Exploring the depths with Older Than Oceans

Older Than Oceans _RingMaster Review

Hailing from New York, Older Than Oceans is an alternative rock band which is certainly creating a name for themselves with their blend of a pop punk inspired melodic prowess and post-hardcore intensity and emotion. It is a sound which has openly evolved across the band’s releases so far and continues to blossom as the Long Island quintet work towards new exploits and another successful year. Getting in there early, we grabbed the opportunity to talk with the band…

Can you give us some background to the band and what brought you all together?

We all started playing together basically through people we were all acquainted with and the love for the type of music we all share.

Have you all been involved in other bands before and has the experiences added to what you are doing now?

Every member of Older Than Oceans has been in and out of bands growing up. We like to think we have found the perfect fit for us as a group [now].

Older Than Oceans_RingMaster ReviewWhat inspired the band name?

Nothing specifically, we all just love how the name makes you think. Once you hear the name you think about it and its meaning…Just another form of expressing creativity.

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

We wanted to definitely put an emphasis on our melodic aspects while maintaining a heavier instrumental sound. Diversity definitely plays a big role in our writing.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

We’ve definitely been evolving both as a band and into the Long Island scene. As you attend more and more local shows you connect with so many different people on so many levels and that in itself is all the drive we need as a band.

Since your early days, how would you say your sound has evolved?

Well our first EP I, Undefined definitely had a more post-hardcore, experimental side to it where as our newer EP It’s Not Me, It’s You, shows a more mature melodic sound.

Has it been more of an organic movement of sound or more the band deliberately wanting to try new things?

We are the type of people to take things as they come. As the band evolves and the people within it evolve, naturally the sound changes and you move forward with progression.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

We all share a common core of favorite artists, including Four Year Strong, A Day To Remember, and Taking Back Sunday, that really influence our writing as band.

Is there a particular process to the songwriting which generally guides the writing of songs?older than oceans art_RingMaster Review

We generally like to write out our instrumentals and then move on to vocals when we have a song to work with. Everything comes together from there.

Where do inspirations to the lyrical side of your songs more often than not spring from?

Different experiences in all our lives are explained through these songs. Some happy, some sad, but hey that’s life.

Give us some background to your latest release, It’s Not Me, It’s You, and some insight to the themes and premise behind it and its songs.

It’s Not Me, It’s You to put it generally, is about a toxic relationship you may have with anyone where they may be taking advantage of you or doing wrong by you and you finally say that’s enough and stick up for yourself. A lot of different topics come into play with this EP but that would probably be the main one.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record

We have gone in to start recording in both situations. A lot of the time the studio is the perfect place to make the final touches on your songs. We usually like to have every song pretty much ready to go by the time we step into the studio.

Tell us about the live side to the band, presumably the favourite aspect of the band?

We love to hold an emphasis on having fun on stage. We love to throw free merch off into the crowd, keep everyone incorporated into the show, and just have a great time. Ha-ha recently this past Christmas we even had our friend dressed up as Santa come out on stage and throw gifts out to the audience!

Older Than Oceans logo_RingMaster ReviewIt is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods? Are there the opportunities to make a mark if the drive is there for new bands?

In our world today it’s almost all about social networking and your live performances. We plan to master both and continue to write great music in the future.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

We appreciate everyone that took the time to read this. We plan to release some new stuff very soon so stay tuned!!

 

Learn more about and get in touch with Older Than Oceans @ https://www.facebook.com/OlderThanOceans/

and their releases @ https://olderthanoceans.bandcamp.com/

Pete RingMaster

The RingMaster Review 09/02/2016

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A Time To Hope – Full of Doubts

ATTH_RingMaster Review

    A Time To Hope is a French post hardcore band loaded with thick potential going by debut EP Full of Doubts, an encounter wearing familiar genre colours but equally offering a fresh creative confrontation that warrants attention. It is a sonically roaring introduction to their potent sound, a strong and tasty first glimpse of the Montpellier quintet and a strong base for them to leap on from.

Since forming towards the rear of 2014, A Time To Hope has earned praise and a healthy reputation through a live presence which has seen them play with bands such as POLAR, Light Your Anchors, and Zephyr 21 amongst many. Their first music video for the song Sweet T has also lured good attention which is now being increasingly courted by the Full of Doubts EP.

ATTH_ARTWORK_RingMaster Review   Influences to the band are said to include the likes of Dance Gavin Dance, Emarosa, Architects, and Slaves; many you can sense across the EP starting with RosaRosa. A lone guitar teases initially as skittish beats surround its distant tempting, that bait soon full in ears as its enterprise swiftly expands. Vocalist Franck.D quickly makes a strong impression with his emotively varied tones whilst the guitars of Vincent.P and Anthony.C dance with sonic suggestiveness on the imagination. It is a highly pleasing start which only strengthens as band and song weave recognisable post hardcore textures into their own adventure.

The following Sweet T picks up the pace and invention next, the song from its initial web of guitar an agitated yet welcoming proposition on a more aggressive skeleton of beats from Guillaume.B. Diversity of voice again works well within the heated maelstrom of sound, it all grounded by the great earthy tone of Shango.W’s bass amidst the spidery resourcefulness of guitar. It is easy to see why it made a strong impact with its video release, the enjoyably busy and at times sonically muggy track growing in drama and persuasion with each passing minute before making way for the instrumental suggestiveness of VII. Melancholically draped in the sense of loneliness, it also warms ears and imagination with its poetic charm and melodic heat, setting up the listener for the similarly toned Lemon Cupcake. It too has a sorrowful air to its melodic caress, though it soon bursts into a tempestuous climate of raw emotion and sound. Alluringly more volatile and antagonistic over time, the track is a mighty trespass on the senses and treat for the ears with a steel and metallic snarl that is less forceful elsewhere on the EP.

Ending with the emotional volatility and sonic ferocity of Catfish, a bracing track featuring Robin Renard, Full of Doubts provides a powerful and highly enjoyable first incitement from A Time To Hope. Major originality is still to come with the band’s sound but already the promise is there in the way they sculpt and unleash their ideas meaning we can only look forward to their next offering with eagerness.

The Full of Doubts EP is out now and available via https://atimetohope.bandcamp.com/releases or http://atimetohope.bigcartel.com/

https://www.facebook.com/atimetohope

Pete RingMaster 06/01/2016

Copyright RingMaster: MyFreeCopyright

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Today, They Are Older – Self Titled

Today,They Are Older Promo Shot_RingMaster Review

For some reason it took time to particularly warm to the self-titled EP from UK post-hardcore quintet Today, They Are Older. To be honest there are still elements not quite lighting personal fires, but the five track incitement definitely goes on to prove to be one very solid and skilfully accomplished proposition. Getting a national reboot November 27th via Sunbird Records, the EP also justifies why there is a potent buzz brewing up around the band.

Formed in 2010, the Darwen in Lancashire hailing band soon set about arousing attention and support with first EP, Universal. 2013 saw the uncaging of the band’s debut album The Evergreen Theory, it also waking more appetites to the band’s emerging presence and a sound inspired by the likes of Underoath and Heights. A line-up change followed as the band looked to capture the band’s true sound and raucous energy, always evident on stage, into their recordings. The new line-up seemed to give the band the spark they wanted in that aspect, and following linking up with Sunbird for its release, attempted to find that success on their latest EP.

Today, They Are Older Cover Artwork_RingMaster Review   It is an aim seemingly realised as the EP erupts with Empty Eyes, the track an immediate causticity of sound and emotion littered with enticing hooks and sonic bait driven by the raw throat spewed squalls of vocalist/keyboardist Liam Corran. There is a raw bluster surging through the song but one able to easily embrace an imaginative enterprise and the open craft within the band. For personal tastes, not enough time and space is given over to the unpredictable twists and flirtatious slithers of invention in track and release that emerge as the starter really comes alive for its finale; jagged riffs and discordant spicing majorly igniting proceedings with their bolder adventure.

The strong start continues with A Fool’s Gold Fuel, an instantly bruising and belligerent assault with a touch of Gacys Threads to it. The guitars of Jordan Howard and Adam Turnbull rage and entice with their web of aggression fuelled riffs and inventive sonic endeavour, both aspects backed by the robust swings of drummer Matthieu Woodburn and the primal tone of Thomas Jones’ bass. As its predecessor, the song satisfies and at times sparks greater reactions as the band tries to explore new tenacious ideation within ultimately a more recognisable yet rousing confrontation.

From Finland With Love soon becomes the focal point of the EP as from its first breath it spins a tapestry of off-kilter and unpredictable invention for a still savage but forcibly imaginative exploration. It is an experiment of sound to be honest not really seen elsewhere within the EP and the track simply blossoms because of it. Great female backing vocals and melodic elegance only adds to the strength of the song and the sure fire arousal of ears and imagination, with anticipation of this being the direction the band heads off into now hopeful.

Such the might of the track it gives both Statues and No Guts, No Glory a testing time to live up to its success. Neither manages it yet the first, with its enjoyable rhythmic agitation and the ever fiery and creative prowess of the guitars, leaves plenty to spark a hungrier appetite whilst its successor provides a harsh savaging lit by more enticing rhythmic bait from Woodburn and Jones as a great mix of clean backing vocals aligns to the more regular roar of Corran.

As it started, the EP end on a strong point but the bigger treats are within, especially in the shape of From Finland With Love. The EP still has not lit a big fire in the passions but at certain moments it definitely truly excites as the band suggest they can move out of the crowd to make a bigger impact.

The Today, They Are Older EP is released November 27th via Sunbird Records @ http://shop.sunbirdrecords.co.uk/product/today-they-are-older-today-they-older

https://www.facebook.com/TodayTheyAreOlder  https://twitter.com/ttao_uk

Pete Ringmaster 26/11/2015

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Everyday Sidekicks – The Things I’ve Seen

Everyday Sidekicks _RingMaster Reviewhot

Everyday Sidekicks is another UK band emerging from the hot bed of fresh and exciting music that is Bristol, and another prospect leaving a want to know and hear more in its wake. Their sound is a fiery and gritty post-hardcore proposition and their new EP, The Things I’ve Seen, a potent nudge on national attention. Listening to the six track encounter there is the feeling the band is still on a journey of discovery with their sound, tracks often weaving in recognisable and at times expected flavours and hues to its undoubtedly inventive heart. That familiarity and lack of major uniqueness though, rather than providing a dampener on the EP’s lure, just adds more substance to the release and excitement to the potential of where the band can take their music and imagination.

Formed in 2012, Everyday Sidekicks soon became a keenly followed and supported prospect on the local scene spreading outwards, though it was with the release of the single Hometown Hero in 2014 that they began flirting with national awareness. Live the quintet has shared stages with bands such as Marmozets, Shvpes, and Coldrain; increasing their reputation simultaneously over the past couple of years whilst also drawing attention from new fans and media alike. The Things I’ve Seen is the next potent nudge to awaken thicker and stronger attention, a success easy to see coming as its sextet of tracks tempt and sear the senses.

Everyday Sidekicks Cover Artwork _RingMaster Review    Opener F.T.B is a minute long lure into the release but much more than an intro, its belly of craft and passion a potent roar on ears and indeed and already brewing appetite. Its strong coaxing is quickly matched by the punchy swagger of Mirrors. Straight away the anthemic swings of drummer Mat Capper and the dark alluring tone of Sam Hughes’ bass grip ears as a spiralling of sonic enterprise escapes the guitars of Tim Brown and Josh Pasley. It is a rousing entrance that continues to entice as the enjoyable varied vocal attack of Archie Hatfield blazes away with angst and passion. He shows a diversity and imagination in this song alone which is echoed throughout the band and song, and though Mirrors offers familiar spicery, it makes for a stirring slice of post-hardcore bred rock ‘n’ roll.

It’s All Smiles and Laughter rolls in with a lighter and brighter air, its infectiousness aligned to elegant keys and a cleaner vocal presence to Hatfield. Also embracing a pop rock ingredient, the song soon brews up a more volatile intensity and intent, its eruption stirring and when the track especially hits full potency. Across its length though, imagination and craft is a magnetic lure but it just lacks the same striking spark as its predecessor and indeed the following Pitch Black. It too merges emotive calm and beauty with a tempestuous irritability and angst, this time crafting a more balanced and perpetually stirring proposition with a healthy scent of Billy Talent to it.

The melodic enterprise already lighting tracks is given a full canvas with Rosa where guitars and keys converge in a misty coaxing before uniting for a contagious incitement which punctuates and at times inflames the emotive balladry driving the song. Beats are punchy and the bass a throaty tempting, even as their shadows become bound in the sonic tendrils spun by the guitars. It is a potent affair with moments of gripping adventure and though the clean vocals are not as impacting as they are in other moments in the EP, it is fair to say the raw charm of the song pleases whilst offering more variety to the release with its cleverly aligned textures.

The Things I’ve Seen is closed by How We Survive, a raucous and dynamic onslaught of fierce punk ‘n’ roll. it ensures the EP ends on a high, even if it lets its ferocious roar and in turn creative intensity ebb and flow a touch. Nevertheless it is a great end to a heftily satisfying proper introduction to Everyday Sidekicks. It is early days but the band has plenty going for them in sound and invention and a potential hard to dismiss.

The Things I’ve Seen EP is released November 20th through all stores.

https://www.facebook.com/everydaysidekicks   https://twitter.com/edskofficial

Pete RingMaster 19/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Dream State – Consequences

Dream State Promo Shot _RingMaster Review

Approaching their first birthday as a band, South Wales post-hardcore band Dream State make a potent introduction of themselves to broader national attention with their debut EP Consequences. The quintet has already offered an enjoyable little teaser in the shape of previous single Burn Them Down, its catchy roar a strong enticing to a great many but fair to say it is the EP which provides real insight into the songwriting and sound of the band. Consequences might not be an encounter to turn the UK rock scene on its head but it does suggest that Dream State is a nicely brewing prospect to take a keen interest in.

Since forming, the band has become a potent live proposition too, shows with the likes of The Dirty Youth and Fearless Vampire Killers only helping their emergence and reputation for rousing slices of alternative rock/post-hardcore incitements. Inspirations include bands such as A Day To Remember, Funeral for a Friend, Bullet for my Valentine, and Alexisonfire; essences which maybe right now colour their songs more than originality but as proven by Consequences, it does not stop them providing thoroughly enjoyable exploits for ears and appetite to indulge in.

Cover _RingMaster Review   The EP opens with Burden, a track growing from an initial sonic mist punctured by firmly swung beats into an energetic and boisterous canter led by the quickly impressing vocals of Charlotte-Jayne Gilpin. Nicely backed by the more raw throated tones of rhythm guitarist Sam Harrison-Little, she is a potent focal point from which the magnetic shuffle of Danny Rayer’s bass and the melodic intrigue rich enterprise of the guitar spring. The track continues to entice and please, its body unsurprising but character and heart dynamic as it provides a thickly satisfying start to Consequences.

Individual craft is also a swift persuasion, the sonic endeavour of lead guitarist Aled Evans at times a fiery proposal always matched across the band, as shown straight away again with Burn Them Down. Opening on a robust stride with the rhythmic swipes of drummer Jamie Lee immediately shaping the entrance, the song slips into an infectious stroll of hungry riffs and melodic prowess with a great hook out of the Billy Idol songbook. Again there is familiarity to the track as it rumbles with aggression and sonic seduction, but once more recognisable hues only work in the song’s favour as Gilpin gives every syllable striking energy and passion.

Consequences is a release which satisfies throughout but gets stronger with every passing track, Try Again continuing that great trait with its reflective bellow and rapacious prowl. The rhythms almost dance with their restrained but open intimidation whilst twists and vocals create a drama between them which has ears and imagination quickly involved. The most inventive song so far, with great moments of unpredictability, it provides a tenacious outpouring of sound and emotion matched by the following Relentless. From its first acidic breath, vocal squalls blow and grooves entwine; Gilpin driving things with vocal flames as predacious rhythms have her back. Maybe it is a more formula offering than its predecessor but the song is a fire of emotive intensity and creative energy which only leaves enjoyment full and a wish for more.

That want is fed straight away by the excellent Rebuild, Recreate; a song soon proving to be our favourite. Initially caressing ears with an acoustic kiss aligned to the tantalising warmly emotive voice of Gilpin, it simmers then boils into a sultrily aired tempest of emotion and angst wrapped in just as impassioned and adventurous sound. Again drama lines every roar and twist, the guitars crafting a web of expression and enterprise to match the vocals whilst bass and drums add further potency to its tempting, especially when they subsequently become more agitated.

The track is a mighty end to a persistently enticing and enjoyable incitement. It is fair to say that Dream State is still working towards finding its own voice as a band but heading in the right direction as proven by Consequences. It is easy to assume that they have a very bright future ahead of them if they can really build on this rewarding first proper glimpse at them.

The Consequences EP is out November 20th through all platforms and stores.

https://www.facebook.com/DreamStateUKOfficial  https://twitter.com/DreamStateUK

Pete RingMaster 19/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

 

Saint[the]Sinner – Masquerades EP

S[t]S_RingMaster Review

Starting with the band name, Saint[the]Sinner weaves a thick web of temptation and drama that simply devours ears and imagination from within new EP Masquerades. The UK sextet are beginning to be renowned for casting tapestries woven with theatrical post-hardcore, melodic metal, and contagious pop rock, to simplify their sound. Their reputation in turn has grown by the year since forming in 2011 but after Masquerades it is easy to say that Saint[the]Sinner have stepped onto a new plateau and are ready to embrace the richest spotlights.

The past two to three years has seen the band share stages with the likes of Crossfaith, Bullet for My Valentine, and A Day To Remember amongst great many as well as play the Warped Tour in 2013 and Takedown a year later. 2015 has been no less busy for the band, culminating in the release of Masquerades, which Saint[the]Sinner recorded with and was produced by Romesh Dodangoda (Bullet for My Valentine, All Time Low, Bring Me The Horizon). The six track adventure of sound is pure magnetism and though arguably its contents bask more openly in inspirations than the band’s previous songs, it has only resulted in the most unique and exciting offering from the band yet.

Rich in the scent of bands such as My Chemical Romance, Panic at the Disco, Avenged Sevenfold, and Fall Out Boy, Masquerades is a perpetual torrent of creative adventure and imagination soaked in instinctive drama, as shown by the opener Theatre Of Broken Dreams. From its initial music box like melody the song holds court, swiftly throwing open the door to muscular rhythms and ravenous riffs as a two prong vocal attack spreads the emerging narrative. The raw squalls of Lukey Juan are uncompromising but superbly tempered and accentuated by the excellent clean tones of James Laughton, his impressive presence similarly illuminated by the enjoyably rabid delivery of Juan. With that first starting touch of symphonically laced keys still flirting within the intensive blanket of invention and sound, the track relentlessly twists and turns, its volatility seeded in a maze of styles and compelling imagination. Those early references are a vocal colour to the song, but as suggested, clear hues in something original and creatively vaudevillian to Saint[the]Sinner.

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The outstanding start is followed by First Blood, another ferocious mesh of rich flavours and varied styles honed into something distinct to the band. Keys appeal early and again get smothered in the thick tide of sound and atmosphere but still continue to lurk as the guitars of Pash Stratton and Billy Muircroft evolve through seduction and predation, matching the vocals simultaneously. Whiffs of Muse and Bullet for My Valentine also drift across the tempestuous wave of multi-coloured sound, as the track creates an enthralling invitation impossible to refuse.

The next up Left For Dead revels in more pop rock scenery for its vibrant if still intimidating start, virulence instantly flowing through the magnetic proposal, especially in its Fall Out Boy like infestation of a chorus. The bass of Tom Bigg is a growl of shadows whilst drummer James Booth scythes through the air with instinctive intensity to match the contrasting grouchiness of Juan’s vocals. Along its thrilling length, the keys spread symphonic evocation whilst the guitars write their own dramatic persuasion within another striking proposition within Masquerades.

She’s a Vampire is the same, every element seeming to have its own story going on within the total play of the track, but all uniting with fluid and resourceful craft for one riveting croon come storm of emotion and sonic adventure. Across the EP, Laughton increasingly impresses with his expressive and potent tones, they the more dominant presence here, but that is something easy to say for all members as each song stirs up ears and appetite with zeal and a prowess of dramatic invention.

The EP comes to an end through the irritably imposing Set It Off and finally the alluring labyrinth of Asylum. Both tracks show another shade of the sound and songwriting of Saint[the]Sinner, the first of the pair entangling metalcore seeded savagery into its blossoming landscape of post hardcore and melodic metal theatre. Its successor also opens, as the first song on the EP, with a haunting melody, quickly casting a cinematic theatre of hooks and enterprise which is soon caught in the claws of rapacious metal and vocal ire, that in turn revolving within a melody honed calm and symphonic mysteriousness; all elements in league with each other from thereon in to masterful and gripping success.

It is a mouth-watering end to an equally mighty release. If the likes of the aforementioned My Chemical Romance, Panic at the Disco, and Avenged Sevenfold do not do it for you than maybe Saint[the]Sinner might be a proposal that lacks something but as said, the band takes all flavours and turn them into their own continuing to grow and impress body of invention so for all they are worthy of a listen. The bottom-line is that this is a band with the potential to go really places, and soon so do you want to miss out?

The Masquerades EP is out now @ http://saintthesinner.co.uk/shop/

http://www.saintthesinner.co.uk  http://www.twitter.com/saintthesin   https://www.facebook.com/SaintTheSinnerOfficial

Pete RingMaster 10/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

DREAM STATE ‘Consequences’, out 20th November

Dream_State_Cover_Artwork.jpg_RingMaster Review

Ascending South Wales post-hardcore crew ‘Dream State’ unleash their enticing debut

EP ‘Consequences’ through all platforms and stores on Friday 20th November.

Sparking glowing comparisons to Emarosa and A Day To Remember, Dream State strike you with hard hitting vocals, powerful guitars, and earnest emotion. The five-some are picking up a plethora of new fans on a daily basis, and many are labelling the energetic combo ‘as one of the breakthrough bands of 2015’.

Formed at the end of 2014 in South Wales, and featuring the impressive collective talents of Charlotte-Jayne Gilpin (lead vocals), Aled Evans (lead guitar), Sam Harrison-Little (rhythm guitar / backing vocals), Danny Rayer (bass guitar) and Jamie Lee (drums), Dream State are already taking flight. The band have released their first single “Burn Them Down’ earlier this year, and it has already chocked up over 10k views in the last six months and was premiered by Blank TV. The alt-rockers have also racked up supports with The Dirty Youth and Fearless Vampire Killers, and other tours are currently in the works.

The post-hardcorers prise open the envelope with the launch of their captivating debut EP ‘Consequences’. The record offers five slabs of hardcore fused alt-rock and draws influence from a slew of areas from ‘A Day To Remember’ and ‘Alexisonfire’, through to fellow South Wales heroes ‘Funeral For A Friend’ and ‘Bullet For My Valentine’. ‘Consequences’ soars in superb fashion with the opener ‘Burden’ which batters a stunning refrain and woven guitar lines deep into your head. Their previous single ‘Burn Them Down’ is next up, and it highlights the band’s agile use of devastating dynamics and alluring edgy riffs. ‘Try Again’ utilises a nifty bass groove which again shows the quintet’s desire to experiment and diversify. ‘Relentless’ and the explosive forthcoming single ‘Rebuild, Recreate’ only further drive home the band’s message to colossal effect; Dream State have arrived — catch the rising rockers now before they explode.

| DREAM STATE RELEASE ‘CONSEQUENCES’ ON FRIDAY 20th NOVEMBER THROUGH ALL STORES |

https://www.facebook.com/DreamStateUKOfficial www.twitter.com/DreamStateUK