The Meow Meows – Friends On Benefits EP

meow meows_RingMaster Review

Starting with one of the most flirtatious embraces likely to be heard this summer and proceeding to cast another two slices of pure aural suggestiveness, the Friends On Benefits EP from UK ska rockers The Meow Meows, puts the irresistible into virulent temptation. Three songs of the Brighton nine-piece’s increasingly renown fusion of eighties ska and even older garage rock with a more than healthy punk bred diversity, the EP is one inescapable incitement for body and imagination.

The Meow Meows emerged on the Brighton live scene around 2005, the collective rising from the ashes of several bands from the south-coast ska-punk scene. It was not long before their reputation and fan-base flourished through their energetic live presence and a sound which bewitched feet and ears with infectious ease. The years since forming have seen the band share stages with the likes of The Temptations, The Skatalites, Reel Big Fish, The Beat, The Selecter, King Blues, The Skints, and Hollie Cook amongst many, and the release of a couple of well-received albums. Debut full-length Songs From The Fridge stirred up plenty of attention but it is probably fair to say that its 2013 successor Somehow We Met, helped push the band into new spotlights. Friends On Benefits, like that album, was recorded with producer and reggae legend Prince Fatty and quickly confirms The Meow Meows as one of the UK’s truly instinctive creators of contagion.

cover_RingMaster Review     The seeds to the Friends On Benefits EP arose from the band being one of ten artists commissioned by Fuel Theatre for their Music to Move to project, its aim to create works from bands in union with choreographers which would inspire the general public to dance. Equipped with another pair of toe inciting swingers, also loaded with humour laced and snarling social /political themed lyrics, band and release swiftly set hips to work with the EP’s title track. Brass and rhythms instantly collude in a gentle but forceful sway as guitars within another breath add their sultry hues to the melodic smile of the keys. Alternating their individual vocals over the verses, both Danny and Hanna spark further hunger, the two ladies temptress like within the rousing swagger and shuffle of the song. With a whiff of The Bodysnatchers to it, as well as The Beaubowbelles and The Jellycats, the track is a spellbinding and lingering bounce of a persuasion swiftly matched by its successor.

London Road has an even chirpier gait to its stroll, brass and beats quick-footed protagonists within the key’s smouldering caress. As in the first, the music embraces the vocals with a more restrained energy yet it never loses the infectious lure ripe in its presence and enterprise, in fact springing new melodic flames with every twist of its irresistible tempting. As it proceeds with a distinctive and magnetically quaint Hammond organ tone seducing, the song gently and seamlessly evolves to subsequently emerge with a Martha and the Muffins like new wave colouring which seems to feed and accelerate the excellent ska fuelled and increasingly agitated climax of the outstanding song.

The EP is completed by Tits & Hatred, a more old school punk endeavour which echoes with essences of bands like Au Pairs and The Raincoats within its severely tantalising and eagerly varied character. The track is again primarily brewed from the band’s seventies inspired 2-tone/ska punk inspirations which of course are in turn dosed up with the band’s compelling touch and imagination; the result being one mouth-watering end to one thrilling proposition.

The Meow Meows create ska punk ’n’ roll to lose your inhibitions and body to, with Friends On Benefits the spark to lustful endeavour.

The Friends On Benefits EP is available on vinyl from July 13th via Jump Up! Records and digitally @ https://itunes.apple.com/gb/album/friends-on-benefits-single/id997669416 or http://www.amazon.co.uk/gp/product/B00Y6EIGXO?keywords=Friends%20On%20Benefits%20EP&qid=1436784848&ref_=sr_1_1&sr=8-1

http://www.themeowmeows.com/     https://www.facebook.com/themeowmeows

RingMaster 13/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

 

Shanty – Leave Me Out EP

1617480_616391631800567_1317643387066361174_o

Alongside attention grabbing live performances, seven piece party-reggae collective Shanty stirred up plenty of attention earlier in the year with their first single Blackout. Now the UK band release their highly anticipated debut EP Leave Me Out, a four track creative stomp fusing classic roots reggae with soul, hip hop, and many more enticing flavours.

Hailing from northwest London, Shanty has through their tantalising and inventive sound found themselves appearing at the likes of Glastonbury, Boomtown Fair, Secret Garden Party, and Leopallooza, with equal success and acclaim coming through the sharing of stages with the likes of The Skints, Prince Fatty, and Neville Staple of The Specials. Blackout kicked open a wider awareness of the band with its eagerly received release but it is through the fascinating Leave Me Out that you feel Shanty is poised to leap into the strongest spotlight.

The EPs title track sets things off , its opening blaze of heat from trombonist Ross Moore and trumpeter Kenneth Brown a coaxing wind to which the choppy temptation of Sam Raywood’s guitar, aided by the dark tones of Jake Butler’s bass, clip_image001provides a more intimate enticing. Soon settled into a relaxed and magnetic stroll, the bass becomes more creatively vocal as the keys of Mindaugas Juozapavicius flirt with the imagination and beats of Luke Bunce keep the pace even and controlled. The song fully comes alive with the final thread of its seductive weave, the fine vocals of Ben Willis. Quietly but inescapably infectious, the track is unafraid to leave its core reggae bred canter to explore electronic corners and intriguing sonic exploration before returning with renewed energy and enterprise into its masterful embrace. With the vocals of Willis especially tantalising in the superb gentle swagger of the track, it is a riveting start to the release.

     Bohemian Soul steps in next to continue the EPs strong persuasion. With a resourceful swing to its canter and flickers of dub temptation which reminds of Ruts DC, it is a warm and contagious seduction. Keys and brass swiftly immerse ears into the heat of the song’s sultry climate whilst vocals and rhythms work on the imagination and feet respectively, everything resulting in a thoroughly engaging and intrigue adventure matched straight away by the excellent Rise Up. Casting an anthemic lilt to its swirling enterprise and melodic temptation, the track spins a soulful tapestry of genre fusing sounds with a rich smouldering climate of reggae expression veined by a gloriously pulsating dub crafted resonance.

The EP is brought to a close by the shadow kissed creative spell of One More, the song a cinematic noir hued romance for the senses which simply radiates flirtatious melodies and seductive brass flames across a canvas of delicious dark bass suggestiveness and shimmering keys. It is a spellbinding encounter enriched by the excellent expressive vocals of Willis and the understated yet potent teasing of guitar from Raywood, not forgetting the jabbing weight of Bunce.

Leave Me Out is a tremendous proposition from a band which can only get stronger and more innovative going by the craft and potential locked inside the EP. Shanty is going to be big, mark our words.

The Leave Me Out EP is available now on CD @ http://tinyurl.com/kxerkn2 and digitally at most major stores.

http://www.shantyband.org

RingMaster 22/09/2014

Copyright RingMaster: MyFreeCopyright


Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/