Possessor – The Ripper

UK metallers Possessor have been a band fear and lust has equally and simultaneously been spawned for in the face of each release uncaged since they emerged within the death throes of 2013. The band’s doom nurtured, thrash fuelled sound is a crushing and violating experience but one which has enslaved body, imagination, and soul here with its virulent, invasive boogie. The London trio recently released new album The Ripper and we can tell you nothing has changed. Their third album is a cauldron of corrosive riffs and destructive rhythms honed into one of the rawest, insatiable, and thrilling trespasses you are likely to hear across this coming year and beyond.

As much grunge, stoner, and alternative metal as those earlier mentioned hues, Possessor’s sound is pure predatory confrontation often as demonic and lewd as the horror soaked premises it spawns. The band’s 2014 debut album, Electric Hell, was an unpolished gem of an introduction providing “a thrilling ticket to the start of their inevitable ascending ride.” It was a journey which has bruised and abused, gripped and thrilled across the following Stay Dead EP a year later and second full-length Dead By Dawn eighteen or so months on. The last album really thrust the band into new spotlights but it has to be said that all have been rousingly eclipsed and put in their place by the carnal majesty of The Ripper.

Instantly opener Conjure and Possess casts a sonic storm over the senses, its abrasive scouring the warm up and prelude to a ravenous stomp of riffs and rhythms bound in the most lustful of grooves. A temptation to rock the residents of a graveyard into life with the swinging beats of Matthew Radford as arousing as they are destructive, the track roars through ears bearing the raw dirty vocal tones of guitarist Graham Bywater with open devilment. The bass of Tom Fowler is just as devilish, its own grooved swing instinctive incitement in the multi-flavoured onslaught.

The following Guillotine is just as fevered in its attack, maybe more so but unafraid to slip into less intensive examinations of the listener as it conjures its own web of salacious grooves and rapacious enterprise. Bywater’s voice and riffs infest ears but even more so his grooves and sonic espionage manipulates body and appetite already caught by the primal claws of the rhythms.

Fowler’s bass finds an even more carnivorous voice for the following Wet Cemetery, its visceral gurning leading a wash of rasping riffs within which vocals spew causticity. Toxic melodies vein the relative calm which separates the song’s energetic lust, it all leading to moments of nefarious endeavour which itself is sheer magnetism. A mesh of essences which lure references to bands such as High On Fire, Cavalera Conspiracy, Electric Wizard, and Unsane, flavours rising throughout the album, the track emerges unique to Possessor and again a common factor to The Ripper echoed in The Slime immediately after and thereon in. The fourth track hits its crunchy stroll instantly, snarling riffs chewing sinew before grooves send liquor coated tendrils through ears, its varied metallic irritancy swiftly addictive as the psyche is increasingly possessed.

Through the grim viscera of Whitechapel Murders and the scalding tension of Lava, the scorching of the senses and unrestrained pleasure escalates, the first of the two bearing the early Therapy? scent our ears have always found and greedily consumed within the Possessor sound. Every part of the band’s unholy trinity is on the top of their game, a success applying across the whole release but at their hungriest or certainly most fervid here. Its successor is an inferno of threat and intrigue, less equipped with irresistible hooks and addiction sparking grooves than others around it but just as commanding in its escalating incessancy.

Notting Hell opens in a jungle of rhythmic machination, the piece a brief shamanic infestation of devilry setting up the blood strewn quarrel and sonic narcotic that is Hacksaw. The most barbarous exploit on the album, it is a bestial and concentrated blitz on the listener, manna for the beleaguered senses and primal rock ‘n’ roll instincts.

A pause as things take a breath simply marks the insatiable devouring sprung by closing instrumental Earth Shaker. It is a rampage driven by a horde of voracious riffs and fearsome rhythms with grooves and twists just as mercilessly toxic and though it does not quite hit the spot as fully as what came before, the track consumes attention and satisfaction with ease.

There are few bands which truly excite just from news of a new encounter with them but Possessor is among them and will continue to be so with hellish offerings like The Ripper.

The Ripper is available now through Graven Earth Records on cassette, Wicked Lester Records on CD, and digitally @ https://possessor.bandcamp.com/album/the-ripper

https://www.facebook.com/possessorband

 Pete RingMaster 10/01/2017

Copyright RingMaster: MyFreeCopyright

Possessor – Dead By Dawn

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Still drawing new attention with their previous offerings, British metallers Possessor unleash new album Dead By Dawn, a mouth-watering threat of their rawest, most voracious sound yet. Continuing to conjure their individual fusion of old school fuelled metal embracing everything from heavy and blackened death metal through to doom/occult and stoner infused thrash the London trio cast a viciously malevolent and addictively compelling infestation of ears and instinctive pleasure with their latest offering.

Formed in 2013, Possessor teased and tempted with the Wings of Fire demo in 2014 before making a far greater impression with their self-titled debut album later that year. Hellacious and demonic in equal enterprise, the band’s reputation and acclaim garnering stature was given another injection of energy with last year’s Stay Dead EP. Its four tracks breached a new level in sound and adventure by the threesome of vocalist/guitarist Graham Bywater, bassist Marc Brereton, and drummer Matthew Radford; one now pushed again by Dead By Dawn.

The album opens with Afterburner and its sinister, cinematic intro. As shadows collude with aural drama, it fades into the ravenous jaws of the opener, a mesh of riffs and rhythms which go straight for the jugular. The meatiest groove aligns to a primal energy and intensity, they soon entwined in a sonic twine of guitar and the effect cloaked tones of Bywater. Previous releases hinted at a Nurse/Troublegum era Therapy? essence in the band’s sound; the first song shows it has become an even more intense flavouring but still without diluting the distinctive tone and invention of the Possessor sound.

Predatory and inescapably infectious with Sabbath meets Electric Wizard overtones also to its body; the excellent start makes way for the similarly immense and thrilling Scorpion Swamp. Straight away the grievous growl of Brereton’s bass has ears gripped and lips licked, the appetite enflamed further by the sorcerous grooves and rabid hooks joining the mix. Again echoes of the Northern Ireland trio are a vibrant spicing as Possessor and track rumble and grumble upon the senses and imagination, the song an ever twisting web of thrash driven, multi-flavoured metal.

art_RingMasterReviewBeneath the Chapel takes over next, an encounter growing in ears with a less forceful character compared to its predecessors but one soon sharing its own captivating net of flesh whipping beats and rapacious grooves to seriously please. Again within an ever tempestuous nature irresistible hooks taunt and tempt, providing rich bait within the rawest roar of sound to come from the band in any offering yet and the same template seeds the following Without Warning, a design breeding another individual treat within the album. A tempest of grooves and antagonistic ferocity it simply blossoms into a psyche infesting avalanche of predacious animosity to leave a hunger for more.

Things take a breath just a touch as Slaughter High enters next upon another evocative bassline from Brereton, its suggestive twang absorbing bait deviously leading the listener into another waiting beast of sound. Arguably the most old school sounding song on the release, it gnaws at the senses as riffs venomously prowl and the swinging beats of Radford flail flesh with rapier like effect. More destructive and gripping with every passing minute the brute of a proposition departs in a cold storm to let Terror Tripping step forward with its own cantankerous and primal rock ‘n’ roll. Taking a touch more time to thickly persuade compared to the other songs before it, the track is soon seeing swinging bodies and eager satisfaction in its rip tide, especially when it shares another ear exciting hook.

A pair of instrumentals comes next, The Creeps another cinematic scene setting piece parading a glorious and voodoo-esque rhythmic enticement before Midnight devours the body and imagination with its blackened heavy metal and feverishly stomping aural necromancy. Both tracks has ears enslaved and thoughts conjuring before the closing drama of The Curse of the Hearse revels in the individual skills and craft of all three Possessor members, aspects uniting in an incendiary provocation bringing Dead By Dawn to an almighty end.

Possessor get bigger, better, and more creatively barbarous with every release and indeed more irresistible. A treat for fans and a thrilling introduction to Possessor for newcomers, Dead By Dawn and its creators are the kind of propositions metal probably does not appreciate or notice enough but would be a much blander place without.

Dead By Dawn is out now @ http://possessor.bandcamp.com/album/dead-by-dawn

https://www.facebook.com/possessorband

Pete RingMaster 21/08/2016

Copyright RingMaster: MyFreeCopyright

1968 – Self Titled EP

1968 Promo Shot_RingMaster Review

Taking the year as inspiration to name and sound, 1968 are poised to release their new self-titled EP and hopefully whip up thick attention to match the rich textures of their sound. With fiery grooves swinging from grouchy riffs and rhythms uncompromising in their addictive tenacity, the UK band’s rock ‘n’ roll is lava like persuasion crawling over and swallowing the senses with volcanic intensity from within an increasingly magnetic release.

Formed in 2013 out of an online meeting between guitarist Sam Orr and vocalist Jimi Ray and their mutual attraction to late sixties heavy psychedelic rock, the Cheshire hailing 1968 quickly grew with the addition of drummer Tommy Drury and on bass, Tom Richards known as The Bear. As each member brought their prowess and individual influences, the band bred its own invitingly tempestuous and creatively volatile invention with, as proven by the new release, imposing riffs, invasive rhythms, and a nostalgic yet fresh sonic/melodic intoxication leading the immersion and seduction of the senses.

1968 Cover Artwork_RingMaster ReviewMarauder looms up on the EP first, an emerging sonic mist filling air and ears before a brooding bassline and spicy grooves entangle around punchy beats and the instantly alluring grizzled vocals of Ray. Swiftly thoughts of Black Sabbath through to Red Fang come to mind as the track swings and saunters purposefully across the senses and into the imagination. Its toxic sultriness also has hints of the raw ferocity found in bands such as Possessor and XII Boar if not with the fierce and aggressive rabidity they possess. As a sign of things to come, the mesmeric roar continues to evolve and soar into fresh adventure; smouldering climates and seductive flames with psych rock veining wrapping the senses as intensity and energy ebb and flow to pleasing success.

With only the fade out a personal niggle, the great start to the EP is matched by the anthemic weight and grooved revelry of Green Sails. In some ways less imposing than its predecessor and in others a more rowdy exploit with punk attitude to its breath and growling tone, the song casts gripping grooves and incendiary rhythms to bridge sixties and modern heavy rock swagger and imagination within its contagious rumble.

Final track HMS Conan provides a nine minute exploit with stoner-esque bait and devilry within a bluesy old school shuffle. Fuzzy and beguiling, the track moves from a rousing stomp with dexterous grooves and sonic devilment through a dirty garage rock lined stroll into a noise fuelled, volcanic dive into dark depths of salacious and intimidating rock ‘n’ roll. It is magnetic stuff, on first listen seeming too long but with every encounter seeming to grow and blossom into something persuasively masterful with hooks and twists to get a lust on for and claim the EP’s pinnacle.

The 1968 EP is a major grower, strong on first appearances but becoming more essential with each and every listen. It does feel like the band is still finding its true sound and that only adds to the excitement in anticipation of big things for the band ahead. Right now though, pleasure is more than seriously taken care of, especially with impressing sonic warriors like HMS Conan leading the way.

The 1968 EP is available from 15th January, via Black Bow Records and available through all digital platforms.

https://www.facebook.com/1968Band   http://Twitter.com/1968Band

Pete RingMaster 14/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Incendiary Arousals: Twenty one Metal/Noise/Rock releases which lit up The RingMaster Review in 2015

2015 was a year of creative savagery and rousing, anthemic glories within metal, rock, and noise driven genres. The RingMaster Review picks out those EPs/albums covered by the site which especially sparked ears and passions.

 

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Desert Storm – Omniscient
https://ringmasterreviewintroduces.wordpress.com/2015/01/22/desert-storm-omniscient/

Skindred – Volume
https://ringmasterreviewintroduces.wordpress.com/2015/10/29/skindred-volume/

William English – Basic Human Error
https://ringmasterreviewintroduces.wordpress.com/2015/07/01/william-english-basic-human-error/

Arcade Messiah – II
https://ringmasterreviewintroduces.wordpress.com/2015/11/23/arcade-messiah-ii/

Arcade-Messiah-II-Cover_RingMaster Review

Tirades – Lifetime of Wars
https://ringmasterreviewintroduces.wordpress.com/2016/01/08/tirades-lifetime-of-wars/

Raketkanon – Rktkn#2
https://ringmasterreviewintroduces.wordpress.com/2015/04/15/raketkanon-rktkn2/

Show of Bedlam – Roont
https://ringmasterreviewintroduces.wordpress.com/2015/05/08/show-of-bedlam-roont/

XII Boar – Pitworthy
https://ringmasterreviewintroduces.wordpress.com/2015/03/10/xii-boar-pitworthy/

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Jess & The Ancient Ones – Second Psychedelic Coming: The Aquarius Tapes
https://ringmasterreviewintroduces.wordpress.com/2015/12/08/jess-the-ancient-ones-second-psychedelic-coming-the-aquarius-tapes/

Shevils – The White Sea
https://ringmasterreviewintroduces.wordpress.com/2015/11/04/shevils-the-white-sea/

Shattered Skies – The World We Used To Know
https://ringmasterreviewintroduces.wordpress.com/2015/01/15/shattered-skies-the-world-we-used-to-know/

Possessor – Stay Dead
https://ringmasterreviewintroduces.wordpress.com/2015/04/02/possessor-stay-dead/

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Grumpynators – Wonderland
https://ringmasterreviewintroduces.wordpress.com/2015/05/21/grumpynators-wonderland/

Shaving The Werewolf – The Pissing Link
https://ringmasterreviewintroduces.wordpress.com/2015/12/09/shaving-the-werewolf-the-pissing-link/

Sofy Major – Waste
https://ringmasterreviewintroduces.wordpress.com/2015/10/14/sofy-major-waste/

6:33 – Deadly Scenes
https://ringmasterreviewintroduces.wordpress.com/2015/01/12/633-deadly-scenes/

art6:33_RingMaster Review

Murdock – Dead Lung
https://ringmasterreviewintroduces.wordpress.com/2015/04/17/murdock-dead-lung/

Grenouer – Unwanted Today
https://ringmasterreviewintroduces.wordpress.com/2015/03/20/grenouer-unwanted-today/

Markradonn – The Serpentine Deception
https://ringmasterreviewintroduces.wordpress.com/2015/12/15/markradonn-the-serpentine-deception/

We’ll Go Machete – Smile Club
https://ringmasterreviewintroduces.wordpress.com/2015/08/27/well-go-machete-smile-club/

 

cover_RingMaster Review

TesseracT – Polaris

https://ringmasterreviewintroduces.wordpress.com/2015/09/27/tesseract-polaris/

The RingMaster Review 01/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Possessor – Stay Dead

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Like so many we were ravished and bewitched by Electric Hell, the debut album from UK metallers Possessor which was unleashed last year. It was a tremendous persuasion of sound and enterprise reinforced by a retrospective listen of their first EP Wings of Fire, which came out just a few months before that impressive full-length. They have a sound which is raw and voracious yet unafraid to embrace a melodic and sonic toxicity come seduction which is as fierce and flavoursome as the hostile and sinister landscapes it infiltrates. Now band and music has drawn a new lustful submission with new EP Stay Dead, a release realising all the qualities of its predecessors in new and raucously adventurous exploits.

Hailing from London and formed late 2013, the trio breed their insidious temptation masquerading as sound through merging occult metal with sludge and thrash bred hues and tenacity. It is a fusion emerging with a sense of familiarity yet providing distinctly new and incendiary provocations and temptations. They are like a mix of Black Sabbath, Electric Wizard, Kylesa and Therapy?, a hellacious assault on the senses and demonic seducing of the psyche.

cover     The EP opens on a real high of a track and the release never does anything but look down from lofty heights again. Lucifer Stay Dead opens on a rumble of motorbike before descending on the senses swiftly after with a tsunami of riffs from guitarist Graham Bywater and bassist Marc Brereton. With swinging beats just as feverishly hostile and immediate aligned to a sonic enterprise from Bywater sparking early lusty reactions, the track prowls and snarls with bestial irreverence. The song is simply predatory, everything about it soaked in real hunger and antagonistic ferocity. There is no letting up of its intensity either, those ravenous riffs seemingly gaining in strength and appetite across the track whilst rhythms simply grow bigger balls of attitude within a flaming melodic web.

It is an exceptional start matched by Night of Venom straight after, a track which launches itself on the senses with an even heavier and intensive assault. Of course it also comes with that instinctive seduction, an exciting sonic spicing which tempers the viciousness. Brereton’s bass delivers its dirtiest, rabid tones ever though, whilst the contagion of riffs and grooves coring the encounter, like in its predecessor, has a repetitive niggling which simply evolves into an irresistible addiction. This is where that Therapy? essence comes in for us, the song reaping the nature of the same type of persuasion which lit up the N. Ireland trio’s early work.

With it definitely being too short, fair to say you cannot get enough of its primal tempting, the track makes way for Cobwebs, a smiling slice of pop rock. Nah don’t be silly, the song is another portentous stalking of the senses, though to be honest it does have a more respectful swagger to its energy and character too. Of course this is bound in menacing and dark hearted bass growling and just as grizzly riffery, whilst the drums almost call out for mercy such the psychical and gripping sledging they get. It many ways the track is like the darkest Hammer Films of the seventies, its demonic presence and nature wrapped in alluring colourful designs set to entrap before the horror begins.

The EP closes with Lights Out / Crypt of the Sorcerer, the darkest, chilling, and most toxic offering on the release, arguably from Possessor ever. Its classic psych charm is a deceit within a cavernous smothering of devil seeded ensorcellment, the appetiser before a devouring of senses and emotions within a swamp of thrash sculpted riffs and occultist violation. It is sonic smog of seventies and current classic metal twisted and wrung out until breeding its own scorching and intoxicating sludge thick blasphemy. The track is quite simply a thrilling end to another stunning release from Possessor, even with its infernal fade out.

Possessor last year set a plateau with Electric Hell for themselves and the current British occult metal scene, but has now left it behind as a past marker in their emergence with Stay Dead. Maybe only the brave will dare immerse in the world of Possessor but with rewards plentiful and lingering within their aural necromancy, truly no metal /heavy rock fan should fear giving them a go.

The Stay Dead EP is available now via http://possessor.bandcamp.com/album/stay-dead-ep

https://www.facebook.com/possessorband

RingMaster 02/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

Possessor – Electric Hell

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Hailing from London with a penchant for occult metal and with already the Wings of Fire EP under their belt this year, UK metallers Possessor have unleashed a rather tasty and impressive debut album in the stormy form of Electric Hell. There is not much more we can tell you about the band except that if you like a cocktail of sludge and stoner metal with thrash and varied metal rapacity, then this is an ear rioting album to whip up the juices. Consisting of nine tracks which simply flirt with the imagination whilst rigorously fondling the passions, Electric Hell is a treat for all fans of bands such as Black Sabbath, Slayer, and Fu Manchu through to Black Tusk, Gruntruck, and Kyuss with plenty more on offer. There is one band though which came to mind again and again as the release set to work on ears, and that is early Therapy?, the album vocally and in its predatory sounds holding a highly agreeable and uncanny essence of the Irish trio about them.

Unique in its own presence too, the album is a gloriously raw and irresistibly cantankerous encounter which makes an immediate and appetite igniting impression through the first rugged swipes of opener Chasms of Malice alone. From the first breath, sinew clad strikes of guitar courted by the bestial throaty charm of bass crowd ears to spark swift attention, the imagination following suit as an acidic groove and caustic riffing emerges to consume the senses. There is a punk vitality to the track too, especially once the effect surfaced vocals join the now rampaging stride of guitars and the punchy rhythms. It is a glorious enticement with the snarling bass stealing the limelight, but only just from the toxic groove and insatiable swagger of the song.

Its striking start is swiftly followed and matched by Invisible Face, again riffs setting down predatory bait which is coloured by stoner-esque hues and infectious grooves. With a haunted tone to the vocals and grumbling voracity to both bass and drums, the track bulges with rabid riffs and spiky hooks to inflame an already greed bitten appetite. It is a hunger soon fed a tasty morsel by Limb from Limb and spoilt by the outstanding Castle of Bastards. The first of the two is a more slowly intensive proposition, its acidic binding of sonic enterprise as restrained and flavoursome as the gentler expression of the vocals. It is deceptive though as at its core, the song is primed and driven by an incessant nagging of riffs and the ever incendiary bass sound. It is an underbelly which is fuelled with rabidity, a lure as potently predacious as the sounds around it are magnetically reserved. It is a fine encounter but soon left looking up at the might of its successor. Like most tracks on the album it is driven by thrash bred tenacity and muscular urgency which makes for a familiar and easily digestible spine, upon which the rest of the song expands and brings its creative devilry. Castle of Bastards is no exception but to this insatiable bait it unleashes a bestial breath and inventive sonic unpredictability which simply bewitches. The track is where that reference to Therapy? is first bred, though earlier tracks hint at it at times too. Far too short at less than two minutes long, the song is pure hostile drama and quite magnificent.

The sultry stoner grooving of Strange Summoning over a garage punk and heavy metal blended canvas makes its own sturdy claim for top track honours. Again brief in presence but rich on irrepressible adventure with riffs and grooves the prime addiction, it soon makes way for the Sabbath-esque Heavy Dreams. It is a song intensive in weight and primal structuring yet veined with a sonic intrigue and melodic causticity which would not be out of place in a Torche or Melvins treat. It is followed by the virulent contagion of the instrumental Skeletal Form, a corrosive dance of scathing riffs and inhospitable rhythms with an impossibly addictive groove, one again related to anything the previously mention Irish band uncaged on the Shortsharpshock EP or the Troublegum album. Equipped with sludge oppressiveness and acute stoner seeded sonic enticements, the piece is a deliciously enslaving encounter which reinforces the depth and devilish character of the band’s exhilarating sound.

The album is concluded by firstly the sonic grazing of Face the Possessor, a track which fails to find the same eagerness of reactions as its predecessors but still with intimidating jagged riffery and entrancing guitar endeavour leaves ears richly satisfied and the imagination enticed. The final song of the album is its title track, a hypnotic and unrelenting persuasion of doom spawned pressure and bordering on insidious temptation. It is a demonic slice of instrumental alchemy which shows that if ever their frontman lost his voice the band would not disappoint on stage thanks to their absorbing and spellbinding, not forgetting ingenious sonic adventure.

As Electric Hell seduces time and time again, it is hard to imagine that Possessor will go unnoticed for long by fans, media, or even label interest. Now is the time to submit to their diablerie we say, this raw and unpolished gem of an album a thrilling ticket to the start of their inevitable ascending ride.

Electric Hell is available now @ http://possessor.bandcamp.com/album/electric-hell

https://www.facebook.com/possessorband

9/10

RingMaster 10/08/2014

Copyright RingMaster: MyFreeCopyright

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