Delayed Departure – Consequences

Delayed Departure_RingMaster Review

Consequences is a release which teases and flirts with ears and thoughts, all the time laying down potent bait until you find yourself humming hooks when alone and increasingly wanting to share news of its vibrant presence. The EP is the new encounter from UK melodic/alternative rock band Delayed Departure, and a collection of highly flavoursome songs which may not be about to turn the British rock scene on its head but will certainly offer it a fresh and tasty proposition to get teeth into.

Hailing from Hampshire towns, Delayed Departure was formed in 2013 by old school friends and guitarists Charlie Bluck and Jamie Hooks. Its line-up quickly doubled with the addition of vocalist Mike Harland and drummer Steven Kedge, growing by another before the year’s end with bassist Ollie Drapper. With particular fondness for the likes of You Me At Six, Paramore, and Don Broco, the quintet spent 2014 working on their sound and honing their live craft across a host of shows throughout the South of the UK. Now national awareness is being targeted by Consequences, with success easy to expect.

Delayed Departure Cover_RingMaster ReviewThe EP opens with the brief melodic suggestiveness of Opus, its sonic touch a resonating shimmer aligned to a just as pulsating bass throb. It is a reserved proposal but one building in intensity and drama for a roaring climax, led by the voice of Harland, which drifts off into the waiting adventure of Ocean. Guitars and bass immediately collude to create a weave of fiery enticement courted by thick melancholic shadows, their enterprising union speared by the swinging beats of Kedge and hugged by the already impressing tones of Harland. It is a strong and engaging big step into the heart of the EP with things only blossoming to new and gripping heights song by song.

Let’s Catch Fire is the first sign of that trait, its initial spicy groove immediately lighting ears and appetite before band vocal roars and rousing rhythms spearhead the robustly infectious stroll and character of the song. Hooks are laid as imaginatively as harmonies, the wiry tendrils of melodic flirtation as catchy as its anthemic rhythms as the track whips up listener involvement with its heavy rock ‘n’ roll enticement.

A calmer invitation follows with Captive; poetic melodies caressing the magnetic delivery of Harland as Drapper’s bass lurks with darker intent in the surrounding emotive shadows. Here alone, it is easy to see why bands such as Deaf Havana and Don Broco are given as hints to the Delayed Departure sound but personal thoughts are also nudged towards Able Archer and for less obvious reasons eighties band The Sound by the excellent encounter.

The underlying volatility of the latter part of the song is a bolder tempting within Synopsis next, the track almost stalking ears with its rapacious rhythms as vocals and guitars cast a hazily thick and forcibly provocative tapestry of craft and sonic suggestiveness. Tenacious twists, so often sparked by the dexterity of Drapper and Kedge, again litter a song which avoids expectations whilst making an adventurous but easily accessible and contagious proposal.

The same quality and skill applies to closing song Choices, the pinnacle of the release with its rousing crescendos and tempestuously fascinating landscape of sound and resourceful exploits. As strong and impacting as the EP is throughout, the closer is a step above all before, taking feet and bodies in hand with its boisterously infectious exploits as potently as it tantalises ears and thoughts with its evocative calms and emotive reflections. There is a brewing ferocity to the track too which ensures a powerful departure of song and EP leads to the quick return of ears.

Consequences makes for an impressive introduction to Delayed Departure with thick enjoyment for ears. As the band grows and their sound explores its own unique character, the five-piece can only get bolder and stronger too, that another pleasing thought coming out of one fine encounter.

The Consequences EP will be available through all stores and platforms from Friday 22nd January.

https://www.facebook.com/OfficialDelayedDeparture   https://twitter.com/dlayeddparture

Pete RingMaster 22/01/2016

Copyright RingMaster: MyFreeCopyright

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DELAYED DEPARTURE reveal the ‘Consequences’, on 22nd January

Delayed Departure Online Promo Shot_ringmasterreview

Alt tunesmiths ‘Delayed Departure’ unleash their explosive new EP ‘Consequences’ through all stores and platforms on Friday 22nd January.

Hampshire quintet, Delayed Departure are poised to climb through the ranks of the Brit-rock scene with their heartfelt brand of melody-drenched rock. Pulling together an alternative edge with throbbing guitar rhythms and alluring emotive vocal lines, pitched with considered dynamics, the alt-rockers draw from a range of areas, but they have a particular affection for You Me At Six, Paramore and Don Broco. The end result is something that will captivate and ignite.

Formed in 2013 by old school friends and guitarists Charlie Bluck and Jamie Hooks, the duo soon recruited Steven Kedge on drums and vocalist Mike Harland to elaborate on their sound. However, the four piece really needed a genuine bassist to complete the band. By the end of the year, Ollie Drapper entered the fray and massively solidified the group. Through 2014, the band worked tirelessly on shaping their live set, whilst continually playing a plethora of shows throughout the South.

This year the band hit the recording studio to work on their new EP ‘Consequences’, and from top to bottom this record delivers. The EP brims with burly riffs and hooky cuts, glistening with classy melodies and thoughtful arrangements. From the anthemic guile and contagious beatings of ‘Ocean’, to the pounding assault and dynamism of ‘Choices’, the alt-rockers wield a deft ability for solid melody and have unveiled a killer EP that is sure to steer the five piece to giddy heights in 2016 and beyond!

-DELAYED DEPARTURE RELEASE ‘CONSEQUENCES’ ON FRIDAY 22nd JANUARY THROUGH ALL STORES-

https://www.facebook.com/OfficialDelayedDeparture  https://twitter.com/dlayeddparture

Spark The Sail – Sapphire Deep

Spark The Sail Promo Shot_RingMaster Review

There has generally always been a strong underground scene spreading out in Bristol but right now the British city seems to be at a new high in excitement and potency. There is a vast horde of artists catching ears and attention with, for us, bands like The St. Pierre Snake Invasion, who just released their exceptional debut album, Jesuits, Left Side Brain, and the currently quiet Mind Museum leading the way. To that list we can now add rock popsters Spark The Sail, a quintet releasing a debut EP that simply leaves ears and pleasure aflame.

The Sapphire Deep EP is a rousing romp of pop ‘n’ roll, a feel good contagion built on open craft and fresh imagination. Every one of its five songs has the body and emotions leaping, the appetite for its boisterous beauty greedier by the second, with the psyche lost in its web of virulent catchiness. To local fans this is no surprise and now the UK and further afield can wake up to magnetic rock music as virulent as it comes.

Spark The Sail initially began as the duo of vocalist Jodie Davies and vocalist/acoustic guitarist Ryan Moore. Then as 2013 called it a day, the band had grown to a quintet with the addition of electric guitarist Robbie Rowe, bassist James Killackey, and drummer Mitchel Lucas. Honing their unity and sound, the band subsequently hit the live scene and were soon adding the sharing of stages with the likes of The Hoosiers, Dub Pistols, and Tinie Tempah to their quickly expanding CV. Successful appearances at The Isle Of Wight Festival this year and a host of other shows across the south of England has only added to their reputation and fan base; both now set to explode as Sapphire Deep unveils its rich revelry.

Spark The Sail Cover Artwork_RingMaster Review     The band’s inspirations include bands such as Panic! At The Disco, The Skints, and Paramore; fair to say open influences in varying degrees from the first track onwards though equally there is an energy in the songwriting and melodies which has a feel of Irish bands The Radioactive Grandma/ K.N.O.T.S. As opener Sapphire reveals, it is potent flavouring to something, if not unique to Spark The Sail quite yet, easily allowing them to standout as something highly promising and special. The song opens on a melancholic piano cast melody, around it the atmosphere hazy and slightly distorted. Energy brews simultaneously, erupting in a stroll of punchy rhythms and coaxing riffs led by the excellent dual vocal persuasion of Davies and Moore. Alone their voices entice but together enthral and ignite ears as easily as the weave of acoustic and electrified enterprise aligning to their creative theatre. Like a gem, the song has a host of faces to its adventure, each having a moment to shine and tempt before the song concludes on another boisterous roar of pop devilry.

The following Never The Moment keeps ears and enjoyment flying, the opening bait of rhythms from Lucas setting the template of the song with its anthemic shuffle soon joined by smiling melodies and hooks. Again the vocals transfix and bewitch, side by side or hand in hand a thrilling colour to a track again twisting and turning with perpetual imagination. The glorious encounter leaves rich hooks in ears and memory, its character a lingering friend but as Outlook shows next, that also applies to each song. Like its predecessor, the swinging slice of fun has meaty rock ‘n’ roll at its core and spicy pop melody in its heart, both wrapped in a swirling folk pop scent for a riveting and lively drama with a good whiff of Fall out Boy to it.

   Trust Me is next and with elegant melodies as its first caress, swiftly has the imagination floating away with its atmospheric and emotive air. A relatively more restrained and intensive affair than the first trio of tracks, it still weaves a rosy hug of vocals, harmonies, and expressive melodies around a firmer lure of rhythmic bait.

The release is brought to an energetic and tenacious end by Pieces, another easy to get physically and mentally involved in proposal bouncing round with creative enthusiasm and melodic flirtation. The track sums up the whole of the EP in its closing dance of passion and sound to light up any day and shadow.

Spark The Sail is now firmly installed as not only one or our favourite Bristol exports but of our pop /rock joys. Mark our words; this band is going places if Sapphire Deep is the sign of things to come.

The Sapphire Deep EP is released November 6th through all stores.

https://www.facebook.com/sparkthesail   http://www.sparkthesail.com   https://twitter.com/sparkthesail

Pete RingMaster 06/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Armstrong – Self Titled EP

Copyright of Jade Esson

Copyright of Jade Esson

Say hello to Armstrong, a quintet from Scotland who on the evidence of their new self-titled EP have the knack in writing some rousing slices of melody thick rock ‘n’ roll. The four track release is the back up to an eagerly received debut single unveiled this past August, a thicker confirmation of its success and broader bait to a national awareness of their rather flavoursome sound.

Hailing from Glasgow, Armstrong emerged in the December of 2014; the band taking time to hone their sound before uncaging their already renowned live presence from March this year. They have lured this description from someone somewhere, “Imagine Shirley Manson fronting We Are Scientists with exciting pop melodies“. You can see where those words come from as the EP’s four tracks incite ears and appetite, but it has to be said that more so Armstrong have already developed a unique nature and air to a sound which, yes has recognisable traits for sure but in a broad and undefined sense of other indie/alternative rock exploits.

coverThe release opens with that first single mentioned, Thursday Night Club. To a gentle but nagging tingle of guitar, the song is soon swinging jabbing beats before opening out into a fuller, richer stroll though it is still a relatively relaxed and calm on the senses proposition. Frustratingly not having names to give the individual prowess of the band’s members, the voice of the band’s front lady quickly captivates and impresses, her tones a balance of beauty and a deep rooted snarl which comes to the fore in the glorious chorus which subsequently erupts. Already the song was strong enticing but this fiery outburst turns the whole thing into a thrilling anthem, it in turn seeming to spark new enterprise in the steely dark tones of the bass and the melodic tenacity of the guitars. It is easy to see why the song made such a strong impact on its release, its instinctive power and wholesome energy alone ensuring the EP is off to a mighty start and indeed worth a strong look.

Just Cause steps up next, the second encounter with the EP immediate sonic smog with melodic tempting on ears which as the last song, continues to blossom and grow in creativity and infectious virulence. The native Glaswegian lilt of the vocals adds as much enjoyable colour and character to the song as the music, the impassioned tones cleverly wrapped in flowing sways of guitar and backed by the dark nature of the rhythms. Certain elements, as across all songs, hold familiar essences but as suggested previously, any comparisons are tinges of rather than thick similarities to another proposition and something you can expect to see evolved into more fresh originality as Armstrong evolve and mature as a band.

As the opener, Bend. Buckle. Break. also grows within ears from a slim and reserved breath, brewing up its own melodic seduction with every passing second led by the ever warm and alluring vocals. It too stirs up its own individual anthem of passion fuelled by a creative energy as ripe in rhythms as it is in the guitar tapestry and united vocal roars across the band. Generally more controlled and restrained even in its headier bellows compared to those songs around it, things still get evocatively and musically fiery before departing for the closing You Are Not Alone. The final track has a reserved tone which leads to another potent roar sizzling with melodic and vocal flames, it providing a highly pleasing end to a thoroughly enjoyable introduction to Armstrong.

As all female led melodic rock bands tend to be, Armstrong, will at times no doubt be compared to Paramore but Scotland’s new young guns already offer something very different and fresh in comparison which can only blossom with greater strengths of adventure. On this showing, they have a very rosy future ahead of them; it is just up to the five-piece to go grab it. They certainly seem to have all the potential and tools to achieve that.

The Armstrong EP is available from September 28th

https://www.facebook.com/ArmstrongUK 

https://twitter.com/armstrongbanduk

Pete RingMaster 28/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

‘ELEMENTS reveal ‘Where We Once Begun’, on 17th August

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New Brit alt-rock outfit ‘Elements’ nationally unveil their spanking new EP ‘Where We Once Begun’, on Monday 17th August, through all digital stores.

Hitting you with a groove likened to the early Biffy Clyro records, fused with the rock sensibilities of YouMeAtSix and Paramore, and the invention of Don Broco, Elements are primed to burst out to the nation, and these lively South Coast rocksters have the perfect bait in the shape of their new record, ‘Where We Once Begun’, out this Summer.

Formed in late 2013 and coming at you from Southampton, Elements are comprised of Graham Rogers (Lead Vocals), Ollie Butler (Guitar and Backing Vocals), Robin Small (Guitar), Max Bakker (Bass and Backing Vocals) and Ash Martin (Drums). Gathering steam, the dynamic five-some soon embarked on a series of compelling live shows supporting such artists as Bad Rabbits, The Afterparty, DEAD!, Ashes To Angels, The Hype Theory and Public Service Broadcasting, to name a few.

After a recent change in personnel, the five piece hit the studio and are now ready to strike out with their alluring sophomore EP ’Where We Once Begun’, produced by Phil Gornell (While She Sleeps, Bring Me The Horizon, Me Vs Hero). The record is a genuine scorcher and boasts five engrossing cuts, from the infectious bouncy vigour of ‘Shaman’ to the energetic craft of ‘High Time For Being Free’. The new lyric video for the track ‘Plotting Treason Or Saving The World’ (https://www.youtube.com/watch?v=osuUea3Xiww&feature=youtu.be) is also sure to pull in any discerning listener with its weaving guitar lines and layered vocals. ‘Make It Out Alive’ displays the band’s ever-increasing maturity and further explores the use of dynamics to dazzling effect. The stabbing riffery assault and full frontal vocal attack of ‘Torchlight’ pulls the curtain down on a record that is as engaging as it is imaginative. With a UK tour set out for July and festival appearances waiting in the wings, you need to catch Elements before they explode.

-ELEMENTS RELEASE ‘WHERE WE ONCE BEGUN’ ON MONDAY 17th AUGUST THROUGH ALL STORES-

EP TRACKLISTING: 1. Shaman; 2. High Time For Being Free; 3. Plotting Treason Or Saving The World; 4. Make It Out Alive; 5. Torchlight.

https://www.facebook.com/elementsmusicuk https://twitter.com/elementsmusicuk

The exciting video for ‘Insomnia’ from Pryti gets its national release.

Pryti Online Promo Shot

PRYTI’S SPANKING NEW VIDEO UNLEASHED!

‘One to watch for 2015’ Alex Baker / Kerrang! Radio & TV

“Pryti’s big on melody and as strong musically as vocally.” 8/10 Whisperin & Hollerin

‘…destined to be a name on the lips of and stirring up the British heavy rock scene.’ RingMaster Review

Taking the emotive heavy groove of the Deftones merged with the alluring appeal of Paramore, ‘Pryti’ continues her climb with her brand new single ‘Insomnia’, which is out now and taken from her stunning debut album ‘Tales Of A Melancholic’. The video for the thrilling single has already been exclusively premiered by Kerrang! magazine and you can now check out it out right here –

https://www.youtube.com/watch?v=9F1vqJ1_zNE&feature=youtu.be

 

In complete contrast to today’s manufactured X Factor culture, Pryti is the real deal. A true independent artist, Pryti wrote, sang and played guitar and bass on all songs from her forthcoming debut album ‘Tales Of A Melancholic’. The Birmingham singer-songwriter has rock oozing from her core, and in keeping with her independent and DIY ethos, she has set up her own label ‘Welcome To Pariahville’, which is home to all of Pryti’s releases.

Pryti’s last EP ‘Welcome To Pariahville’ picked up widespread acclaim from the Rock/Metal community. Sam Carter (Architects) reviewed her EP in Kerrang! Magazine to high praise, while Rocksound Magazine covered Pryti with an online feature. Tracks from the EP also racked up radio airplay on Kerrang Radio’s Fresh Blood show and Total Rock Radio extensively played ‘Abyss’.

Pryti’s debut album ‘Tales of a Melancholic’ was produced by Justin Hill from Sikth (Yashin, Heart of a Coward, Bury Tomorrow) and the record is already picking up national press attention from Metal Hammer, Big Cheese Magazine and Rocksound. Alex Baker from Kerrang! Radio has also touted her as ‘One to watch for 2015’. With further coverage and support in the pipeline, 2015 is going to be massive for Pryti. Look out for ‘Insomnia’, which drops this February. The video is stunning and the track is a cunning slab of low-slung emotional rock at its very best.

 PRYTI HAS RELEASED ‘INSOMNIA’

https://www.youtube.com/watch?v=9F1vqJ1_zNE&feature=youtu.be

https://www.facebook.com/prytigatgemusic   http://www.youtube.com/user/IAMPRYTI  https://twitter.com/prytigatge

Leopards – Future||Fate||Forever

Leopards Online Promo Shot

It seems like we have been enthusing over a torrent of impressive debuts from and introductions to truly promising bands this year already, and taking their place in that list is certainly UK alternative rock band Leopards who are about to unveil their new EP Future ||Fate ||Forever. A five track blaze of melodic rock infectiousness and alternative tenacity, the encounter is a highly appetising and imaginatively crafted adventure which maybe does not quite push the band head and shoulders above a flock of similarly flavoured propositions but definitely allows the band’s presence and potential to shine and grab attention.

The Manchester quintet emerged in 2010, weaving in inspirations from bands such as Mallory Knox, Don Broco, Natives, and Lower Than Atlantis into their own fresh ideation. Their live presence was soon putting the band on the map locally as did with broadening success early releases, though it was the release of the track Have Heart last year that a wider attention was nudged. It is a spotlight easy to see being properly awakened by the Romesh Dodangoda (Kids in Glass Houses, Funeral For A Friend and Twin Atlantic) produced Future||Fate||Forever hereon in though.

That notion is soon raising its suggestiveness with opening track Save Yourself. In a single breath the potent rhythms of drummer Rhys Gibson are framing a blaze of melodic enterprise cast by the guitars of Ben Corbett-Mills and Craig Henderson, through which a just as flavoursome bassline from Billy Fletcher adds its shadowed expression. The strong start relaxes in intensity as the swiftly impressing vocals of Jenna Clare begin unveiling the song’s narrative, a dip embracing her warm tones but keeping the already fascinating character of the song as potent as before. The PromoImage-2-600x599feisty hard rock weight and energy begins lapping over ears with tidal regularity as the whole song progresses, ebbing and flowing across its length and around the broadening enterprise of guitars and vocals. Speared by the rhythmic tenacity of Fletcher and Gibson, the track continues to grow, edging nearer to a climactic chorus which steals the song’s show ultimately as Clare roars with passion and a melodic tang which grips her delivery.

The impressive start continues to hold ears and attention tight as both Promise Me and Take Control dance with creative vivacity over the senses. The first of the two twists and flirts with a pop rock invention and unpredictable imagination next, occasionally stopping in its tracks for brief seconds to wrong-foot and spark new adventure to the superbly spun sound. Aligning itself to this is an anthemic bellow which again finds its focal point through a pungent chorus that easily recruits the listener’s own endeavours to its cause. Its successor bounds in with similar energy and creative hunger, and again is unafraid to shuffle up its attack and flavours. It is, as the EP, probably fair to say that the songs are not creating new templates for alternative and melodic rock, but equally they bring a fresh and invigorating proposition which leaves pleasure full and interest in Leopards eager.

The outstanding Broken Family steps up after, this a song which in some ways draws on the existing qualities and successes of the previous songs on the EP to shape its own infectious temptation. There is maybe a touch of similarity across the quintet of songs as well as an unmistakeable Paramore essence, but each and proven powerfully here, explores its own distinct and captivating identity whilst keeping ears and emotions firmly enthused. The catchiness of the song is irresistible pop rock at its most potent, firing up body and imagination ready for the closing charms of April. The final song emerges on an almost tribal spread of rhythms, Gibson instantly enslaving an instinctive like as Clare croons with siren-esque elegance within the melodic hug of guitars aligned to darker bass shadows. Once again Leopards hold attention and pleasure in the palm of their creative hands, something Future||Fate||Forever does from start to finish with ease.

The EP is a thoroughly enjoyable first major prod at national attention, and confirmation for those in the know that Leopards is a band with very healthy and impacting horizons just waiting for them if they want them.

The Future||Fate||Forever EP is available from February 23rd physically @ http://leopards.bigcartel.com/product/future-fate-forever-physical-ep and digitally through all stores.

http://www.weareleopards.co.uk/

RingMaster 23/02/2015

Copyright RingMaster: MyFreeCopyright

 

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