The Dirty Youth – Just Move On/Atomic

The Dirty Youth Promo Shot_RingMaster Review

Reminding us of the impressive roar and contagion of their album Gold Dust which was released this past May, South Wales rockers The Dirty Youth now uncage a new double A-side single. It is confirmation of the tenacious potential and quality fuelling the band’s dynamic and virulent sound, and further evidence that The Dirty Youth is one of the bright sparks in British alternative rock.

For the new single, The Dirty Youth have united Just Move On from their aforementioned second full-length with a cover of the Blondie classic Atomic, the Americans one of the imagined inspirations of the band listening to their music. Formed in 2007, the quintet grabbed attention by the neck with acclaimed debut album Red Light Fix, it and a rousing live presence which has only grown to this day with the band sharing stages with the likes of Korn, The Rasmus, Heaven’s Basements, Fozzy, InMe, and Reckless Love along the way and making potent appearances at festivals such as Download; there numerous times. Fair to say Gold Dust opened up a new strength of spotlight and support over the past few weeks with its thrilling stomp, success which the new single can only build upon and prompt again.

The Dirty Youth Cover Artwork_RingMaster Review   Just Move On moves in with a feisty nature and on a roll of rhythms from drummer Freddie Green, the sonic coaxing of guitarists Matt Bond and Luke Padfield no less a lure with their emerging cascade of riffs. Once in full view, the song settles into a robust stride lined by the throbbing bass bait of Leon Watkins, it all leading, once the superb vocals of Danni Monroe spring in, to a busy and eager roar of energy and sound. The rhythms continue to be as galvanic as the fiery delivery of Monroe, whilst sonically the track sizzles with infectious enterprise. The flowing flame of keys, also cast by Bond, only add to the warm and incendiary character and contagion of a song which alone is a powerful call to newcomers to check out The Dirty Youth further and indeed Gold Dust.

It is a brave move to cover a song like Atomic, it so well ingrained in the psyche and with a design that there is little you can do with without dissecting it down to its DNA. Nevertheless The Dirty Youth have taken it on and done a fine job. Admittedly they have simply given it their own voice rather than twist it to their own recipe, but it works well and provides a thoroughly enjoyable time.

If you have yet to join The Dirty Youth there are two very good reasons why you should via their new single, with Just Move On an especially compelling and inescapable argument.

Just Move On/Atomic is released November 13th via Transcend Music.

http://www.thedirtyyouth.com/ https://www.facebook.com/thedirtyyouth/   https://twitter.com/thedirtyyouth

Pete RingMaster 13/11/2015

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The Dirty Youth – Gold Dust

The Dirty Youth Promo

After the success of their highly acclaimed debut album Red Light Fix, The Dirty Youth have returned with a rousing stomp of a follow-up, a sophomore album to firmly establish the South Wales band as one of the dynamically refreshing and emotionally rousing bands on the British music scene. Gold Dust manages to be infectiously familiar and dramatically new simultaneously, with emphasis on the latter. It also offers a collection of angst and passion fuelled roars which impact and linger far beyond the length of the release itself. Its sound is a fiery blend of alternative/rock pop which plays like a mix of Paramore meets Fall Out Boy with healthy whispers of The Bambi Killers and My Chemical Romance. It is feisty, contagious, and sure to give the summer some irresistible anthems.

Formed in 2007, The Dirty Youth has seen an increasing arousal of support and praise since the release of their debut single Fight three years later. Already the band was earning strong and eager responses through their live presence, but the song which became an internet hit gaining over 3 million views on YouTube, was the catalyst to broader recognition. Debut album Red Light Fix which followed soon after, exploited and drove the awakening attention on in fine and persuasive style, earning potent acclaim across media and fans alike. Since then the band has toured with the likes of Korn, The Rasmus, Reckless Love, Heavens Basement, and this year Fozzy and InMe, as well as making successful appearances at the likes of Hyde Park alongside Bruce Springsteen, Getaway Rocks with Slash, and Motörhead, and Download last year.

The Dirty Youth - Gold Dust Cover Artwork   Now the band uncages their second album and Gold Dust takes little time to stir up attention and appetite with its presence. Opener I’m Not Listening To You is an instantly eager protagonist just as quickly capturing the imagination with a stabbing tirade of beats from drummer Freddie Green matched by raw strikes of guitar wrapped in expressive melodies courtesy of Matt Bond’s keys. Hitting a magnetic stride straight after, the song becomes an enticing web of riffs and melodies spread by the guitars of Luke Padfield and Bond and courted by the great throaty bass lures provided by Leon Watkins and the equally dramatic swings of Green. Within its first minute the song shows that predictability has no place in the music of The Dirty Youth, every moment adding new twists ensuring the verse chorus verse etc. passage is never the same second time around. Vocally Danni Monroe, also showing great diversity in her delivery, is a rich flame to the song, a focal point around which surrounding sounds lick to earn their rightful share of praise.

Alive comes next and similarly has ears and imagination enthralled with its vocally charged and impassioned croon. Encased in a cage of rhythmic agitation and a sweltering key bred atmosphere, the song has a more restrained embrace to its energy compared to the all-out stomp of the first, yet is just as creatively and emotionally tempestuous as keys, guitars and voice entangle to create a dramatic character.

Its successor Just Move On, explodes on a rolling temptation of again galvanic rhythms, expanding its bright and alluring adventure with a host of inescapable hooks and a melodic breeze of invigorating enterprise. Like the songs before it is a busy encounter in its own distinct way ensuring, as the album, every listen has a fresh feel to ears as more is discovered with the song’s depths.

The great electro fuzz opening to The One sets up the infectiousness of its revelry up perfectly, the song going on to dance with inescapable virulence across its lusty body as vocals and keys spin an insatiable weave of imagination backed by striking rhythmic and guitar endeavour. The track manages at times to be as predatory as it is vivaciously catchy, The Dirty Youth again showing from songwriting to presentation, no assumptions can be made as the track stalks ears with its attitude shaped invention.

Darkest Wedding opens with a darker almost gothic air to its presence, a theatrical essence reminding of MCR colliding enjoyably with the melodic and harmonic fire of the song, which in turn has a feel of Forever Still to it. Fair to say the track does not impact as potently as its predecessors on its first few showings but instead smoulders and almost burns away at thoughts to emerge as a rich tempting over time.

Both Invincible and Bury Me Next To Elvis have body and emotions fully involved, the first again maybe needing a few more listens to complete its persuasion compared to earlier songs, but with a rip-roaring essence to its rich melodic breezes and a potent drama to the keys matched by the ever tempting vocals of Monroe, the song only wins the day. The second of the two shows its thick seductive hand early before bursting into an exhilarating tango of thumping beats, seductive grooves, and enflamed melodies matched by the siren tones Monroe. The song is glorious, sheer intoxication.

The poppier enticing of Don’t Feel Right is just as endowed with rhythmic muscle and sparkling invention as anything on the album whilst the evocative roar of Who I Am provides a conflagrant wind of emotion and creative drama. Both only impress, but get outshone by the immersive depths and kicky exploits of Bedroom Karate, the song a huge bracing bluster with an intricate invention at its heart.

The closing reflective hug of Holding On has the album leaving on another energetically imposing and captivating high, its rugged balladry a final voracious kiss on ears and pleasure. As that song, Gold Dust is an illustrious and majestic offering as at ease getting its rock hands dirty as it is in powerfully seducing the listener. Certainly some tracks out-perform others but from start to finish album and The Dirty Youth leave a smile on lips and a spring in the step.

Gold Dust is available from May 11th @ http://www.thedirtyyouth.bigcartel.com/ and most online stores.

http://www.thedirtyyouth.com   https://www.facebook.com/thedirtyyouth

RingMaster 11/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

 

Beggarz Fixx – Rouse The Rabble

Beggarz Fixx Online Colour Promo shot

Brewing up an accomplished and fiery proposition with a dirtily rowdy nature, UK rockers Beggarz Fixx unleashes their debut EP this week for a healthy stomp of rock ‘n’ roll which should find a welcome in the ears of glam metal/hard rock fans. Rouse The Rabble is a feisty encounter which romps with the recognisable inspirations of Mötley Crüe, Buckcherry, and Aerosmith ringing through its six riots of energy and sound. It is not offering anything ground-breaking or re-inventing the genre wheel but instead pulls the listener, even those without a real taste for its style of music, into a pleasing and contagious exploit which only satisfies.

Swaggering out of Brighton, Beggarz Fixx has built up strong support and reputation locally and across the south of England since emerging in 2011. A few line-up changes has led to the quintet of vocalist Chazza B. Bennett, guitarists Mykki Felyxx and Danni Oakheart, bassist Zakky Redloxx, and drummer Billy Kidd coming together whilst the years since forming has seen the band share stages with the likes of Love/Hate, Attica Rage, Adam Bomb, Reckless Love, and Mallory Knox. Rouse The Rabble is the band’s first release and nationwide attention grabber and it is hard not to expect it to emulate across the rest of the UK its success in London and below.

….And The Devil You Know sets the release in motion, its slow rhythmic coaxing and simmering flames of guitar an attention prodding entrance. The track continues in that nature, accentuating its sonic heat throughout with the 10616344_669858903083407_6433403193299458609_npredominantly spoken vocals which offer a raw edge to the climactic texture of the song. It is a potent if not startling start which flows straight into Outta Control, a track instantly raising the temperate and energy levels. Beats are punchy and riffs raw, whilst the vocals of Bennett provide a nicely varied flavour to their presence. There are no real surprises with the song but plenty of fresh ideas and a highly agreeable persuasion of sound and craft.

The strong start is matched by the following Gimme Some. Drizzled with a bluesy temperament in the flair and stringed enticement of Felyxx and Oakheart, the track is an immediate party with infectious bait for feet, imagination, and passions alike. Hooks flirt, and rhythms entice with similar success whilst again the guitars cast a weave of melodic and sonic tenacity to match the vocal enterprise. Old school and proud, yet providing a modern fire to its attitude, the track again holds little to shock or surprise but plenty to rouse body and emotions for a thoroughly pleasing encounter.

Burn It Down is an anthem primed to recruit the listener within its first touch, hooks and chords an easy and stormy mix which breeds familiar seeds into its own antagonistic riot. With some potent twists and ideation, the song is another to awaken the spirit, and limbs, but lacks the stamp and spark of other tracks, and especially its predecessor. The next up Sick N’ Tired has a stronger and far more lingering presence and adventure to its tempest. Aerosmith meets Skid Row with a touch of Turbonegro to its aggressive breath; the song shows another side to the invention of the band, its progressively spawned melodies and intriguing turn of imagination bringing richer promise and endeavour to the track and release.

The EP is brought to a close by the impressive Walking, a smouldering croon which expels a blues twang in its climate and emotive heat to its reflective narrative. Guitars and vocals fuel the imagination whilst both Redloxx and Kidd provide an imposing yet respectful frame which cages ears impressively. Along with Gimme Some, the track brings the biggest thrill to an easily enjoyable and potent release.

Rouse The Rabble is a sonic orgy of fire bred rock ‘n’ roll which has the swagger and qualities to leave a host of new fans very happy.

The Rouse The Rabble EP is available now through all stores.

https://www.facebook.com/beggarzfixx

7.5/10

RingMaster 08/09/2014

Copyright RingMaster: MyFreeCopyright

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Our Innocence Lost – Like A Complete Unknown

From Manchester, UK rockers Our Innocence Lost is a band with a difference. They robustly incite and flare up the senses like many other quality bands but surrounding their heavy forceful riffs and direct and far reaching melodies there is a passion and personality to their sounds which few other bands can bring as readily and consummately as the North West quartet. The music comes from beyond the heart, the band putting their soul into the eagerly absorbing creations they produce. Their new and second album Like A Complete Unknown is the perfect proof of their natural and organic use of this heartfelt emotion. It is taken and blended into an infectious melodic rock sound that never stands still, forever provocative and always trying new diverse ideas.

Formed in 2006 Our Innocence Lost has taken the UK by storm up and down its length as well as venturing over into the United States to great effect. Critical acclaim surrounded the band with the release of their debut album Facts Called Fiction via Sideout Records of Japan in 2008, the country alerted to a fine emerging rock band which was emphasised and built upon by a 36 date UK tour with American band Darling Waste and sharing stages with the likes of Voodoo 6, Glamour Of The Kill, Jody Has A Hitlist, Dear Superstar, Reckless Love, My Passion and Kiros over the past two years. Written and recorded during 2011 at Patron Studios with producer Elliot Middleton, Our Innocence Lost has unleashed in Like A Complete Unknown, an album which takes you to its heart instantly. It is a strong successor to their debut and more importantly an impressive continuation of the bands maturity and songwriting ability.

The album offers a heady blend of songs spawn from the flavoursome mix of alternative rock and post hardcore sounds that have evolved over the past years.  From the opening Worthless it attacks with a surety of a band confident in its path and skilled in its ability to get there. With sturdy riffs and attitude soaked vocals from James Holman the song plunders the ear with a defiance and strength which is impossible to resist. The guitar of Tom Crane is inventive as it leans on the senses with a striking melodic energy ably supported by the stirring bass of Steve Taylor and drummer Johnathan Kendrick, who constantly demands attention with his muscular beats.

One of the things that has grown within the band in the recent years is the harsher side of their sound, the post hardcore intensity raised to form a tight contrast and companion to the melodic prowess the band possesses. Holman growls and expresses a caustic malevolence at times which is an opposite extreme to his excellent clean vocals. It works impressively with the band using both spectrums seamlessly and always at the moments a song needs it.  Shout It Out is a perfect example. It is a song which engages the ear through mesmeric melodies and calm emotion but then removes the safety net with harsh interventions that stir things up wonderfully, expressing the lyrical turmoil to great effect. The song has led many people in eager anticipation for this new album, finding repeated airplay with the likes of The Reputation Introduces Radio Show. The song also raised expectations for the future which have been answered and surpassed with Like A Complete Unknown.

The songs come thick and fast in power and emotive creativity. The likes of the excellent End Of Time with a glorious bass led mid section where the band unleash their ability to out rock any band metal or other, the impressively diverse monster How Soon We All Forget, a song which easily combines a towering intensity and hard riffs with caressing smooth melodies, and the metal guided hard rock glory of Thank You take the album to distinct heights. It is a thoroughly consistent album too, from the more urgent strikes from songs like Breathe Deep and Over And Over to the inventive and exploratory sounds of the power ballad like Damaged Goods and Last Goodbye, the album never fails to bring a deep satisfaction and pleasure.

It is hard to pick any holes in the release apart from maybe an initial similarity which runs seemingly across it. Close attention shows that it is not so and there is a deep wealth of sound and variety within its walls but that initial impression does deceive quite strongly. Like A Complete Unknown is an excellent album from one of the very best emerging rock bands in the UK, do yourself a favour by taking a listen.

http://www.ourinnocencelost.com

Ringmaster 09/03/2012