Jimmy & The Revolvers – The Morning Paper

jatr_RingMaster Review

They do not come along as often as liked but this month sees another single from UK rockers Jimmy & The Revolvers, and just one more track which has the body swinging and pleasure flowing with consummate ease. The Morning Paper is a potently alluring mix of blues and jazz rock with indie and Brit pop which grips ears and feet from its first breath. Previous releases suggested that the Liverpool hailing band was one emerging proposition worth getting excited about, The Morning Paper is a confirmation.

Formed in 2013, Jimmy & the Revolvers quickly stirred attention with debut double A-sided single Aimee’s Song/Frosty. The end of that year saw the release of the Sunday Morning EP, another encounter earning open and increasing praise, and setting up 2014 for even stronger focus the way of the band. Radio play ensued whilst live the band went on to support Ian Skelly (former The Coral) amongst their own flood of successful gigs which included playing Liverpool Sound City. The unveiling of Whistle For My Love only stirred up more keen appetites and awareness that year, the single subsequently picked up for radio airing around the globe. This year has seen the quartet of vocalist/acoustic guitarist Jay Rehm, vocalist/bassist Kurt Riley, electric guitarist Jimmy Moon, and drummer Ash Michael continue to play shows up and down the UK as well as host a monthly club night in their home city. Now it is The Morning Paper poised to push the band into more ears and no doubt in turn, new welcoming hearts.

The song opens on the coaxing strum of Rehm’s guitar, a lure soon joined by the spicier tone of Moon’s strings and the crispy percussive bait laid by Michael. Within a few more breaths, the song is alight with the flames of brass and vibrant energy, a dynamic mix not too far from The Jam. A more relaxed stroll breaks out next but it too is just a moment in the fluid passage of the song; bluesy endeavour and that perpetual fire of brass subsequently entwining with country scented melodies and indie pop enterprise.

The track continues to saunter and leap as its persuasion gets stronger and more irresistible; building a feel good proposal sure to spark feet and hips into action and set a warm glow in emotions. Captivation is inescapable, from the song and the single package which also includes an acoustic live cut of Drink & The Devil Blues, a blues/folk hug as much seeded in nostalgic hues as it is a modern passion.

Produced by Carlo Variola of Ocean Waves Productions, The Morning Paper is one of those sparks that lights up any day, much as most of their songs to date.

The Morning Paper is out now via Ugly Man Records.

http://www.jimmyandtherevolvers.com   https://www.facebook.com/jimmyandtherevolvers    https://twitter.com/Jimmy_Revolvers

Upcoming live date:

29/11 Manchester Gullivers

04/12 Birmingham Actress and Bishop

05/12 Stockport The Blossoms

19/12 Doncaster awaiting venue name

Pete RingMaster 24/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Asylums – Missing Persons

asylums _RingMaster Review

There is no escaping that UK indie rockers Asylums continue to impress and excite as they reveal more aspects to their kaleidoscope of sonic contagion through their releases. Further evidence of that success is now to be found in new single Missing Persons, their mellowest hug of melodic enterprise and off-kilter prowess yet. The song is also another tenacious roar of the energy and infection soaked revelry that the Southend hailing quartet is becoming richly renowned for and a reinforcement of the eager accusation we are not alone in casting, that Asylums is one of Britain’s truly exciting bands.

artwork _RingMaster Review     The foursome of Luke Branch, Jazz Miell, Henry Tyler, and Michael Webster introduced us to their scintillating creative credentials through the exceptional Wet Dream Fanzine EP this past February. It was a three track collection of the band’s singles to date, and a slightly deranged explosion of angular noise pop to get lustful over. Released via the band’s own Cool Thing Records, the EP was an inescapable wakeup call later backed by the single Joy In A Small Wage. Play-listed by Radio One amongst thick support and attention all round, the track opened up the more seductively mellow side of the Asylums sound whilst accentuating a busy summer of success which saw the band playing a host of UK and European Festivals including Glastonbury. Now it is the turn of Missing Persons to light a fuse to swift acclaim and hungry new appetites for more; success hard to see being escaped such the persuasion of the richly dynamic song.

From its opening strand of spicy guitar, Missing Persons simply lures ears and imagination; that initial hook replaced by similarly effective bass bait as the song slips into a Weezer meets Supergrass stroll with grinning melodies aligning with matching vocals. Bounding along with restraint and eagerness simultaneously, the song is arguably the most straight forward track from Asylums yet, but a deception as essences of Dickies like devilry and Post Adolescence meets Sonic Youth melodic revelry lines its rousing seducing throughout.

The song continues to enthral and ignite, persuading the body to swing to its canter and thoughts to breed lusty praise for its warm psych pop fun. It also confirms that Asylums have many strings to their warped pop bow and a continued fusion of all will only ensure we will all have a thrilling adventure ahead with them.

Missing Persons is released November 20th via Cool Thing Records through most online stores.

http://www.asylumsband.com   https://www.facebook.com/asylumsuk  https://twitter.com/asylumsband

Upcoming Asylums live dates:


20th London Forum (with The Enemy)

21st Coventry Empire (with The Enemy)

22nd Portsmouth Wedgewood Rooms (with The Enemy)


2nd Bristol Bierkeller (with Ash)

3rd London Shepherds Bush Empire (with Ash)

5th Newcastle Riverside (with Ash)

6th Glasgow ABC (with Ash)

8th Manchester The Ritz (with Ash)

9th Wolverhampton Leadmill (with Ash)

12th Norwich Waterfront (with Ash)

13th Brighton Concorde 2 (with Ash)

14th Cardiff Uni Students Union (with Ash)

15th Dublin Olympia Theatre (with Ash)

Pete RingMaster 19/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Dirty Youth – Just Move On/Atomic

The Dirty Youth Promo Shot_RingMaster Review

Reminding us of the impressive roar and contagion of their album Gold Dust which was released this past May, South Wales rockers The Dirty Youth now uncage a new double A-side single. It is confirmation of the tenacious potential and quality fuelling the band’s dynamic and virulent sound, and further evidence that The Dirty Youth is one of the bright sparks in British alternative rock.

For the new single, The Dirty Youth have united Just Move On from their aforementioned second full-length with a cover of the Blondie classic Atomic, the Americans one of the imagined inspirations of the band listening to their music. Formed in 2007, the quintet grabbed attention by the neck with acclaimed debut album Red Light Fix, it and a rousing live presence which has only grown to this day with the band sharing stages with the likes of Korn, The Rasmus, Heaven’s Basements, Fozzy, InMe, and Reckless Love along the way and making potent appearances at festivals such as Download; there numerous times. Fair to say Gold Dust opened up a new strength of spotlight and support over the past few weeks with its thrilling stomp, success which the new single can only build upon and prompt again.

The Dirty Youth Cover Artwork_RingMaster Review   Just Move On moves in with a feisty nature and on a roll of rhythms from drummer Freddie Green, the sonic coaxing of guitarists Matt Bond and Luke Padfield no less a lure with their emerging cascade of riffs. Once in full view, the song settles into a robust stride lined by the throbbing bass bait of Leon Watkins, it all leading, once the superb vocals of Danni Monroe spring in, to a busy and eager roar of energy and sound. The rhythms continue to be as galvanic as the fiery delivery of Monroe, whilst sonically the track sizzles with infectious enterprise. The flowing flame of keys, also cast by Bond, only add to the warm and incendiary character and contagion of a song which alone is a powerful call to newcomers to check out The Dirty Youth further and indeed Gold Dust.

It is a brave move to cover a song like Atomic, it so well ingrained in the psyche and with a design that there is little you can do with without dissecting it down to its DNA. Nevertheless The Dirty Youth have taken it on and done a fine job. Admittedly they have simply given it their own voice rather than twist it to their own recipe, but it works well and provides a thoroughly enjoyable time.

If you have yet to join The Dirty Youth there are two very good reasons why you should via their new single, with Just Move On an especially compelling and inescapable argument.

Just Move On/Atomic is released November 13th via Transcend Music.

http://www.thedirtyyouth.com/ https://www.facebook.com/thedirtyyouth/   https://twitter.com/thedirtyyouth

Pete RingMaster 13/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Tuesday Club – Lady Gargar EP

TTC_RingMaster Review

After a summer taking their notorious concert party around the UK to the usual heavy dosage of acclaim and noise complaints by the neighbours, The Tuesday Club are breaking out the tea and tunes with the release of new EP Lady Gargar. The third in of a set of 4 EPs eventually uniting for the band’s next 4 x EP Box Set album, the ‘Body’ section of the eventual full-length brings three songs drenched in the recognisable Tuesday Club sound and devilry but as is always the way finding just that little more mischievous invention to refresh and excite.

Still looking and endearing like rejects from the Home Guard, men and woman who most likely would have been thrown out for goosing the vicar and flattening haystacks in the arms of land girls, The Tuesday Club just get more essential and addictive with every release, Lady Gargar as an EP and new single no exception. The successor to the My Consciousness EP out last October and the Forbidden Kiss EP of June this year, Lady Gargar romps and stomps like a Canadian/US soldier providing illicit booty in the Blitz, seducing and swaying with virulent punk ‘n’ roll pop temptation.

ep cover_RingMaster Review   The EP opens with its title track, the Walmington-on-Sea septet bringing Lady Gargar into view on a lone scrub of guitar and soon after, the distinctive vocal devilment of Andreas Vanderbraindrain and The Minx. Like Dirk Wears White Sox Adam and The Ants colluding with Oingo Boingo era Danny Elfman, the track slips through ears with thick flirtatious hooks and a broadly smiling swagger. Within this festivity, the keys of Rogerio Marauder bloom with melodic warmth as the beats of Titti Bartelski jab and lead an inescapable incitement on feet and hips. Everything about the song is magnetic, the guitars of Dave Worm and J Rod spewing catchy riffs and grooves as freely as the bass of The Beautiful Wolf wanders through it all in its own individual way.

Scars are Superstars steps up next, straight away laying down bait of jagged riffs and punchy beats as the rest of the band add their infectious spices with increasingly riveting success. Weaving in new wave and power pop enterprise into its relentlessly keen energy and gait, the song bounds along like a teenager in the heat of summer and puberty; grinning with sparkling hooks and the ever becoming vocal union of Vanderbraindrain’s spiv like devilment and The Minx’s Amazonian lure.

     Resistance (Makes the Heart Grown Fonder) completes the line-up upon the EP, its personal instant magnetism the perfect coaxing into an even stronger contagion of inimitable temptation. More a canter than its predecessors, the song ambles along with a Radio Stars meets Wreckless Eric enticing, at times a whiff of Ten Pole Tudor also showing its scent, simply bewitching at all times as it incites the body to use every angle at the hips disposal for a gentle but determined swing.

Recent releases have shown The Tuesday Club on a trend of being more and more creatively captivating with the Lady Gargar EP their new pinnacle in the defence of our pleasures and souls. Roll on EP 4 is all that is left to say.

The Lady Gargar EP is released on October 19th wit pre-orders available now @ http://thetuesdayclub.tmstor.es/cart/product.php?id=26399

https://www.facebook.com/thisisthetuesdayclub   http://thisisthetuesdayclub.co.uk/

Upcoming Live shows:

Oct 19 8:00pm     The Horns     Watford, UK (EP Launch Show)

Oct 23 8:00pm     PDM At Harveys     Luton, UK

Oct 24 7:00pm     Cockfest! at The Town Hall     St. Albans, UK

Oct 31 7:30pm     Trestle Arts Centre     St. Albans, UK

Nov 01 6:00pm     Lower Red Lion     St. Albans, UK

Nov 08 8:00pm     The Garage     London, UK (supporting Toyah)

Pete RingMaster 14/10/2105

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Bud Sugar – Blinkin’ Thinkin’

Bud Sugar_RingMaster Review

If you were sitting on a bus and a band leapt on and starting unleashing live their sounds what would your reactions be? If it was Bud Sugar it would most likely be of surprise and delight, as was the result when the British band engaged in such “guerilla marketing tactics” in their home city of Hull in collaboration with bus company Stagecoach. It is just one of the escapades the band is renowned for in supporting and promoting their emerging presence and sound. Now for a broader attention, the band is infesting ears with new single Blinkin’ Thinkin’, a song which quickly shows why such antics have only helped the band entice new fans, that and their well-received self-titled debut album of last year.

Artwork_RingMaster Review   Carrying a sound which the band self describes as “Cod Head Skank”, a fusion of ska, reggae, and swinging dance hall shenanigans, Blinkin’ Thinkin’ opens its lure with simple and gentle melodic caresses alongside distinctive vocals. With backing harmonies just as inviting, the song quickly shows it wants to throw off any reins though, which it does with joyful gaiety and energy soon after. In no time the quintet of Bacary Bax, STAN, Dyl, Live Lans, and Reason are spreading infectious rhythms and mischievous hooks around like confetti but in a tight manner which only accentuates their lures and addictiveness.

Across its vibrant body, the track ebbs and flows in its energy with every mellow seducing offered loaded with the promise of juicier treats, beats, and hooks which come the way of the adrenaline sparked roars and a vociferous festivity filled with an array of varied styles and flavours.

Blinkin’ Thinkin’ might have missed the boat in that it is easily a song for the summer but hey autumns can get quite spicy and frivolous too, so get some Bud Sugar down you is our recommendation.

Blinkin’ Thinkin’ is out now on iTunes.

http://www.budsugar.co.uk   https://www.facebook.com/BudSugar    https://www.twitter.com/Bud_Sugar

Pete RingMaster 04/10/2105

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Ilana J – Free Falling From The Ground Up

Ilana J_RingMaster Review

Make a note of the name Ilana J as you could be hearing and enjoying plenty more of the British singer songwriter if her promise driven debut EP is anything to go by. Consisting of six tracks which embrace a sense of adventure and at times even bolder uniqueness, Free Falling From The Ground Up is a highly pleasing introduction to a new highly engaging talent.

Though turning down the opportunity to enter the prestigious London College of Music at thirteen in favour of a more traditional academic education and pursuing a successful healthcare career, it is fair to say that music remained the potent tempting in a craving for a more creative outlet for Birmingham hailing Ilana. It was with an extended visit to the US in 2008 that she decided to devote her life to songwriting and recording, quickly embarking on an intensive musical training on both the guitar and the piano whilst exploring her lyrical side. A chance meeting with Mark Alexander, ex-keyboard player with Meat Loaf led to him becoming her producer and in turn the recording and now release of Ilana’s first collection of songs.

cover_RingMaster Review     With a title inspired by how she feels now that music is back in her life, Ilana when talking about her music saying ” I am letting the music and the lyrics ‘free fall’ out of me and am growing every day from the ‘ground up’ which is intensely fulfilling on a whole new level“, Free Falling From The Ground Up offers a lively embrace of energy and intimacy, the latter no more evident and powerful than in its opening song. Also the new single, Paper Planes was inspired by the tragic death of Ilana’s younger brother when she was a teenager and is in dedicated to his memory with a message of hope and peace. A chilled breeze cups ears firstly but is swiftly dispersed by the melodic coaxing of keys and the immediate allure of Ilana’s potent voice. There is a feel of Holly Walker to her delivery and indeed the melodic enticing which flows through the growing air and body of the magnetically captivating song, and indeed its equally vibrant successor

Smoke has a swing to its stroll which is irresistibly catchy whilst darker hues provided by bass and the slight melancholic whisper to melodies in its quieter moment , bring a richer breath to the immediately engaging enticement on offer. It is another track which would make a captivating single to rival its predecessor and the outstanding England which comes after. Definitely emerging as the favourite song within the EP, the third song is a jungle of rhythmic festivity and melodic infection with a chorus surely inspired by Bow Wow Wow, Ilana even managing to get a scent of Annabella Lwin in her tenacious tones. Contagiousness flows through the rousing encounter, creating pop in its most boisterous and anthemic form.

There is a small but noticeable shift to a more regular pop based template over the next song, I Believe in Love stepping forward with an emotive sway of keys and glowing harmonies. Something is missing in relation to its predecessors, a distinct element needed to push the track away from a crowded landscape of pop songs yet it easily involves ears and imagination with its flirtatious air as also does the more folkish Sing. An opening union of voice and acoustic guitar which blossoms further as provocative textures and transfixing harmonies emerge, the track drifts over and warms ears and thoughts for a gentle romance of the senses.

Free Falling From The Ground Up is aptly concluded by In the End, another kiss of voice and acoustic enterprise which serenades with its intimate lyrical and melodic croon. It is an alluring end to a fine first meeting with Ilana J and another indication to the variety she has in songwriting and its creative portrayal. The live feel to its performance, which is just as apparent in the other songs especially vocally, gives honesty to the air and charm of the proposals and definitely enhances the whole enjoyment.

Listening to Free Falling From The Ground Up you just know there is plenty more to be discovered within Ilana J and that only adds to the thick promise and pleasure of her debut.

The Free Falling From The Ground Up EP is available from September 14th.

Pete RingMaster 14/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Celeb Car Crash – ¡Mucha Lucha!

CCC_RingMaster Review

Fusing a great blend of nineties rock and pop punk into a modern alternative rock invention, Italian quartet Celeb Car Crash have a sound which feels simultaneously fresh and familiar. It is a mix which makes their latest EP, ¡Mucha Lucha! an adventurous but equally, an instinctively enticing proposition. Bringing three varied and fiercely magnetic slices of melodic rock ‘n’ roll to bear on ears and appetite, the release alone suggests that Celeb Car Crash are pushing towards major attention.

Consisting of vocalist/guitarist Nicola Briganti, drummer Michelangelo Naldini, guitarist Carlo Alberto Morini, and bassist Simone Benati, Celeb Car Crash emerged at the end of 2012 and quickly set about recording their first encounter. Ambush! was unveiled in the April of 2013, backed by the video /single Dead Poets Society. Gaining strong attention from fans and media alike, the album was supported by an extensive tour across Italy, Switzerland, France, and the UK and shows supporting bands such as Gotthard and Coheed and Cambria, all reinforcing the emergence of record and band. After another well-received single the previous year, 2014 saw the band again concentrate on tours and shows, ending with Celeb Car Crash winning the Red Bull Tourbus contest against 1700 other entrants, resulting in the band playing three shows as support to Lacuna Coil and the chance to record a new single. That was to be Because I’m Sad, the opening song and lead to the ¡Mucha Lucha! EP.

celeb-car-crash-300x300Celeb Car Crash - ¡Mucha Lucha!     Backed by two unreleased tracks on the EP, the Olly Riva and Mario Rice produced Because I’m Sad gets things off to a gripping start. From its opening coaxing of acoustic guitar and the swiftly magnetic voice of Briganti, the song has ears in the palm of its hands, especially as the gentle opening soon sparks a feistier burst of rhythms and riffs. Quickly blooming greater colour and richer tempting through spicy hooks and anthemic enterprise, it continues to evolve, breaking into a tenacious canter reminding of bands like Everclear and Jimmy Eat World. It is a recognisable essence though which only adds to the potency and arousing drama of the song, and indeed its virulent infectiousness.

The following Next Summer has a more hard rock endeavour to its character but also a rhythm and blues spicing which has thoughts of Graham Parker hinting as it continues to explore its wiry walls and throaty canvas. Sharing the same boisterous energy as its predecessor and ripe with melodic flames and catchy hooks, the song shows another hue to the songwriting and sound of Celeb Car Crash, a raw and dirtier toning bred from more fresh and varied sources of rock ‘n roll gripping the imagination.

The EP is completed by ¡Adiós Talossa! (tututu), a sultry seductive affair from the off with warm emotive coaxing cast from the trumpet of Damiele Ravaiolli. Growing and blossoming with every passing minute, the bewitching track grows into a grungy pop punk affair around a compelling rhythmic stomp. Whispers of Green Day, Nirvana, The Mighty Mighty Bosstones, and again Graham Parker all seem to collude as a thicker aural colour continues to enrich a captivating encounter spawned from the band’s own invigorating ideation.

The opener and closer definitely steal the show upon ¡Mucha Lucha! but the thoroughly enjoyable Next Summer also shows that Celeb Car Crash have real variety and depth to their music and writing. A little late to the party, the EP is actually our introduction to the band but one which has sparked a keen appetite to see where they go next. An intrigue we will surely not be alone in.

¡Mucha Lucha! is available now via Sliptrick Records through most digital stores.

http://www.celebcarcrash.com/ https://www.facebook.com/CelebCarCrash/

RingMaster 22/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net