The Old-timers – Be Reconciled

THe Old Timers cover

Hailing from South Africa, punk band The Old-timers has forged themselves a quite potent spotlight not only in Christian punk but the punk underground as a whole with their releases. Now the trio return with their finest moment yet, the Be Reconciled EP. With a broader sound and inventive nature, the release catches the imagination with infectious slices of raw and organic punk rock and a premise which asks questions of thoughts. The band’s fourth release, the EP is simply another open step forward in the presence and sound of The Old-timers.

The band was formed in 2011 by Cape Town vocalist Dave Emerson and Port Elizabeth guitarist/bassist Donovan de Necker, its seeds first sown when they met whilst the latter visited the home town of the former whilst on holiday. From the pair’s unplanned meeting they found plenty to connect over, punk rock being one big love for both. Writing and sharing songs over the vast distances between them through technology, the band emerged with a demo Punk’s Not Dead! Nor Are We!, which brought them to the attention of Christian Punk label Thumper Punk Records. Soon after its release the duo recruited Californian drummer Matt Lagusis whilst Thumper Records released the band’s following impressive releases, the 2012 album Soli Deo Gloria and the Spiritus Sanctus at the end of last year. Both releases showed the continuing growth in sound and songwriting, an evolution pushed again by Be Reconciled.

The new EP is a concept release, its premise following the story of a life finding the light from a dark destructive place, “from sinner to repentance to reconciliation through Jesus.” That journey can be translated into a search we all embrace at some point in our lives within or outside of religion, and in its infusing of keys, a capella harmonies, and spoken poetry within old school fuelled punk rampages, Be Reconciled is a masterfully riveting encounter which works on ears and emotions. It starts with Hole in My Heart, a track which instantly lights ears with its rising persistence of riffs and stomping rhythms. The song, as the vocals, roars with a rapacious intensity and air as the guitar of de Necker expels caustic riffs and enticing hooks whilst his bass prowls the song with a devilish intent. It is an outstanding start to the release, the song’s NOFX like raucousness and Exploited like intensity bound in grooves and hooks which simply infests the imagination, whilst the inventive pounding from Lagusis and vocal demand of Emerson round off the potent lure of the song.

The spoken poetry of Blessings Out of Buffetings is next, voice and haunting keys the protagonist accompanied by percussive taunting. It is a track which alone you would say is for those of faith but within the narrative of the EP and linking the opener and the following Hope for the Rejected, it works well in the context of the story and unimposingly. The third track flies at ears with a raw scrub of riffs and bass driven by rabid beats. With group vocals which works a treat the track at times reminds of early Shelter, its grazing breath veined by a contagious groove which simply entices the appetite further and without reserve. Another highlight of the release, the track provokes, incites, and thrills in equal urgency and strength.

The bruising sounds of Father God I Wonder excites and challenges senses next, the track recruiting the incendiary essences which grabbed attention within previous releases and loading them with a richer infectious bait and instinctive ferocity. It is one minute of prime punk rock which thrusts its sound and narrative irresistibly through ears into thoughts and emotions. Its triumph is matched by the riveting The Joy of Reconciliation. The song starts with that a capella offering mentioned before, a striking union of the band’s voices which works so well you almost throw a sigh of disappointment when the song erupts into its punk rapacity. It soon has those thoughts forgotten though as it squalls and stomps aggressively across the senses for another hunger feeding slab of punk passion.

The closing Ambassadors as the second track is a spoken word within a keys embrace, a conclusion to the narrative which also like the earlier song links in well when taken as part of the journey but for those without a feeling for the religious side of things you sense it may not get the chance too often to make its suasion in being the final track. It has to be reinforced though that as all their releases, The Old-timers presents an encounter which is for all punk fans, just this time it is the band at its most adventurous and dynamic sounding to date which is reason enough to spend plenty of time with Be Reconciled.

The Be Reconciled EP is available now through Thumper Punk Records and Veritas Vinyl as well as @ http://theold-timers.bandcamp.com/album/be-reconciled

https://www.facebook.com/theoldtimers

8.5/10

RingMaster 24/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

The Old-timers – Spiritus Sanctus

The_Old-timers_Band_Photo

    Following up their impressive and enjoyable debut 2012 album Soli Deo Gloria, South African punks The Old-timers release new EP Spiritus Sanctus, a proposition which continues where the last left off with another clutch of inventive and passionate hardcore punk encounters. As their previous release the trio fill most of the tracks on the EP with praise to God and his son, challenging wrongs and thoughts with their narratives. Lyrically there is no subtlety and reserve in the presentation as previously shown on the album but equally there is the same wealth of tasty punk endeavour to satisfy those not so interested in the lyrical contemplations, making the EP an adventurous slab of prime punk for all to enjoy.

     Consisting of Cape Town vocalist Dave Emerson, Port Elizabeth guitarist/bassist Donovan de Necker, and Californian drummer Matt Lagusis, The Old-timers seeds begin in 2011 with the meeting of Dave whilst on holiday with Don in his home town. Strong friendship led to a creative union of the two with technology providing the link over the vast distances between them and subsequently Matt (False Idle) who joined the band after the release of their first demo. That release, Punk’s Not Dead! Nor Are We! brought the band to the attention of Christian Punk label Thumper Punk Records who released the well-received full-length Soli Deo Gloria and now unleash the band’s new encounter in tandem with Veritas Vinyl.

    Opener Mammon relatively gently scraps with the ears through an opening stroking of riffs and spoken vocals, both setting up The_Old-timers_-_Spiritus_Sanctus_coverattention and appetite for the passionate rabidity to come. As the track provokes and rallies up thoughts with its intensive yet controlled assault there feels a greater intensity and voraciousness to the sound and delivery. It is not a metallic rapaciousness which hits the imagination and senses but certainly the suggested more thrash bred hardcore feel to this and other songs, as suggested to us previously by Don, makes itself pleasingly known.

    From the more than very decent start On My Knees Again deepens the tone of the sounds with a heavier darker  snarl to bass and guitar whilst the drums and vocals score the senses in fine if unsurprising style. The track still builds bait and a potent coaxing across its angry stretch which only feeds the hunger for good punk rock with its enterprise and satisfying craft. Its strong place though is soon put in the shade by the excellent and fun Goonies Never Say Die!, a riotous slab of anthemic punk with restrained but infectious hooks and potent rhythmic temptation all irresistibly luring the passions within a canvas which is less than a minute long. From its deep appeal things continue with equal success through Joe #1, a song which has essences of Shelter and the Subhumans to its stirring and evocative charge. Again hooks entrench themselves irresistibly in the imagination whilst riffs and rhythms crowd the ears with excitable and rampant enterprise as a good variation of vocals suggests the lyrical intent of the song. It is an excellent and energetically captivating encounter taking best song honours on Spiritus Sanctus.

     Love Alone Is Strength returns to a face to face eyeballing hardcore attack, vocals scowling out every note as riffs and drums barrack the ears. It maybe would be an over ripe provocation even in its again very enjoyable short presence, a minute once more barely pushed, but veined by a teasing acidic treat of a hook and that ever eager voracious energy the band craft another highlight of the EP. It’s potency is matched and surpassed by Carpe Vitae Part II, a storming blaze of old school punk  with a taste of seventies bands Crisis and Crass to it as well as that repeating flavour of Shelter though to a lesser extent than before. Both songs show an invention and evolution in the sound and songwriting which is certainly subtler in other songs but makes a promising turn in the growing of the band.

  The closing Axios provides a final feisty gallop of hardcore punk with its healthy arsenal of contagious hooks and irresistible energy for a song very easy to devour and with relish. The song is raw and accessible providing something for all punk needs as does Spiritus Sanctus as a whole. The release pushes on from the band’s excellent album, not in big strides but definitely with distinctive confident steps which makes The Old-timers a meeting all punk fans should eagerly consider.

https://www.facebook.com/theoldtimers

http://theold-timers.bandcamp.com/releases

8/10

RingMaster 19/02/2014

 Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com