Shevils – Lost In Tartarus

Photo - Kamilla Kvamme

Anticipation for the new album from Norwegian hardcore band Shevils has been eager even bordering on rabid for us, especially after the temptation and hinting of impending glory which came with the already released singles from it, We Walk On Shattered Glass and Black Eyes. The songs showed perfectly why the band has bred a fervour clad following for their distinctive and adventurous sound and why Lost In Tartarus could be the trigger to the widest deserved recognition for the Oslo quartet. The ten track fury of invention and passion is a monster of a release, a brutal yet ingeniously sculpted confrontation which equals the heights suggested by the singles and surpasses the promise set by previous releases. The band has an adventure and exploration to their sound which not only sets them apart from most hardcore bands but puts them on the frontline of the genre, the evidence being rife and rampant within Lost In Tartarus.

Shevils first made a richly promising and attention luring entrance with their debut album The Year Of The Fly of 2011, the release coming a year after the band’s formation. It made a strong impression, receiving enthusiastic responses and acclaim, as did the following single Is This To be (Our Lives)? the same year. The foursome of vocalist Anders Voldrønning, guitarists Andreas Myrvold and Christoffer Gaarder, and drummer Anders Emil Rønning (expanding to a sextet live), continued to build their stature and sound through live performances, which has seen them to date play with the likes of Man The Machetes, Social Suicide, Overthrow, Barren Womb and many more, and the excellent Necropolis EP of 2012, that release receiving its uncaging in Indonesia early this year to incredible acclaim and greedy attention. As mentioned the two singles released in 2013 has triggered a hungry appetite for the band’s second album in a great many, all rewarded and more by the sonic riotous alchemy of Lost In Tartarus.

Opener Is This Where We Are At?, as maybe expected barges through the ear from its first breath, riffs and rhythms striking 1424384_730606523620529_1143928494_nhard whilst squalling vocals from Voldrønning and band bring a causticity which Shevils is so good at making distinct to themselves. The band brings multiple flavours and ideas to their songs, styles which flirt and run amok within the hardcore heart of their songs, and the first easily shows how effective and inventive it is. Grooves and hooks conspire to seduce whilst the energy of the band bruises with unrestrained intensity as an unleashed melodic acidity colours the fury. It is an invigorating and incendiary mix which with a want, maybe need within the band to experiment is irresistible.

Black Eyes is a trap quickly sprung by the passions, its rhythmic swagger and challenge an addictive enslavement  and the frame for the antagonistic vocals to launch their tirade upon. The guitars equally lure with virulent scythes of sonic temptation from the off which ignite into a burning fire as the throaty bass prowl and ferocious energy of the band explodes in hot crescendos of attack. The track is an intrusive and unbridled contagion, creating a stunning maelstrom of adventure best described as Coilguns, Kunz, Man The Machetes on a rampage with a lighter punkish feel of Baddies. That description applies to numerous exploits within the album but all tracks are pure Shevils in their potency and ultimate sound.

The heavy bass stroll provided by Marcus Forsgren brings Timelines purposely and pleasingly into focus  next, another rich enticement laid as the band combines to stomp and lurch around the ears with another epidemically riveting punk brawl. Offering a persistent stalking, the song ripples with attitude and antagonistic intent musically and vocally whilst the constant growl to the guitar riffs bring a primal intimidation which only reinforces the confident prowl.

Both Sorely Fucking Provoked and These Walls Are Coming Down exploit lustful passions for the album further, the first a rapacious tempest of rhythmic combativeness and sonic pestilence honed into a tantalising yet menacing aggressor, group shouts and energy driving it forcibly home whilst its companion led by a crawling bass examination expands into a ridiculously captivating fascination of spellbinding melodically touched grooves and scathing sonic imagination.

We Walk On Shattered Glass soars to the highest pinnacles of the album next, the song still as scintillating as its first appearance as a single a few months back. Intensive rhythms barrack and massage the ears first, a bass growl their delicious companion to be soon joined by the sonic web of noise from the guitars and the ever impressive vocals. Incredibly hungry in its reserved yet ravaging voraciousness and unstoppably infectious in its maelstrom of ingenuity, the track is a titanic persuasion, easily one of the songs of the year and soon rivalled by State Of Regret. Once again bass and drums ignite the senses and passions to set up the frame for a canvas of vocal scowling and skilfully grooved sonic teasing to play out their intentions, the result another quite hypnotic creative frenzy.

The relatively straight forward hardcore attack of Blizzard Beach, which reminds a little of Irish band Gacys Threads, adds another brief but powerful element to the album whilst the excellent perpetually evolving Destroy All Villains and the closing storm of Young And Restless impressively concludes a quite exhilarating slab of breath-taking invention and adventure. Shevils offers hardcore something new and different and in Lost In Tartarus, an album which just sounds and gets better with each listen, one of the genre’s pinnacles of the year, of hardcore, punk, and extreme rock of any description to be honest.


RingMaster 08/11/2013

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Overthrow: Adjust to Darkness

Fusing an abrasive mesh of punk and metal, Norwegian band Overthrow unleash their impressive debut album Adjust to Darkness, a release which sparks plenty of positive and enthused reactions to its uncompromising and accomplished sounds. It is an album which feels heavily inspired by fellow countrymen Kvelertak but attempts to stir its own distinct journey. Whether it is successful in that is arguable but certainly it does not fail in providing a pleasing and satisfying storm of aggression and passion. There is a thrash driven aspect to the sound alongside the hardcore punk breath which opens up an invention to ensure it is an album which steps aside and to the fore of most other similarly fuelled releases.

Overthrow formed in 2007 and built a strong and keen fan base over the subsequent years. Last year they released a pair of demos in Octoskulls and Sleeplessness Awaits with both receiving impressive responses in not only their homeland but also internationally. Renowned for their adrenaline fired live performances the band have shared stages with the likes of In Flames, Clutch, Kvelertak, Cancer Bats and Valient Thorr as well as opening the main stage for Lamb of God at the Hove festival, all to great acclaim. Released through Indie Recordings, Adjust To Darkness is the next step in what one can only see as a certain wider recognition, its Matt Bayles (Mastodon, Purified in Blood, Botch, Isis) mixed sounds an easy and riotous engagement impossible to ignore.

The title track opens up the release and immediately tells you all you need to know about Overthrow, an energetic uncompromising rock n roll band with precise intent and matching skills. The track barges through the ear with muscles pulsing and sharp incisive guitar work to leave one short of breath and energised emotionally and physically. The following Come Thunder rises to and surpasses the great start with its feisty and punishing energies whilst its successor Let Them Fall simple ignites all the passions. The first of this pair twists into unexpected well crafted asides at times to lift the song further in strength whilst the second is a outstanding rock n roll riot. Thumping rhythms, flesh scorching guitar lashes, and caustic vocals rampage as eagerly and powerfully as the energy driving the track to leave one wholly enamoured and empowered.

Adjust to Darkness is an album which never takes a backward step and even if some tracks are stronger and more successful than others there is never a moment of peace or neglect of satisfaction and enjoyment. Tracks like Phantom Hearts, Woolgatherer, and Relapse snap shut like man traps around the senses with their different but equally effective razor sharp attacks. The first chews up the ear with coarse and destructive riffs and beats from bassist Tor Arne Håland and drummer Espen Kvaløy whilst the second is just a forceful bruising from the guitars of Erlend Færevåg and Ole Gaard, whose vocals are as scathing and aggressive as the hungry sounds. The latter ensnares the appetite with a more classic metal form of thrash n roll to confirm the variety within the creativity of the band effectively shown by this trio of songs alone.

Within the three the best track on the album lies in wait, ready to pounce and devour the senses. Sleeplessness Awaits is a bestial confrontation speared by anthemic group vocal charges and rhythms which cage the heart with ease. It is a towering piece of invention and inspiration to spark a near ardour like enthusiasm to it and the album overall.

Overthrow has with the release of Adjust to Darkness shown why there is a strong buzz around the band, a garnering of positivity which will accelerate as the release places its rampant touch across the globe. If bands such as Kvelertak, Cancer Bats, Municipal Waste, and Converge have you keen than this quartet is a must investigation.

RingMaster 23/10/2012

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