Beth Blade & The Beautiful Disasters – Bad Habit

Gaining an increasing reputation and support for their hard rock nurtured sound, South Wales hailing Beth Blade & The Beautiful Disasters raise the ante with the release of debut album Bad Habit. It offers a lively and tenacious roar, already drawing comparisons to artists such as Halestorm, Joan Jett, and Heart, which swiftly has the body and appetite eagerly involved in its instinctive rock ‘n’ roll.

From Cardiff, Beth Blade And The Beautiful Disasters have quickly recruited and built upon an eager and loyal local following since emerging. The time since has seen them stomping across the UK with their own tours and with the likes of Marco Mendoza (Thin Lizzy, Whitesnake, The Dead Daisies) as well as sharing stages with others such as Ricky Warwick and Damon Johnson of Black Star Riders. Recorded with Nick Brine (Thunder, The Darkness, Bruce Springsteen) at the legendary Rockfield studios and Leeders Vale, and mastered by Pete Maher (The Rolling Stones), the crowd funded Bad Habit is a hefty poke at bigger national attention with success an easy to assume expectation.

Opener Hell Yeah swiftly has ears grabbed, its opening lure of riffs accompanied by the moody tone of the bass; instinctive attention inviting by them well before the fiery flames springing from Chris Gould’s guitar ignite with classic rock spicing. As rhythm guitarist Beth Blade brings just as tasty riffs into play, her vocals command even greater focus while giving richer strength to the song. Like a mix of Suzi Quatro and Cherie Currie, she stands bold with a tenacity matched in the infectious sound hollering around her.

It is a great start quickly matched by the album’s title track; a slice of foot stomping, chest beating heavy rock led by the swinging beats of drummer Sam Brain. Its forceful attitude is epitomised by the brooding tone of Nicko Goodwin’s bass, its menace tempered skilfully by the wiry melodic tendrils of guitar similarly coming at ears with a touch of discontent. Its rousing qualities are swift incitement to physical and vocal participation before Beautiful Disease offers its own potent blend of catchiness and predacious threat. Muscle and melody unite across the menacing prowl of a song which shows the band as adept at creating more composed and moody proposals as they are at flying at the jugular in spirit rousing charges.

Down And Dirty lives up to its name next, its bluesy grooves tonic for hips as rhythms and riffs surround the increasingly impressing tones of Blade with their grungy antagonism while Poster Girl For Pain reveals another aspect to the Blade’s songwriting and the band’s sound with its power driven balladry and emotive intensity. It is a slowly burning encounter compared to the hungry exploits of its predecessors but a temptation becoming more potent and irresistible with every passing minute and listen.

The heart bred snarl of This Bitch Bites fuels both vocals and music, Blade a spiky treat within the track’s quarrelsome nature. Again attitude soaks every strain of sound and intent escaping the excellent song, its defiance and combative contagion equally lining successor Hell In High Heels though its blues rock inflamed body has a ‘lighter’ and more keenly catchy nature which might not impress as addictively as the antics of the previous track but leaves pleasure in another lofty place soon reinforced by the classic rock ‘n’ roll nurtured romp of If You’re Ready To Rock. Carrying no real surprises, the song lacks the spark of its companions for personal tastes yet easily keeps enjoyment and feet firmly involved.

The album is brought to an end by firstly the heated beauty of Angel With A Dirty Face, Blade sharing a croon as magnetic and captivating as her rebel rousing deliveries elsewhere, melodies simmering and boiling up with equal elegance, and lastly through the ballsy, swagger loaded rock ‘n’ roll of Legends Never Die. It encapsulates all the galvanic and creatively vociferous qualities of the Beth Blade and The Beautiful Disasters sound and indeed Bad Habit itself in its bones, leaving instincts aroused and a hunger for more leading fingers keenly back to the start button.

Beth Blade and The Beautiful Disasters might not be the most unique proposition around right now in sound but for a fiercely enjoyable and raucous holler easy to get off on, they set a mighty example.

Bad Habit is out now @ https://bethbladeandthebeautifuldisasters.com/store

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Pete RingMaster 23/05/2017

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Trucker Diablo – Songs of Iron

truckerDiablo

If The Devil Rhythm, the debut album from Northern Ireland rockers Trucker Diablo set your passions racing, than hold onto your gear sticks as the juggernaut has returned with second album Songs of Iron. Cut from the same template and loaded with the same high grade fuel of rock ‘n’ roll as its predecessor, the new fourteen track release burns another riveting expanse of intensive rubber on to the road The Devil Rhythm left ablaze for another irresistible contagious fury of rebellious rock.

Since forming in 2008, Trucker Diablo has been on an accelerated rise, the band consisting of four friends who united to unleash music they have a full passion for whilst employing experiences gained in the ranks of Joyrider and TILTED to full potency, making deep lingering marks by the day. It was not long after starting that the band was reaping acclaim and support with their live performances, the likes of Ricky Warwick, Ginger Wildheart, Joe Elliot, Damon Johnson, and Cormac Neeson endorsing their rising presence. Supporting and playing alongside bands such as Foo Fighters, Terrorvision, Anthrax, and Thin Lizzy in shows and festival as well as their own intensive touring has only reinforced their stature with The Devil Rhythm marking another impressive statement in their ascent last year.

Released through Ripple Music, Songs of Iron explodes from its very first second never letting up through to its final sizzling lick of300energy. Red Light On opens up the brawl with heated riffs and concussive beats beckoning the ear around the snarling temptation offered with intimidating power by bassist Glenn Harrison. It is an immediate hook to the senses and lays an inviting canvas for the impressive vocals spread and shared between guitarists Tom Harte and Simon Haddock. Thumping rhythms and big boned riffs seize the air with strong craft and energy to taking the listener on a contagious and commanding ride, a charge which makes no demands but incites a full involvement with its muscular intent. With melodies and barbed hooks, not forgetting the scintillating solo, as striking as the rippling sinews framing them the song is a pleasing start soon surpassed by the excellent Year Of The Truck.

From the first note the song gnaws in the ear with savage rapacious hunger, the riffs iron clad and as intrusive as any Meshuggah or Mastodon could conjure and lying somewhere in between the two in voice, ensnaring the passions with intensive persuasion whilst the drums of Terry Crawford cage all with crisp and potent invention. It is again the bass growl of Harrison which seals the ardour in tight, one of the highlights of the last album just as riveting and viciously seductive this time around in nothing but impressive attributes offered by all members on  Songs of Iron. Virulently anthemic and catchy, the track launches an irresistible call on voice and limbs for a full involvement and contribution towards its gasoline burn up, though all the songs have that power in varying degrees.

The southern rock toned stance of passion and enterprise, The Rebel steps up next to leave further irresistible inducement working on the passions. Loud whispers of ZZ Top and Black Label Society add their rich vapours to the track and single from the release, a song which with ease accelerates the heart rate, and beyond safety levels one suspects such its epidemic call. It is a staggering start to the album which is continued now into the heart of the release through the likes of Drive, the outstanding Not So Superstar and its dirty brew of scorching rock ‘n’ roll, and the melodic hard rock honed The Streets Run Red, whilst others such as the muscle bruising Lie to Me and the emotive ballad Maybe You’re the One bring further variety and depth forward. Admittedly not all the tracks ignite the same heights of passion as others but there is never a moment where satisfaction is left half-filled or the stirring skill and invention of the band not openly there to be hailed.

Further especially enriching highlights come through the crushing Bulldozer, where again that bass rips the senses to tattered remnants of their former self aided by corrosively greedy riffs and rhythms whilst the anthem bearing chorus and group harmonies light a melodic fire to sear the wounds, When’s it Gonna Rain with its seriously chunky riffs and southern heat, and best track on the album Shame On You. The last of these three has a swagger which like it’s delicious grooves is an addiction of toxic suasion, its lure permanent and deeply entrenched in thought and heart by its end, the delicious addiction cast by devil spawn riffs and rabid rhythms wrapped in a sonic furnace.

Completed by the excellent I Want To Party With You, a song giving you exactly what it desires, Songs of Iron is an exceptional slab of rock ‘n’ roll, all songs mentioned and left for your discovery pure adrenaline raising pleasure. There is no boundary breaking going on here just riotous rampage within what is one of the most exhilarating albums this year so far, and that is more than good enough for us.

https://www.facebook.com/TRUCKERDIABLO

9/10

RingMaster 14/05/2013

Copyright RingMaster: MyFreeCopyright

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Trucker Diablo: The Devil Rhythm

The album title might be The Devil Rhythm but whether the horned one could handle this juggernaut of a release from Irish rock band Trucker Diablo is very debateable. The release is an unrelenting brake off, throttle down, explosion of rock n roll. It twists, turns and writhes through every essential rock sound and ideal to emerge a fully accomplished and most of all a deeply exciting pulse racing slab of joy.

Trucker Diablo started laying down sizzling rubber from its formation in 2008, the band simply four friends coming together to make the music they loved. Of course the fact the members had already made a mark and gained strong experience with previous bands Joyrider and TILTED could only have gone to add something extra to their new band, an extra that helped grab local attention and acclaim immediately and soon further afield. The band also leap to the attention of the likes of Ricky Warwick (The Almighty/Thin Lizzy) who also features on one track on the album, and Joe Elliot (Def Leppard) to name two, with their infectiously catchy and robust rock sounds.  Now with the re-release of The Devil Rhythm through Ripple Music, the album initially a self release in 2010, there is an over powering air and belief that this is their time.

The quartet of guitarist/vocalists Tom Harte and Simon Haddock, bassist Glenn Harrison, and drummer Terry Crawford, create a strap it on and get down type of rock n roll, their sounds an irrepressible and potent thick mass of eager hungry riffs and courting seductive melodies all wrapped in to an infectious and captivating bundle of essential sound. As they march through the ear with arms open the songs are like long time buddies that you already know and love but each offering something new and stirring every time you welcome them in, the opening track Drink Beer, Destroy, an immediate evidence. The track waves from afar at first with an eager distant riff before driving and rumbling forward with a parade of powerful riffs and hearty forceful rhythms fuelled by an insatiable energy, and already The Devil Rhythm sounds like an album with the biggest enthused heart heard in a long time. With a delicious snarling bass line and guitars that whip one into a frenzy the song is sheer musical gold, a treasure one never wishes to leave alone.

Juggernaut continues the powerful onslaught with a fusion of thunderous riffs and vibrant melodic enterprise. Featuring Warwick, the song teases with more guzzling riffs and rumble strip shaking rhythms whilst the melodic sing-a-long chorus sweeps up all into appliance and in joining in. The song as with a lot of the album does not offer anything blindingly new but it is hard to think without a very long and probably fruitless deliberation of many bands that bring it on as brilliantly as Trucker Diablo.

Every song goes straight for the heart with little resistance before them. From the southern tinged Big Truck, through the punk rock flavoured Stand Up and Fight, on to the Buckcherry come eighties feeling Dirty Love, and the Seetherish sounding When Angels Die though that band has never sounded this mighty, songs never fail to engage fully and gloriously. Trucker Diablo is a hard rock band as a base but they add so much to send their sound up to heights and power most bands can only dream of. The key of course is that for all the power the band generates and energy they consume the ear with their craft and insightful use of melodies and textures is second to none and adds a depth to their music and songs like Rattlehead and Never Too Late To Sin (featuring Matt Fitzsimons) to name two more that sets them apart.

The Devil Rhythm is simply one of the most gratifying pleasures heard in a long time and proof that well written and enthusiastically driven rock n roll takes second place to nothing. Trucker Diablo will be massive, no question, it is just a matter of if it is this month or the next…

RingMaster 02/04/2012

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