piano | The RingMaster Review

The majority of artists whichever medium they immerse within find their full potency from the darker hues and shadows of life, the strongest emotions and instigators of ideas being those from the most extreme intrusions of happiness. Welsh singer songwriter Louise Latham is no different and with her excellent new album Reclaimed has brought forth songs which are borne from the fires of lost and shattered relationships as well as other full shadows. Whether the songs are personally driven or from close contact to the experiences of others there is a passion and breath permeating the album which is heart given not just a simple portrayal. The album though is not a heavy and morose feast but an evolving fusion of light and dark.

Cardiff girl Latham lived and slept the album during its creation. Her promo for the release stating in her own words “I slept next to the Telefunken analogue machine in the studio for the entire two-month period,” and further went on to say “It was quite a magical time, feeling surrounded day and night by the recording process, which for me is a creative process as involved and fulfilling as writing.” The attention spent on the release which she recorded with producer Arno Guveau in his home studio built specifically for the project, is evident in every note musically and vocally as well as the individual emotive atmospheres combining for an overall one of stirring passion and deep reflection.

Though the majestic folk pop sounds of Latham are not those to generally ignite the sparks of burning fires within this heart there was no denying the power and grace of the songwriting and its realisation. It took time but there has emerged a sure connection which will draw one back even after this review is completed even if only to particular songs. The most irresistible thing on the album apart from the songs and the voice of Latham herself was the wonderful use of strings throughout. Never adverse to the seductive haunting caresses of a cello or the inciteful plaintive teases of a violin let alone the instinctive yearning of the double bass, the songs held a mesmeric kiss upon the ear and with the also excellent piano play of Latham each song is a treat for the ear and heart.

I cannot claim each song found an eventual sure home because of simply personal taste but there was never a moment when the album did not have the fullest eager attention and though some tracks may not have left the firmest invitation to return as did others, each beautifully crafted and presented track was a delightful warm collusion of artist and recipient.

Many songs did light up beyond the ear especially the opening Saint. The song is a wonderful expressive admission of the heart, its hypnotic beats and stirring strings creating an impassioned air behind the outstanding touching vocals of Latham. Her voice is powerful and dramatic without losing or deflecting from the heart of the song. She has the perfect balance of insisting on attention without demanding it allowing her dark and often shadowed impressive lyrical composing to reach and touch every thought.

Further tracks like the magical Old Soul a song as haunting as it is emotive, Erase Me a folk rock track to enchant and excite all, and the exceptional Young Boy, only bring strong pleasure. The last pair of this trio reminds a little of Fleetwood Mac, or more Latham does of Stevie Nicks in her irresistible delivery and makes for nothing but pleasure in their company.

With Gilded Bird expansive in sound and emotion and the elegant closing title track seeing out Reclaimed wonderfully, this is an album which will thrill and wake up the emotions of all singer songwriter/folk hearts. For others like us with differently seeded tastes there is still a wealth of near perfect enjoyment to make Louise Latham and Reclaimed worth a sure and prolonged moment of our time.

RingMaster 22/06/2012

// <![CDATA[
(function () { document.write("”);} () );
// ]]>