The DeRellas – High Rise Supersize

Pic David Newbold

Paving the way to a new album later this year, UK glam punks The DeRellas have just released brand new single High Rise Supersize. Consisting of three tracks, it is a rousing slab of punk ‘n’ roll sparking sure anticipation for the band’s forthcoming full length.

With previous mini album of 2016, Freakshow, thrusting the band’s sound to a new plateau in craft, imagination, and energy, it has been easy to hope, even expect, another elevation in prowess and adventure in any successor. Eighteen or so months on, High Rise Supersize more than offers, indeed realises, plenty of the potential of such success.

Producer by ex-Vibrator, Pat Collier, High Rise Supersize is the first release to feature new vocalist/rhythm guitarist Joey DeRella and comes as the band venture across the UK on a string of live shows including playing Rebellion in August. High Rise Supersize opens with one of those hooks you just have to take a bite of, guitarist Luca DeRella luring swiftly keen attention, leading it into the waiting rhythmic incitement of bassist Timmy DeRella and drummer Billion Dollar Bish. There is boisterousness to the track which just entangles the spirit especially once Joey’s eager tones join in the rock ‘n’ roll romp. The track is DeRellas typical yet soon shows a fresh character and intent with its animated melodies and sneaky hooks. Equally there is a touch of old school punk devilment to its roar which only adds to the fun.

The lead song is accompanied by I Got Something To Say and a great cover of The Sweet classic Fox On The Run. The first similarly lays down tasty guitar bred bait to set things going, rhythms in tandem snapping across the senses. As quickly the track shows a darker and dirtier attitude loaded nature to its predecessor, snarling as it stomps spilling open belligerence as it swings. The track is superb, for personal tastes even eclipsing the lead track, and another reason to get a touch excited about that impending album.

Its successor also carries that dirty texture in its infectious stroll, The DeRellas infesting the veins of Fox On The Run with their own creative and mischievous juices. The band does not dissect and rebuild the well-known encounter but gives it a growl and a raw layer of rock ‘n’ roll soil which works a treat.

It is set to be a very busy summer for The DeRellas and if High Rise Supersize is a sign of things to come an extremely successful end of year through the release of that new album.

High Rise Supersize is out now on the band’s own label, Rockaway Records; available on 7” vinyl, CD, and download @ https://store.cdbaby.com/cd/thederellas

https://www.derellas.com/   https://www.facebook.com/TheDeRellas/   https://twitter.com/thederellas

Pete RingMaster 03/05/2018

Copyright RingMaster: MyFreeCopyright

The DeRellas – Freakshow

DeRellas_RingMasterReview

Kicking off their own album Rockaway Records in rousing style, UK punk ‘n’ rollers The DeRellas release new mini-album Freakshow. It is an insatiable six track roar of the band’s familiar glam infested sleaze punk rock ‘n’ roll but equally their most instinctive punk rock centred trespass upon the senses. The result an incitement which just fires up the instincts to be bad whilst treating ears to their most irresistible proposal yet.

Freakshow is also the first offering from the London hailing quartet without vocalist Robbie, one of the band’s founders along with bassist Timmy DeRella. Stepping forward to fill the spot as if he has always been there is Stevie D, the band’s line-up completed by lead guitarist Luca DeRella and also new drummer Bish, once of Flesh for Lulu. It is a foursome which goes straight for the jugular with the Pat Collier produced Freakshow; from its first breath tearing up its surroundings like Johnny Thunders meets The Boys infested with the raw power pop of The Quakes.

Rip It Up descends on the senses first, from its first rap of drums and spicy grooves winding around ears with a salacious attitude backed by tangy grooves and predacious rhythms. Stevie’s vocals are just as cantankerous as the sounds around him, carrying a great irritable edge potently backed by Timmy and Luca as a strong catchiness invades song and ears. Carrying a touch of The Damned to its darker riffs and rhythmic imposing, the song without ripping up trees is a strong and enjoyable start to Freakshow which blossoms into a greater beast hereon in.

Strung Out Sin City grumbles and rumbles upon an already keen appetite straight away next. A nagging potency lines its riffs whilst rhythmically the track is enjoyably heavier and darker than its predecessor, it all combining with a lively imagination which sees the song quickly eclipsing the opener. It too has a chorus which demands involvement whilst Stevie’s rhythmic guitar prowess is a great echo of the sonic enterprise cast by Luca. There is plenty about The DeRellas sound which is familiar but as here rarely to the detriment of creating its own character and persuasive individuality.

cover_RingMasterReviewHinted at in the last song, a great 999 flavouring invades next up Soho Hotel, an essence which accentuates the virulence of the song and its fiercely catchy demeanour led by the swinging bass groove of Timmy and Stevie’s rousing delivery. Bish’s beats equally make a lively impact throughout as sonic flames escape the strings of Luca. The song is another step up in power and adventure within Freakshow more than matched by the album’s outstanding title track. Taking best track honours, it is a bad boy encounter; defiant in heart and aggressive in bearing stirring up all the punk rock/rock ‘n’ roll instincts within itself and the listener.

Dress Up, Mess Up is another pushing thoughts towards 999 comparisons without losing its own DeRellas identity; the song a boisterous stomp of hungry riffs and bitchy rhythms as vocals and melodic toxicity inflame an eagerness to get involved. Again you could say surprises are low yet everything about the song and indeed Freakshow is fresh and all persuasive.

The release closes with a captivating version of the Adam and The Ants track Plastic Surgery, The DeRellas giving it a rawer Sex Pistols/The Adicts edge which just hits the spot dead centre.

Freakshow is The DeRellas at their most punk yet and no coincidence that the album outshines their previous and thoroughly enjoyable reputation marking encounters. It is also a great start to their new label which we would suggest in providing more of the same will be hitting, like the band, far loftier heights.

Freakshow is out now through Rockaway Records digitally and on CD and 10” green vinyl @ http://thederellas.bigcartel.com/

Up Coming Live Dates:

Friday 11 November – Birmingham, Hare & Hounds (with The Black Bombers and The Primevals)

Thursday 17 November – Bristol, Thunderbolt (with The Setbacks)

Saturday 19 November – Reading, Rising Sun Arts Centre (with Rage DC and The Go Go Cult)

Sunday 27 November – London, The 100 Club (with The Crunch)

Sunday 11 December – Edinburgh, Bannermans (with Buzzbomb + more TBC)

http://derellas.com/   https://www.facebook.com/TheDeRellas/   https://twitter.com/thederellas

Pete RingMaster 03/11/2016

Copyright RingMaster: MyFreeCopyright

Skurvi – Get ‘Em In

skurvi_RingMasterReview

Since emerging in 2008, booze and rebellion, belligerence and unbridled fun have been all potent elements to the punk rock roar of UK quartet Skurvi. Equally, inescapable hooks, voracious riffs, and a sing-a-long prowess second to none have shaped attitude loaded songs which nag and incite whilst lending themselves to insatiable partying. Nothing has changed in the Brighton band’s new album Get ‘Em In, though fair to say that every element has been turned up numerous notches for its thirteen tenaciously rousing punk anthems.

Creating contagious brawls of old school punk, oi!, and raw rock ‘n’ roll since day one, Skurvi has earned a potent reputation for their bracing anthemic confrontations and the 2014 released Pints Half Full EP. It has led to strong anticipation for the first album from the foursome of vocalist Jimmy Skurvi, guitarist Perry, bassist Liam, and drummer Craig; a wait quickly made very worthwhile with opener Till We Die. Straight away rhythms and riffs gang up on ears as a swinging hook lays down easy going but potent bait. Led by the rousing tones of Jimmy, the band is soon calling the shots with their gang shouts around as catchy a slice of punk rock as you are likely to hear this year.

It is a spirit inflaming start to the Pat Collier mixed and mastered album; not offering major surprises but commandingly fresh and virulent as it gets the listener to their feet with vocal involvement included and sets the appetite up for things to come starting with Skinhead. UK Subs like in many ways, the street punk toned track jabs and pokes with its jangling riffs and intrusive rhythms as Jimmy vocally challenges. There is no option but to get physically and vocally involved; a submission all tracks draw to be fair and majorly highlighted by the outstanding Snatch Squad with its rolling rhythms and deliciously throaty bassline entangled in more anthemic vocal incitement from across the band. With a ring The Adicts to it, the song as the first track upon Get ‘Em In, becomes a firm favourite with lingering persuasion.

art_RingMasterReviewDrunken Nights whips up attention with its harmonic vocal calls and niggling hook next whilst Alright follows with a great Stiff Little Fingers like character to its full throttle stomp. Both provide choruses which instantly spark eager participation; again a constant success which is just as inescapable in the likes of Isn’t Where It Ends, a seventies scented oi! bred track which might lack the final spark of previous tracks but still whips up nothing less than thick enjoyment.

Skum Rises brings a Spunk Volcano and the Eruptions to it which is no surprise as the track was written by Spunk himself, the only non Skurvi written provocation on the album. With its middle finger forcibly erect, band and song quarrel with ears whilst leaving them greedily satisfied before Better Way bounds in with sinew swung beats and a feisty attitude in sound and word to the fore. Again whether there is anything new in the song can be debated but with its refreshing urgency and cantankerous imagination, there is little care as it continues the album’s unstoppable infection of ears and the passions.

She’s Coming is a straightforward and seriously enjoyable stirring of punk instincts whilst Wanting More has a Crashed Out meets Royal Oi! scent to it; both tracks again only feeding an increasing greed for more though the pair do get outshone by the blistering assault of Geezer. Bruising and imposingly catchy, the song shows that punk comes best raw and without any graces before the closing pair of Work and Her leave release and listener on a breathless high with their own individual punk riots. Hooks and anthemic vocals are as keen and weighty as ever in both, their pairing providing a mighty end to a relentlessly enjoyable rock ‘n’ roll scrap.

Skurvi do not try to reinvent the punk scene with their sound and indeed Get ‘Em In but instead focus on having and giving bruising fun whilst creating invigorating spirit rousing proposals. It is punk rock to the core, boisterous rock ‘n’ roll as it should be, and boy is it fun.

Get ‘Em In is out now via STP Records @ http://www.stprecords.co.uk/page4.htm

https://www.facebook.com/skurvi   https://twitter.com/skurviband

Pete RingMaster 22/03/2016

Copyright RingMaster: MyFreeCopyright

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