Hello Bear – I Don’t Know… It’s Fun Though, Isn’t It?

hello-bear-promo-shot_RingMasterReview

A trap waiting to grab your imagination and energy, I Don’t Know… It’s Fun Though, Isn’t It? more than lives up to its title with its bouncy persona and rousing spirit. The new EP from British quartet Hello Bear, the four-track stomp is a sparkling burst of power/punk pop which may not carry major surprises but is as fresh and vibrant as anything escaping the year so far.

Formed in 2010, the Norwich bred band take inspiration found in the likes of Weezer, Pavement, Los Campesinos!, Refused, The Bronx, Presidents of the USA, McFly, Johnny Foreigner, and Dananananaykroyd into their own highly flavoursome exploits. Invigorating as a live presence which has seen Hello Bear play with bands such as Los Campesinos, Coasts, Darwin Deez, The Futureheads, and The King Blues, their sound is an ear grabber which now refuses to be ignored within the band’s new offering. The press release accompanying the EP suggests it carries “their most exciting material to date.” Being our introduction to Hello Bear it is hard to confirm or argue, but exciting the Lee Batiuk (Deaf Havana, Trash Boat, Hopeless Records) produced release is and relentlessly enjoyable.

I Don’t Know… It’s Fun Though, Isn’t It? opens up with new single We Held Hands Once, But Then She Got Embarrassed, the collective energy and enterprise of Luke Bear (vocals, guitar, keyboards), Mary Bear (guitar), Tom Bear (bass), and Daryl Bear (drums) hitting the floor running. A lone strum entices first being quickly joined by the potent tones of Luke before the song jumps on ears with eager riffs and canny rhythms. In no time it is into an infectious stroll with hooks and melodies uniting to charm attention before brewing and finally expelling a virulent contagion through its irresistible chorus. There is no escaping joining those offering Blink 182 meets Weezer as a reference for the tenaciously lively sound of song and band; add a touch of Super Happy Fun Club and The All-American Rejects though and the mix is even closer to the rousing incitement.

hello-bear-cover-artwork_RingMasterReviewThe following Mmm Cheque Please! makes a just as striking entrance, another single strain of guitar bait making the first lure, rampant beats and Luke’s inviting vocals the next  before it all blooms into another infectious canter. Daryl’s beats resonate as they land and Tom’s basslines grumble as much as they seduce while Mary and Luke share a tapestry of hooks and melodic endeavour which only leads to a greater appetite for song and release. Admittedly the track lacks the final spark which ignites its predecessor but leaves pleasure bubbling eagerly as does Dirty Weekend with its more restrained but wholly magnetic presence. Repeating a prowess which confirms Hello Bear masterful at creating big choruses and ripe hooks which simply infest the psyche, the song lays lustfully upon the senses.

The EP ends as its starts with a track which just whips up the passions. Attack Hug Influences is addiction for the ears, a slice of rock pop which seizes hold of body and spirit in a breathless romp complete with spicy hooks, tenacious rhythms, and a vocal coaxing which virtually forces listener involvement.

It is a boisterous end to a release which demands a party is woven around its presence each and every time. No moments of major uniqueness, all irresistible fun fuelled ingenuity; that is I Don’t Know… It’s Fun Though, Isn’t It?, one of the most enjoyable adventures this year.

I Don’t Know… It’s Fun Though, Isn’t It? is released November 11th

http://www.hellobear.co.uk/   https://www.facebook.com/hellobear/    https://twitter.com/hellobearband

Pete RingMaster 08/11/2016

Copyright RingMaster: MyFreeCopyright

Late Cambrian: Social Season EP

The Social Season EP from US indie pop band Late Cambrian, is one of those releases you cannot help becoming enamoured with, its vibrant and excitable pop heart a smiling and infectious tease. The EP offers up five songs which ooze eighties new wave and melodic pop flavourings within the mischievous personality of a Weezer. It makes for in Late Cambrian, a band which you feel you already know as a friend before even the end of the first song and a companion to bring out the inner smile.

The Brooklyn band were formed by ex- Flying Machines and The Attorneys, John N. Wlaysewski (guitar, vocals, songwriter) who alongside drummer Colin Schiller began recording their debut album The Last Concert in early 2011. During working on the songs the band saw the addition of O (synth, backing vocals), her glowing voice enhancing some of the later songs recorded. By late March the same year, the band made their live debut with bassist Nunzio Moudatsos (A Crimson Affair) also on board. Social Season is the first release with the full line-up and probably the first enterprising introduction for many to the fun sounds of Late Cambrian, but better late than never.

The opening track Ryan Gosling has already garnered good acclaim and responses as the first single from the release across the US and beyond. The song drives a thumping beat through the ear guided by contagious riffs and jangling melodies which only ensure eager attention. Once the shining harmonies and warm vocals play within the sounds the pull is irresistible and openly anthemic, defying all not to join in with the simple chants and chorus. To be honest like all the songs, it does not try to bend boundaries or break out into new inventive realms for indie pop, but certainly makes finding many rivals in the deep contagion stakes difficult.

The following Trash Show has a slight punk swagger to its boisterous presence to bring a mix of Arctic Monkeys, King Prawn, and Presidents of The USA. As the guitars twist and flash across the ear and the vocals coax the senses into further addiction, the song is like an old friend returning home. The sounds and energy of the track is instantly recognisable but equally and immediately fresh and rewarding, indie pop punk at its best.

Already on a high the EP gets even better with Song 11, an enthused stomp which ignites all the primal rhythms and melodic passions within. The Monkees meets Blink 182 with Maximo Park for company, the song is a pulsating and riotous thrill which has an insatiable hunger to exhaust the senses and bring the heart to a climax. As before the song has one accompanying its voice and limbs thrashing to the wonderful discord which spices the guitars and boisterous energy. The combination of Wlaysewski and O when they come together is stunning and in general the harmonies are delicious. The song also features a solo from Brendan Brown of the band Wheatus which only ignites further enjoyment.

Hand Stamp reins in the energies a touch but still is a feast of melodic joy, the bass pulsating besides the air heating slices of guitar and vocal harmonic elegance. The track does not quite have the pulse rate soaring as previous songs but its warmth and sweet taste is a rewarding dessert to what came before.

Social Season ends with the instrumental Saint James, a track which probably means a lot to the band but is a little lost on others. It is a great piece of music skilfully presented but does not fit with what went before so feels ultimately like a filler. It does have a departure of sound which opens some different anticipation to things in the future from the band though to be honest.

Late Cambrian is one of those bands we all need, fun, excitable, and able to put a smile on the face with  richly pleasing and open infectious sounds.

http://www.latecambrian.com/

Ringmaster 22/08/2012

Copyright RingMaster: MyFreeCopyright

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