Little Lapin – Wake Up With The Sun

There are many obvious things which are evidence of being in the throes of a seductive summer, most you will need no reminding of but there is something else which equally has emotions wrapped up in the beauty of its warmth and that is a new release from British singer-songwriter Little Lapin. Just short of two years ago, the Cornwall based songstress entranced and impressed with debut album Remember The Highs, repeating the event a year later with its even more striking successor Holding Out For The Kicks. Their collection of heart bred, spirit stroking songs firmly imprinted their creator on the indie folk/ alt country scene. Now third album, Wake Up With The Sun, is a day or so away from living up to its title and sparking a new melodic summer for the senses and imagination to bask in.

Quite simply Wake Up With The Sun puts its predecessors in the shade; easily eclipsing both impressing releases as Little Lapin’s (Lucy Hill) reveals her most potent, accomplished, and creatively imaginative and elegant songs yet. She is no stranger to acclaim, those releases and surrounding singles as well as her live performances drawing eager praise and attention. From radio shows to the scribbles of music blogs and magazines, plaudits have gathered as too a worldwide fan base through her shows and tours across Britain and New Zealand as well as New York. Wake Up With The Sun is also the call to the rest of the world to take notice with its season of melodic seduction.

Initially and no doubt continued to be inspired by the likes of Regina Spektor, The Cranberries, Florence & The Machine, Laura Marling, PJ Harvey, The Cure, and The Pixies, Little Lapin has persistently nurtured her own character of sound and songwriting; its current pinnacle and uniqueness coming within Wake Up With The Sun. From its first breath, the album smiles and kisses ears; opener and album title track stroking ears with the tender touch of acoustic guitar. That in turn sparks a skip of eager guitar and bass, their perky stroll wrapped in the warm caress of LL’s ever captivating voice.  A slice of pop folk, the song proceeds to radiate like its namesake; rays of energy and senses inciting warmth infusing body and spirit.

My Complexion follows, swiftly sharing its own infectious gait and nature as LL courts ears and thoughts with her evocative words and enticing voice. Its unique spice adds a delicious tang to her melodic prowess, essences emulated in the blend of jaunty guitar and jazzy bass alongside.  An eruption of fiercely fragrant guitar only adds to the temptation, a one off moment not to be repeated but lingering as long as the song’s general spring and beam.

Just as potent in its reluctance to leave ears and thoughts is the delicious animated serenade of Isn’t Life for Living, a blossom of beauty simultaneously sharing a smouldering flame and frisky waltz as it ignites feet and hips as easily as a lustful appetite for its virulent pop.  As throughout the album, there is a sixties/seventies scent, a whisper but giving the song another endearing hue to get hooked on as it sublimely captivates with its keen and poetic vivacity before latest single Narrabeen adds its own catchy enterprise and bold imagination to the release. With the haze of harmonica and a suggestive rumble interrupting its tenacious country spiced swing, the track is a sultry and dusty Kiwi hued adventure and, as its predecessor, just riveting.

Through the delicate melancholy lit Luna and the reflective hug of A Song for Alex, the album lures the listener deeper into its majestic yet intimate arms while Need a Change of Scene has the body on its feet again shuffling round with tenacious versatility to the song’s wonderfully unpredictable invention and evolving landscape. Like a mix of Laura Marling and Imelda May, LL has ears and imagination enslaved whilst revealing another aspect to the diversity shaping Wake Up With The Sun.

LL simply bewitches once more within Radio Nocebo, her tang lined voice an appetite inflaming siren and storyteller within the sparkle of hearty and innocence spun melodies. Captivation is swift and inescapable as the song provides another peak to the loft range of the album; its triumph followed by the final wash of warmth and melodic intimacy provided by closing song I Told You So. It is a last kiss on the lips of pleasure as Wake Up With The Sun leaves the listener wistfully bound in the hug of creative grace.

It is probably fair to say that Little Lapin has yet to ignite the biggest spotlights so far but it is easy to suspect that global attention will be stirred, as the sun, by her new and quite simply gorgeous album.

Wake Up With The Sun is released April 14th across most online stores.

http://www.littlelapinmusic.com/    https://www.facebook.com/littlelapin/    https://twitter.com/1littlelapin   https://littlelapin.bandcamp.com

Pete RingMaster 13/04/2017

Copyright RingMaster: MyFreeCopyright

Little Lapin – Californian Sun

ARt LL_RingMasterReview

It was almost a year ago that Devon bred songstress Little Lapin seduced ears and attention with her seriously well-received album Remember the Highs and its lead self-titled single. To build on their success, this July sees the release of the already eagerly awaited Holding Out For The Kicks and before it the captivating single Californian Sun. The lead track from the upcoming release, the single is a bewitching and melodically sultry teaser which easily ignites all the warm emotions and eager appetite experienced with Little Lapin’s music before as well as a very keen anticipation for what is on the near horizon.

Know to her parents as Lucy Hill, the Devon hailing Little Lapin is no stranger to luring eager ears and praise. Emerging in 2012, she has enticed and transfixed UK audiences and equally those over in New Zealand and across in the US on stage and through her previous singles and a self-titled EP, before stirring greater success up last year with Remember the Highs. Inspired by the likes of Regina Spektor, The Cranberries, Florence & The Machine, Laura Marling, PJ Harvey, The Cure, and The Pixies, the Falmouth residing singer songwriter creates songs and sounds which certainly embraces those spices but, as proven yet again with Californian Sun, she weaves all flavours into a vocal and melodic adventure which is uniquely Little Lapin.

Little Lapin invites ears to Californian Sun with a gentle acoustic caress before slipping into the pool of sultry melodic suggestiveness and rhythmic vivacity woven around her voice and strings by lead guitarist Alex Hill and drummer Harry Harding. In no time the song has the imagination involved, its emotive smoulder and dark rock ‘n’ roll merging with a sixties psych rock twang as Little Lapin’s distinctive tones provide their own evocative texture and expression to the almost cinematic poetry of the song.

Bordering on bewitchment, the warmly glowing Californian Sun has ears basking and the imagination conjuring in its arms, with anticipation for Holding Out For The Kicks quickly following the last smouldering note.

Californian Sun is released April 14th with Holding Out For The Kicks following on July 16th @ https://littlelapin.bandcamp.com

http://www.littlelapinmusic.com/   https://www.facebook.com/littlelapin/   https://twitter.com/1littlelapin

Upcoming live dates:

Apr 16 The Stable, Newquay, UK

Apr 17 Ben Tunnicliffe, Penzance, UK

Apr 22 Bar 35, Bude, UK

Apr 23 Ben Tunnicliffe, Penzance, UK

Apr 29 The Stable Plymouth, Plymouth, UK

Apr 30 The Drewe Arms, Exeter, UK

May 05 Ben Tunnicliffe, Penzance, UK

May 06 Rick Steins Fistral, Newquay, UK

May 07 Bystro at the Bank, St. Austell, UK

May 08 The Rock Inn, Devon, UK

May 11 George Inn Brailes, Banbury, UK

May 14 Rough Trade Nottingham, Nottingham, UK

May 15 Lamplighter, Northampton, UK

May 20 Pakhuis De Zwijger, Amsterdam, Netherlands

May 27, Mobile Blues Club, Hamburg, Germany

Pete RingMaster 04/04/2016

Copyright RingMaster: MyFreeCopyright

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Little Lapin – Remember The Highs

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It was only a couple of months ago when Little Lapin seduced and enthralled with the single Remember The Highs, its masterful coaxing of ears and imagination the wake-up call to the mesmeric sound and voice of the UK singer-songwriter for a great many. The acclaimed track also revealed inventive and bold songwriting, something her fans were already vocal about and now impressively confirmed by the artist’s debut album also called Remember The Highs. It is a fascinating and captivating collection of songs which with diversity and melodic resourcefulness simply leave thoughts and emotions spellbound.

Little Lapin is Lucy Hill, a Devon bred songstress now based in Bristol who has been entrancing audiences from the UK to New Zealand and New York since emerging round 2012. Musically her inspirations include the likes of Regina Spektor, The Cranberries, Florence & The Machine, Laura Marling, PJ Harvey, The Cure, and The Pixies, many providing creative whispers in what is a sound and songs which are openly distinctive to Hill. The swift proof comes with the last single, though before that she had bred a strong and loyal fan base through a tantalising live presence and releases such as earlier tracks Sound of Summer and Winning Is Losing, and more so a self-titled EP last year which sparked attention from the likes of Tom Robinson on BBC Radio 6 and regular online radio play. It is easy to assume though this was just the appetiser to more fevered responses and acclaim destined to be earned by Remember The Highs, the album a beacon of melodies and harmonies set to draw greedy appetites like moths to a flame.

a1696187169_16   The album opens with Magnet Eyes and an immediate inescapable tempting of warm guitar and keys taken to another enslaving level by the unique tones of Hill. Her voice has a quality of sounding familiar as well as freshly bewitching, but from person to person it seems we hear someone different as a reference, the likes of Laura Marling, Regina Spektor, Sinead O’Connor, and Chrissie Hynde just some references used, with the latter the closest for us as a descriptive hint. As the song stretches its melodic nature and evocative air, a shadow of darker resonance comes into play to catch the imagination all over again, whilst voice and keys especially almost flirt with rich expression and emotive radiance.

It is a captivating start, but also a potent teaser to the glories of the following Over The Draft and the album’s title track. The first of the two songs creases ears with an initial persuasion of guitar again quickly enhanced by the sultry tones of Hill. Eager rhythms then gently and enticingly march into the exotic landscape now being cast by keys, everything settling into a scenic lure of melodic mystique and catchy hooks with the voice of Hill one giant romance of a snare. Its successor remains as potent as the first time heard, and if there is an air of Chrisse Hynde in the second track, Remember The Highs wonderfully reeks of The Pretenders in its sonic groove and provocative melodic hooks. Vocally too Hill brings her spiciest tang to syllables and a slightly nasal croon reminiscent of the Ohio musician. The darker bred bass groove alongside the irresistible winy flames of guitar is equally as compelling, the song providing one delicious embrace of tenacious enterprise and beauty.

The acoustic opening to Go!Stop!Go! has ears lit and body swaying instantly but it is the brooding air of drama cast through keys and an orchestral breath which ebbs and flows across the track, that turns a potent encounter into a spellbinding one. It is a serenade with haunting shadows and dark aural reflections which offer a melancholic temper to the invigorating partnership and narrative of voice and melody. The song just blossoms with every listen, its slower initial smoulder, compared to the previous songs, soon as engrossing and seductive as anything upon the album.

Sound Of Summer rolls in next on a rumble of rhythms which quickly evolves into an embrace of seventies seeded Beatle-esque keys and the ever inviting vocals. Occasional crescendos of drums add to the expanding and again sultry canvas of the song, guitars and keys colouring its scenery with alluring and imagination inciting enterprise to which bass adds swarthy lines of juicy shadows. Once more there is no option but to sink into the depths of a song before being left face to face with the rockier acoustic persuasion of In My Mind. The song is barely a stroll across the senses but even in its low key gait reveals a tenacious and sturdier character in its absorbing balladry compared to its predecessor.

Both songs though get over shadowed by the outstanding Colour Blind, a track emerging as a definite favourite. It starts on a thoughtful and evocative persuasion of guitar, Hill in moments adding her reflective vocal spice for an engaging start. Soon though, everything erupts into a gently concussive belt of emotional and creative turmoil, agitated rhythms and clanging riffs consorting with fiery keys in a bedlamic expulsion. It is a striking and thrilling twist to an already highly persuasive proposition providing yet another major highlight in Remember The Highs.

The album finishes with firstly the melancholic but again vibrantly arresting Panic, a song which has an essence of the drama found within The Smiths songwriting to it, and finally the closing warm smile of A Nice Coincidence. Contrasting textures flirt from within the encounter, sombre strings find themselves courted by skittish rhythms and another seduction of voice and melodies. The lyrical side of songs, as once more shown here, is just as intriguing and enticing, Hill able to cast hope in dark experiences and show the shadows within the brightest adventures.

Remember The Highs is a musical love affair for the senses from an artist in Little Lapin, who has the potential to become one of Britain’s most exciting and innovative singer songwriters. Thinking about it as her album seduces once again, she already is.

Remember The Highs is released on May 15th @ http://littlelapin.bandcamp.com/album/remember-the-highs-2

http://www.littlelapinmusic.com/   https://www.facebook.com/littlelapin

RingMaster 14/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Little Lapin – Remember The Highs

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There is no getting away from the tantalising Chrissie Hynde essence to the voice behind and The Pretenders like colouring of new single Remember The Highs, but equally there is no escaping the seductive potency and unique bewitching qualities of song and creator either.

   Little Lapin is a British singer-songwriter who from the release of her self-titled debut EP in 2013 has continued to inspire a greedy appetite for the melodic folk/pop romance she crafts. She has captivated audiences and imagination around the world, UK crowds and fans joined by those in New Zealand where she was based for five years, and in New York where she recently performed the last performance of her acoustic tour. As mentioned it is not a new persuasion on offer though, the song Waiting Room from her first and equally well-received EP, luring radio play with the likes of Tom Robinson on BBC Radio 6 and eager online radio play. Ahead of her highly anticipated debut album, Remember The Highs is now here to tease an even greater appetite and anticipation for the forthcoming full-length whilst confirming Little Lapin as one of British folk’s most bewitching propositions.

Remember The Highs opens on a wonderful tangy guitar melody, its winy lure an instant temptation swiftly matched by the mesmeric vocal croon of Little Lapin which in turn is embraced byPicture 76 an additional caress of reserved but potent guitar strings. That Pretenders simmer is lively from the start, recalling Hynde and co around their first album but similarly casting a fresh and vivacious breath which has a texture more aligned to a Metric or even The Cranberries. The song continues to entwine ears and imagination with its spicy melody and sultry temptation, assisted by a great dark bassline which flirts behind ever compelling vocals. The song is delicious, pure manna for body and soul and the most rigorous enticement likely to be heard this year for any album.

The track is accompanied by Over The Draft, an acoustically crafted smooch with ears moving into a more folk bred proposal compared to the rock pop triumph of its predecessor. Radiating charm and melodic elegance as a rhythmic shuffle offers a lively backing, the song shimmers over the senses. There is an essence of Lizzyspit to the song, revealing more of the variety within sound and songwriting of Little Lapin as previously suggested on her EP and previous tracks. Without quite rising to the heights of the first song, it still seduces from start to finish with sublime beauty within the rich smoulder of keys.

Featuring celebrated New Zealand producer, and ex member of Goldenhorse, Ben King, Remember The Highs is one of those songs which has the potential to open up broad spotlights and worlds to an artist, much like Brass In Pocket did for a certain Ohio bred musician/songwriter. It is an irresistible and exciting treat from an artist which still feels like they are only just beginning their journey.

Remember The Highs is available from February 9th @ http://littlelapin.bandcamp.com/

http://www.littlelapinmusic.com/

RingMaster 09/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today