HEKSAGONS – EPISODES One

Heksagons_RingMasterReview

Patronage has always been a potent element for the arts over the centuries and continues to be so. It has generally been associated with the wealthy, royalty etc. supporting particular artists in varied mediums but nowadays has emerged as something for all to get involved in through the likes of crowd-funding. UK duo HEKSAGONS is a band seeing the extra potential in it, striving to provide their music for free by ignoring sales and funding their endeavours through fans as patrons. To spark such endeavour, HEKSAGONS has just released the irresistible first part of a debut album set to be recorded and released over three episodes.

HEKSAGONS is the union of Bobby Bloomfield (Does It Offend You, Yeah?) and HinHin. There is little more to reveal about the project right now other than adding the opening line to Bobby’s introduction to the band to us, “I have a side project called HEKSAGONS. We are all about flutes, talk boxes, 70s synths and psychedelia.” As much as that sums things up neatly though, it is only a hint at the fun to be found in the spellbinding psych pop, spatially adventured EPISODES One.

episodesone_RingMasterReviewIt swings into view with the exceptional temper tantrums, the track initially an electronic and melodic shimmer of a seduction with the lively exploits and enticements of a Venusian temptress. As it expands it is like being immersed into an episode of Space 1999 with Barbarella for company, the song flirting and playing with the imagination as keys and harmonies share a celestial romance aligned to sultry funk spawned revelry. The song is delicious, a spellbinding tempting which has all the potential to incite lusty habits.

The following persephone is just as irresistibly magnetic. Its otherworldly charm and melodic sway has a more earthbound feel to it, though thoughts of Stingray and its character Marina spark in thoughts as the electronic smoulder of the song heats up to boisterously merge with the perpetual psychedelic wash of transfixing harmonies led by HinHin. As its predecessor, the track is as potently cinematic as it is melodically persuasive, sparking the imagination to spring its own adventures; a quality just as virulent in one of his episodes. Opening with an old Thames TV ident, the instrumental lies down a sinister synth bred coaxing which becomes more compelling and imposing as rhythms and intensity add their weight. Its dynamics and agitated surge has all the ills of the world in its nature before an evocative calm eventually breaks out to move in and replace the danger lit intimidation with an oasis of calm and safety. It is a peaceful yet shadowed passage which is soon under the returning umbrella of apocalyptic provocations, they building to a closing ear thrilling crescendo.

Completed by the melodic stroll of super-ego, another romance between melodies and harmonies to capture the imagination as an eventful climate frames its psychedelic beauty, EPISODES One brings ears and imagination alive, not forgetting the spirit for creative adventure.

EPISODES One is available for free now @ http://heksagons.com/

For information on being a patron and helping EPISODES Two and Three come to light check out https://www.patreon.com/heksagons

https://twitter.com/robdioyy

Pete RingMaster 09/03/3016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Pinkshinyultrablast – Grandfeathered

Pinkshinyultrablast_RingMaster Review

Like the mesmeric shimmer of sun on crystal clear waters, the new album from Russian quintet Pinkshinyultrablast seduces and as if sinking further in that mesmeric state, Grandfeathered steers the imagination into a dream world of bold and unpredictable drama. Not much more than a year ago the Saint-Petersburg hailing band impressed and drew rich acclaim for their debut album Everything Else Matters, but now they have left it in the shadows with the richer invention and imagination of Grandfeathered, a second full-length taking the listener off on a collection of irresistible adventures.

The shoegaze beauty of its predecessor has not been abandoned in Grandfeathered but fair to say it is a bigger and bolder experimentation of sound and flowing ambiences wrapped in celestial born harmonies. That exploration is immediately in evidence within opener Initial. Its first breath is a singular electronic lure, a nagging siren-esque note which is soon joined by aural silver and sonic mercury. There is no escaping the metallic feel of the impending proposal and indeed its harsher dark depths as a scuzzy wind blows across the unpredictable coaxing on the senses. Subsequently though, the song dives into the warm waters of melodies as the bewitching vocals of Lyubov seduces song and ears alongside within the captivating landscape of Rustam’s keys.

It is easy to offer up bands such as Lush and Cocteau Twins as reference to the Pinkshinyultrablast invention but this time around they are mere spices in a recipe distinct to the five-piece as shown by Glow Vastly. Erupting in a scuzz ball of guitar from Roman loaded with fiercely enticing hooks, the song quickly shows a darker intent and range of imposing shadows. Equally though, it entices with a Japan like venture as an exotic climate envelopes ears amidst engagingly invasive electronics with Lyubov’s voice a beacon of radiance and the bass of Igor a provocative temper backed by the roaming beats of Sergey. As the first, and those to come, the song provides a suggestive travelogue of sound which sparks the imagination to roam its own adventure.

Through the rhythmically snappy and melodically bubbly I Catch You Napping and the excited shuffle of Kiddy Pool Dreams, the band sculpts another pair of infection soaked escapades. The first is a collusion of contrasts, heavy rapacious surges entangling with a pop toned catchiness and virulent swagger whilst its successor skips with melodic innocence across the heavier trespasses of raw textures. As ears eventually find themselves drawn into a kaleidoscopic realm of sparkling electronics and unconventional sonic scenery, the ever tantalising and seductive vocals make mesmeric company as a free fall through the song’s soundscape turns into a finale of rousing guitar rock.

The boisterously energetic and contagious Comet Marbles is a radiant shower of temptation and poetic enterprise next complete with a bass led funk seeded undercurrent whilst The Cherry Pit offers its own inescapable web of catchiness through rolling rhythms and flirtatious harmonics. Both tempt and tease in their individual ways with keys and guitars as compelling as Lyubov’s caresses and the blend of contrasting yet perfectly united textures anthemically inviting and often commandingly bracing.

The album is concluded by firstly the invigoratingly punkish exploits of the alternative rock meets fiery shoegaze that is Mölkky and finally the hip involving dance of the album’s title track. Every song has a surging energy and a liveliness which grips body and soul, it as much the by-product of the rich blends woven into their new musical exploration as a determined intent, but Grandfeathered is the one song which leaves exhaustion as rife as rich pleasure.

Pop, shoegaze, alternative pop, however you wish to describe Grandfeathered, the album is one highly stimulating and seriously enjoyable adventure. Its predecessor certainly pleased, but Pinkshinyultrablast has bred, nurtured, and unleashed a beast of unshakable temptation this time around which is sure to poke the keenest global spotlights.

Grandfeathered is released digitally and on CD February 26th via Club AC30 through most online stores with ltd edition “Ride The Sky”, “Pinkle”, and “Acid Lollypop” flavoured vinyl where still available.

https://www.facebook.com/Pinkshiny

Pete RingMaster 24/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Migrant – Flood

Pic by Arne Marius Skogås

Pic by Arne Marius Skogås

We all like to be romanced and seduced and that is exactly what The Migrant does with new album Flood. It is a warm melodic smile with melancholy at its corners; a collection of songs which wander through vibrant folk and pop rock landscapes with psychedelia aired exploration and magnetic intimacy. The album is gorgeous, a fascination which becomes even more irresistible with every gaze upon its aural beauty.

Hailing from Denmark, The Migrant is the creation of Copenhagen songwriter Bjarke Bendtsen, a project hugging a fine group of musicians when seducing live audiences around the globe. Critically acclaimed albums in 2011’s Amerika and Beads two years later have caught international attention already, both building on the potent start made by debut album Travels in Lowland in 2010. Recorded in a Danish summer cottage with the musicians that accompany Bendtsen on European stages, Flood simply envelops the listener in evocative and invigorating portraits of sound and vocal expression. Released earlier in 2015 in Denmark and Germany via DevilDuck Records, the album swiftly ignited the plaudits of media and fans alike and with its UK release at the tail end of last year through Cardiff imprint Rockpie, it is now finding matching success here too.

First track Climbers sets the tone and first inescapable lure, a reserved but energetic shuffle of a proposal which skips and flirts across ears with its flighty rhythms, acoustic caresses, and vocal temptation. In no time feet are bouncing and emotions dancing with the blend of poetic melodies, reflective vocals, and a dose of Sicilian laced guitar enterprise. The song is pure contagion, a gentle but bold enslavement quickly matched by the similarly tenacious charm and revelry of The Fixer. Harmonies play like the call of a steam train initially before Bendtsen serenades the imagination from within another acoustic hug. With a touch of Billy Momo to it, the track has body and energies leaping with ease and an already sparked appetite for the release greedier.

Flood-cover_RingMaster Review   The album’s title track slips in next, Flood providing a low key magnetic croon with drama waiting and building in its wings as flirtatious rhythms and a suggestive atmosphere infuse its walls. Things never reach the level of exploding but persistently shadow and add endearing shade to the mesmeric call of the song before it makes way for the outstanding Belly of a Man. Straight away it has a more boisterous air and energy to its temptation, rocking and rolling with certain restraint whilst wearing a broad harmonic grin coloured with seventies psychedelic hues. Before you know it, voice and heart are wrapped up in its rapture, eager involvement a given before half way and only increasing as its seriously catchy momentum builds to a thrilling climax.

Recent single Silence follows, it one of those songs you feel you already know without reason. With sultry sways of guitar and the ever radiant vocals and harmonies around throbbing rhythms, the track runs persuasive fingers down the spine to seduce and thrill. A shoegaze scent only adds to the sonic splendour and thick success made, the variety of creative flavouring again open within Flood and individually showing within Water as fizzy blues spices are filtered by guitars into enticing melodies across an exuberant character.

From its feisty adventure a calmer climate appears next with Give Up, the song an evocative charm of sound and provocative voice with a touch of Paul McCartney and Andy Partridge to it in songwriting and rural suggestiveness. As many tracks, within its oasis of tranquillity an eager energy brews and subsequently drives an increasingly catchy stroll.

The delicious smouldering swing of Haunted Takes over next, the song a majestic slow stepping intoxication with melancholic radiance carrying more drama and impact in its first minute than many albums can find in their whole body. The track really does haunt ears and thoughts, becoming a wonderfully lingering contemplation still working away long past taking its leave.

The duo of Tiger and Row Row bring the sublime release to a close, the first a balmy and again reserved proposition which prowls ears in its unique way whilst building up to almost overpowering and exhilarating crescendos with more than a whiff of Liverpool artists like Pete Wylie and Echo and The Bunnymen to them. Its successor simply kisses ears with slim acoustic elegance leading to psych pop sultriness, and though it arguably remains overshadowed by its stirring predecessor, the song has ears transfixed and pleasure ripe to end Flood with another fine moment to heartily devour.

Flood is simply sensational, in its subtle way as Homeric and monumental as it is intimately spellbinding, and one of last year’s real triumphs.

Flood is out now in the UK via Rockpie and available @ https://themigrant.bandcamp.com/album/flood

http://themigrant.net/   https://www.facebook.com/themigrant   https://twitter.com/themigrantmusic

Pete RingMaster 08/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Abraxas – Totem

10947370_611324919000935_5378261778346687219_o

Creating a melodic kaleidoscope of flavours and styles described as Protodancepop, French quartet Abraxas has also provided one of the year’s surprises in the shape of the vibrantly flirtatious Totem. The band’s first EP is a fascinating web of new wave, indie pop, progressive rock…well the list goes on. It is an adventure; a dance of sound and imagination which is as potently familiar as it is strikingly unique. Simply it is a new best friend in the making.

The Paris based foursome of Tino Gelli, Jonas Landman, Solal Toumayan, and Léon Vidal are four childhood friends who in the words of their bio, “learnt to play and to create a whole musical universe together.” Inspirations come from the likes of Pink Floyd, King Crimson, Metronomy, Late Of The Pier, and Connan Mockasin; essences openly audible as many other spices from numerous decades, but woven into something unpredictable, impossible to pin down, and distinct to Abraxas. Four years after forming, the band released debut album Warthog in 2011, an attention grabbing offering which along with a potent live presence, pushed the band into keener spotlights nationally creeping outwards. Taking a year to work on and create Totem, Abraxas now stand ready to stir up wider awareness and a new following of eager appetites, with one fresh recruit right here.

The release opens with Deep Down in the Middle of Shanghai and an instantly coaxing electronic shuffle. It is a welcome of minimal substance but rich appeal luring the listener into a funk kissed stroll and quickly tantalising voices. Providing a rich and impressing element across the whole EP, the vocals are pure captivation with a delivery which is harmonic and sandy, warm and devilishly mischievous at the same time. Keys and guitars just as inventively back up their infectiousness, every twist and turn exploring new styles and imaginative exploits. As mentioned the EP has a certain familiarity to it, shown right away by the first track, but its tapestry is something difficult to reference and to find any lack of originality in. Like Tom Tom Club meets Goldfrapp with a touch of Thompson Twins, but not, the song is a seductive siren of pop and evolving textures making a compelling start to the revelry of Totem.

images     The following Guatemala is of a similar template, spinning an even sultrier climate and Latin cloaked enterprise for its vivacious quickstep of energy and sound. Shimmering keys and the shadowy taunt of the bass make a great contrast and collusion of light and dark whilst a slightly older emerging air reacts perfectly with the flames of guitar. Maybe just lacking the irresistible spark of its predecessor, the song keeps things bubbling over pleasingly before making way for the more intimate saunter of Democratie. As irresistible to feet and body swerves as it is melodically elegant on ears, the track floats over the senses leaving stubborn hooks throughout courtesy of dark bass hues and the ever mesmeric qualities of the vocals. There is a Muse quality to certain moments of the song and a Propaganda feel to the sparkling pop endeavour simmering tenaciously within its evocative breeze of a persuasion, everything uniting in one bewitching proposal.

The glorious Kayak comes next, a song entwining shoegaze and psych rock temptations with a wealth of additional intriguing styles, many just brief slithers within the croon of the song. Its background is as busy as it’s more prominent scenery, a shamanic enticing working potently away through voice and beats as keys, guitars, and harmonies cast their riveting narratives. The song is again a spellbinding offering to match the last but maybe outshone just a touch by the closing devilment that is Death of Poussyflex. Returning to a more dance-floor seeded intent, the closer is an energetic striding of indie and synth pop but again with a maze of enticing variety and textures. Jazzy, funky, and persistently draped in a psychedelic seducing, the track explores almost as much creative terrain as an A-Z of modern art, leaving the album on a high and more importantly the listener hungry for more.

Totem is a treat from the blue and Abraxas a melodic provocateur of the endearing kind; time to get your adventure and dancing shoes on.

Totem is available through most stores.

https://www.facebook.com/abraxasofficial

RingMaster 07/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Keys – Ring The Changes

KEYS-Ring-The-Changes-Cover-WEB

Not to be confused with the Bury St Edmunds unit holding the same name and who we covered previously on the site for their Innocuous Beats EP, the Wales hailing Keys is a psychedelic pop/garage rock band who have just released their tantalising new album Ring The Changes. Exploring and crafting unique songs from American influences such as Stooges, Violent Femmes, Velvets, Sly Stone, and Jonathan Richman, the album is a captivating encounter which either ignites a fire in the passions or has them simmering eagerly from the first of its twelve endeavours through to the last.

The successor to their acclaimed album Bitten by Wolves of 2011, which itself followed the well-received debut Fire Inside two years earlier, Ring the Changes sees the Cardiff band equipped with a new approach and drummer to expand and flourish again in the lo-fi exploration which marked their previous releases. Recorded over one weekend on 8 track tape with Pixy Jones from El Goodo, the new album is a swarm of melodic and seductive songs fuelled with unfussy enterprise and transfixing infectious beauty.

Handclaps make the first invitation to the album as opener Shake It Up starts things off. The minimalistic coaxing is swiftly joined by the potent voice of Matthew Evans, his delivery expressive and holding smouldering warmth to match the emerging sounds around him. The firm beats of Dave Newington and the dark enticing lure of James Bell’s bass add to the growing lure and drama of the song, a creative narrative coated in a feverish blues spice from the guitars of Gwion Rowlands and Evans. They also instigate a mischievous teasing across the song, it twisting through numerous styles and inspirations whilst sneaking in the fully British spice of David Essex’s Rock On.

It is a fun and pleasing beginning to the album swiftly surpassed by Hard Habit to Crack. A mesmeric and lively slice of heated pop which plays with ears and imagination like a union between Beach Boys meets House Of Love, the song is a surf kissed breeze suitable for beach and home with its radiant melodic sunshine. As the first song, it is also happy to stir up a shade of intensity and tenacity that never erupts but brings a great raw but understated breath to the tempered blaze. Its success is supported by the similarly flavoured sixties pop of Bad Girls. Melodies croon as potently as the mellow vocals throughout the breezy and catchy evocation, Jan and Dean meets Jonathan Richman a clue to the engaging presence of the track.

Both the bluesy pop romp of See My Baby and the fire glazed lo-fi lure of Wade in the Water keep attention and appetite rigorously keen, even though neither quite matches the previous trio of songs. The soulful sultriness of the second of the two provides an especially provocative intrigue and enticement before The Beautiful Sound of a Heartbreak unveils its humid climate and emotive caress. It is an enthralling melodically scenic flight of Walker Brothers-esque passionate harmonies and My Bloody Valentine sonic sedation, and quite bewitching.

Machine Elves is a slow burner compared to other tracks upon the release, its seventies soulful shuffle inviting and pleasing yet lacking something indefinable which the previous songs basked in. Nevertheless it is a superbly accomplished and skilled proposition for feet and thoughts to embrace before the outstanding shimmering grace and elegance of Slightly Ahead of the Curve seduces the emotions. Again it is a slower persuasion but emerges as another pinnacle of the thrilling encounter. It is also another where we suggest there is as much a British inspiration as from the other side of the pond, this time elements of Kinks flirting with thoughts as the song explores and expands its sweltering landscape and emotional atmosphere.

The album comes to a close through the mighty inventive persuasion of Ghost, a song as minimal and poetically enticing as they come with vocals and guitar offering a tender coaxing around a pulsating firm rhythmic spine. Prone to expulsions of feisty energy and deeply hooking invention, it is another stunner before lastly Go to Get My She To get Her with its blues funk shuffle brings it all to a fine end, its mischievous title earning a new persona in the course of the song.

Ring The Changes is a gem of a release which from making an impressive initial declaration evolves and breeds firmer lustful ardour for its inflamed imagination and potent sounds. Keys have grown to another plateau through their release, one which surely deserves and will find a matching spotlight.

Ring The Changes is available now via See Monkey Do Monkey Recordings digitally and on 12″ Double Vinyl @ http://seemonkeydomonkey.com/products/keys-ring-the-changes

http://keysofficial.com/

RingMaster 07/10/2014

Copyright RingMaster: MyFreeCopyright

ins

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

Dignan Porch – Observatory

Dignan Porch 1

Returning with their third album and the first on Brighton independent label Faux Discx, UK band Dignan Porch reassert themselves as one of the more mesmeric and tantalising psychedelically wrapped indie pop incitements around. Observatory is a captivating collection of lo-fi presented, resourcefully sculpted songs which flirt and then simply run with the imagination. The release is an aural nest egg, an honest escape and comfort to fall back on in times of stress and just when you want good, heart bred music.

Starting out as a one man project for Joseph Walsh, Dignan Porch has evolved into a healthy complement of inventive and expressive musicians creating similarly potent music. The new album follows the well-received Tendrils of 2010 and Nothing Bad Will Ever Happen two years later, both released on the New York label Captured Tracks. Written and predominantly recorded in a cold and noisy flat above a used-carpet shop in South London in 2013, where Joe was living, Observatory is a seductive breeze of DIY invention and care. It has an intimacy which caresses the listener whilst providing the unpredictability and insight of life’s emotions, an often shadowed and dark sadness which entwines with the open radiance of the songs. Of the few tracks recorded differently to the almost jigsaw like piecing together of parts elsewhere, these were recorded as a full band in the moment with Henry Withers at Sound Savers studio. It all makes for a compelling and ultimately enchanting proposition but one with a raw and dirty edge which just as strikingly shapes the release into the triumph it is.

A rhythmic trap catches the ears first as opener Forever Unobscured enters the eye line, the percussive bait instantly gripping FAUX-031-600pxattention and an already awakening appetite. It is soon joined by the slightly mischievous and again wholly magnetic keys of Hayley Akins, which in turn is swiftly courted by the moody tones of Ben Goodwin’s bass and the guitar maze of Joseph and his brother Sam Walsh. It is a mouthwatering mix to which the mellow yet sultry vocals lay seductively, whilst around it all a fiery temperament and energy brews to further inflame the imagination. It is an engrossing start which the brilliant Deep Deep Problem takes to another level. It is the perfect pop song, hooks and melodies courting sirenesque harmonies by Joseph and Hayley as they take thoughts and emotions by the hand and lead them into an infectious waltz. There is a rich sixties psychedelic pop essence to the breath-taking union of guitars and keys which is punctuated by the roaming beats of Luke Walsh, but also a feel of psyc. It is a gorgeous encounter which tempts and abrases perfectly.

The acoustically crafted Veil of Hze strokes ears next, the hollow wrapped vocals a haunting enticement in an emotive embrace, before the wonderful discord kissed No Lies toys with the senses through smouldering keys and deliciously jangly guitar coaxing. Like vortices of sonic wind and vocal sun, the song laps over the senses simultaneously igniting passions with quirky grooves and quaintly cast invention. It is a seductive beauty which sparks a new hunger in the appetite which was less effusive with its predecessor, and just as vibrantly Between the Trees brings a seventies garage pop croon to bear on ears and heart for similar effect. It is a short bounce of a song but one which in its brief presence has the listener tightly gripped and subservient.

The start of Wait & Wait & Wait is excellent; a warped cartoonish lure which turns out to sadly be a false start in the entrance of the song. It is a shame as it would have made an irresistible start to the track. Nevertheless the song without admittedly drawing the same strength of reactions still provides a highly satisfying and elegant friendship before the punk infused crawl of Harshed and the minimalistic call of I Plan to Come Back bring the passions back to the boil. The first of the two strolls with a sultry swagger and Birdland like causticity in its melodic shimmering whilst its successor is a lean bordering on anorexic sonic web of humid melodies and streamline drama encased in a melancholic mist. The song absorbs the imagination like a sponge, inspiring fresh adventure as it expands its celestial colours.

Through the likes of the more than decently attractive Dinner Tray and the beefy evocative of Warm Welcome to Hell, the album continues to firmly engage if not quite finding that incendiary spark of before, though that fuse is soon lit again by the outstanding Got to Fly. Like in the opening song, a rhythmic enticement brings initial slavery before guitars paint thoughts with sonic hues as vocals push forward the developing addictive canvas of the song for a greater feisty bewitchment. It is a tremendous provocation before the final mellow sunset of Swing By, a soothing encounter enriched with varied emotive shades and acidic melodic veining. The song makes a fine end to Observatory, an excellent immersive closing which lingers and wraps the listener impressively.

Dignan Porch has crafted the perfect companion for sullen moments in heat bred summer nights with Observatory, an enticing vehicle through which explorations of evocative realms and personal corners bring a wealthy dose of pleasure.

Observatory is available now on 12” vinyl LP and digital download @ http://fauxdiscx.bandcamp.com/album/observatory

https://www.facebook.com/dignanporch

8/10

RingMaster 17/06/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

Jingo – Belong To You / When You Want Me

jingo pic

Keeping up with the single releasing of UK band Jingo is like trying to keep up with Usain Bolt on the track but much more fun. This past Monday the band set loose the first of a quartet of singles which will be released over four weeks. Being firm fans of the band and their so far rewarding and impressive songs we thought we should look at the new release as well as previous single When You Want Me which came out last month. It was a good move as Belong To You and its predecessordances over ears and imagination with uniquely diverse and feverishly flavoured designs, emulating the band’s previous releases with ease.

Since the release of their first trio of tracks just over a year ago, the songs also released within a short time of each other to awaken a wealth of eager appetites and passion, Jingo has gone from strength to strength and just when you think they may have reached their creative peak they come up with further ingenious twists in their sound and creativity. The quartet of Jack Buckett (guitars/vocals), his American wife Katie (vocals/keys/guitar), Joseph Reeves (drums), and Sahil Batra (keys/bass/guitar/vocals) continue to grow creatively and seduce with greater virulence. Certain tracks are bound to become favourites but there is not disguising the evolution and heights bred since the revealing of those first tracks. Each of their offerings has come with an eclectic mix of sound and adventure, one by one exploring new avenues and depths within the band’s songwriting and imagination as proven by tracks like Black Flowers and, Wake Up in the latter half of 2013. Just as potent and constantly vivacious live, Jingo has ensured this year is going to follow in vein and potency as shown by the two singles already unveiled and no doubt their swiftly following successors.

Released in March When You Want Me emerges from a sonic mist, an almost sinister ambience which has an air of portent about its lips. As aural drama and evocative keys add to the texture of the climate, soon followed by an intriguing vocal coaxing, the song envelops ears and sense like a seductive tempest. Rhythms equally grow in size and weight, framing the colourful brewing maelstrom with poise and incitement. The expected storm does not materialise though instead the song swerves into a magnetic funk dressed romp of fiery melodies, vociferous keys, and boisterous rhythms all under the spell of the excellent vocal union. With feet just as submissively under the spell of the melodic rock stomp as emotions, the psychedelic teasing providing further captivation, the song easily gains full control of body and heart.10154940_501119716661215_4734239148929790224_n

   Belong To You leans against ears with a riveting bass croon initially, its resonance and smooth voice mesmeric within a smattering of percussion. It is not long before the new single spreads into a hot melodic flame which in turn settles back into the opening breath around the easy to indulge in tones of Katie and even paced rhythmic snaps. As a tangle of guitar begins playing with the imagination, the song brings sixties pop spice to its provocative aural melodrama as well as a persistent sprinkling of unexpected pokes of sound sounds and inventive twists, all within the main course of the contagious engagement. Assisting the rich expression and bewitching venture there are also essences of eighties pop punk and psychedelic rock caressing the masterful mix. As now accustomed with Jingo it is a multi-flavoured and diversely textured song, maybe not as immediate in its potential and success as others of their creations but ultimately just as impressive and mouthwatering.

Personally Black Flowers has always held our fullest ardour but it is being constantly challenged by the band as certainly with this pair of singles and most likely will be again by the three upcoming encounters. We will soon find out and enjoy that is for sure.

Stream and Download all of the Jingo singles @ https://soundcloud.com/jingomusic

Belong To You 8.5

When You Want Me 8.5

https://www.facebook.com/jingomusic

RingMaster 23/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com