One week to devastation…

Just one week to go before the release of their new album Zombichrist from Virus Cycle on Bluntface Recordsanticipation is brewing to new infected heights for the next Post Apocalyptic Industrial Zombie Tech assault from band mastermind Johnny Virum.

   With the cover for Zombichrist just unveiled and the first single from the release in Why Don’t You Love Me? gathering strong acclaim the album is set to make the end of 2012 a wasteland of corrupted husks and fully satisfied bodies.

    To celebrate the release of the album, the same week sees Virus Cycle and Bluntface Records offering the opportunity of winning free downloads of the entire album and tracks from Zombichrist featured on The Bone Orchard from The Reputation Radio Show.

  More details for both will be unveiled during the week via The Bone Orchard and The Ringmaster Review.

 

An official statement about the album from Virus Cycle said:

“In March 2012, it was announced that the band would be releasing their new studio album Zombichrist through Bluntface Records on October 13th. The title of the album Zombichrist references the protagonist in every zombie movie to date. The one character that everyone puts their faith into in the hopes that the “chosen one” will deliver the rest into safety and salvation, away from the pending zombie apocalypse. On August 7th, the first single from the album called “Why Don’t You Love Me?” was released through Bluntface Records with accompanying remixes from artists from around the world. The single has seen national as well as international airplay. Virus Cycle plans on closing out 2012 by playing shows in support of Zombichrist.”

Virus Cycle is a Post-Apocalyptic Industrial Zombie Tech band from Boston, MA that combines haunting lyrics, pulsating beats, and grinding buzzsaw-like guitars that takes listeners on a journey into a devastatingly bleak future of death and decay, plagued by the flesh-eating undead.

In 2011, Virus Cycle self-released their debut full-length album Alice In Zombieland in February along with their remix album Return to Zombieland in November. Both albums were very successful as they both saw a lot of radio play as well as reviews in blogs and magazines around the world. Virus Cycle has opened for The Ludovico Technique, Nolongerhuman, Morningwood, and Mindless Self Indulgence.


http://www.viruscycle.com/

www.bluntfacerecords.com

Interview with Adam Savage of Mongrel

Hard work and fighting spirit, not to mention determination, has been a trade mark alongside their outstanding punk/metal sounds of US band Mongrel, a quartet which has thrilled and ignited passions through their dynamic live shows and equally impactful releases. Shows with major rock names such as Misfits, Korn, Otep, Sepultura, Mindless Self Indulgence, Wednesday13, and Prong to name just a few has brought the band to the fore of attention for masses of fans, as well as their albums and EPs, but there has been plenty of obstacles to overcome at the same time. With the release of their excellent new album Reclamation, a definite contender for album of the year, Mongrel have emerged again as one of the most impressive rock n roll bands around. The band has been a permanent feature of The Reputation radio Show and Bone Orchard podcast for many years so we just had to grab some time of guitarist and band founder Adam Savage to find out about the band, their album, and their new refreshing onslaught on rock music.

Hi Adam and many thanks for taking time out to chat with us.

My pleasure!

It is probably fair to say the last few years has been a battle for the band so how does it feel to finally be unleashing your new album in a stable and powerful situation, band wise and support wise with the label?

I’d be lying if I didn’t say it felt great!! It’s definitely been a struggle the last few years for sure, and fighting to get this album done and released has been a huge amount of time, stress, energy, frustration, etc since the initial start of the process over 3 1/2 years ago. Not to say there wasn’t good stuff going on and lots of fun these last 2 years but finally putting this album out and being able to do so with a great team of people both in and around the band (label, publicist, radio promotion, etc) feels great!! It’s a huge relief and certainly really exciting to see where things will go now.

Before we get in to certain aspects of that time can you give for newcomers to Mongrel some early background to the band, its beginnings and early successes?

Sure, I started the band in 2003 with our original singer after pulling the plug and imploding my prior band. We went through a lot of early transitions of band members and within 6 months I was the only survivor of the original line-up but we found new people and carried on. We eventually found some longer term members, put out our 1st full length album in 2006 which was then picked up by Screaming Ferret Wreckords/ Locomotive Records and re-released in 2008. In 2009 we put out another EP in association with Screaming Ferret. After some revamping of the band (new drummer and now a female singer) we released “The New Breed of Old School” EP in September 2010, “Declamation” EP in May 2011, and now the “Reclamation” album on September 25th 2012 on THC-X.   Some of the early successes were getting to play at CBGB’s before they closed, tours with Blitzkid, Trashlight Vision, and FEAR; getting called “the hardest working band in Boston” in Metal Edge, some really cool sponsorships; playing with bands like the Misfits, Otep, Korn, Prong, etc. Getting played on Sirius/XM and Music Choice; and seeing support from people around the world from us has always been amazing to me.

You have played with many of the major names in rock and metal as you just referred to; did that bring any direct positive impact and openings for the band outside of your home state other than making your Resume look rather special?

Hah hah. Well a good resume doesn’t hurt but yeah, it definitely helped get our name out, and it got us into some places in other markets for sure.

2010 saw the departure of your long time vocalist and drummer, obviously a major setback for any band, but how did it affect you as people and your determination to keep fighting as a band?

It was a setback in the sense that we had actually just finished up a new album (mixed/mastered/etc) at that time which was then promptly scrapped. But in all honesty it was actually the best thing possible for me as a person and for the band. Tensions in the band were horrible and negativity was continually getting worse. It wasn’t at all fun anymore dealing with it.  So as odd as it may sound, I was far less stressed out when it was myself and Rev (our former bassist) left in the band than I had been for a good number of months with a full line-up. I was then even more determined to rebuild, regroup, and re-record the album and to make the band better than ever. It was definitely a blessing in disguise for sure!

After trying a few vocalists I believe as you kept gigging as a band throughout the period and you called on your friend Jessica Sierra to fill in some dates. We know she was a great presence and vocalist back from her days with Affliction and may I say even more impressive now fronting Mongrel, but as initially it was for just a few shows to help out why did you look at a female vocalist for such an initially planned brief moment in the band’s life, or was there a secret plan at work? 🙂

I wish I could take credit for some super diabolical master plan in that regard but essentially we’d been auditioning male singers, we got a new full time male singer (Scott Campbell, ex-Graveyard BBQ), but due to other issues in his life it didn’t work out and he had to drop out. We had 3 days notice to cover a show we had booked months prior in Boston and the only singer I could think of who’d potentially be ready in 3 days like that was Jessica….she did it, and she did a great job with the situation and continued covering shows… lo-and-behold she sounded great on the tunes, we were having a lot of fun again and she threw her name in the hat to audition for the band (and yes, she insisted on going through the formal audition process despite having done like 6-8 shows with us at that point). It was just too perfect and worked too well for it not to go forward like that.

At what point did you make the decision to make her a permanent member and I assume there was no persuasion needed to convince her?

Shortly after her “audition” we made her official at a show we did in her hometown right around her birthday (early August 2010) actually so it worked out pretty cool like that. Other than promising her that we would eventually get her a pony for the tour bus Dethklok reference> it didn’t take a lot of persuasion.

We know what we feel she offers the band which has brought a new strength to your sound but what for you has she brought which has helped evolve and shape your music now?

Jess brings a whole lot of personality and fun to the band as well as a new sense of melodicism and aggression (she’s gotten even fiercer since she came back from her hiatus!), plus having a female singer brings a different level of meaning to some of the songs (for example, the kind of sultry melodic singing she brought to “Zombies of War” on the new album to me brought a layer of meaning cause of how they try to sell the military as sexy and glamorous in order to recruit people).

Drummer Dave Kazukiewicz joined just before Jessica, and most recently bassist Micah Maltais joined the band as replacement for the departing Rev. How did you come across the guys and can you give a word about the legend which is Rev?

Dave was actually introduced to us by his girlfriend who was a fan of the band and it worked out perfectly at the time (he’s actually just recently been replaced by new drummer Mike Hogan as Dave stepped down in order to focus on his painting and his band Polluted Remains). Micah we knew from shows we played over the last few years with his band Tell It To The Dead. Micah was a big fan of the band and we always had a great time hanging out with him when we’d do shows together so it was really cool cause he had so much enthusiasm about the songs and getting into the band since he was a fan first.  As for Rev, he’s a hell of a bassist and a fun person to have around. Very witty and a very unique character (in a good way). Definitely not a bad word to say about “responsible rockstar #1” – he’s currently playing in several projects but primarily in a band called The Evil Streaks (female fronted surf-garage-rock-horror punk) and in a Rob Zombie tribute band called American Hellbilly.

Would you say Rev leaving was a bigger jolt than anything before, just for personal feelings?

Yeah, I was personally more bummed about Rev leaving than the others before him cause he is such a good guy to have around and it was a bummer we wouldn’t get to see him/hang out as often but he put a lot into the band over the years and was such a class act (even recording 2 EPs and an album with us knowing he was going to be stepping down so as to make sure we didn’t get sidelined again with this album). He seems really happy with what he’s doing musically these days and will on occasion do a guest spot with us so it’s all good. Thankfully we have a great group of people with us still though and Micah has worked out great for us, not necessarily filling Rev’s shoes but bringing an equally cool pair of his own to the party if you know what I mean.

Let’s come to the main reason we grabbed you, your new album Reclamation. A mighty, rampaging, and thrilling release which dare we say is your best yet by far? There must have been a real buzz brewing as the songs and release came together for you?

Thank you! I definitely agree that this is the best release yet for us. Part of the frustration with the delays and sidelines over the last few years has been that I truly believe in these songs and felt that they had to be recorded and released properly come hell or high water. It’s great to see in the really early reviews we’ve gotten for it (your own included) that other people really are connecting with the songs too. It’s definitely been exciting seeing it all coming together finally and who knows, maybe the timing is finally “right”, the stars aligned, etc and this was the time it was right for it to come out. Who am I to argue that is so, we’re just super excited that it’s all finally happening.

Did the songs find their first breath around the time of the Declamation EP of last year or were recorded later? I ask as the EP feels like a lead in to the album, a teaser of what was to come.

So you did catch that. Well played Ringmaster! Yeah, we actually recorded all 17 tracks at the same time. Our then management consultant (and later label boss, Thom Hazaert) suggested splitting it into an EP and a full album. So we figured out what we thought made for the best full album and what songs worked best as the EP and “Declamation” and “Reclamation” were born. The similar names and artwork were definitely intentional since the EP was meant as both a teaser for the full length album and as a companion piece to it. Originally we expected to release “Reclamation” much sooner after the EP but when we found out that Jessica needed to step down it got put on hold again until her return this past spring.

How long did the album take to record, one senses you are a band which is explosive in all aspects and just gets down to it and to the point in all aspects.

We recorded it (and Declamation simultaneously) over the span of 2 months I believe (we were playing shows and such still as well) and then mixing/mastering/etc was another couple months span or so. We definitely don’t screw around in the studio though. We’re not a band who goes into the studio to write songs while the clock is ticking and we know we’re not there to slack so things definitely do get done pretty quickly when the time comes to hit the studio.

Tell us about the writing process within Mongrel.

Historically I’ve been the main songwriter in the band. Typically I’d have lyrics and the basic outline of the song and bring it in and we’d jam on it then decide if it needs anything else, if it works, etc. With the new line up though, I expect we’ll have some more collaboration on the next album as both Jessica and Micah have been songwriters in their prior bands and will be able to contribute the next time around.

The album is released through THC: X, but I gather there was plenty of hard work and again battles behind the album, in getting it to this point (though not within the band), certainly with labels and things?

When Jessica came back and we were going to start figuring out the release plans for Reclamation, I had approached our on again/off again management consultant about putting it out through his label. After some discussion we worked it out and then it was time to set a release date and get the game plan in order. so definitely work was taking place and since then in the getting the full team together, coordinating, etc but Thom (Hazaert) and I have been talking for years now so that process was actually pretty smooth.

It is so hard to pick out favourite tracks, everyone a blistering slice of essential punk/metal/rock n roll. Twist our arm and maybe we would pump, today, for Pseudocide, C and a Half, Crucifiction and Revisionist. Is there any moment, song, or element of the album which gives you the deepest glow personally inside?

Honestly it’s really hard to say, I’m really happy with all of them personally…. I dig Tarnished Halo and Zombies of War a lot cause I think they kind of branch out style wise a bit, Revisionist like you said cause of the story/message of the song, No Gods No Masters is kind of our anthem… like you said, it probably varies day to day here too.

Mongrel is a band which has never not been flat out gigging, so one assumes there is a feast of dates coming up to support the album?

Yeah, we’ve been doing a run of cd release party shows and we’re playing the Rock & Shock Festival (rockandshock.com) with the Misfits, Shadows Fall, God Forbid, and Vision of Disorder in Worcester MA on October 12th which we’re psyched for, we’ll even be at the convention all that weekend where they’ve got stars like Danny Trejo, the guy who played Dante in Clerks, Bill Mosley, Sid Haig, Peter Criss, Dee Snider, etc all doing meet and greets and such. It’s gonna be amazing!

Where do you get the deepest pleasure as a band, live or in the creating and studio times?

At the core we’re a live band. That’s what we do all of this for is that thrill and energy of getting on stage and connecting with people. Obviously we get excited about creating new music, and while perhaps more tedious at times the studio is exciting too but it’s that time on stage that is truly what it’s all about.

Listening to the album one senses a freedom to the band again, is that how it feels and what is on the horizon for us from the band?

Can’t agree more! It’s fun, it’s exciting for us, having Jess back with the band, and the enthusiasm we have going right now is awesome. We’re hoping to work on writing towards the next EP or album over the winter when the show schedule slows down a bit just cause of the unpredictability weather wise it’s incredibly frustrating getting a show snowed out or something so we’ll prolly keep a lighter show schedule but spend more time writing over the winter months. I’d like to see a second video from the album happen as well so hopefully that will fall into place as well. We’re also working on releasing the album in the UK as well later this fall (physical CDs, not just iTunes since it’s already on there and Amazon, etc)…. a lot will depend on how things take off and play out with the new album though. Fingers are definitely crossed though!

Lastly tell us about the new video for Bored To Death, the first song on the album.

We did the new video with Red13Media, who happen to also be the people we recorded the new album with and who did our photo shoot as well. They really “get” us there and have a good sense of what we’re about and work well with us so it’s very low stress and a lot of fun working with them. The video itself was shot in one day at a couple of locations, and in our traditional “keep it in the family” way of doing things, actually features 2 people who at different times covered some shows on vocals for us (Blu Jess and Scott Campbell) so it was a cool family reunion type thing doing the video. The response on YouTube for the video has been really cool to see with over 2,000 views in just about a week so far. It’s been awesome and we’ve definitely seen the impact at shows where people who don’t have the album yet since it JUST came out, are already singing along with that tune which is the greatest feeling as a performer. If any of the readers haven’t seen it yet, here’s the link:

http://www.youtube.com/watch?v=nZiczkduf2E&feature=share&list=UU2JwNRa_Sc4-OktF5-CiU-w (or below)

Thanks for talking with us, really appreciate it and good luck with the album…any final words?

My pleasure! Thank you for all the support, the great review of the album on your site, and for really doing your homework on these questions!! You rock!!  If people want to hit us up directly they can reach us at http://www.mongrelband.com  and http://www.facebook.com/mongrelofficial  or http://www.twitter.com and I hope everyone will check out the new album Reclamation on iTunes, Amazon, etc.   Thanks again!!! –

Read the review of Reclamation @ https://ringmasterreviewintroduces.wordpress.com/2012/09/18/mongrel-reclamation/

RingMaster Review 02/10/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

Noyz?: 12 Jinxes

It has been a long while since we have heard anything from Serbian rock band Noyz? but the wait is over as the band return with their new single 12 Jinxes and what a mighty comeback it is. The single is outstanding, a thrilling brew of alternative metal, rock and grunge wrapped in a heated attitude drenched energy.

Noyz? was formed in 2004 by vocalist/guitarist Stevan ‘Sharkey’ Radoičić and found good success and acclaim for its infectious and well crafted sound, though arguably it was outside of Serbia where people were really connecting with the band, their homeland unable or unwilling to support and give real and full attention to metal and rock, a statement many muscular genre bands from the country make. The band worked hard, constantly gigging around their country and participating in festivals Around Europe to again great if not sustained responses. Around Europe though their music was lighting ears and the band through songs like the outstanding Happy- Hour In A Junkyard, Dreams, and The Sky Is Falling found a strong welcome and prolonged radio play, their music appearing regularly on shows like The Reputation Radio Show.

It is fair to say though disillusion with the scene back home won out and the band split in 2011. Sharkey is never one to stop making music though and finding a determination and resolve not to let the apathy back home win out, he has returned with the excellent 12 Jinxes taken from a forthcoming debut album. With bassist Ana “Anki” Joševski (ex-Synapse, Alhemia, Svartgren, Fandango) alongside him, the songwriter shows his sounds and writing craft is better than ever, the single the first step in the new fighting presence of the band in rock music and a truly impressive tease for the album ahead.

The song immediately shows its muscles with sturdy riffs and heavy probing bass lines. In to its stride the track is soon barging through the ear with a punk metal like presence bringing a mix of the urgency of an NOFX or Mindset X with the aggression of an Anthrax or Bloodsimple, though as ever Noyz?just sound like themselves. As the track explodes with sharp and mischievous lyrics and an irresistible wider fusion of sounds, it stirs up a grungier breath to its charge. The song fuels deeper infection through this further spicery recalling bands like Sick Puppies and Jane’s Addiction, and leaves one with no option but to press play again and again upon each ending note.

The song is a pure enthused pleasure and will ensure the wait for the new album will be impatient and very eager. 12 Jinxes is like the band has never been away and with the luck all bands need it will finally be the spark to trigger deserved wider recognition at home and abroad for the band.

To get your free copy of the track go to http://nocturnemagazine.net/vest/1546/noyz-preuzmite-numeru-12-jinxes and listen out6  and listen out for more sounds from Noyz? on The Bone Orchard podcast from The Reputation Radio Show.

https://www.facebook.com/pages/NoYz/23126157757

RingMaster 18/09/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

ArcticFlame: Shake The Earth

After his impressive debut solo album Death In The Family earlier in the year, songwriter/drummer Mike Paradine returns with his ‘day job’ ArcticFlame and its unleashing of storming new album Shake The Earth. The album is the fourth full length release from the band and is a deeply impressive and invigorating explosion of classic and power metal brought with a distinct and rich imagination.

It has to be said such was the great pleasure brought by The Mike Paradine Group and their aforementioned album, which found acclaim and strong media response including regularly play on the likes of The Bone Orchard podcast from The Reputation Radio Show, that there was a heightened anticipation for the next release from the New Jersey quintet which Paradine founded in 2001. The album feeds those expectations and more with ten majestic slices of metal to captivate and fire up any rock and metal heart. Wonderfully eclectic yet soaked in the classic essences of metal throughout it is a release which concretes the reputation of ArcticFlame as one of the most accomplished and essential bands around.

From those early times when Paradine, upon leaving previous band Balistik Kick, set about forming a band influenced by the traditional metal of Iron Maiden, Judas Priest and Motorhead, ArcticFlame has been on a constant rise. From their first ever gig supporting Thin Lizzy, shared stages with bands such as Motorhead, Overkill, Helloween, WASP, and their well received EP of 2005 through their debut album Primeval Aggressor of 2006 and its successor Declaration of 2008, the band has risen higher and grown stronger stage by stage. Unexpected changes in 2010 could not make an obstacle for the band for long as the new line-up of Paradine, new vocalist Michael Clayton Moore, guitarist Sebastian Garcia, and returning original bassist Jeff Scott, emerged stronger and more determined. 2011 saw Alex Schuster join their ranks as second guitarist and the release of third album Guardian At The Gate which marked the band as one of the most powerful and enthralling melodic metal bands around.

Shake The Earth not only builds on what came before but throws the band up with the giants of the genre, their incendiary sounds and sharp imagination a sonic explosion of skill and passion. The album is a brew of multiple flavours which sets it apart from similar styled releases. Their melodic prowess again runs as a controlled riot throughout whilst the generated energies are as rampant and hungry as any offering anywhere. These strengths are fused with an array of grooves and disharmonies compound the full ignition of the passions, their discordant breath an inspired counter to the scorching and inventive melodies which burn from within every song.

The opener Man Made Man instantly piques interest with its electrified strokes across the ear, their sparks slowly blistering the air whilst heralding the following predatory stomp of badgering riffs and heavily jabbing rhythms. The vocals of Clayton Moore as expected are immense proving he is one of the best metal vocalists around and immersed in the surging guitars sounds, a wonderfully snarling bass from Scott, plus the unmissable power and mighty punches from Paradine, it all combines to show the band is pushing new heights. It is a thunderous start with a song which will rile the passions for fans across the years.

Two Sides Of The Bullet and Last Chance continue the high octane adrenaline riling enjoyment. The first is a pulse racing bruise of a track which fires up any passions still only simmering from the opener whilst the second simply enflames the soul with its abrasive intensity and incisive melodic dazzle. Both offer rock n roll at its best, neither arguably trying to break down boundaries but simply conjuring the freshest most majestic sounds from existing palettes.

The punk rawness of Call In The Priest as it rampages like a bull increases the heart rate whilst songs like Rider Of The Headless Horseman and the excellent Run To Beat The Devil only leave raptures with their melodic charms and insatiable hearts. The last of these three especially shows how the band, their craft and songwriting, has reached yet another level which can only reward fans and music alike.

The album ends with a cover of the Uriah Heep song Rain and the power ballad Seasons In The Cemetery (Gardens Of Stone), the first a vocal and piano treat passing to the second and its orchestral kiss upon the ear brought with a power metal embrace. If there is only one minor quibble about Shake The Earth it is that as it progresses the earlier charging energy dissipates, though the quality remains at the same impressive height, making it a little top heavy in adrenaline. Just a minor complaint and the placing of tracks as they are do allow one to recover the loss of breath which results from the first three quarters of the album.

Shake The Earth is outstanding and easily one of the best melodic metal albums this year, and ArcticFlame… well they simply make the best kind of metal to leave one energised and fulfilled.

http://www.arcticflamemetal.com

RingMaster 11/09/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

Ghost Of The Highway: Self Titled

From the moment the song So Sick from UK rock band Ghost Of The Highway, was submitted to and heard on The Reputation Radio Show, a review of the forthcoming mini album it came from was a must. When the track was recently broadcast the eager acclaim towards its vibrant and powerful sounds by the audience of the show was expressive and full, something the band will surely become used to with the release of their impressive album on September 1st.

From Guildford, Ghost Of The Highway consists of vocalist and guitarist Jon Lett (The Black Zetas, Calico), bassist Jack Williams, and Jack Summerfield on drums. The band began in 2010 when Lett met Summerfield in a bar. Drinks, reflections of the state of local music with probably more drinks in tow, led to the linking of their musical creativity. Working hard on songs and going through a pair of bassists, the band released the demo Hope and Other Four Letter Words through bedroom label Specky Records the following year. It was well received drawing much acclaim to its heavy rock energies and sounds. Later in the year Williams was recruited and now stable the band entered the studio with producer Paul Frost to work on the album. Earlier this year saw the release of previously mentioned single So Sick, it again pulling in nothing but great and enthused responses.

The song opens up the album and instantly has the word infectious at the ready for its excited and greedy hooks and melodic enterprise. The guitars electrify the air initially with a blistering scuzzy energy whilst larger melodic strokes flash within its bristling presence. In full flow the song is soon offering intensive rhythms and a great bass prowling from Williams whilst the vocals of Letts, also with that distorted tinge to their breath, impress. The track is aggressive without resorting to force or being over demanding, its energy and appetite enough to stir up the senses. The band comes from the home of the Reuben and though Ghost Of The Highway do not quite have the intensity they hold the same ability to create compelling and addictive riffs and hooks as that great band.

The following Preacherman starts with a gently caressing melodic whisper of guitar and voice before the song unleashes a punk rock lined piece of rock n roll. The song is excellent though slightly frustrating as at times it feels like it wants to explode into an unbridled storm but to be fair if it had gone that way it is doubtful the well crafted and defined song would have worked quite as well. Not for the first time the band have a Green Day feel about their sound which though an easy comparison is accurate.

The steely Vultures is an outstanding piece of rock music with a seventies garage blues gait alongside its melodic pulse whilst the bass of Williams has a vibrant yet niggled sound, his lines gnawing on the ear wonderfully. With its slight stoner air too, the track is a thrilling contagion showing a wider variation to the music of the band.

Punk spices the excellent Second Rate next, another song which like the opener hits all the right buttons to have senses, limbs, and heart rate in active accompaniment. There is an underlying grunge flavour to add extra texture to the song and once more Ghost Of The Highway shows its ammunition is diverse and potent.

The last pair of songs ensure the album maintains its high levels to the very end, March Of The Pigs and Another Pretty Boy leaving only pure satisfaction behind. The first again finds the band with an American Idiot era Green Day lilt to its inciteful heart whilst the closing second single from the release opens like a sensitive crystalline ballad. Of course the band cannot maintain their restraint and the song soon steps into a slice of emotive catchiness which excites the ear and warms the senses.

With their self titled album, Ghost Of The Highway step forward to show themselves as one of the more inventive and inspiring bands in UK rock music right now and one who all should get to know in September.

http://www.ghostofthehighway.com/

RingMaster 24/08/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

The Ourz: Dirty Tracks

When it comes to high grade dirty rock n roll certainly in underground scenes, one band has in the past few years always been to the fore and stood apart with their own brew of raw and insatiable rock. Irish band The Ourz since forming in 2008 has infected and captured the imagination of all who have come across their sounds or live performances. Influenced by multi flavours and bands across rock, blues, and metal, the Balbriggan quartet simply offer honest and passionate music, sounds from the heart for the heart.

Our first introduction to the band came through The Reputation Radio Show who have unleashed and championed the music of the band to their audience for the past two years. When news broke of the forthcoming release of their debut album anticipation accelerated like rumours in the world of Charlie Sheen. The Reputation Radio Show recently with thanks and gratitude to the band, unveiled the world exclusive debut of songs from Dirty Tracks, the impending first album from the band. With our association to the show and The Ourz we grabbed the chance to feast upon the forthcoming release and what a surprising and magnificent little gem it emerged to be. Planned for release before the end of the year, Dirty Tracks leaves one excited, wonderfully agitated, and ready to party hard.

As mentioned it was a surprising release. The band has always produced great songs and music to leave only pleasure in their wake but on the album the band has exploded and found an even stronger depth and heart to their creativity. There are songs which fans already know from the past years but they have evolved into something as fresh and powerful as the new material. They may be familiar but they have never sounded so good nor the band. Musically the band bring a brew with the likes of Tom Petty, Thin Lizzy, and Bad Company spicing up their original flavours.

Formed by vocalist Gerard Smith and guitarist Shane Kinsella, the band was completed with its current line-up by drummer Brandon Edwards in 2009 and the following year bassist Gary Healy. Their debut EP in 2010 alongside their electric high energy live shows soon made them one of the most acclaimed and followed bands across Dublin and beyond, the charms of the release stretching beyond their hometown into media and radio attention worldwide through the subsequent years. The Ourz create and write without compromise what makes them excited inside, the result something to trigger the fullest pleasure.

The thirteen track feast is opened by the excellent Couldn’t Believe It, a song which immediately tries to make off with best on album honours. From magnetic guitar play and a hypnotic bassline, the track swaggers with confidence and the intent to ignite the strongest reaction. The song sees the band arguably tighter and darker than ever before whilst scorching the air with melodic enterprise and inciteful rhythms. It is pure rock brought through heart borne energy. The restrained but keen groove of the song persists throughout to hook the senses allowing the inventive guitars and the expressive vocals of Smith to light up the air further.

The well worn and loved Midnight Friend steps forward next to continue the immense start and show its new refreshed and still mesmeric charms. With the pulsating velvety basslines of Healy veining the song it is a piece of blues hard rock at its best. The song has captured multitudes in its past and with its re-energised breath is sure to multiply its victims tenfold. The album took two years to complete, the work and attention given easily apparent on this song alone.

Tracks like Your Time Will Come with its deep blues stroll, the emotive You Not Me, and the slowly burning Virtue, show the expansive sound of the band but it is fair to say every song within Dirty Tracks has its own distinct and compelling aspect. The album has a strength and craft across its length which is impressive and whether the tracks are uncomplicated or more intricate, all leave a richly pleasing taste.

Individual highlights which ignite the most enthused personal fires come alongside the opening pair, with the trio of tracks Summer Rain, Attack, and Nasty Conscience. The first is a melodic caress which drips emotion fuelled by incendiary guitar weaves and infectious bass grooves. With multiple crescendos to its refined hard rock energy the song brings the senses to the boil skilfully. Attack is as its titles suggests a riotous assault on the ear, an eager storm of sharp melodic manipulations and crashing rhythms to swarm and taunt behind more great attitude oozing vocals.  Infectious to the core and inciteful to voice and foot the track leaves one excited and looking for the next breath. The last of the trio is the best track on the album and one already adopted by the mass audience of the previously mentioned Reputation Radio Show. From its opening beats and bass growl through to the fine vocals and surging guitar flourishes the track is addiction on the loose. The song takes the dirty rock n roll The Ourz proudly creates into a filthier feisty bar room for the deepest rewards.

Dirty Tracks is an explosive and thoroughly enjoyable release which shows honesty and heart goes a long way to making the best rock music, something The Ourz do with accomplished ease.
www.theourz.rocks.it

RingMaster 21/08/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

Ghost In The Static: Fallout

Pic – Wicked Boy Photography

Already having garnered a strong and eager fan base as well as strong acclaim for their previous album and EPs, it is not pushing the realms of credibility to predict Ghost In The Static will put it all in the shade once their new album Fallout hits the world on September 1st. The album is quite simply immense, a magnificent explosion of electro industrial metal  which takes the senses on a massive thrilling ride. If you were impressed by their previous work and who could not be with its vibrancy and cutting energy, Fallout will leave you in rapture.

Formed in 2009 by frontman Steve Fearon, Ghost In The Static explored, experimented with, and evolved an evocative and stirring sound which was impossible not to connect with. Their Open Eyed Dreamer Part I: Revelation debut album of 2011 fully impressed as it showed a band still evolving but already creating compulsive inciteful sounds. Earlier this year two EPs The Infection Vol. 1 and Vol. 2 gave a teaser to what was to come and certainly ignited great anticipation though neither gave real warning of the incendiary levels of invention and  imagination to come. The new album has more muscle and intensity thrusting through its sound though the band has not neglected their electronic and melodic side. They have evolved it all into a striking consumption of emotional blistering and concussive energy. Think Celldweller and Suicide Commando in a riotous union with Nine Inch Nails and most of all Pitchshifter and you get a sense of the storm of creativity which envelops and brings climactic pleasure to a head.

Still within the world of post-apocalyptic struggle which themes their music, the new album is not so much a united series of songs as on the last album though all are linked by an overall  vibe to stand powerfully individually or as part of Fallout. This gives it a better balance than its predecessor in many ways but no less expansive in its atmosphere and depth. It is also more direct and intrusive, the attack a perpetual and sustained insistence from the first full track to the last lingering note of the release.

Starting with Armageddon, a brief intro setting the landscape the album is set in, the release slams into the ear with the title track, a stirring electrified rub of energy upon the senses. There is an immediate hunger to the song which takes no for an answer as the guitars of  Gareth Stapleton and Lewis Collins score the senses with sharp and impactful riffs and melodic surges. The synths of Collins sizzle like acid on flesh across the air of the track to disrupt the already riled energy pervading every pore, whilst the edgy basslines of Mike Fearon simply leaves one looking over their shoulder. A step into a graceful melodic aside gives brief respite though even there the tinge of destruction is whispering in the ear. The track is openly infectious and bustles thoughts and emotions in to a sense of something even more special to come.

      Another Day builds on the excellent start to raise the temperature even higher. It is a provocative and challenging slice of invention which straight away evokes imagery and emotions. A distressed ambience opens the song with the fear and desperation of someone lost calling through the sonic distortion. The plea is smothered as the track erupts into a boiling maelstrom of energies and aural disruption. The rhythms of drummer Martin Rogers echo and pulsate within bone as the song ignites the caustic air with its contagious tarnished melodic enterprise and insistent niggling synths. It is the triumphant brassy jazz sounds though which provide the match to full rapture which lingers long after the closing return to the lonely voice.

The muscular and venomous IWTMT  brings a fluid union of metal and electronic craft to keep things stewing perfectly whilst the ferocious stomp of Saviour and the corrosive breath of Rapture just give further abrasive charges of electrified pleasure. Each and every track leaves nothing but awe in their wake but when it comes to Not Enough and Fallen Gods it becomes something almost illicit. The first is simply infection gone wild, the rampaging energies and hooks barbed with addiction making melodic poison as it sweeps limbs and senses up into a brawling and insatiable tornado of sound and passion. Once bitten the song remains within forever, a companion in sleep, thought, and those intimate moments though its rhythms make a great pace maker. Fallen Gods is the same, a song which refuses to leave without an exorcism. Like a rampant Rabbit Junk, the band teases and molests with more of their adoration baiting melodies and inspirational imagination and both confirm what a strong vocalist Steve has become. Both carry a more electronic gait in contrast to the harder earlier songs though all are perfectly unruly and powerful.

With two vocal guests in MiXE1 on Lost and Cease2Xist  in Everyone, a couple of emerging industrial/electro powers, and the closing dark elegance of Judgement Day, the album is the fullest feast of experimentation, imagination, and irresistible energy. The pleasure does not stop there though as the CD version alone contains the brilliant and slightly punky YDNTL plus the equally stunning Nihilism III, which to our mind makes the download redundant such their greatness, but do not tell the band we said that.

Fallout is one of the best albums to come out this year and within electro industrial metal possibly the very best so far. Ghost In The Static has come a long way since those early days and just keep getting better and better. Whilst you mark that release date  off on your calendars we are off for a cold shower, phew!

To find out more, pre-orders etc go to http://staticdistortionrecords.co.uk

Listen to Ghost In The Static tracks from Fall Out on The Bone Orchard podcast from The Reputation Radio Show

RingMaster 16/08/2012

Copyright RingMaster: MyFreeCopyright

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.