance of Forget about me next, one of a couple of songs which would not have glaringly been out of place within the bands outstanding debut album of last year we would suggest but certainly have their own particular flavour. It too swiftly and easily had attention and involvement hooked, Kerley just as adept at breeding pop songs as more predacious encounters.

I Am with its piano elegance and intimation as well as Cox’s great harmonic backing tones simply beguiled especially as its opening arms brought a virulent rock ‘n’ roll saunter while Sit and Wait provides an relatable intimate croon which again had body and thoughts swaying in pleasure and recognition before Something Else shines with its crystalline balladry and emotive charm.

The EP also features two bonus tracks in Football in the park and Spookums though the latter is not listed, songs which share the same reggae/folk devilment and indeed tune as too Reeves and Mortimer like humour and released previously during the World Cup and Halloween periods respectively; tracks which dare you not to join in with the biggest knowing grin.

As mentioned the EP was released ahead of a single; that track being a cover of The Inkspots classic I don’t want to set the world on fire. Embracing the forties nostalgia of the original with their own particular misbehaviour, the track bewitched ears and vocal chords, again rather quickly and enjoyably. It is a track which makes the perfect Christmas song if you have no appetite for the infernal creative clichés and bells most have to come with.

With a highly anticipated new album slated for next year, both Ditties 1 and I don’t want to set the world on fire make for a great appetite pleasing slice of Zedi Forder; a one of a kind treat few can emulate.

The Ditties 1 EP is out now as a pay what you want purchase via https://tricore.bandcamp.com/album/zedi-forder-ditties-1-indie-rock-punk-ep with I don’t want to set the world on fire released December 7th.

https://www.facebook.com/zediforder

Pete RingMaster 01/12/2018

Copyright RingMaster: MyFreeCopyright

Zedi Forder – Self Titled

Some bands and artists just click with ears and imagination from their introduction and for us one was definitely UK trio Zedi Forder. Maybe it is more accurate to say the creative force behind the band crafted the connection because previous adventures for the duo of vocalist/drummer/primary songwriter Chris Kerley and guitarist Mark Carstairs have equally seriously enticed and stoked the passions. They are also the creators of Tricore, An Entire Legion, and Rind Skank; all distinctly individual bands releasing some of the most exciting and imaginative adventures in recent years though each being sadly missed or ignored by a tide of major attention. Zedi Forder is their latest project, with bassist Richard Tomsett alongside, creating a bold and multi-flavoured mix of alternative metal and voracious rock ‘n’ roll which fuels a self-titled debut album that quite simply deserves greed driven recognition.

In some ways because of previous seductions of our passions, Zedi Forder get a head start in a want, or should that be need, to hear its exploits and an assumption of having some level of appetite for what may be on offer. Equally though, it makes expectations much more demanding and triggers the question of can the band create something unique and fresh enough to be truly new from past endeavours as much as those around them. Many bands or musicians struggle in one guise but across a few it is a rare success. The release of an also self-titled EP in 2015 suggested the Woking hailing outfit could and would, their first album now a striking confirmation going well beyond simply bearing out that proposal though understandably it also gives delicious slithers teasing at earlier explorations which adds to rather than defuses the originality.

The Zedi Forder bio says it is a band with a split personality. “One side is driven by the musical aim of being bold and ever hopeful. The other side is fearless and judgmental, with music that reflects this.” The album certainly reflects this suggestion, its songs, sometimes within themselves, twisting from creatively free-swinging and swashbuckling to imaginatively mischievous on to proposals forceful and emotionally edgy and cutting but all crafted with an instinct for rousing sounds, manipulative rhythms, and daring diversity.

The album opens up with Killakarta and instantly consumes ears with rapacious riffs and jabbing beats as a bass growl courts a thick wiry groove. Kerley’s distinctive and ever magnetic vocals are soon in the heart of the mix, steering the song’s muscular stroll with expression and flair. That initial groove, carrying a growl far more vocal in the bass of Tomsett, winds around the imagination; it trespass enjoyably toxic and addictively refreshing. A slip into a mellow climate is just as tempting, accentuating the song’s unpredictability before being overwhelmed by a more primal expulsion of sound and intensity, reclaiming its moment as a great jazzy lilt infests the bass.

Seductive and predatory in equal measure, the track is a glorious start to an emprise of imagination and craft backed by the arguably less mercurial Machines though it is no slouch in raising its temperature and dynamics across a persistently eventful body. Kerley’s beats bite as Carstairs’ melodies spin a web of suggestion; his trap of enterprise further ignited by possibly the most virulent and catchy hook lined groove you will hear this year.

Dark Mook is a kaleidoscope of sound and texture, its opening noisy glaze slipping into a funky pop tinged stroll of melody and harmony before grungier flames escape guitars and bass as Kerley consistently croons with his never wavering melodic dexterity before I’m the one offers its own individual tempting for an already aroused and on the brink of lustful appetite. The fourth track also opens with a bracing surge of raw sound but is soon entangling the listener in a flirtatiously earthy bassline with funk in its genes and as quickly catchy vocals and beats with a sense of devilry in their gait. Carstairs’ weave of melodic teasing is a riveting net to get caught up in, ensnaring the senses before things get dirty and feisty though Kerley is still keeping the instinctive catchiness flowing in touch as the track to re-establishes its unbridled virulence. The song is another early pinnacle; an irresistible treat with a great 12 Stone Toddler meets KingBathmat scent to its revelry.

Darker shadows wrap the melodic beauty and volatile turbulence of next up My Moon, the song drawing on electronic tenacity to colour its variable and perpetually alluring atmosphere above a rugged terrain of invention. Across its roar, thoughts pluck at comparisons to the likes of Sick Puppies, Voyager, and Soundgarden; all slightly inaccurate but potent hints to the great track.

The grin loaded Nachoman comes next, the song a compelling tongue in cheek but earnest tease of social commentary. It has voice and hips hooked within its opening Red Hot Chili Peppers smoked swerve and only proceeds to tighten its vice like grip through heavier spices and inventive condiments of sound while Open Wide grabs attention with a bullish tirade of sound before flirtatiously dancing in ears with its Jane’s Addiction like funk metal meets System Of A Down seeded versatility. Melodies and emotions fluctuate in character and intensity across the song, as too vocals and rhythms with the latter an evolving torrent of enticement and aggression.

They love it more is a cyclone of sound and energy within an oasis of reflection and melody, never truly settling but always in control of its volcanic fusion of rock and metal while successor Smooch is a predator of hips and imagination with its boisterous shuffle courted by barbarous rhythms and emerging sonic hostility again spurned on by the spiky beats of Kerley and the irritable tone of Tomsett’s bass. With an infection loaded and at times psychotic groove sharing lures with an inherent catchiness, the track as its predecessor hits the spot dead centre, burrowing deeper with every listen, as quite simply does the album.

The growling Time after time leaves no stone of temptation unturned, its grunge/metal snarl maybe the most creatively untwisted track on the release but as bold and naturally infectious as any others such as the following On the run, a slab of classic metal and heavy rock with a nod to the likes of Zeppelin and Sabbath in its heart infused with the progressive and melody conjuring imagination of Zedi Forder.

Though not the actual final song, Lonely One closes things off with its melodically haunting, sonically searing, and rhythmically imposing blaze which alone shares all you need to know to hear why its creators warrant unbridled attention.

With a bonus quartet of mesmeric acoustic tracks which alone prove why we rate Kerley as a vocalist so much, each also unveiling a new drama and shade to the original’s aspects, the album is manna for body and soul and a real bargain as it seems it is being released as a name your own price download. Covering their first EP we said “it would be rude not to go off and discover its majesty “, for the album substitute ‘rude’ for ‘stupid’ because you will surely not hear anything more gripping and exciting than what Zedi Forder have in lying wait.

The Zedi Forder album is released June 10th wit pre-ordering available now @ https://tricore.bandcamp.com/album/zedi-forder-the-album-out-10th-june-pre-order-to-get-4-tracks-entire-flame-wiz-album-now

http://www.zediforder.com/     https://www.facebook.com/zediforder/   https://twitter.com/ZediForder

Pete RingMaster 02/06/2017

Copyright RingMaster: MyFreeCopyright

Zedi Forder – Self Titled EP

cover_RingMaster Review

Having a lustful attraction to its member’s other projects, there was always a fair chance that the self-titled debut EP from UK rock band Zedi Forder was going to incite the same kind of appetite but of course you never know. Well actually maybe we do as it seems any project linked to bands such as Tricore, An Entire Legion, and Rind Skank, not forgetting Kerl, the solo project of one of its members, is primed to excite and ignite personal passions and those of a great many others. The four track Zedi Forder introduction is no exception, another bundle of songs which blow ears and emotions away whilst proving once more that some of the most compelling songwriting and sounds in heavy rock/metal are waiting to be discovered in the heart of the British music scene.

Zedi Forder is right now a duo, soon to be trio as they search for a bassist, and consists of Guildford based vocalist/drummer/songwriter Chris Kerley and guitarist Mark Carstairs, men behind the list of exceptional bands mentioned above. Inspirations woven into the band’s sound include the likes of System Of A Down, Led Zeppelin, Korn, Mastodon, Red Hot Chilli Peppers, Queen, Incubus, Paradise Lost, Nirvana and many more, but as is soon apparent within the EP, all mere colours in a unique tapestry of imagination, creative mischief, and pure aural majesty which if it reminds off anything it is a little of the duo’s previous adventures.

The EP starts off with Killakarta, a track instantly warming ears with punchy beats and lightly growling grooves. In no time the recognisable tones of Kerley are enticing, his presence as magnetic as ever to match the potency of the sounds around surely one of the best unsung vocalists in British rock as well as songwriters. The track continues to boldly stroll, its calm but open swagger as endearing as the brewing drama of sound fuelling its confidence and sparking the imagination. Warm breezes of melodic seduction blossom in the expectations avoiding craft and emotional theatre of the song though a more predatory and aggressive shade continually lurks in the shadows to resonate with the lyrics. It is a mouth-watering start to the release but just the teaser to greater alchemy.

I’m the one leaps in next with sinews showing and nostrils on the point of being flared but it is a ruse as almost as quickly the track twists on a meaty piece of bass bait into a hip swaying funk kissed swing of melodic and contagious dexterity. Like 12 Stone Toddler meets KingBathmat with a definite and understandably rich vein of An Entire Legion (AEL) to it, especially when it bursts into an energetically and almost dirtily tantalising blaze, the song is just irresistible. Quite simply it is a gorgeous hook laded slab of melodically flirtatious and feistily rousing rock ‘n’ roll, and one of the very best things to come from a Kerley composition/collaboration.

Humour has never been too far from the band’s member’s creativity and is just as potent in Zedi Forder and within the grin sparking Nachoman, a song which is just as provocative in its social commentary as sonic flame of sound. Again we have to offer some similarities to AEL and songs like Scurvy Johnson, but equally it is another song bred with a diversity of flavours and almost whimsical imagination for a smouldering creative charm offensive complete with a rousing snarl and anthemic seduction.

Final song is Time after time, two and a half minutes which really does growl whilst springing a web of riffs and jabbing beats which bleed infectiousness in every grungy enticement and wicked swipe. I guess you could offer the inventive roar and aggressiveness of Tricore as a scent to the closing song, spices which are unavoidable due to the familiar voice and creative flare Kerley and Carstairs, but once more there is plenty of fresh tenacity and ripe originality to sculpt its own identity and bring an outstanding encounter to a rich, thrilling close.

It is fair to say that other bands with Kerley and Carstairs at the heart have criminally gone undervalued bordering on unnoticed by major attention and success. Thankfully making music which leaves a lasting imprint on body and imagination through creative originality and adventure is a passion, a vocation for the pair at the heart of Zedi Forder, so we get to feast on their alchemy once again and so should you, it would be rude not to go off and discover its majesty, wouldn’t it?

The Zedi Forder EP is out now as a name your price download at the Tricore Bandcamp profile.

Pete RingMaster 02/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Secrets and exposures: an interview with Tricore/An Entire Legion

1 (1)

Tricore

More a secret than they should and deserve to be, UK metallers Tricore has been one of the most inventive and exhilarating bands within the British metal underground scene for close to a decade. With its member’s sister project An Entire Legion, the band has continued to intrigue, surprise, and thrill with an unpredictable and persistently adventurous intent in sound and ideation. Recently both bands released strikingly re-mixed and re-mastered versions of the albums Less than man…More than rabbit and Flame Wizard, from Tricore and An Entire Legion respectively. This gave The RingMaster Review a nudge to delve deeper into the bands which we had the pleasure of doing with vocalist/drummer Chris ‘Kerl’ Kerley, guitarist Mark Carstairs, and bassist Chris Allan who also kindly offered the opportunity to win a digital copy of both albums.

Hi Guys, welcome to the site and thanks for sharing your time with us.

Kerl: No worries man. It’s a pleasure. Thank you for being such a proponent of our music.

You have just released remixed and re-mastered versions of your Tricore debut album Less than man…More than rabbit and the Flame Wizard full-length as An Entire Legion. Before we take a closer look at the releases and yourselves can you clear up the situation with the projects as I know some people have been a little confused; are Tricore and An Entire Legion working as separate projects still, as I know there was talk of merging under just one name at one point?

Kerl: Haha, yea it can get a bit confusing. For us as well. The musicians are much the same in both projects but musically they generally differ. Tricore tracks are generally straight up heavier, riff driven, longer tracks, slightly more technical in parts. Legion tracks vary in tone more; the melodies take more of a front seat, tighter structures and catchier choruses.

Chris A: Though the lines have been blurred with the Flame Wizard release.

Kerl: Yea. It’s possible that future releases will be under legion because it’s the preferred name. Either that or we’ll make up another new name to piss more people off!

 

Tricore

Tricore

As it was the early days of Tricore where we first discovered your sounds, tell us about the beginning of the band and your musical histories up to that point.

Kerl: Tricore was formed in 2006.

Mark: I joined the band a month after it was formed and we did our first gig as Tricore only a couple of weeks after that!

Kerl: Yea you did well to get the shit down man. Before 2006 we were called Unbound. We named our debut EP after the old band. A few of the ideas on the Less than man…more than rabbit album came from the Unbound days. I’ve been in bands since I was like 13-14 playing drums. First band I was in was called Undercurrent. I only started getting heavily into song writing when I started Unbound in my late teens.

Mark: I also started playing in my teens back in Scotland. I was in a local band before moving down south.

Chris A: Same for me… Been in bands since my teens and all through my twenties. All of us come from similar musical backgrounds. All of us are self-taught.

The band’s sound is unique and distinct, wonderfully difficult to pin down. What have been the major inspirations to your ideas and music?

Kerl: Variety! Spice of life and all that. Same applies to music. Learning about and respecting different genres of music can only aid you when it comes to song writing. I grew up on a diet of mostly rock & metal in the nineties and always preferred the bands I felt “stood out”. Bands who had their own thing going on a la Korn, System of a down, Slipknot, Sikth, Incubus, Paradise Lost, before that Pantera, Nirvana, RATM and many more. As time went on my tasted broadened and I started listening to all sorts, from orchestral to indie to electronic, new and old. Like the bands above we always try to stand out with our music, whichever project we’re working on.

Mark: I’ve been influenced by pretty much the A to Z of heavy metal!

Kerl: Yea man, Marks got one of the largest cd collections I’ve ever seen. Its nuts!

Your first EP Unbound in 2007 made the first mark, increased dramatically by the Follow EP four years later but it is the Less than Front cover, less than remasteredman…More than rabbit album which still rings the most potently with fans. Is that what you have found and why you have re-visited it for the new release?

Kerl: It was more about making the older releases sound as phat as possible. Less than man always felt a little too tinny to our ears which was a mix issue rather than a mastering one. Sean Magee did a great job at Abbey Road studios first time round. But we felt a re-mix and re-master would bring the music up into line.

How did you look at the album in regard to re-mastering and remixing it, where did you feel you could enhance its strengths and colour further?

Kerl: Everything needed at least a little tweaking. The vocals needed to be eq’d and brought forward, the guitars were given more thickness. The hi-end needed to be reduced universally. We met a great dude who mastered the new releases for us giving them the final polish they needed. And all for the right price! Which is always a factor when you’re producing yourself.

Was it the same reasons for re-working the Flame Wizard album under An Entire Legion too?

Kerl: Yes. Though those tracks were recorded more recently and had fared better. I think both releases are now really solid, production wise. I can’t see there’ll be a need to revisit them again. We’re not going to do a “George Lucas”.

When did An Entire Legion become a valid proposition alongside Tricore for your ideas and what inspired you to make the distinct separation?

Kerl: An Entire Legion was created in late 2009/10 primarily to go down a slightly more melodic route with our music.

Mark: Initially it was also a step we took in an attempt to find a drummer who could replace Chris, freeing him up to do vocals.

Kerl: Yea. The idea was that I’d remain on drums in Tricore and sing for Legion. Unfortunately we had no luck finding a suitable replacement on either drums or vocals.

Mark: Despite caining the auditions!

Kerl: I still remain doing both. After a while Legion became a place we could put those songs we felt didn’t quite fit under Tricore. Now it’s pretty much an anything goes, which is why both projects have blurred.

An entire legion

An entire legion

Did having the two projects on the go simultaneously make the songwriting a more interesting adventure and maybe more difficult. Deciding where melodies or, rhythmic twists as examples, would best fit?

Kerl: Luckily the writing for both releases was completed at separate times. Most of the music on Less than man was written in 2008. The tracks on Flame Wizard during 2011/12 so there were no difficulties due to overlapping. Though we have several projects we usually just focus on one at a time.

Have you a preference (not favourite) or find a greater ease in regard to the two bands when it comes to creating songs?

Kerl: Honestly no. I love creating music. I live for it. There’s no preference when it comes to band music for me, I just try and keep things interesting and distinctive.

Mark: Playing wise, I prefer the heavier tracks from any of our projects. But listening wise it’s great that we don’t limit ourselves and feel free enough to head down different routes when the itch arises.

Chris A: Yea I also appreciate the variety. As a player it keeps things interesting, challenging.

It seems like in the current climate of metal and rock; bands with something truly unique about them and their sound get passed over and often disappear far too soon. How have you guys managed to keep your passion and drive for two projects, three when we include Rind Skank, all this time criminally without the nationwide and beyond recognition we feel your music deserves?

Kerl: Cheers Pete man, awesome of you to say. It’s really easy to keep creating music because we love it but yea, things are tough out there right now. Zero exposure by mainstream media has kept some of the country’s best musicians and songwriters in relative obscurity.

Chris A: Piracy…

Kerl: Yep. Piracy has wrecked music sales, which used to be a vital revenue stream for bands. Heavier types of music are acutely affected by the loss of music sales because there are fewer ways to make up for the losses. Obtaining ad or film placements for heavy music, which can be a great source of income for songwriters in other genres, is rare. Touring is expensive and is not feasible for a lot bands without financial backing. Merch sales are directly linked to touring. Indie labels mostly sign what they know and what they feel safe taking on, so most of their rosters end up filled with bands that appear to be imitating one another. They can then group these guys up and send them out on hard-graft tours, which are rarely particularly lucrative. As for major labels, well they barely touch heavier acts. Why would they, there’s no longer any money in it. For us, like many bands, it’s difficult. We’ve lost key members in the past because they could no longer see a future in playing heavy music. Reality gets in the way of the ideal.

So my advice to anyone who wants to see the genre grow is to purchase the music of the bands whose music you enjoy. Purchase directly from them if possible. Keeping the industry financially healthy isn’t only about providing opportunities for current bands it’s for all the future ones as well.

Concerning how we personally keep driving forward. Pretty much by ignoring the above and crossing our fingers 😉

Briefly tell us about Rind Skank.

Kerl: Rind Skank is a rock/metal/dance fusion band we started in 2012. It was a chance to play around with things in another direction, which is always great fun.

Mark: We took out the need for a drummer by playing over synth beats, which gives us a project that we can play live as a three piece.

Chris A: Recently though we’ve been attempting to introduce acoustic drums into the mix, so we’ll see how that goes.

I believe there are a couple of previously unreleased tracks also within the new re-mastered releases. Tell us about them, they are brand new AEL flame wizsongs written recently?

Chris A: Yea, we released the tracks Richest Eyes and Twist the gimp on the Flame Wizard album. Both those songs were recorded in 2012 and were originally created for a different project, currently shelved. We dig the tracks and thought they’d fit well on the album. Both use more electronics than our other songs usually do. They’re also the only tracks I’m on because I only joined the band in 2012!

How does the songwriting work within the bands, is it the same method for both?

Kerl: I write the music for all the projects give or take some parts here and there and some of the solos (the better ones were written by Rich Wood). The process is usually – I write at home and then bring the songs down to practice where we can all pour over them.

What can new and especially existing fans specifically find different within the new outings for Flame Wizard and Less than man…More than rabbit from the originals to get their juices flowing again?

Kerl: Aside from the couple of new tracks on Flame Wizard it’s all about the production quality. We’ve just raised it up to a higher level than it was before. Considering our releases are self-produced with no fancy top end studio involved, I think we did a pretty good job.

What is the future for both Tricore and An Entire Legion, do you have specific plans or intent for 2014 and beyond with each?

Kerl: Nothing’s set in stone at the moment, though plenty of ideas. That’s the positive thing about being unsigned, no deadlines! Unfortunately there are some negatives. As the primary songwriter, these days, what I would like to do musically and what I have to do in order to make a living frequently conflict. Every time we record a significant amount of material, and I produce, it pretty much wipes out 3-4 months. That’s time we don’t get paid for up front. The main way to recoup is via sales of music and merch, which doesn’t cover it. The money we get from shows, when we’re able to play, is negligible.

Mark: Normally ends up costing us.

Any new songs and release on the horizons too?

Chris A: We have hopes to release a Rind Skank album at some point later this year, or maybe 2015. We may start a crowd-funding project to see if we can raise enough to make that feasible, which is something we’ve never done before

How about live, can we expect any venture on that side?

Kerl: Playing live has always been a rollercoaster for us. Constant line-up issues over the years have kept us grounded for a lot of the time. And I don’t mean that to sound like we’re a revolving door band with new members every week. Quite the opposite, our problems are finding the right people in the first place…People with the musical chops and a good working ethos. We’re looking forward to getting a more stable line-up and playing live more frequently.

Where is the best place for people to keep up with all things Tricore and An Entire Legion?

Kerl: Any of these sites,

Our bandcamp page for releases – http://tricore.bandcamp.com/

Our MySpace or Facebook for updates – https://myspace.com/thetricore

https://www.facebook.com/anentirelegion

https://www.facebook.com/tricoreuk

Or our hub site – http://tricor1.wix.com/underdogelite

Thanks once more for talking with us, any last thoughts you would like to share?

Kerl: It was an absolute pleasure man. Keep up the great work!

Mark: Cheers!

Chris A: Great talk dude.

Tricore pic 1

To win a digital copy of Less than man…More than rabbit or Flame Wizard, simply check out the last Bone Orchard podcast @ www.audioburger.com and tell us which Tricore track was featured in the comment box below. Closing date for entries is Sunday June 8th

Pete RingMaster

The RingMaster Review 22/05/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com