Lady Lynch – Self Titled

Haunting to the point of being disturbing, sombrely magnetic to the edge of invasive seduction, the self-titled debut album from Austria quartet, Lady Lynch, is quite simply one of the year’s essential explorations especially if your appetite has a hunger for shadow fuelled, dangerously elegant post punk/no wave woven temptation.

Vienna hailing, Lady Lynch consists of Theresa Adamski, Philipp Forthuber, Lina Gaertner, and Christian Sundl. There is little more background wise we can tell you about the band but musically and especially with their new album, a flood of praise carrying words is unstoppable. Individual in character and imagination, their music is something akin to a fusion of The Passions, Au-Pairs, and Lydia Lunch trapped within the band’s own unique web of post punk/no wave taking in further new wave and punk hues. Across ten tracks it provides an inescapably hypnotic lure of brooding intimation and gloom cast atmospherics around riveting vocals as tendrils of sound unite their skilled monotony to seduce ears and imagination. With every listen it has become more impressive and irresistible, addiction rising by their side.

The album opens with Fundamental Friend Dependability. Rising from a sonic squall, the track swiftly drops into an espionage coated stroll, firm rhythms almost taunting ears as vocals and a cold melody entice. It took barely a rush of seconds before the song got under the skin, its sober hooks and participation inciting chorus welcome trespasses alongside the great vocals. A superb start, the track as many across the album suddenly comes to an end, almost as if the release has got bored waiting to uncage its next thrilling incitement but a conclusion which only adds to the drama and tension.

The following Cymbals initially chips away at the senses before sauntering through ears with a gnarly bordering on predatory bassline alongside steady but imposing beats. Tenebrific in many ways, darkly radiant in plenty more, the song matched its predecessor in rapacious persuasion before Schatten Island casts its black and white hued intimation. Drums again provide a bold and influential backdrop, the bass the dark drama while guitar and vocals spring cinematic adventure; it all uniting in a Gang Of Four meets Bauhaus like compulsion.

Through the metronomic swing of Ranciere, a hip manipulator with moments of corroded discord, and the chilling melodic twilight of Noon, captivation only tightened its hold though both songs are soon rivalled in magnificence by the Crispy Ambulance-esque City Falls and all are in turn eclipsed by the Athletico Spizz 80/Pylon flavoured Actors and Networks where rhythms again play the body like a puppeteer as voice and guitar toy with the imagination; it all manna for ears and appetite.

A whiff of Cauldronated accompanies the mechanised corruption that is Tiny Machine while Stairs carrying a similar scent is an escalator of passing shadows and dark contemplation. Both tracks just enthralled as too did closing track Hommage. It is the darkest moment on the album and it’s most beguiling, beauty soaking every unsettled silhouette and slim but richly evocative contour.

Within one listen we were fully ensnared by the album’s caliginous temptation and devious enterprise, its seductive disquiet just as irresistible as its invasion of the senses and thoughts. One word sums it all up, Stunning!

The Lady Lynch album is out now via Cut Surface digitally and on Ltd Ed vinyl @ https://cutsurface.bandcamp.com/album/lady-lynch-2

Pete RingMaster 01/11/2018

Copyright RingMaster: MyFreeCopyright

Noseholes – Danger Dance

If you are looking to have your imagination twisted into torturous shapes matching those drawn from the body, then checking out the twisted disco of German outfit Noseholes is a must. The ticket to its no wave/post punk/noise rock devilry comes with debut album Danger Dance, an encounter living up to its title in deed and temptation.

The Hamburg hailing quartet of Henk Haiti, Steve Somalia, ZooSea Cide, and TH have already been teasing and tempting through a host of well-received tracks which now collude with equally as compelling adventures within the band’s first full-length. Danger Dance opens up with its title track, a flirtatious bassline leading the coaxing as beats stroll alongside. Soon an equally seductive melody escapes the guitar, the combination reminding of the Au Pairs even as vocals spring their web of temptation and intrigue. The suggestive spice of keys and the alternating female and male vocals all add to the captivating drama relentlessly driven by addiction stirring rhythms

A just as potent rhythmic lure fuels the following post punk shuffle of Lush Box. Spirals of guitar and flames of sax latch onto the swagger of beats and bass; the song’s jazz bred discord and post punk dance bouncing around like a Delta 5 meets Blood Red Shoes tango before Styling shares its own riveting devilment with a similar but quickly individual template of flavours. To be honest the rhythmic heart of the first trio had us trapped hook, line and sinker, all the other psyche infesting imagination icing on their inimitable cake with only the briefness of each song a frustration, a common niggle across the album.

Yelzins Affair makes a more tempered start but one with intrigue and noir lit shadows in its breath and sound from the off. Creating a tapestry of creative languages and suggestion over rapacious rhythmic pulses and lean but potent melodic tendrils the song is a mysterious fascination allowing a breath for the body and adventure for thoughts.

Tenacious endeavour and energy breaks again in Ex Driver, a track which in its sonic webbing has a definite early XTC deviousness, while Bed Smoker bounds in on a boisterous rhythmic skip and melodic manipulation which has the body and imagination eagerly bouncing like a four year old. Both are manna to any post punk/noise pop bred appetite while the closing Aspirin Nation is pure joy to jazz infested noise rock mania. Its acidic instrumental dissonance and rhythmic pounce is captivation enough but add the Essential Logic-esque squirts of sax and again attention was lustful.

Danger Dance teased, taunted, and pleasured pretty much our every personal want from music; it may very well do the same for yours. Only one way to find out…

Danger Dance is out now through ChuChuRecords / Harbinger Sound; available @ https://noseholes.bandcamp.com/releases

https://www.facebook.com/pg/NoseholesBand/

Pete RingMaster 27/02/2018

Copyright RingMaster: MyFreeCopyright