The Bottom Line – I Still Hate You

With the British outfit just finishing off a successful tour of China and still reaping high praise for their I Still Hate You EP released this past January pop punkers The Bottom Line spark off another seriously busy period by uncaging its title track as their new single.

The London quartet is poised to hit Canada and the US on tour alongside Simple Plan before undertaking a set of already sold out UK dates with US outfit Waterparks, all over the next month and a half. It is a period echoing an eight week period last year which, again with the Canadian band on their World Tour, saw The Bottom Line travel across 14 countries. I Still Hate You is the perfect spark to set things off, an attention grabbing slice of what is making the band one of the most potent propositions on the independent scene.

Unerringly catchy but with an irritability which swiftly gets its claws into the imagination, the single instantly has the hips swinging and body bouncing in tandem with its own aural animation. Spiky riffs infest the imagination as they spring from the initial melodic glaze cast by lead guitarist Tom Newton, their almost grouchy presence backed by the biting beats of Matt Bicker. The throaty grumble of Max Ellis’ bass adds to the pleasure and a predacious edge tempered nicely by the infectious vocal presence of guitarist Callum Amies, his inviting tones backed by the equally warm tones of Ellis.

As the track continues to boisterously stroll, offering plenty of enticing twists and turns along the way, a Hagfish like hue roars as a Blink 182 scent teases; flavouring when added to the band’s own creative tenacity has the body leaping and an appetite for move slavering.

As the last, this year has been and continues to be a busy one for The Bottom Line, I Still Hate You showing why it is also being a highly successful one.

I Still Hate You is out now; check out its video on the Video Selector page @

The Bottom Line Tour dates:

August 20th – The Anvil, Bournemouth

August 23rd – Prague – with The Offspring

 

On tour with Simple Plan from August 25th to Sept 3rd in America and from 5th September to 19th September in Canada (See dates on The Bottom Line website).

 

UK Tour with Waterparks (sold out!)

Sept 21st – Bristol Fleece

Sept 22nd – Nottingham, Rescue Rooms

Sept 23rd – Newcastle – O2 Academy 2

Sept 24th – Glasgow – King Tut’s

Sept 26th – Leeds – Key Club

Sept 27th – Manchester – Academy 3

Sept 28th – London – Underworld

Sept 29th – Birmingham – Academy 2

Sept 30th – Brighton – The Haunt

http://thebottomlineuk.com/    https://www.facebook.com/thebottomlineUK/    https://twitter.com/thebottomlineuk

Pete RingMaster 17/08/2017

Copyright RingMaster: MyFreeCopyright

Maypine – In The Back Of My Mind

Providing a rather strong introduction to themselves, British pop-punks Maypine release their debut EP this month. In The Back Of My Mind offers five tracks of infectious melodic punk bursting with potential and an already revealing potent craft in songwriting and enterprise. It is not jaw dropping or particularly unique but certainly commands eager attention with ease, success in anyone’s book.

Formed around the middle of last year and rising from the ever vibrant Brighton music scene, Maypine soon showed their strengths and lures on the local live scene, continuing to draw support and acclaim thereon in leading up to the imminent release of their first EP. Recorded with producer Ian Sadler (ROAM/Homebound), it opens up with recent single A Little Sooner which soon has ears cupped in a weave of melodic guitars speared by striking rhythms. From their midst, a strolling gait loaded with instinctive catchiness breaks, vocalist Jason Payne backed by the equally alluring tones of rhythm guitarist Dan Jarvis, magnetic at the fore. It is hard not to be swept up in the song’s infectious nature and exploits, lead guitarist Becky East weaving a captivating web of melodic and enterprise to seal the deal.

The great start is keenly backed by new video/single North South Divide which too needs little time to have ears lured and bodies bouncing. The swinging beats of drummer James Holdsworth make a great driving impetus to its exploits, the heavier tone of Tommy Roberts’ bass bringing a fine tempering to the fiery flames of guitar which again firmly hold ears and appetite as vocals share the song’s emotive heart. Calmer moments only add to its strength, revealing bolder aspects in the band’s imagination before Inside Out jumps in with its just as keen energy and tenacity. Though it lacks some of the more unpredictable twists of its predecessors, the track is a contagious proposal leaving enjoyment full and giving plenty of clues to the band’s success as a live proposition.

Never Far Apart calms things down with its acoustic croon, guitar and voice sharing real magnetism before things eventually boil up with the rest of the band adding their flames to the increasingly volatile smoulder. A slow burner in some ways compared to other tracks, it rises to be a compelling part of the impressing release.

Closing track Day After Day brings things to a strong conclusion though it too misses out on making the more striking impression of other tracks on the EP. Nevertheless tapping feet and pleasured ears endorses its catchy potency and its part in ensuring In The Back Of My Mind leaves a strong appetite for more of the Maypine sound.

With numerous essences which should appeal to those with a liking for bands such as ROAM, Blink-182, and You Me At Six, the EP suggests Maypine is a rather promising new addition to British pop punk.

In The Back Of My Mind is released August 4th through Disconnect Records.

MAYPINE August tour:

Friday 04 – Hope & Ruin, Brighton

Saturday 05 – Mulberry Tavern, Sheffield

 Sunday 06 – Creepy Wee Pub, Dunfermline (Acoustic/afternoon set)

Sunday 06 – The Attic/The Garage, Glasgow***

Tuesday 08 – Retro Bar, Manchester***

Thursday 10 – The Shed, Leicester**

Friday 11 – The Thunderbolt, Bristol**

Saturday 12 – The Attic, Torquay**

Sunday 13 – The Joiners, Southampton**

Monday 14 – The Black Heart, Camden**

Tuesday 15 – The Attic, Ashford**

Wednesday 16th – TJ’s, Eastbourne

**w/ Better Than Never | *** w/ Coast To Coast

http://facebook.com/maypineuk   http://twitter.com/maypineuk   http://instagram.com/maypineuk

Pete RingMaster 02/08/2017

Copyright RingMaster: MyFreeCopyright

Jack The Envious – In Your Own Way

Having already grabbed attention with their debut EP last year, UK outfit Jack The Envious have bigger things in their sights with the release of its successor In Your Own Way. It is a more creatively adventurous affair swiftly revealing a new confidence and bolder exploits from within the band which only increasing experience and expanding imagination can bring.

Formed in 2012 by vocalist Nir Perlman and guitarist Guy Avnon with bassist Guy Checkarov subsequently  linking up, all this going on during their military service, London based Jack The Envious took their time honing their sound and live craft as national service absorbed their time. Debut EP, Pull You Down, made a solid impact with its release last year, its post hardcore nurtured sound a potent introduction to the band. Its first steps though have now been strikingly eclipsed by In Your Own Way, the Jack The Envious sound having evolved with those new previously mentioned attributes and a maturity they can only breed. With its line-up completed by drummer James MacPherson, the quartet has moved from being another promising post hardcore proposition into an imagination grabbing and openly distinct incitement looking back on a lagging behind genre crowd.

In Your Own Way opens up with Shut Me Off, intriguing ears and thoughts with its darkly toned atmosphere and pulse veined by a melodic tingle. Soon guitars and rhythms are crowding around the senses though, subsequently uniting in a tenacious and lively stroll blessed with a delicious bass sound and the wiry exploits of the guitar. With Perlman’s vocals equally as distinct and enticing, punk and indie rock lining the track’s post hardcore breeding, it erupts in a magnetically eventful blaze with numerous increasingly gripping twists and turns. The track is superb, quickly stamping a new creative authority and adventure upon the band’s writing and its portrayal.

The pop punk entrance of Begging For More belies the forceful tide of sound in close pursuit and remains an enterprising texture within the mercurial landscape of the song. Fiercely infectious with a matching strength of aggression and imagination, the track is a fascinating tapestry of styles and invention keeping the listener busily captivated before the band’s new single Guilty takes over. Its gentle melancholy scented opening similarly draws a wall of intensity and trespassing sound without losing  the poetic integrity within the blossoming heart and guitar weaving scenery of the song. Imposing drama also brews within the song, laying out its temptation as Avnon conjures and rhythms challenge alongside the ever enticing vocals.

Mrs. Grim swings into view on a trapeze of guitar woven tendrils straight after, the track embracing a host of indie, punk, and hardcore spawned flavours in its appetite stoking invention. The most imaginative and creatively bold encounter within the EP it is also one of its most inescapably catchy making, as most songs here, a riveting gateway into the world of Jack The Envious whilst challenging the first as the best song within In Your Own Way.

The EP ends with Never Look Down, the calmest proposition within the release but brewing its own keen to erupt blaze of energy and sonic fire within the song’s melodic hug. Though not quite lighting ears up as those before it, the track is a fine end to quite simply one exciting release. With their first EP Jack The Envious said here we are, with their second they have declared themselves ready to make a leading role in shaping the future of British post hardcore/ melodic punk.

In Your Own Way is out now as a free digital download @ https://jacktheenvious.bandcamp.com/

https://www.facebook.com/JackTheEnvious/

Pete RingMaster 19/07/2017

Copyright RingMaster: MyFreeCopyrigh

Reckless Intentions – Lights EP

UK outfit Reckless Intentions might be primarily tagged as pop punks but as their debut EP shows, they have an instinctive devilment and creative belligerence which reveals there is much more to their aggressively magnetic sound.

Embracing inspirations from the likes of Green Day, The Clash, and Foo Fighters through to others such as All Time Low and Moose Blood, Reckless Intentions host varied flavours in their music which is clearly audible and potent within the Lights EP. Equally, the Brighton hailing quartet bring an individual character to their songs and presence which is maybe still slightly more potential than realisation but is already helping shape them into a prospect which stands out.

Formed in 2016, the band concentrated scene last year on establishing themselves on the south coast music, and successfully so, before linking up with Alex Gordon at Brighton Electric Studios to work on and record their first release in the sprightly shape of Lights. With its five boisterous tracks, the EP quickly shows it has the intent and energy to stir up richer attention the way of the foursome but more so the imagination to make Reckless Intentions a rather exciting prospect.

The EP opens with the outstanding Ghost Town, a song swiftly making a successful claim for best moment and most potent lure within Lights. With a great slightly off-kilter indie rock revelry to its punk rock tenacity, the track like a mix of Asylums and The Wildhearts, things are swiftly bold and sweaty as the swinging beats of  Josh Woolnough scythe through the nagging riffs and spiky grooves of guitarists Matty Halliwell and Lewis Horsley respectively. The energetic vocals of the former equally inject an energy and fresh identity to the encounter, it all colluding in an adventurous and unpredictable mix driven by the alluringly throbbing groan of Laurence Burkitt’s bassline. In no time body and vocal chords are enlisted by the arousing antics of the song, its dynamic and almost bitchy start the perfect introduction to Reckless Intentions.

Stitches, the band’s latest single is next, its melodic bait and harmonic enticement quickly flirting with ears. The hooks of Horsley beckon within a more familiar temptation of sound; the track openly sharing All Time Low meets Brand New like essences within its infectiously swinging exploits. Halliwell again makes a potent vocal lead, his tones giving the track something more unique than other pop punk outfits though something its enjoyable sounds arguably lack a touch. Nevertheless, the song hits the spot before evolving into the short instrumental of the EP’s title track, a piece which neither detracts or adds to the overall strength of the release but keeps an appetite for its adventure on board.

The following Outcast only enriches the fun though, its instant Smash Mouth like swagger led by the ever flirtatious bass easy to get hooked on prime bait with vocals again a strong pull at its core. Becoming more punk ‘n’ roll with every lively beat and niggling riff, the song growls at and flirts with the listener, all the time brewing a pop catchiness which has hips enlisted in quick time. The song also reveals yet another hue to the band’s songwriting and sound, a variety exposed once more by closing song Home. With his own suggestive piano melody alongside, Halliwell plaintively croons from the speakers; melancholy lining his words and fingers. Alluring ears with ease, things only become more intense and potent as the band eventfully bring their emotion and craft to the reflection; the song catching fire with pop punk catchiness caught in an emotion soaked blaze.

It is a fine end to an ear pleasing first delving into the Reckless Intentions adventure, the first of many more highly pleasurable unions if they build on the undoubted potential and fun of Lights.

The Lights EP is out now across most online stores.

http://www.recklessintentions.co.uk   https://www.facebook.com/recklessintentionsuk/    https://twitter.com/recklessband_uk

Pete RingMaster 18/07/2017

Copyright RingMaster: MyFreeCopyright

Ten Cents Short – Major Steps, Minor Setbacks

For us it seems difficult and increasingly so for new pop punk bands to stand out from the crowd but one who is making a potent fist of that is US outfit Ten Cents Short. That is not to say that the Massachusetts quintet is majorly steering away from recognisable and well-worn genre flavours but as their new EP shows, they are certainly adept at conjuring hooks and imaginative twists which sets them apart from the many. Major Steps, Minor Setbacks is a thoroughly flavoursome and highly enjoyable encounter which pretty much reflects its title in sound alone; the array of those striking hooks and an open melodic enterprise lifting them above the flock while familiar but equally appetising recognisable strains take them back a little closer.

Major Steps, Minor Setbacks was recorded with Chris Piquette (Trophy Wives, Lions Lions) at No Boundaries Studios, all except lead single Beggars which was co-written with and produced by Alan Day from Four Year Strong who they met at the 2014 Warped Tour when attending that band’s meet and greet, passing over their CD to Day who a couple of months later invited them to record with him.

The EP opens up with Draw The Line first, and swiftly has ears more than attentive and the imagination grabbed as vocal flirtation beckons behind fiery riffs and a quite deliciously grimy bassline to get things rolling. In no time wiry hooks are adding to the rich and soon irresistible bait, each element evolving into similarly alluring enterprise as the song hits its swinging stroll with the potent tones of vocalist/bassist Aaron Couto to the fore. With the band vocally backing and the guitars of Austin Peterson and Dave Case casting a web of stabby riffs and flowing melodic revelry, the track just hits the spot, those still eagerly sculpted hooks raising the ante with every spirited and spirit sparking outburst

The lively beats of drummer Jonathan Costa are another mighty lure within the song and similarly its successor Higher Powers. Making a far gentler entrance with an acoustic melody holding hands with a steely accomplice, the track soon flicks its own energised switch with riffs and rhythms tenaciously crowding around Couto’s voice. It is the sudden turns into calmer and in turn more boisterous eruptions which lifts an already pleasing proposal and though it lacks the final sparks of invention of its predecessor, which never relinquishes best track honours throughout the EP, it has the body bouncing and a swiftly growing appetite for the Ten Cents Short sound greedier.

The aforementioned single Beggars is next, the song blessed with another gnarly bassline and a slightly irritable nagging of riffs; discontent which seeps into vocals and Jonathan Costa’s senses nipping beats too.   Soaring harmonies and spicy melodies add to the ear striking encounter, its mix of warmth and agitation thick captivation intensified by the matching roar of the track’s vocals and emotive heart.

Setback steps forward next with chugging riffs and scything beats as Couto casts spirited thoughts with equally energy. Into its heated bouncy stride, there is no losing of ears and appetite. In many ways, the song is the least individual upon the EP, weaving familiarity into its roar yet there is a freshness and verve which simply grabs body and spirit and leaves real satisfaction in its wake.

The EP closes up with Make It, an anthemic cry cored by an entanglement of punchy beats and snarling bass wrapped in melodic adventure and vocal animation. As with all songs, it has the body dancing and energies lifted as Major Steps, Minor Setbacks comes to a potent conclusion; that ability on its own a plus in anyone’s book.

Listening to their new endeavour, there is no escaping that Ten Cents Short has that little extra to set them aside; an extra which has the potential to blossom into real uniqueness and greater adventure as the band truly makes a name for itself.

Major Steps, Minor Setbacks is released May26th and available @ http://tencentsshort.bigcartel.com/product/major-steps-minor-setbacks

https://tencentsshort.squarespace.com/    https://www.facebook.com/tencentsshort/   https://www.twitter.com/tencentsshortMA    https://www.instagram.com/tencentsshortMA/

Pete RingMaster 26/05/2017

Copyright RingMaster: MyFreeCopyright

Eureka California – Wigwam EP

With the success and acclaim of their last album, Versus, still pretty much ringing in ears since its release just short of a year ago, US garage rock/pop duo Eureka California break up the  time before its successor with a new EP. Offering three slices of the band’s garage rock infused pop ‘n’ roll, the Wigwam EP is as sonically dysfunctional and magnetic as the Athens, Georgia hailing band’s last full-length but with a rawer quality which just hits the spot.

Wigwam is DIY old school, a flip back to the seventies with its design, recording, and release. Created with Dave Barbe (Sugar / Mercyland / Dave Barbe & the Quick Hooks) at his Chase Park Transduction Studio in Athens, the EP was recorded and mixed in just one afternoon. The two new songs and a cover of Superchunk’s Slack Motherfucker which emerged from that session come covered in self-made art and between them, band and HHBTM Records have set its price at virtually cost. It is a throwback in many ways to when passion and fans came first though fair to say, the music is the biggest pull with it.

The EP’s title track swiftly draws ears into its hands with a wash of initial sonic smog from which a rhythmic pulse begins laying down even richer bait. A single elegant melody soon wraps its charm around song and imagination too, another potent teaser heading towards the subsequent fuzzy squall of Jake Ward’s guitar and Marie A. Uhler’s stirring rhythmic enticement. As the former’s vocals make their plaintive case, the track’s energy and intensity begins to accelerate, its punk instincts rising for a tremendous crescendo of a finale.

With ease, Wigwam’s great start is matched by the scuzzy power pop of Only Birds (No Feathers). Within seconds Marie’s jabbing beats alone ensure the song has its hooks deep in a rock ‘n’ roll appetite, their nagging trespass surrounded by the hooks spilling exploits of Jake’s fuzz yielding strings. It is a commandingly catchy affair, a rousing incitement as seemingly familiar as it is certainly fresh and inescapable fun.

The final sonic roar of Slack Motherfucker is equally as captivating, Eureka California managing to give the track greater instinctive energy as well as melodic dexterity without defusing the causticity of the original. It is a fine end if over shadowed by the band’s original songs on Wigwam, itself a very intriguing teaser for what is to come in the future from Eureka California while being a highly satisfying romp for the now.

The Wigwam EP is out now on 7” vinyl through HHBTM Records.

http://eurekacaliforniaband.com/     https://www.facebook.com/eurekacalifornia     https://twitter.com/eurekacalifone

Pete RingMaster 25/03/2017

Copyright RingMaster: MyFreeCopyright

Imperial Leisure – Animal

It might not be the summer quite yet but giving its playlist an irresistible first addition is the new single from UK ska punks Imperial Leisure. To be fair, Animal is an incitement for any time of the year, any random two and a half minutes of any day. It is a circus of sound and fun, a carnival of 2-tone inspired ska, pop punk, and hip hop nurtured rock ‘n’ roll; together a distinctive mix creating the individual sound at joyful play within the band’s new gem.

Born out of school friendships, Imperial Leisure has blossomed in sound and reputation across three well-received albums; the last, Lifestyle Brand in 2015 drawing potent acclaim its way. Their live presence has equally honed the band’s music and craft, the band sharing stages with the likes of Ugly Duckling, Roots Manuva, UB40, Less Than Jake, Young Blood Brass Band, The King Blues, Sonic Boom Six and a great many more along the way as well as going down a storm at numerous festivals such as Glastonbury (twice!), The Secret Garden Party and Boomtown Fair. Each year has seen the sextet and its additional brass section rise higher on the British musical landscape; 2017 sure to be another mighty nudge on the biggest spotlights if Animal is anything to go by.

As guitars clip ears, brass flames flicker with flirtatious intent, their combined tempting soon colluding with the passion stoking pulse of the bass as well as the lick of ska seeded riffs and the intoxicating smooch of Hammond-esque keys. With the infectiously captivating vocals of Denis Smith stirring things up even more, the song bounds along with an irresistible swing and mischievous swagger. It is a wonderfully busy affair but every element and seductive flame a clean spice for a swiftly greedy appetite to devour in the whole insightful and instinctively catchy encounter.

It seems like ska and ska punk has the potential of having another heyday such the number of great bands around and emerging with Imperial Leisure leading the way, though all will have to go some to rival the sheer pleasure of Animal.

Animal is out now for downloading and streaming on all platforms with a vinyl release on April 1st.

https://www.facebook.com/imperialleisure

Pete RingMaster 17/03/2017

Copyright RingMaster: MyFreeCopyright