Hypophora – Youth / Caught

hypophora-temp-promo-shot_RingMasterReview

Hailing from the beautiful Cornish county town of Truro, Hypophora has been picking up attention and praise since emerging in 2012 and especially over the past couple of years as they earned a reputation for being one dynamic live proposition. Now the British quartet is tapping on national awareness with their new double A-sided single Youth / Caught.

Taking inspiration from various Seattle grunge/early 2000s post-hardcore bands, Hypophora create a punk infused alternative rock roar just as ripe with melodic invention and funk bred infection. As suggested its anthemic potency has helped see the band a notable prospect and export from the UK’s south western tip. Live the band has shared stages with the likes of LTNT, Allusondrugs, The Hyena Kill, and Narcs among many. Ahead of a UK tour, Hypophora are laying down a strong invitation with their new Easy Action Records released single, a proposal which reveals a potential which demands it is taken notice of.

hypophora-cover-artwork_RingMasterReviewYouth instantly engages with hardy beats and a senses grasping web of grooves. Cast by Karum Cooper, they wind around ears with melodic suggestiveness growing a funky nature as the growling bassline of Lewis Pilcher and the swinging rhythms of drummer Jim Richardson collude with the vocals of Katie McConnell. She has an expressiveness and emotion to her voice, backed in strength by Cooper, which pulls you into the song where the band shows their imaginative enterprise. The track does not exactly leap out from the speakers but rather creeps up on the appetite for a lingering tempting that incites a need for closer involvement.

The same applies to Caught, a similarly restrained roar which rumbles and blossoms with a tempestuousness which unites perfectly with the evocative melodies and vocal passion shaping the magnetic encounter. It continues to ebb and flow with intensity throughout, darker rhythmic hues flirting with ears and the catchy character of an increasingly captivating track.

The single is the introduction of Hypophora to a wider audience which may not explode into view but creates an intrigue which only leads to a want to further explore the inescapable promise and swiftly enjoyable sound of the rising four-piece.

Youth / Caught is released November 11th via Easy Action Records.

https://www.facebook.com/hypophora   https://www.instagram.com/hypophoramusic/  https://twitter.com/hypophoramusic

Pete RingMaster 08/11/2016

Copyright RingMaster: MyFreeCopyright

Light The Skies – Human

light-the-skies-promo-shot_RingMasterReview

It seems that there is a sudden swell of excitement around British quartet Light The Skies primarily because of their new EP, Human. Creating an attention luring sound built on a fusion of post hardcore with melodic metal influences, it maybe that the band has been on the radar of a great many before now but it is with their potential fuelled new release that the rest of us might just be catching on.

It is hard to say there are many major surprises within the six songs making up the EP but each is an accomplished and imagination built proposal easily enticing ears. Since forming during their college days in 2013, the Birmingham band has grown into a potent live force, sharing stages with the likes of Ghost Town, Palisades, Boy Jumps Ship, Alverez Kings, Scream Blue Murder, Lock & Key, Beyond Recall, and Templeton Pek along the way. The Human EP is a new step up in their ascent, a release sure to be nudging national awareness of the band’s dynamic sound.

The EP opens up with Animals, a track which promises much but does not always deliver yet leaves a definite intrigue to hear more. Its muscular opening with the probing beats of drummer Sam Hemus make a potent coaxing, escalating as just as intensive riffs and grooves from the guitars of Will Douglas and Charlie Elliott grip the senses. With the heavy tones of Conor Browne’s bass seducing it is a formidable start capped by the raw throated cries of Douglas. A sudden slip into mellow climes with clean vocals is a less potent move for personal tastes though redeemed by the great band harmonies which lead back into the tempestuous roar of the song.

light-the-skies-cover-artwork_RingMasterReviewContinuing to switch between its increasingly imaginative stages the song is ultimately a powerful and pleasing start to the release and soon matched by Distractions. Its gentler melodic opening paves the way for a tantalising mix of Douglas’ clean vocals and a web of guitar enterprise speared by the shadowy yet flirtatious nature of the bass. With a lighter climate throughout compared to the tempestuous air of its predecessor, the song is a radiant tempting with keys and melodies as suggestive as the emotion lining the eventful song.

Acclimate uncages its own irritable storm of sound and intensity straight after, a challenge nicely tempered by warmer vocals and melodic endeavour as rhythms intrude upon the senses. It many ways it is as poppy as it is aggressively raw, veering more towards the latter the further into its creative and emotional turbulence it ventures though still it makes room for more welcoming ideas.

Looking Back unites the same kind of contrasts in an infectious stroll with a forcibly anthemic chorus and heavier textures which prowl its body throughout while its successor Ourselves is an acoustic caress with Douglas showing the strength of his harmonic tones. The first of the pair is a certain highlight of the EP with the second increasingly beguiling, their individual qualities combined by the closing drama of Distance. As its start, Human ends with a song which fully satisfies if without finding all the ingredients which ignite other tracks but each nurtures an appetite to hear more from Light The Skies; a success in anyone’s book.

Human is out now via Snowhill Records @ https://itunes.apple.com/gb/album/human-ep/id1154785404

http://www.lighttheskiesuk.com/   https://twitter.com/LightTheSkiesUK   https://www.facebook.com/LightTheSkiesUk

Pete RingMaster 04/11/2016

Copyright RingMaster: MyFreeCopyright

Greyhaven – State Of Mind

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Finding an inventive and commanding middle ground between the raw intensity of metal and the anthemic infectiousness of alternative rock with a firm dash of post hardcore involved, British quintet Greyhaven recently uncaged their new EP State Of Mind. It is an encounter which roars and serenades ears and imagination in equal measure; bullying and seducing the senses with seven explosive and imposingly compelling proposals.

London based, Greyhaven formed early 2015 and soon earned a potent reputation for a live presence which has seen the band play alongside the likes of Create To Inspire, Idols Of Apathy, Vera Grace, and The Afterparty. Their first year also the release of debut EP The Flood, a well-received introduction which solidly set the band out as one to watch. State Of Mind suggests much more as it reveals Greyhaven taking new strides in songwriting and sound with riveting results.

Recorded with Dan Kerr (Shields, Create To Inspire, Despite my Deepest Fear), State Of Mind is a tempest of anthemic intensity and sound aligned to mellower moments of melodic intimacy. From opening suggestive instrumental Sinners a sense of creative and emotive drama blossoms in ears, the track growing in predacious shadows and poetic charm before it eventually drifts into the waiting jaws and rousing tempestuousness of Hexes. As guitarists Alex Hills and Jim White weave a tapestry of descriptive riffs and melodic tendrils in tandem with similarly potent keys, the raw throated growl of bassist Edd Kerton explodes to be subsequently replaced by the impressive clean and emotive tones of vocalist Sam Paterson. Tapestry is the best word for the song, so many elements across the band bred with imagination and interwoven in a proposal which never stops revealing new essences and shades of tone in every listen.

greyhaven_cover_artworkCopyright RingMaster: MyFreeCopyrightIt is a craft and prowess which applies to all songs within the release to be fair, the following Darkest Hour swift confirmation as a great growling bassline from Kerton and the merciless swings of drummer Connor Tate link up with the harmonious delivery of Paterson and the emotive melodies which embrace ears. A fiery solo only adds to the imposing yet captivating drama shaping the song, again each minute a cauldron of enterprise breeding new adventures with every encounter.

There are familiar elements to the Greyhaven sound which suggest inspirations from the likes of Architects and Alexisonfire, and maybe are most openly apparent within the excellent On & On, though they are spices quickly engulfed in the band’s own eager imagination. The source of the band’s new video, the track leaps around and burns like a sonic fire, the guitars licking at the senses with melodic heat as rhythms crackle at the core amidst vocally coloured flames.

From one powerful persuasion to another as the highly infectious Our Stand steps forward next, its proposal bruising and magnetic as Paterson shines within another storm of metallic predation and emotionally inflamed contagion as savage as it is rousing as it is pop lined infectious. That lighter air also frequents successor Brother, though again Greyhaven infuse it into a creative and musical ferocity which almost venomously snarls. The song adds another shade to the sound and songwriting of the band, its catchiness an inescapable lure perfectly courted by a barbarous intent headed by Kerton’s toxically grouchy growls.

Closed by a thoroughly enjoyable acoustic version of The Flood, the title track of that first EP, State Of Mind proves and further suggests that Greyhaven is heading towards becoming a potent part of the British heavy rock scene. Already that have provided two releases no one should ignore.

State Of Mind is out now via Outsider Records across most online stores.

https://www.facebook.com/greyhavenuk    https://twitter.com/greyhavenuk    https://www.instagram.com/greyhavenuk/

Pete RingMaster 08/09/2016

Copyright RingMaster: MyFreeCopyright

Furian – What’s Up

Photo by Megan Geddes Photography

Photo by Megan Geddes Photography

Furian is one of the emerging bands being highly spoken of within the UK rock scene and they certainly do their growing reputation no harm with new single/video What’s Up. The track is a powerful slice of the band’s post hardcore flavoured rock ’n’ roll, a fierce and imaginative encounter which suggests this is a band worth checking out further.

Formed in 2014, Furian quickly lit up the Liverpool music scene with their live presence and debut single/video Now I Know. Since then, the quartet of vocalist/guitarist Dan Martin Hall, guitarist Joe Strode, bassist Abhi Tee, and drummer Damien Campbell have released a well-received EP, undertaken a UK tour and shared stages with the likes of They Say Fall and Vanity Draws art_RingMasterReviewBlood. What’s Up is Furian’s next step in their rise, a proposition fuelled by potential hard to ignore.

The song instantly descends on the senses with a wall of hefty rhythms and ear entangling sonic confrontation driven by the raw vocal attack of Hall. It is ferocity though with an underlying infectiousness and melodic intrigue which blossoms as clean vocals and harmonies float with warm melodic enterprise. The band continues to combine both extremes across the song, increasingly venturing into the mellower invention of their imagination with guitars and voice a mesmeric proposal perfectly contrasted by the harsher expulsions of sound and emotion.

There is an essence of Deftones to the ‘milder’ side of the track and Hall’s calmer vocals and a fierceness ventured into by vocalist and song which hints at the likes of Underoath and Hopesfall, yet combined it emerges with a freshness all of the Furian making.

What’s Up is maybe not a game changer for Furian but it certainly adds to their rising stock and reputation while hinting of greater things to come.

What’s Up is out now via PYAR Records.

https://www.facebook.com/furianmusic       https://twitter.com/furianuk

Pete RingMaster 05/08/2016

Copyright RingMaster: MyFreeCopyright

Everyday Sidekicks – Fracture

Everyday Sidekicks Online Promo Shot_RingMasterReview

Fracture is the new video single from British post hardcore quartet Everyday Sidekicks and a track which venomously growls as it grips ears in a pleasing tempest of sound and emotion.

Towards the end of last year, the Bristol hailing band released The Things I’ve Seen EP, an encounter which certainly pleased with the potential of bigger and stronger things to come the lingering emotion. Fracture realises some of that promise, the track a rousing and imaginative confrontation revealing the swift growth of the band’s sound since emerging in 2012, debut single Hometown Hero two years later, and indeed since that last EP. The years have seen the foursome of vocalist Archie Hatfield, guitarist Tim Brown, bassist Sam Hughes, and drummer Mat Capper earning a potent reputation for their live shows, which have included sharing stages with ands such as Marmozets, Shvpes, and Coldrain, and praise from the likes of Rock Sound, Metal Hammer, and Powerplay Magazine. Fracture suggests a new chapter in their ascent and continuing plaudits will be no surprise.

The single descends on ears in a wall of thumping rhythms and climactic riffs, both wrapped in melodic intrigue before things settle down into a groove infested swing fluidly broken up by the blend of harsh and clean vocals as well as a web of suggestive enterprise from the guitar of Brown. The intensity and power unleashed by Hughes and Capper is formidable; almost merciless at times as they drive the song forward but always respectful of the ‘gentler’ aspects of the track and its varied dynamics.

As yet, the Everyday Sidekicks sound is not the most unique but Fracture shows an individuality to the band which is equally as big a step forward as the imagination involved.  Everyday Sidekicks left satisfaction behind with The Things I’ve Seen EP, Fracture leaves an excited pleasure with the suggestion of plenty more to come.

Fracture is out now.

https://www.facebook.com/everydaysidekicks   https://twitter.com/edskofficial

Pete RingMaster 05/08/2016

Copyright RingMaster: MyFreeCopyright

Uncaging the emotional beast: an interview with Owleye

Owleye_RingMasterReview

Formed in the late half of 2013, Owleye is a snarling post hardcore roar from Denver. After a potent couple of years across their local scene, last year saw a line-up change and short hiatus with the departure of their previous vocalist. The release of their new EP this past April announced and confirmed the welcome return of the quintet and we seized on the opportunity to talk with the band and find out what makes them tick…

Hello and thanks for taking time out to talk with us.

Thanks for having us.

Can you first introduce the band and give us some background to how it all started?

We are Owleye, a post hardcore band from Denver, Colorado. The band started in 2013 with a group of friends DJ (guitar) Brad (bass) and Frank (drums) getting together and wanting to make something new and unique while keeping true to their roots. Myself (Tim vocals) and Dave (guitar) came into the band mid-2015.

Is Owleye your first musical venture and if not have previous experiences had any impact on what you are doing now, in maybe inspiring a change of style or direction?

We’ve all be involved with other bands with different experiences. Having different paths always is super cool cause we can throw so many different elements and styles and blend it into what Owleye really is.

Tell us about the band name.

The band was originally I Will Lie but Owleye was always in the back of our heads so it quickly changed to that.

owleye2_RingMasterReviewWas there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

I mean really we just wanted to play music that is relevant and also very unique at the same time. I mean listening to our new EP No Wounds, the listener will notice every different tone and feel to each song ‘cause they are all similar but different at the same time, it’s really cool.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

I mean my vocal style was a lot different than the previous vocalist, so I mean we are pretty fresh still but the overall outlook of the band has evolved tenfold over the past year and with this EP.

Equally since your early days, how would you say your sound has evolved?

I know it is very cliché but we’ve all just matured as musicians and it really shows in our new sound and new music. Even writing now our songs we are working on are growing bigger and more mature.

That change has been more of an organic movement or you guys deliberately setting out to try new things?

Well again with me coming in, I wanted a different sound and wanted to write music that is very comfortable for my vocal style so it was basically starting all from scratch again and trying new things until we were all on the same page.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

We are all inspired by different genres and things but we kinda just write how we are feeling at that moment in time. This last EP was me getting a lot of things off my chest that I’ve been holding in for years. So who knows what is to come in the future ha ha.

Is there a regular process to the songwriting?

We kinda just pre pro little ideas and grow off said idea. Being able to hear an idea over and over again in earphones is so beneficial and every band should do it to help them get the best product.

owleye3_RingMasterReviewWhere do lyrical inspirations more often than not come from?

I wrote a lot of past experiences that have been held over my head for a long time and just trying to find the positive. Sometimes life sucks and I’m just trying to make light of things in my lyrics and find the true beauty that comes with hardships.

You mentioned it earlier, so can you give some background to your latest release?

Our latest release No Wounds is really all about finding ourselves with this new line-up and touches a lot on my past insecurities at least lyrically. It’s struggling with different things in life and trying to find the light of stupid fucking situations.

Every song is pretty different themed with tones and the overall feeling it gives. I mean there are parts where you wanna punch your best friend in the face to the next song that really tugs at your heart strings and makes you want to cry. Cycles especially is really emotional and talks on losing a loved one and trying to grasp that one thing that will stay with you long after they are gone. It’s a very interesting EP for a debut release with so many different sounds, which is real cool.

Are you a band which goes into the studio with songs pretty much ain their final state or prefer to develop them as you record?

I mean we like to do pre-production a lot but really change the song at least 10-15 times before even going into a studio to work with a producer to get the best product we can get from it. I think having the ability to hear things back is the most beneficial thing a musician can ask for.

Tell us about the live side to the band, presumably the favourite aspect of the band?owleye Photo credit_Channel Nightmore

I think what sets us apart from some other bands is our live performance because we go hard in the paint every single time. You can feel the energy during our set where even if you don’t like our music you are going to want to move around just cause we put so much of our souls into every performance.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?

We are still currently starting to branch out from our local scene to a more national scale and really the only thing we can do or any band for that matter is just work your ass off to get what you want from your art.

How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

I don’t think it really brings anything negative for us personally but that’s the fun thing with social media people really only care about the negative. We are so quick to jump on anyone’s mistake ‘cause you know everyone is perfect but I think if society could easily cut through the bullshit then social media sites could be a positive outlook on everything.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank you so much for having us guys, and to the readers we love you so much and thank you for making our lives liveable by allowing us to play music.

Check us out if you haven’t yet and expect to see us coming to your city in the near future!!

https://www.facebook.com/owleyebandco    http://www.owleyeofficial.com/   https://twitter.com/owleyeofficial/

Pete RingMaster

The Ringmaster Review 08/07/2016

Syren City – Paradise In The Dirt

Syren City Promo Shot_RingMasterReview

Almost two years ago, UK rockers Syren City laid a hefty punch on attention with the Escape EP, five tracks of multi-flavoured rock ‘n’ roll which was as compelling as it was thrilling. Now the Bristol quintet returns with its successor Paradise In The Dirt and three more encounters which leave ears ringing with pleasure and an appetite for more simply greedier.

Formed in 2011, Syren City swiftly bred a sound from essences drawn across the likes of post hardcore, punk, metal and alternative rock. The 2014 Escape EP quickly showed it was a formidable and striking mix, echoing the band’s live reputation earned through festival appearances and shows with the likes of Turbowolf, The Alarm, Mallory Knox, Max Raptor, The Hell, Roam, Black Foxxes, Futures, Young Legionnaire, Attack Attack, and Blitz Kids. The release of their new proposition shows that the band’s sound has continued to expand and indulge in greater adventurous traits, increasing in magnetism with equal measure. The first in a series of EPs which have a conceptual thread and link, Paradise In The Dirt captures ears and imagination with swift deftness of enterprise and a rousing boisterousness, never relenting upon or releasing the listener until its final note has shared its mighty bait.

Syren City Cover Artwork_RingMasterReviewIt opens up with It’s Morphine Time, a song which descends on the senses like a tempestuous challenge from its first breath, but a threat just as quickly seducing ears and appetite as riffs and rhythms launch their hungry persuasion. In no times wiry grooves are entangling song and listener while anthemic vocal roars across the band find a great Beastie Boys feel to them. As it proceeds, the scent of bands such as Rage Against The Machine and Refused also colour the encounter, with frontman Simon Roach taking vocal charge as the barbarous rhythms of bassist Sam Leworthy and drummer Mat Capper badger and incite. It is a virulent infectious affair with the enterprise and fiery grooves of guitarists Ian Chadderton and Josh Mortazavi arousing, aiding and shaping the songs twists and turns as its metal/heavy rock antagonism and inescapable catchiness fuels pleasure, the song alone surely ensuring the EP’s certain success.

It is quickly backed up by its companions though, Danielle coming next and opening on a melodic caress which inspires the following vocals and flirtatious gait of the song. Little time passes before again a volcanic quality and energy erupts, its theatre creating a My Chemical Romance like attraction before things slip back into the captivating calm and the repeat of the galvanic cycle. As within its predecessor, there is a kind of tempestuousness to ideas and intensity which only adds to the riveting drama provided before 10,000 Knives steps forward to grab its share of the plaudits. Initial riffs and lures have a slight Therapy? feel before the punk heart of band and song grips and adds a Reuben meets Taking Back Sunday hue to the outstanding encounter.

All three tracks are uniquely distinct to each other but fuelled by a sound with a character all Syren City’s. The band impressed with their last release and have only made a bigger impact with Paradise In The Dirt, a release sure to be the favourite EP of 2016 for a great many.

The Paradise In The Dirt EP is out now through all stores-

https://www.facebook.com/SyrenCity  https://twitter.com/SyrenCity  http://instagram.com/syrencitymusic

Pete RingMaster 30/06/2016

Copyright RingMaster: MyFreeCopyright