Oh Captive – Two Mirrors

Oh Captive Online Promo shot

It is hard to supress a roar of frustration and disappointment when after enjoying a new and thrilling encounter from a band with all the tools and sounds to be a major presence in British alternative rock, they announce ‘on the eve’ of its unveiling they are to be no more. That is what has happened with Bristol quartet Oh Captive. Just a couple or so weeks before new EP Two Mirrors is released to light up ears and appetites, the band announced it had called it a day, though it might emerge to be more an internal evolution resulting in a name change and new direction rather than a full departure. Time will tell but whatever the outcome, they leave behind two impressive releases and a collection of vibrant and inventive songs, their latest the most captivating yet.

Formed in 2012, Oh Captive swiftly lit their local music scene and subsequently set about the whole UK scene with their energetic live presence, playing with the likes of Sonic Boom Six, UK Subs, Straight Lines, Max Raptor, Sharks, Blitz Kids, I Divide, Fighting With Wire, and Scholars along the way. Their sound has drawn comparisons to the likes of Biffy Clyro and Twin Atlantic, open and potent spices in the band’s debut EP Advance Creature, which was released in the March of 2013. It was a stirring and dynamic offering rippling with a potential which has been realised with sizeable success within Two Mirrors. The past year has seen Oh Captive supporting the likes of Marmozets and Arcane Roots, and make highly successful appearances at festivals such as Leopalooza and New Age, whilst media attention has grown as potently too. Now it may be over, but if so the band has gone out with a bang and ensured attention for their next exploits will be eagerly attentive.

Oh Captive - Cover Artwork   Two Mirrors opens with Recover, an instant ear grabbing proposition as vocalist Tim Kelly and a tangy rub of guitar combine a minimalistic but highly tempting bait to bring the song into view. It is not long before the heavy throated bassline of Tom Hitchins and the punchy beats of drummer Chris Hill leap in, accompanied by sonic flames cast by the guitars of Curtis King and Kelly. Immediately there is a drama to song and sound, light and dark textures colluding in an imposing but inviting web. Settling down a little for the continuation of the narrative from Kelly, the song increases its lure as it builds to energetic crescendos and an anthemic chorus. There are no major surprises in the melody soaked track but there is a bold invention to match its gait, which leaves expectations and predictability absent protagonists in the outstanding encounter.

The impressive start is backed with similar strength by Motion / No Motion. The second song is a rhythmically raucous stomp from its first breath with Hitchins offering a magnetic lure of a bassline. It is a dark coaxing surrounded by the concussive stick ability of Hill, a thick drawing of attention never wavering even as they are immersed in the sonic and melodic blaze of the guitars and the ever impressing tones of Kelly. There is something missing compared to its predecessor though, a small element just stopping it drawing the lustier satisfaction bred by Recover, but nevertheless the song has feet and imagination leaping in tandem with its resourceful enterprise.

Live Fast Don’t Last explores more of a croon for its creative shape and emotive intensity next. It has a slower flow and a more immersive canvas than the last songs with melodic tenacity and evocative expression from the vocals providing a deeper reflective colour and emotion to the encounter. It smoulders and tempts pleasingly as it shows another side and depth to the band’s songwriting and its creative realisation, though again cannot quite emulate the success of the first track and indeed its successor.

The EP’s title track brings it all to a lively and impressive close. Two Mirrors bounds along with another invitingly dark bassline aligned to eagerly swung beats, whilst their union is drenched in an anthemic energy and charm which the band seems to conjure at ease. Veined by richly enticing and tenacious guitar craft, the song makes a pungent end to a fine and enthralling release. If this is to be the end of Oh Captive, song and EP has seen them go out on a high and will leave fans saddened and newcomers kicking themselves for not discovering their promise and quality before.

The Two Mirrors EP is available from March 23rd through all digital outlets.

https://www.facebook.com/ohcaptive

RingMaster 23/03/2015

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Oh Captive set loose their sophomore EP this Spring

Oh Captive cover

Ascending Alternative Rock crew ‘Oh Captive’ will nationally unveil their spanking new EP ‘Two Mirrors’ through all outlets on Monday 23rd March.

Formed three years ago, and coming at you from the South West, Oh Captive unleash a potent fusion of engaging alternative rock cuts stocked with forceful razor-sharp hooks that render them an instantly catchy listen. Already chalking up favourable comparisons to Biffy Clyro and Twin Atlantic, Oh Captive are set for new heights, and are loaded up with their killer new EP ‘Two Mirrors’, which hits stores this March.

The foursome’s national profile has rapidly increased during the past 12 months; this is largely down to their high work ethic and the success of the band’s debut EP, ‘Advance Creature’, which snared coverage from Rock Sound, Big Cheese, XFM and BBC Introducing, amongst others. Labelled ‘one of the UK rock scene’s biggest rising stars’ by Hit The Floor, Oh Captive have earned supporting slots with the likes of Marmozets and Arcane Roots, as well as festival appearances at Leopalooza and New Age.

The quartet headed into the studio last autumn to commence work on their next record. Entitled ‘Two Mirrors’, the EP is a real belter. Following on the foundations set by their debut record, the band have really pulled it out of the bag. Opener ‘Recover’ perfectly showcases the band’s enhanced penmanship with a hooky refrain and layered guitars that cunningly web together the track. The dynamic ‘Motion/No Motion’ delivers another anthemic chorus that clings to your head while ‘Live Fast Don’t Last’ highlights the rock crew’s growing maturity. Closer and namesake ‘Two Mirrors’ is further proof that Oh Captive have the tools and expertise to be one of the true players in 2015. Stay tuned to the band’s Facebook page for tour updates.

-OH CAPTIVE RELEASE ‘TWO MIRRORS’ ON MONDAY 23rd MARCH THROUGH ALL DIGITAL OUTLETS-

http://www.facebook.com/ohcaptive https://twitter.com/ohcaptive

OH CAPTIVE DROP THEIR NEW VIDEO!‏

Oh Captive Online Promo Shot

OH CAPTIVE RELEASE BRAND NEW STAND ALONE SINGLE !

 

Rising Bristol post-punk quartet ‘Oh Captive’ have nationally unleashed their debut EP ‘Advance Creature’ and they now charge forward with their brand new stand alone video single ‘Tricking Us’  which you can view now @

https://www.youtube.com/watch?v=8-MwVnpTwbY

 Hailing from the South West, Oh Captive produce innovative music that rails against the din of predictability and still rings true with compelling clarity. Sparking glowing comparisons to the likes of Coheed & Cambria and Twin Atlantic, Oh Captive have crafted a sound of their own.

Originally formed less than two years ago, Oh Captive cut their teeth with countless hours in grimy rehearsal rooms before BBC Devon Introducing beckoned in early 2013. By the year’s end, Oh Captive had shared stages across the UK with Sonic Boom Six, Straight Lines, Max Raptor, Sharks, Blitz Kidz, I Divide and Scholars. The foursome fully honed their songs in the live arena in anticipation for completing a debut EP that would prove to startle and sparkle in equal measure.

 

The post-punk outfit have just released their debut EP ‘Advanced Creature’, which has already picked up widespread national praise. Big Cheese Magazine have featured the band in their April 2014 issue with an exclusive interview and Rocksound have recently reviewed the record and have placed a track on their covermount CD. The EP has already notched up key online and radio support, notably from XFM.

Now with their brand new stand alone single in the shape of ‘Tricking Us’ (https://www.youtube.com/watch?v=8-MwVnpTwbY ), which is out now , the foursome are set to hit new heights, and with UK shows in the pipeline throughout the year, just watch them soar.

www.facebook.com/ohcaptive

 

Oh Captive – Advance Creature EP

Oh Captive Online Promo Shot

Disregarding the deceptive label of post punk seemingly placed upon them, certainly on the accompanying promo sheet, what UK’s Oh Captive actually cast is a magnetic brew of pop punk and alternative rock around a rigorous spine of muscular melodic rock. Presented on their debut EP Advance Creature, the band’s sound it’s an exciting blend of passion and sonic textures drenched in striking craft and undeniable potential. It is a release which sparks fires in the emotions though not always retaining the same intensity, but from start to finish provides a fuse to the imagination and ignites a keen appetite for Oh Captive now and in the future.

The Bristol quartet emerged in 2012 and took little time is awakening an eager following locally before last year striking out around the country with bands such as Sonic Boom Six, UK Subs, Straight Lines, Max Raptor, Sharks, Blitz Kids, I Divide, Fighting With Wire, and Scholars. Comparisons to the likes of Coheed & Cambria and Twin Atlantic have fallen upon the band over time, comparisons relatively easy to understand listening to their four track debut.

The release opens with Beds Of Many Ghosts and immediately has ears entangled with enticing melodies, crisp rhythms, and a coaxing Oh Captive Cover Artworkhook which lays down the first seductive bait. Settling into its confident stride, the track relaxes around the vocals of guitarist Tim Kelly but all the time is creating a virulence of hooks courted by an emerging groove. It is a striking narrative coloured further by thirsty shadows provided by bassist Tom Hitchins and the guitars of Kelly and Curtis King which weave a provocative and contagious web of enterprise. The song is an irresistible encounter, one which has a familiar air to it in many ways but steps beyond that security with bold imagination and a thoughtful swinging design from the impressive rhythms of drummer Chris Hill.

The excellent start is swiftly supported and matched by Terrible Lives. The track again shows no restraint in unleashing contagious hooks and evocative melodies around a persistent rhythmic beckoning which frames the fine tones of Kelly ably supported by those of King. The song teases with guitar and rhythms alone at times; the bass held in reserve but once involved in the suasion opens up the depths and darker textures of songs and songwriting. Like the first track, it creates a tapestry of smart twists and turns employing a skilful persistently changing gait evolving the face of the song whilst brewing an almost toxic groove to wrap the track and subsequently steal the show in a quite scintillating climax. Both songs are strongly memorable but the second really gets under the skin with that deviously addictive groove most of all.

The remaining two songs do not reach the stature of their predecessors though both only cement an impressive introduction to the band. The title track steps up next, its tender melodic start courted by a sonic mist before it expands into a rich and evocative blaze of passionate sounds and lyrical reflections. Perfectly balanced and vibrantly poised, the track courts the senses with a masterfully woven venture of dark rhythms and radiant melodies aligned to similarly captivating vocals, and though it does not entrench itself in the memory as those before, its presence only enhances the promise of the band.

The closing Retreat Being reasserts punchy rhythms and almost rapacious sinews to the skeleton of another track which is just at ease crooning at and seducing ears as it is forging a sturdier imposing persuasion. The bass of Hitchins is especially vocal and melancholic in the track to lead thoughts deep into an emotional intensity but as excellent as the song is again it lacks the spark to impact beyond its departure.

Overall Advance Creature is an EP which potently grips thoughts and emotions throughout. It is a striking entrance by Oh Captives, one soaked in a promise which suggests the band is going to have a rosy future whilst providing plenty of exciting investigations ahead.

The self-released Advanced Creature EP is available digitally from April 28th

www.facebook.com/ohcaptive

8/10

RingMaster 27/04/12014

Copyright RingMaster: MyFreeCopyright

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OH CAPTIVE to release ‘Advanced Creature’, out 28th April‏

Oh Captive Online Promo Shot

 
Oh Captive’s STUNNING DEBUT EP RELEASED!

 

 

 

Rising Bristol post-punk quartet ‘Oh Captive’ nationally unleash their debut EP ‘Advanced Creature’ through all digital outlets on Monday 28th April.

 

 

Hailing from the South West, Oh Captive produce innovative music that rails against the din of predictability and still rings true with compelling clarity. Sparking glowing comparisons to the likes of Coheed & Cambria and Twin Atlantic, Oh Captive have crafted a sound of their own, and the evidence can be heard on their brand new hotly-tipped EP entitled ‘Advance Creature’.

 

 

Originally formed less than two years ago, Oh Captive cut their teeth with countless hours in grimy rehearsal rooms before BBC Devon Introducing beckoned in early 2013. By the year’s end, Oh Captive had shared stages across the UK with Sonic Boom Six, Straight Lines, Max Raptor, Sharks, Blitz Kidz, I Divide and Scholars. The foursome fully honed their songs in the live arena in anticipation for completing a debut EP that would prove to startle and sparkle in equal measure.

 

 

Advance Creature peddles a firecracker brand of intensely melodic post-punk, where concise hooks pierce the air with disarming force. There’s honesty and maturity to Oh Captive; their sound is raw but emotionally redolent, ferocious but refined. The oft-kilter phrasing of the songs has enough to engage even the most discerning ears. Although the band never once crosses the border into over-indulgence, they still manage to create an effective ruse for a pop sensibility that’s ripe for FM playlists. And in Tim Kelly, Oh Captive have a frontman whose infectious, yet understated vocal delivery throws the spotlight on compelling vocal melodies. Behind that await rousing choruses, the dovetailing guitar melodies of Curtis King and an airtight rhythm section compromised of Tom Hitchins and Chris Hill. The post-punk outfit have a record that is sure to raise them to new heights, and with UK shows in the pipeline throughout the year, just watch them soar.

 

 

Oh Captive Cover Artwork