Eyemouth – Cut

We will admit straight away that we are not sure if our words can do justice to and truly convey the creative realm and dark majesty which breeds the sound of Swedish band Eyemouth but they can certainly reveal the striking and thrilling effect their new EP had on ears and the imagination.

The Cut EP is quite simply superb, an adventure into the compelling world of one of the world’s truly unique propositions. We first came across and were seduced by the rarefied invention of Gothenburg hailing Eyemouth through their third and fourth EPs, Noera Genesis and The Flood. Each provided a journey into the unknown as captivating as it was disorientating, a creative adventure continued through debut album A Newly Planted Grain in 2017 and the Spiral EP two years later. We shamefully admit we managed to miss both encounters and can only say it has to have been to our major loss going by the magnificence of Cut.

Eyemouth consists of Marcus Lilja and Joakim Åberg, the band deriving in 2014 from the demise of Estrange and includes Dark Abstract in its member’s history. As suggested it is hard to accurately expose the creative palette to the Eyemouth sound. There is an electronic breeding which entangles with classic, atmospheric and psychedelic nurtured rock as well as a dark folk and occult scented imagination at play but that still only conjures certain aspects of a sound at a new high within the new Eyemouth offering. With four tracks making up its body, each a tale in sound, word, and intimation, Cut is pure fascination which entangles ears as it dances with the imagination; emotions just as easily caught in its dark and at times demonic embrace.

The EP begins its captivation with A life of its own, the track emerging on a sonic shimmer which within a few breaths is already casting a sinister edge to its atmospheric expansion. The magnetic presence of the band’s vocals is as potent as ever, again a harmonic dexterity accompanied by a more primal fringe. As the sonic winds build, a compelling cacophony of sound and suggestion brews, darkness a cloud of emotive intimation within the rich array of diverse ethnic instrumentation, including the bagpipes of Per Stjernkvist, making up the fixation.

Stay quiet is all there is to it follows, shaman drumming enticing attention with controlled but magnetic resonation as again darker hues erupt and interrupt the track’s emerging climate that itself tenebrific. Similarly vocals bring a fusion of shaded and darker intimation. All the while, the track wormed into the psyche like a hungry threat to eventually brew and erupt in a throbbing infestation aided by the guest drums of Håkan Aspnäs, before folk lilted vocals accompanied by an infectious canter rise up within the senses enveloping atmospheric corruption.

Both tracks are sheer captivation for ears, attention and a premise evoking imagination; all swiftly seduced again by At the opening of the gate. Stygian hues once more immediately challenge thought, the declaration of vocals soon escalating the creative weave as melody kindled and electronically summoned sounds share virulent flirtation. With those vocals just as magnetic and another spectrum of instruments colouring the instinctive imagination, the song simply enslaved and in quick time, emerged one of the best things heard here in recent years. As within every track, every second brings a seed for unpredictable enterprise and pleasure with every syllable another spark for the listener’s thoughts.

The album closes out with To open up the skin, a Tartarean glimpse upon the real world seemingly under scrutiny and manipulation of otherworldly protagonists. Melody and harmony unite in a warm comforting hug within a portentous sonic incantation, the crepuscular atmosphere darkening and becoming more leaden and overwhelming until the final melodic sigh.

It is a magnificent end to a glorious release which again we suggest is like nothing you will have explored before. Eyemouth have teased and warranted the biggest attention for a far while now, the Cut EP now demands it.

Cut is out now; available @   https://eyemouth.bandcamp.com/album/cut

https://www.facebook.com/eyemouthmusic   https://twitter.com/eyemouthmusic

Pete RingMaster 18/04/2020

Copyright RingMasterReview: MyFreeCopyright

Eyemouth – The Flood

eyemouthep_RingMaster Review

The final day of 2015 saw the release of The Flood, the new EP from Swedish band Eyemouth, and the final instalment of their intent to release a quartet of EPs across last year. As its predecessors, the five track proposition is an electronic adventure for ears and imagination spun in a tapestry as raw as it is melodically seductive and as emotionally magnetic as it is thematically tempestuous. Our introduction to Eyemouth came with their excellent previous encounter Noera Genesis and there is nothing about The Flood to dampen our appetite for their compelling sound and invention.

The origins of the Göteborg hailing Eyemouth begin in 2011 with synth band Estrange and a collection of songs bred from and with a different approach to previous tracks from the Swedish band. Later that year Estrange became Eyemouth as the music continued to evolve, the likes of shaman drumming, vibraphone, tuba, and trombone being added to the expanding exploration within the band’s “more organic and instrumental direction.” It was March 2015 though, when the band’s debut release was unveiled, the Black and Blue Latitudes EP soon sparking keen attention escalated further by its successor Non Compos Mentis in June and the following Noera Genesis last September. As mentioned the final breath of last year gave up The Flood, a fourth creative tempting of light and dark textures which simply grows in ears and emotions with every passing listen.

As its predecessors, The Flood is a fusion of varied rock imagination and post rock ambience upon an electronic landscape, and as those before, a release hard to truly pin down in sound but easy to be enthralled by and lost within as shamanic rhythms alongside haunting melodies and vocals shape a tapestry of contrasting and increasingly alluring textures. It begins with I Am Never and an electronic web of pulses and punchy beats covered in welcoming yet dark lures of brass. Swiftly the quartet of Marcus Lilja, David Lilja, Tove Ekman, and Joakim Åberg has ears stirred and attention drawn, the first tempting of vocals rich enticement within the eighties hued scenery building the expanding landscape of the song. A noir colouring and expression to the encounter equally grows, especially as the quaint yet dramatic suggestiveness of the mellotron spreads across the still minimalistic but increasingly volatile exploration.

The track makes for a gripping start which only blossoms further in ears with each listen, a quality all tracks carry as shown by Pendulum. The second song also makes a low key entrance but is quick with its creative and provocative drama as that ever present tribal underbelly of rhythms and percussion cores a spreading charm of melodic and harmonic warmth aligned to melancholic beauty. Things only get richer and more unpredictable too of course; grainy industrial essences colluding with poetic folkishness and poppy rock bred imagination within the absorbing flight of sound and word.

The mellotron led visual curiousness of brief instrumental Necessitarianism follows before Away serenades the senses and thoughts with its classical keys and organic shanty like shuffle of voice and reflective melodies. An exotic air also pervades the song, a breeze blowing in varying strengths throughout the whole album where santur and accordion amongst other elements colour the unique hearts and characters of tracks and themes.

From one riveting offering to another as To Go brings The Flood to a potent close, its bewitching presence another aural fascination which is part folk song, part sea shanty, and all impressive imagination where finding new nuances and pleasures is a perpetual reward with every listen.

As Noera Genesis there is a cinematic quality to The Flood too and a ghostly air across its creative and evocative exploits which only adds to its rich and increasingly potent lure. Eyemouth are inventive drama and dark beauty for the eyes and one of Europe’s exciting emerging adventures.

The Flood EP is out now via most major online stores.

http://eyemouth.moonfruit.com/   https://www.facebook.com/eyemouthmusic/   https://twitter.com/eyemouthmusic

Pete RingMaster 04/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Eyemouth – Noera Genesis

eyemouth_RingMaster Review

It is impossible for anyone to discover every band unleashing their imagination and musical prowess on the world alone so it is always with great gratitude when something simply falls into the lap whether as a by-product of doing something else, through recommendations, or simply by an artist introducing themselves personally. That gratitude is especially intense when it leads to something which truly excites and stirs up the imagination. So it is with thanks to Marcus Lilja that we can now enthuse about his band’s latest release and fascinating sound.

A member of Swedish band Eyemouth, Marcus alongside David Lilja, Tove Ekman, and Joakim Åberg, have already sparked great attention and eager appetite with previous EPs, Black and Blue Latitudes and Non Compos Mentis, both out earlier this year. In an intent to bring ears a quartet of EPs in 2015, they now unveil the third in the enthralling shape of Noera Genesis, a theatre of sound and imagination which is as bewitching as it is wonderfully challenging. Formed in 2011, the Eyemouth sound defies pinning down, their original synth led endeavours having evolved over the ears to what captivates within their latest proposal. Merging industrial and post rock ambiences with shamanic rhythms, electro rock intrigue, and darker as well as heavier rock incitement, the Göteborg band had bred a tantalising and unpredictable tapestry which is cinematic, at times sinister, and thoroughly compelling.

noera-genesis-_RingMaster Review     It opens with Come This Far, and a haunting ambience littered with portentously dulled bell tolls in a cavernous landscape. An equally ‘flat’ but alluring bass adds further peculiar bait to the brewing enticement before stepping away again as synths and vocals begin their individual and colluding narratives. Soon, the track slips into an electronic canter awash with the expressive melodies and atmospheric hues of the keys and littered with rawer guitar and bass tempting. Ears and imagination are gripped early on, a hungry appetite soon following suit as the song with its Ghost In The Static crossed with Celldweller like stroll explores more of its imagination whilst simultaneously opening up provocative depths amidst roars of contagious enterprise.

That cinematic essence we mentioned is quickly bringing a suggestiveness across the EP; a gothic/industrial drama with 1984 meets Lovecraftian occultism growing in thoughts during the first song separate from its actually premise whilst the dark bowels of a sea bed leviathan explored and corrupted by the Victorian trespass of someone like Captain Nemo echoes the dystopian siren call seeping out of The Rise Of You. This is just the power of the music triggering such dark adventures, the band lyrically opening up doors to more ideas through its broad yet equally intimate theatre of word and premises. It is gripping stuff which reveals more with every listen and pleasingly confuses the imagination with each turn too as thoughts and ears try to work out the heart of the impressive song and release.

In My Mouth has a lighter soundscape but that leads to a more bedlamic and psychotic playroom for the listener’s thoughts. It is aural madness sublimely sculpted and organically uncaged as deranged keys, haunting harmonies, and demonic textures slim down to inventive smog, this toying with the listener for just under two absorbing minutes. The fact it ends too soon is a brief frustration, a short lived moan though as soon all focus is on the initially just as disquieting Sometimes. We say initially, in fact the song never stops being a disturbing magnetism as it evolves with every passing breath, more shamanic drums and lures aligning with whispered vocals which alone almost taunt the psyche with their tone. Subsequently synths build walls of tempestuous oppressiveness coated in discord laced melodic captivation, that in turn twisting into an instrumental finale of melodic rock infested with rasping and erosive textures.

It is impossible to provide a truly clear idea of what Eyemouth brings to bear on body and mind with Noera Genesis, so much going on as they additionally spark personal thoughts to run wild in grand ideas as you have just read, but every listen is full mouth-watering joy. We have yet to investigate the previous pair of EPs from the band, but you can only assume they too offer an experience rare to the ear and most others going by the invasive beauty of Noera Genesis.

Noera Genesis is available from September 30th via most online stores.

https://www.facebook.com/eyemouthmusic/ https://twitter.com/eyemouthmusic http://eyemouth.moonfruit.com/

Pete RingMaster 30/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/