The Emergency Please – Remember You

Having recently chatted to The Emergency Please founder and vocalist/guitarist Karan Master (ex A Gentleman’s Film) about his band and debut release, it was only right we also leapt into the Remember You EP from the UK outfit. Released a handful of days ago, the four track encounter is a spirited stroll of pop punk and funk infused alternative rock which needs little effort to have the body and imagination swinging.

Inspired by a varied host of artists headed by Jimi Hendrix, John Mayer, and The Smashing Pumpkins, Master has linked up with bassist Michael Hartley and drummer Sam Garnett to complete The Emergency Please line-up though Remember You was recorded with the aid of Sam West (drums) and Adam Porter (bass). Southampton based, the band has a sound which is maybe still in the brewing stages but as their first EP shows, it is already a flavoursome proposition with rich stock for future adventurous recipes.

Remember You opens with its title track, a magnetic affair bursting from an initial guitar jangle with energy and spirit in sound and vocals. Boisterous beats punctuate the melodic web cast by the guitar, the bass more moody but no less keen an ingredient in a song which second by second gets under the skin. A little folk pop, plenty indie rock with a pop punk lining, it captivates from start to finish, alluring ears and hips with equal dexterity.

The following I Can’t Stop is just as energetic and eager to tempt with funk infused hooks and a rhythmic shuffle which just swings along. Speeding up its lures at certain times, it is a great nag on the appetite with more controlled moments providing a tapestry of creative suggestion. Put all together it provides a shuffle which is as bold as it is accomplished, matching the heights of its predecessor to keep the release holding rich attention before Lost casts its calmer, melodically intimate caress on the senses. Melancholic but with heart felt light to its touch, the track provides its own captivation to complement its previous companions.

The EP closes with Clark Kent Syndrome, a song which begins with a mouth-watering temptation of guitar string picking and proceeds to seduce with rhythmic bait led by the pulsating yearning of the bass. With vocals as potent as ever, it continues to dance on the ear though it does not quite live up to its early promise for personal tastes. Nevertheless it is a thickly pleasing end to a release which grows and persuades with increasing prowess, its closing expulsions of vocal angst against the funk woven shuffle of the guitar epitomising its appeal.

Remember You is an introduction which makes you take notice; a strong first step from a band with plenty to discover in their imagination and on the evidence of the EP, plenty of tenacity and craft to bring it to our anticipating ears.

Remember You is available now @ https://theemergencyplease.bandcamp.com/album/remember-you

Read our interview with Karan Master @ https://ringmasterreviewintroduces.wordpress.com/2017/05/10/leaping-to-the-front-exploring-the-emergency-please-with-founder-karan-master/

https://www.facebook.com/theemergencyplease

Pete RingMaster 16/11/2017

Copyright RingMaster: MyFreeCopyright

All Tied Up – Breaking Silence

Entwining the energy and urgency of pop punk with the rousing guile of alternative rock, UK outfit All Tied Up have provided one enterprising vehicle for it to shine in the shape of their new EP. Breaking Silence features five tracks which pretty easily has the body bouncing and the imagination held, each also ripe with a potential which whets the appetite for the evolution of the  band’s already intriguing sound.

From Milton Keynes, All Tied Up have persistently nurtured a broadening eagerly loyal fan base as well as increasing praise across a debut album and a pair of EPs as well as with their live presence which has seen the quartet shares stages across the country with bands such as The Ataris, [SPUNGE], Kenneths, Big D and the Kids Table, Whitmore, and Sonic Boom Six. Recently they linked up with new indie label, Stack-in-a-box Records, for the Andy Davies produced and Joe LaPorta (David Bowie, Foo Fighters, Mallory Knox) and Katie Tavini (Sonic Boom Six) mastered Breaking Silence, a union which should see potent fruits from their joint endeavour.

The EP opens up with So Enthusiastic, a song which from a gentle thoughtful melody gathers its rhythmic tenacity and eager energy to burst into a boisterous stroll. In its lively canter there is a steely edge to the bass of Leebo, a darker hue which equally clads the swings of drummer Nick Freeman. The guitars of vocalist Dave Palfreyman and Billy Norman though flirt with melody around a hook which just teases the passions as the former’s vocals, with their engaging twang, cap the captivation. The band’s new single, the song simply hits the spot and soon commands a deeper look at the EP.

Whether the remaining tracks live up to the first is debateable such its impressive proposition but certainly the following Better Day swings along with ear pleasing endeavour and a melodic spicing which only satisfies. Its rhythmic shuffle is similarly adventurous working away on feet as too the ruggedly dancing beats and bass grumble coring the increasingly addictive and next up Asbestos Box. Though leaving no sense of dissatisfaction in its first play, the track simply grows listen by listen; its unpredictable character and infectious heart relentlessly getting under the skin and if there is one song which rivals the first, this is it.

The EP’s title track romps along with its own eagerness and dexterity, ebbing and flowing in the energy of its attack but always a flood of catchiness which also blossoms over time if still lacking the bolder creative sparks of its predecessor. In saying that, enjoyment is a given as emotive hues entangle pop punk; a mixture just as assertive and magnetic in closing track Master Of Disguise. It too is a great mix of reflective calm and spirited dynamics which again, and this applies to the whole EP too, just becomes more persuasive and alluring with every encounter.

There is deep potential to the All Tied Up sound which demands further attention and a readymade attraction which makes Breaking Silence a thoroughly enjoyable encounter which anyone with a taste for pop punk and infection loaded rock should find quite flavoursome.

Breaking Silence is out now via Stack-in-a-box Records on all major online stores.

https://www.facebook.com/alltiedupband    https://twitter.com/alltiedupband

Pete RingMaster 01/10/2017

Copyright RingMaster: MyFreeCopyright

 

High Down – Moving On

Suggesting they might be the ones to give the British pop punk scene an invigorating new breath, Portsmouth hailing High Down have just released their first EP. Moving On offers five slices of ear pleasing infection carrying punk rock, each bearing a sound with a spikiness which alone commands attention and further investigation.

Emerging last year, High Down made a potent mark with debut single Family & Fiends, the track recorded with producer Matt O’Grady (You Me At Six/Deaf Havana). Its impact was followed by the band playing slots at the likes of Seasick Fest, Butserfest, and Teddy Rocks Festival as well as share stages with bands such as WSTR, Roam, and Like Pacific. It is fair to say that things are beginning to stir for the quartet, a motion sure to gain momentum through Moving On.

The EP opens up with new single Life Lessons, guitars instantly luring ears with their catchy invitation. It is an infectiousness which is as instinctive in the vocal prowess of Luke Smithson and the rhythmic stroll of bassist Tim Hoolahan and drummer James Grinter who it appears has since left the band. The energy of the song is bold but with an enterprising restraint, it constantly pulling on the reins throughout but blossoming from that same reflective control. Feet and ears are soon lost to its temptation, appetite to its mix of harmonic warmth and again reserved but open irritability.

Making History backs up the fine start with its own line in melodic suggestion and rhythmic persuasion, it too keeping a hold on its boisterousness but giving enough of a rein to stir the spirit especially within another rousing chorus. The guitars of Darrell Ellis and Joe Soar weave a captivating web of sonic adventure with the former’s vocals potently backing the lead tones and expression of Luke Smithson. There are no big surprises yet each moment of accomplished endeavour increases the song’s draw, a quality just as inescapable in next up All On You. High Down has been given comparisons to artists such as Blink 182 and New Found Glory, the third track with its high kicking beats and nagging riffs a contagious example of why. There is a greater fire in its belly than in its predecessors and similarly an even more imposing catchiness that commands attention and response as smart hooks and harmonic dexterity relentlessly tempt.

The acoustic seduction of Rescue Me follows with vocals and guitar crooning knowingly with thought and emotion. The song features the guest tones of Nottinghamshire singer Christina Rotondo, her vocal beauty a striking essence in the union with the similarly impressing presence of Smithson. With a rawer edge to its gritty finale, the track grows in intensity and emotion to truly hit the spot before making way for the pinnacle of the release. The best track on offer for these ears, Against The Tide instantly winds wiry tendrils of guitar around ears, their steely touch alone a keen lure but only tightening their invitation with their niggling prowess, one matched in dexterity and persuasive trespass by the muscular swings of Grinter and the growling bass of Hoolahan. It is a dynamic and imposing yet again seriously infectious proposal to bring the highly enjoyable encounter to a fierce close.

In many ways there is nothing overly remarkable about Moving On yet every moment it shares is rich in enterprise and energy whilst being backed by a potential which suggests High Down can have a big presence on the UK if not European pop punk theatre.

Moving On is out now and available @ http://highdownuk.bigcartel.com/

https://www.facebook.com/highdownuk    https://twitter.com/highdownuk

Pete RingMaster 05/09/2017

Copyright RingMaster: MyFreeCopyright

Bad Mary – Glitter Bomb

These past three years has seen a greedily enjoyable annual expulsion of attitude and fun in the shape of a new EP from US rockers Bad Mary. This year’s riot comes in the shape of Glitter Bomb, an upcoming six track stomp of punk ‘n’ roll which knows all the right spots to tease, seduce, and turn into feverish submission.

Straightaway we can announce Glitter Bomb to be the Long Island, New York based quartet’s most infectious and belligerent offering yet embracing an array of styles and creative devilry which just sets the imagination and appetite aflame. Equally it is their most accomplished outing yet basking in another fresh step in maturity in writing and its realisation as well as even bolder adventure. Like the illegitimate offspring of an illicit affair between The Ramones and No Doubt as The Objex share their riotous juices, to simplify the bold confrontation, Bad Mary and Glitter Bomb explode on the senses with unbridled and fiercely enjoyable mischief.

The beginnings of Bad Mary came in 2009 with Hofstra University professor and guitarist David Henderson linking up with students for a covers band; something he regularly did. That year’s line-up included vocalist Amanda Mac and bassist/vocalist Mike Staub. As personnel changed the three remained with the current line-up eventually completed with the addition of Amanda’s father Bill Mac on drums. The quartet then began writing their own songs from 2012 with debut release Better Days drawing swift praise the following year.  The band has simply gone from strength to strength in all ways ever since, an ascent potently marked by their previous two EPs in the 2015 Killing Dinosaurs and last year’s We Could Have Saved the World. Both established the foursome as one of the truly exciting propositions on the pop/punk ‘n’ roll scene, a declaration confirmed and pushed forcibly on by Glitter Bomb.

Recorded with Brian Crowe at Kreischer Mansion Studios, their new release opens up with Motor Mouth needing little time to have the body bouncing and instincts to rock uncaged. Commandingly infectious from the off as riffs and rhythms frame the potent vocal presence and hooks of Amanda, the song is a punk rock bred pop infested persuasion soaked in attitude and rascality. There is nothing majorly remarkable about the track yet every second is instinctive temptation laying the grounds for a lusty adventure continued by next up Still Love Me. The outstanding second song swiftly shows more of the magnetically powerful tones of Amanda, her alluring roar superbly backed by those of Mike as riffs and hooks dance within the early No Doubt/hard rock spiced punk stroll. As its predecessor, the song infests ears and imagination with viral like efficiency, raising the temperature and involvement of the listener by the second while a roving bassline is the icing on the contagious cake.

The EP’s title track brings a riveting surge of raw rock ‘n’ roll which is something akin to Penetration meets Sharkmuffin before Hybrid Moments delves into Misfits like territory with its devious antics. Both tracks leave a grin on the face and lustful energy in the body and passions, the second of the pair especially appealing with the vocal union of Mike and Amanda. Their triumphs are soon more than matched by the hungry punk ‘n’ roll call of Soul Mate, a song oozing with the band’s organic creative attitude and an infectious virulence most bands can only dream of.

The EP concludes with Japan, an irresistible collusion of Ramones inspired riffs and Plastic Letters era Blondie pop contagion twisted with Bad Mary’s own individual devilry for a storming end to the band’s finest moment to date. Glitter Bomb is insatiable pop, irritable punk rock, and ferocious rock ‘n’ roll rolled into a proposal which quite simply is the business.

Glitter Bomb is out September 29th with pre-ordering available now @ https://badmary.com/shop/

https://badmary.com    https://www.facebook.com/badmaryband   https://twitter.com/BadMaryBand

Pete RingMaster 01/09/2017

Copyright RingMaster: MyFreeCopyright

The Bottom Line – I Still Hate You

With the British outfit just finishing off a successful tour of China and still reaping high praise for their I Still Hate You EP released this past January pop punkers The Bottom Line spark off another seriously busy period by uncaging its title track as their new single.

The London quartet is poised to hit Canada and the US on tour alongside Simple Plan before undertaking a set of already sold out UK dates with US outfit Waterparks, all over the next month and a half. It is a period echoing an eight week period last year which, again with the Canadian band on their World Tour, saw The Bottom Line travel across 14 countries. I Still Hate You is the perfect spark to set things off, an attention grabbing slice of what is making the band one of the most potent propositions on the independent scene.

Unerringly catchy but with an irritability which swiftly gets its claws into the imagination, the single instantly has the hips swinging and body bouncing in tandem with its own aural animation. Spiky riffs infest the imagination as they spring from the initial melodic glaze cast by lead guitarist Tom Newton, their almost grouchy presence backed by the biting beats of Matt Bicker. The throaty grumble of Max Ellis’ bass adds to the pleasure and a predacious edge tempered nicely by the infectious vocal presence of guitarist Callum Amies, his inviting tones backed by the equally warm tones of Ellis.

As the track continues to boisterously stroll, offering plenty of enticing twists and turns along the way, a Hagfish like hue roars as a Blink 182 scent teases; flavouring when added to the band’s own creative tenacity has the body leaping and an appetite for move slavering.

As the last, this year has been and continues to be a busy one for The Bottom Line, I Still Hate You showing why it is also being a highly successful one.

I Still Hate You is out now; check out its video on the Video Selector page @

The Bottom Line Tour dates:

August 20th – The Anvil, Bournemouth

August 23rd – Prague – with The Offspring

 

On tour with Simple Plan from August 25th to Sept 3rd in America and from 5th September to 19th September in Canada (See dates on The Bottom Line website).

 

UK Tour with Waterparks (sold out!)

Sept 21st – Bristol Fleece

Sept 22nd – Nottingham, Rescue Rooms

Sept 23rd – Newcastle – O2 Academy 2

Sept 24th – Glasgow – King Tut’s

Sept 26th – Leeds – Key Club

Sept 27th – Manchester – Academy 3

Sept 28th – London – Underworld

Sept 29th – Birmingham – Academy 2

Sept 30th – Brighton – The Haunt

http://thebottomlineuk.com/    https://www.facebook.com/thebottomlineUK/    https://twitter.com/thebottomlineuk

Pete RingMaster 17/08/2017

Copyright RingMaster: MyFreeCopyright

Maypine – In The Back Of My Mind

Providing a rather strong introduction to themselves, British pop-punks Maypine release their debut EP this month. In The Back Of My Mind offers five tracks of infectious melodic punk bursting with potential and an already revealing potent craft in songwriting and enterprise. It is not jaw dropping or particularly unique but certainly commands eager attention with ease, success in anyone’s book.

Formed around the middle of last year and rising from the ever vibrant Brighton music scene, Maypine soon showed their strengths and lures on the local live scene, continuing to draw support and acclaim thereon in leading up to the imminent release of their first EP. Recorded with producer Ian Sadler (ROAM/Homebound), it opens up with recent single A Little Sooner which soon has ears cupped in a weave of melodic guitars speared by striking rhythms. From their midst, a strolling gait loaded with instinctive catchiness breaks, vocalist Jason Payne backed by the equally alluring tones of rhythm guitarist Dan Jarvis, magnetic at the fore. It is hard not to be swept up in the song’s infectious nature and exploits, lead guitarist Becky East weaving a captivating web of melodic and enterprise to seal the deal.

The great start is keenly backed by new video/single North South Divide which too needs little time to have ears lured and bodies bouncing. The swinging beats of drummer James Holdsworth make a great driving impetus to its exploits, the heavier tone of Tommy Roberts’ bass bringing a fine tempering to the fiery flames of guitar which again firmly hold ears and appetite as vocals share the song’s emotive heart. Calmer moments only add to its strength, revealing bolder aspects in the band’s imagination before Inside Out jumps in with its just as keen energy and tenacity. Though it lacks some of the more unpredictable twists of its predecessors, the track is a contagious proposal leaving enjoyment full and giving plenty of clues to the band’s success as a live proposition.

Never Far Apart calms things down with its acoustic croon, guitar and voice sharing real magnetism before things eventually boil up with the rest of the band adding their flames to the increasingly volatile smoulder. A slow burner in some ways compared to other tracks, it rises to be a compelling part of the impressing release.

Closing track Day After Day brings things to a strong conclusion though it too misses out on making the more striking impression of other tracks on the EP. Nevertheless tapping feet and pleasured ears endorses its catchy potency and its part in ensuring In The Back Of My Mind leaves a strong appetite for more of the Maypine sound.

With numerous essences which should appeal to those with a liking for bands such as ROAM, Blink-182, and You Me At Six, the EP suggests Maypine is a rather promising new addition to British pop punk.

In The Back Of My Mind is released August 4th through Disconnect Records.

MAYPINE August tour:

Friday 04 – Hope & Ruin, Brighton

Saturday 05 – Mulberry Tavern, Sheffield

 Sunday 06 – Creepy Wee Pub, Dunfermline (Acoustic/afternoon set)

Sunday 06 – The Attic/The Garage, Glasgow***

Tuesday 08 – Retro Bar, Manchester***

Thursday 10 – The Shed, Leicester**

Friday 11 – The Thunderbolt, Bristol**

Saturday 12 – The Attic, Torquay**

Sunday 13 – The Joiners, Southampton**

Monday 14 – The Black Heart, Camden**

Tuesday 15 – The Attic, Ashford**

Wednesday 16th – TJ’s, Eastbourne

**w/ Better Than Never | *** w/ Coast To Coast

http://facebook.com/maypineuk   http://twitter.com/maypineuk   http://instagram.com/maypineuk

Pete RingMaster 02/08/2017

Copyright RingMaster: MyFreeCopyright

Jack The Envious – In Your Own Way

Having already grabbed attention with their debut EP last year, UK outfit Jack The Envious have bigger things in their sights with the release of its successor In Your Own Way. It is a more creatively adventurous affair swiftly revealing a new confidence and bolder exploits from within the band which only increasing experience and expanding imagination can bring.

Formed in 2012 by vocalist Nir Perlman and guitarist Guy Avnon with bassist Guy Checkarov subsequently  linking up, all this going on during their military service, London based Jack The Envious took their time honing their sound and live craft as national service absorbed their time. Debut EP, Pull You Down, made a solid impact with its release last year, its post hardcore nurtured sound a potent introduction to the band. Its first steps though have now been strikingly eclipsed by In Your Own Way, the Jack The Envious sound having evolved with those new previously mentioned attributes and a maturity they can only breed. With its line-up completed by drummer James MacPherson, the quartet has moved from being another promising post hardcore proposition into an imagination grabbing and openly distinct incitement looking back on a lagging behind genre crowd.

In Your Own Way opens up with Shut Me Off, intriguing ears and thoughts with its darkly toned atmosphere and pulse veined by a melodic tingle. Soon guitars and rhythms are crowding around the senses though, subsequently uniting in a tenacious and lively stroll blessed with a delicious bass sound and the wiry exploits of the guitar. With Perlman’s vocals equally as distinct and enticing, punk and indie rock lining the track’s post hardcore breeding, it erupts in a magnetically eventful blaze with numerous increasingly gripping twists and turns. The track is superb, quickly stamping a new creative authority and adventure upon the band’s writing and its portrayal.

The pop punk entrance of Begging For More belies the forceful tide of sound in close pursuit and remains an enterprising texture within the mercurial landscape of the song. Fiercely infectious with a matching strength of aggression and imagination, the track is a fascinating tapestry of styles and invention keeping the listener busily captivated before the band’s new single Guilty takes over. Its gentle melancholy scented opening similarly draws a wall of intensity and trespassing sound without losing  the poetic integrity within the blossoming heart and guitar weaving scenery of the song. Imposing drama also brews within the song, laying out its temptation as Avnon conjures and rhythms challenge alongside the ever enticing vocals.

Mrs. Grim swings into view on a trapeze of guitar woven tendrils straight after, the track embracing a host of indie, punk, and hardcore spawned flavours in its appetite stoking invention. The most imaginative and creatively bold encounter within the EP it is also one of its most inescapably catchy making, as most songs here, a riveting gateway into the world of Jack The Envious whilst challenging the first as the best song within In Your Own Way.

The EP ends with Never Look Down, the calmest proposition within the release but brewing its own keen to erupt blaze of energy and sonic fire within the song’s melodic hug. Though not quite lighting ears up as those before it, the track is a fine end to quite simply one exciting release. With their first EP Jack The Envious said here we are, with their second they have declared themselves ready to make a leading role in shaping the future of British post hardcore/ melodic punk.

In Your Own Way is out now as a free digital download @ https://jacktheenvious.bandcamp.com/

https://www.facebook.com/JackTheEnvious/

Pete RingMaster 19/07/2017

Copyright RingMaster: MyFreeCopyrigh