Bait – DLP

Going into the review of the new single from UK outfit Bait it took us by surprise just how long ago we drooled over the band’s self-titled debut album. It feels like yesterday but was at the beginning of 2017 so the fact that it still features on our just for pleasure ‘turntables’ shows how pleasurable we found it. DLP is destined to join that compelling full-length, the track a wonderfully nagging and rousing slice of the band’s unpredictable and riveting sonic imagination.

Southend based Bait first tempted almost taunted us with a track upon the Alternative Occupations EP from Cool Thing Records which featured four of its striking bands. The intrigue and appetite the song bred was richly fed by the debut Bait album, addictively satisfied by the unique fusion of punk, post punk, and industrial espionage which thrilled within. So you can imagine the tingle when the band’s vocalist/songwriter Michael Webster got in touch with their latest track. Of course there are never guarantees, expectations and assumptions always there to be shot down but not this time. DLP was another addiction in the waiting and a big excuse for us to again push you all towards the creative exploits of Mike, Luke Branch, Jim Webster, and M R E.

Synths instantly mark their territory as DLP takes a mere breath to calmly entice, its second exhalation springing a rapacious but inviting stroll impossible to prevent hips and neck muscles responding too. There is an inherent darkness and threat to it all though, that delicious niggle which has marked previous tracks from the band and simply accentuates all the hues and manipulative agility of the song.

At times it calls on ears and imagination like a tenebrific blend of Malicious Damage era Killing Joke, Dalek I/Dalek I Love You, and Nine Inch Nails, but with bleakness as radiant as it is dissonant. Even with those clues to their characters, song and sound are fiercely unique to Bait and barely come close to any true comparisons.

DLP is another invigorating and galvanic outing with Bait, an experience which challenges and rewards, questions and supports with unapologetic eagerness. If you have not checked out this band shame on you, the perfect moment though is now.

DLP is out now via Cool Thing Records.

https://www.facebook.com/hatebait   https://twitter.com/hate_bait

Pete RingMaster 01/05/2019

Copyright RingMaster: MyFreeCopyright

Hauméa – Unborn

Emerging earlier this year, Hauméa is a quartet from Alençon in France making a rather potent impression with their debut EP, Unborn. Offering four tracks bristling with a host of rock and metal nurtured flavours, the release makes for a captivating introduction to a band easy to see enticing strong attention with their temptation loaded sound.

Formed by bassist Léa Zima and guitarist Andy, the Hauméa was soon completed by the addition of vocalist Niko Lorelei drummer and Sébastien Chauvin. Their individual musical backgrounds and experiences has bred a sound which embraces an array of styles and flavours; a proposition as melodically seductive as it is imposingly aggressive and as imaginatively delivered as it is emotionally raw.

The Unborn EP opens up with its title track, the song quickly laying down its persuasive rhythmic and sonic bait. In full bloom, the track is a mix of the controlled and fevered, especially potent when its shackles are off. It is a strong start revealing the enterprise within the band’s sound and songwriting as well as individual craft. Equally the varied blend of metal and rock the band merges shows itself a magnetic proposal though really captivated the imagination across its following companions starting with Not Usual.

The second track instantly had attention gripped with its opening rally of beats, a tempting soon fully ablaze as guitars and bass unleashed their lustful exploits. Similarly there is a hungry edge to the vocals which just adds to the captivation. As its grows, the track fuses instinctive ferocity with a Nine Inch Nails-esque tempting, easily twisting from a rousing trespass to a melodic seduction and back as it easily eclipses its predecessor.

Dad is Fool makes its entrance on a deceptively calm beckoning but soon is unleashing a tide of creative trespass which in turn springs a contagious stroll of rhythmic and sonic enticement. Still a volatile edge remains though; a psychosis which ignites with predatory intent across the track’s bold and unpredictable landscape. As the previous track, it is an impressively stirring encounter marking out Hauméa as a highly potent and compelling proposition.

Instantly a sonic spiral around invasively swing rhythms marks the final track of Unborn, the mercurial Here I Am a cauldron of sound and intimation carrying threat and temptation. Both essences proceed to fuel each twist and turn within a track fluidly slipping from predation to seduction time and time again.

At its most striking in its middle but bookended by songs which also easily stirred the appetite, Unborn is a strongly convincing and exciting first meeting with Hauméa suggesting the potential of rather striking times ahead. Our anticipation is already rising.

The Unborn EP is available @ https://haumeaband136108.bandcamp.com/releases

https://www.facebook.com/Haumea136108/

Pete RingMaster 18/12/2018

Copyright RingMaster: MyFreeCopyright

Dead Register – Captive

It is two years since Atlanta outfit Dead Register not only thrilled but truly captivated us with debut album Fiber. It was a collection of tracks bred in the rich essences of doom, gothic, and post rock but equally embraced many more flavours to create something as unique as you could imagine or wish. Twenty four or so months on we still cannot truly define their sound or want to as that would be to sterilise its originality and fertility, both as rampant and captivating in the band’s new offering, Captive.

Every word in praise of Fiber by us and so many others can be echoed with zeal in regard to the Captive EP, but not only repeated but escalated as its five tracks venture to mouth-watering new heights in the imaginative craft and inventive prowess of Dead Register. The new EP sees percussionist/drummer Danny Ryann (ex-Gigan) alongside vocalist/bassist M. Chvasta and his wife, Avril Che on bass synth, keys, and backing vocals; Dan Dixon (Whores, The Life and Times, PLS PLS, Biters) recording, mixing, and mastering their now proposition.

Captive opens up with its title track, a dark mist springing the lumbering gait of the song but a funereal step soon wrapped in romancing melodies as a shadow bred atmosphere descends. Magnetic rhythms are swiftly courted by the ever potent and alluring tones of Chvasta, both in turn hugged by the heavy emotive doom gaze breath of the track. Haunting and mesmeric, the song continues to seduce and impose, drama soaking very brooding note and harmonic utterance trespassing and seducing the senses.

It is a highly tantalising and increasingly captivating beginning to the release and one as powerfully continued by next up Ender. A song exploring love and loss and “a reminder to savor even the most mundane idiosyncrasies that “make” our loved ones who they are”, a premise easy to relate to, it rousingly smoulders in ears and thoughts but a thick simmer with volatility which only enriches its emotional incitement and a sound with Type O Negative/Nine Inch Nails hues. There is also a breath to the track and its successors which reminds of eighties band, The Sound; an instinctively downbeat almost depressive yet rousing dark essence which is especially apparent in the fiercely infectious Heresy. From its predacious nagging bassline to the sonic tendrils and Chvasta’s transfixing vocals, the track is pure temptation as virulently catchy as it is melancholically consuming.

A riveting cover of the Dead and Gone track Blood from a Ghost follows, Dead Register infusing it with a voraciously dark elegance without defusing its raw heart and anguish. Few covers in our experience improve on the original but the threesome certainly flirts with that success before Monochrome completes the aural mastery of Captive with its own tenebrific majesty soaked in emotive dissonance. A breath-taking and arousing yet corrosive romance, the track is a maelstrom of destruction and tenderness and quite irresistible.

It is a spellbinding prowess which devours the whole of Captives and feeds the infatuation we have already found for the band. If in our words Fiber was “dark magic, emotional trespassing, and quite wonderful”, Captive is pure aural alchemy and one of the year’s essential encounters.

Captive is released November 2nd; available @ https://deadregister.bandcamp.com/

https://www.facebook.com/deadregister

 Pete RingMaster 02/11/2018

Copyright RingMaster: MyFreeCopyright

Sick N’ Beautiful – Element of Sex

pic by Stefano Mastronicola

There are some bands which instinctively allure attention and it is fair to say that Sick N’ Beautiful is one such persuasion as their recent headlining UK tour proved. Their new album Element of Sex swiftly and increasingly shows why they made a potent impact through those shows alone, a release which whilst lacking the visual theatrical drama of their live presence uncages ten virulent slices of devilish rock ‘n’ roll.

“A gang of rockin’ freakshow pirates from outer space”, Sick N’ Beautiful is a quintet creating an industrial hard rock web of intrigue and sonic animation awash with creative drama. Brewed with sci-fi and cyberpunk visuals whilst embracing inspirations from a kaleidoscope of artists including Rob Zombie, Nine Inch Nails, Alice Cooper, Kiss, Lady Gaga, Katy Perry, and No Doubt, the “intergalactic refugee’s” music is a cascade of flavours and enterprise within its hard rock nurtured imagination. In boldness and drama there is something of The Tubes to the band’s presence too which only adds to its magnetism live and now within Element of Sex.

Familiarity and inventive uniqueness collude from the first breath of the album with opener Fire True, an orchestral coaxing the first lure quickly infested with wiry tendrils of guitar which in turn entice the instantly rich ear grabbing vocals of Herma. Within seconds the track is an imposing wall of thick infectious sound speared by the scything swings of drummer Evey. Pop catchy and metal aggressive the track imposes and seduces in equal measure with the organic drama of the band’s imagination in every syllable, note, and twist.

It is an infectious tempest of an encounter instantly backed and eclipsed by next up Megalomaniacal. Straight away it has more urgency and greater flexibility in its attack; snarling, biting, and dancing with the senses like a carnal celebration behind the fiercely magnetic prowess of Hermes. Big Daddy Ray’s bass has a great rockabilly swing to its growl at times whilst guitarists Rev C2 and Lobo spring a trap of enterprise so easy to relish especially when the song takes a breath from its boisterous invasion.

The calmer All Wanna Go To Heaven through its initial less energetic entrance, compared to its predecessors, only leads into a snare of boldly catchy and melodically enticing temptation. The voice of Hermes once more stands tall and captivating within the song, a given proven track by track as the sounds around her cast their creative theatres. Pop, rock, and metal strands all go into its ear wrapping weave before the contagion of Hellawake continues the diversity bred within the Sick N’ Beautiful’s sound with its electro pop meets industrial punk shuffle.

Through the tempestuous roar and character of Slam! and the salacious sonic exploits of Hexxx (The Element Of Sex), the album just gets more hectic and fun, both songs a spark for ears and body with their extremely danceable antics, the outstanding second of the two especially manipulative as it grabs limbs like a puppeteer.

Cryptid similarly just opens up the throttle from its first gasp; rhythms and imposing incitement within the scuzzy tides of guitars wired with melodic and hook laced tempting. It is another where certain moments unite with ears like an old friend whilst bringing wholly new propositions alongside for a compelling mix exploited just as ably by New Witch 666 (The Rising). Its EBM-esque opening is a deceit for the dark shadows and intent lurking closely behind and a continuing enticement as those textures take rein of the devilish affair. Though its rabidity is under control for the main it is there festering in the track’s meaty body and demonic intent.

The skilfully woven Heart December (Gates II) with its dark drama and gothic rock grandeur was a slow burner for our ears, a track which never quite ignited as those before it but continues to be a compelling intrigue on ears and imagination even against the album closing blaze of C*Mmunion. Aggressive and at times musically grouchy but as greedily catchy as you could wish, it brings the album and the torrent of fun to a rousing conclusion.

And that pretty much sums up Element of Sex as a whole; insatiably infectious, relentlessly rousing, and unapologetically fun. Maybe Sick N’ Beautiful is a proposition which is at its very best live when all of its elements come together musically, visually and indeed dramatically but their new offering shows their songs make for very potent propositions all on their own.

Element of Sex is out now on the band’s own Rosary Lane Records; available @ https://www.sicknbeautiful.com/store and other stores.

https://www.sicknbeautiful.com/   https://www.facebook.com/sicknbeautifulband/   https://twitter.com/sicknb

Pete RingMaster 10/07/2018

Copyright RingMaster: MyFreeCopyright

As A New Revolt – Speechless

Unleashing the turbulence and discontent fuelling the world today, As A New Revolt provides a potent voice for the masses and another truly fresh breath for a year with many momentous propositions within its roar. Speechless is a stunning introduction to the duo of Manu Barrero (vocals, machines) and Julien Lhuillier (drums), a four track EP reflecting the oppression around today and the increasing defiance to it but also a title pretty much summing up certainly our lost for words response to its impressive presence.

As A New Revolt create a sound spawned from the feral fusion of rapcore, punk, industrial, hip hop and much more. What emerges is a unique and ravenously rapacious affair driven by the dexterous tenacity of Lhuillier’s rhythms and infested with the sonic discord and vocal dissonance of Barrero. It is a greedily welcomed trespass of noise which swiftly gets under the skin and proceeds to manipulate body and spirit with its almost carnal infestation.

Speechless opens up with its title track, samples and corrosive noise colluding as tension springs an imposing swagger of noise and Barrero’s slightly psychotic tones. An underlying volatility only adds to the threat and lure, the track lumbering along with predacious intent as inspiring rhythms land with calculated intent. Essences akin to bands such as Rage Against The Machine, Pitchshifter, G.R.I.M., and Nine Inch Nails tease within the cauldron, all hues in the stirring and individual web of the French pair.

The following Riot Porn is even more urgent to invade the senses, its gait boisterous but happy to ebb and flow as Barrero fingers song and thoughts with his vocal stabs. As within its predecessor, electronic and melodic tendrils spiral across the encounter, their magnetic attraction and imagination as toxic as the barbarous winds sonically blowing around them. Lhuillier splinters it all with his own gripping rhythmic drama, every beat a shuddering yet anthemic coaxing inciting song and listener alike and managing to be even more manipulative and colossal in next up Now!, a track which steals the show for personal tastes.

With its eastern sonic lures and compelling beats, the track instantly seduces attention, its portentous air gripping the imagination as a tapestry of sound and enterprise aligns in a mutually riveting web. Though not in sound as such there is something of early Killing Joke to the song and band’s general sound, the same kind of rhythmic addictiveness and nagging ingenuity eating away at defences to inescapable success.

Perfect brings things to a close, the song ‘mellower’ in attack but tenebrous in tone and atmosphere as it challenges and incites second by second, note by note, noise by noise. Unsurprisingly after taking in the previous trio of tracks, there is a gloriously capricious character to the assault, a tempestuousness which builds and boils though it is content to menace through simmering provocation too as vocals and rhythms probe and inflame.

It is a superb end to a truly thrilling release which among many mouth-watering and momentous encounters across 2017 just might be the best of the lot.

Speechless is available now through Atypeek Diffusion / Sand Music across most online stores.

https://www.facebook.com/asanewrevolt     https://twitter.com/asanewrevolt

Pete RingMaster 19/12/2017

Copyright RingMaster: MyFreeCopyright

Webs of goodness: talking music and more with Verity White

The first week of November sees the release of Breaking Out, the new album from British rock singer/songwriter Verity White. An award winning artist continuing to rise up the UK rock scene Verity is no stranger to courting eager attention, with her album an ear grabbing realising of earlier potential and the source of a new breed of promise to expect her prompting bigger spotlights. To celebrate the album’s release we thrust a host of questions to explore the world of Verity White…

Hello and welcome, please introduce Verity White.

Well the ‘band’ is me, but I work with my hubby as the producer and instrumentalist, as I’m more of a mentalist than any good with any instruments. We actually got together long before we started writing together, my musical releases only started in Autumn 2016 when I felt I was ready – I had to go through a lot of stuff to get to a place with my confidence to release anything.

Have you been or are involved in other bands before? If so has that had any impact on what you are doing now, in maybe inspiring a change of style or direction?

Yup, I’m still a backing vocalist in the prog-rock band Pendragon, I’m not sure that its really influenced what we’re doing, although obviously it is also rock based so maybe it has? You tell me! The other bands have just been covers bands on the local circuit so not a lot of influence there.

Was there any specific idea behind forming your own project and also in what you wanted it and your sound to offer?

There was actually. After I came back from my first tour as a backing vocalist in Pendragon a lot of their fans got in touch to ask if I was releasing music. I had been thinking for a while that maybe I ought to start and that was what I needed to actually do it. It was natural that I would work with the best producer I know, who I also happen to be married to. I always wanted it to be rock focused, but there is a lot of influence of electronica in there too, loads of synths! Also some folk roots and definitely classic soul. It’s like a mash-up of my best music playlists!

Do the same things still drive the band or have they evolved over time?

I’m definitely still driven by the same things. The same music inspires me but I’m always finding new music to do that too. I don’t think I will ever lose my drive, I’ve actually got a song on the new album about the pressure I put on myself to succeed.

How would you say your sound has evolved since starting?

It’s more the writing than the sound; I understand more what does and doesn’t work, and how to use my voice and melodies as an instrument that blends better with the rest of the music. You see, the last year has been prolific, we’re written so much so you cannot help but get better at it.

Has it been more of an organic movement of sound or more you deliberately wanting to try new things?

Definitely organic, if it feels right, it happens.

You touched on it earlier, that there is a wide range of inspirations at work for you; are there any in particular which have impacted not only on the music but your personal approach and ideas to creating music?

Definitely Nine Inch Nails, they’re a massive inspiration, but also a lot of 90’s grunge and rock bands, like Nirvana, obviously, and Veruca Salt, and other strong female artists with great music like Amanda Palmer and Tori Amos.

Is there a particular process to your songwriting?

Yeah, usually Al and I get a rough chord structure sorted which Al then adds drums and bass to, I get this track and write the various melody lines and lyrics, then I record and we add incidentals and then I leave him to mix and master it all!

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

It’s boring but it is all personal experiences. I alluded before to my ‘dark past’ and it’s no lie, there’s a lot of material there!!

Could you give us some background to your latest release?

I Don’t Care is actually homage to my time at uni when I got drunk all the time and slept around to try to forget about how unhappy I was. It’s actually a pretty dark message for such an upbeat punk-y style rock song! The whole album Breaking Out, when it comes out, is actually a movement into my personal self-believe and breaking free from what I’ve been holding myself back with. It’s been a real journey writing it and I think a lot of people will find some of the messages and stories within it have something they will recognise in themselves. Hopefully they’ll like the music too!

Do you go into the studio with songs pretty much in their final state or prefer to develop as you record?

I go in with clear ideas but then we also do a lot of improvised takes and sometimes they are wonderful. I think you need to have a clear idea of what you’re trying to achieve before you go to the studio, and a clear idea of the performance and energy you want to give, as you get what you put in. If you’re underprepared and under rehearsed it’ll never sounds as good whatever you do.

Tell us about the live side to the project, presumably one of your favourite aspects to making music?

LOVE IT! I love being on stage – it’s my favourite place. Maybe except bed, but you know.   Our live shows are just that – a show – it’s not just a name on stage, but we like to get a real connection with the audience and hope that the energy and enthusiasm we have on stage is addictive!

It is not easy for any new artist or band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?

It’s a lot of hard work, and it is down to you. I’ve found social media, mainly twitter, has been incredible for building a fan base, just through genuine interaction. Personally I’ve found that just by being me and my working my arse off every day, I have managed to get people interested. However – the weird thing is – they’re mainly not from anywhere near where I live. Isn’t that typical! Good job we’re touring in January!

How has the internet and social media impacted on your presence to date?

The internet has revolutionized the way you can interact with fans; it’s makes it easier than ever to connect directly with your audience. My last year has been heavy working on increasing interest in the music through social media alone. I’ve only plays a couple of gigs! Personally, I think this way, when you do tour, you’ll have people who are interested enough to actually come to see you! I hope that I can always keep connected with the people who love my music. I would hate to lose that, they make me so happy and are such wonderful people!

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Massive thanks to you too!! I guess just keep an eye out for the new releases – Breaking Out is going to be awesome and it’s out first week of November!

Check out Verity White further @ https://www.facebook.com/veritywhitesinger    https://www.veritywhite.com/    https://twitter.com/veebear   and explore/buy Breaking Out now @ https://veritywhite.bandcamp.com/album/breaking-out

Pete RingMaster 03/11/2017

Copyright RingMaster: MyFreeCopyright

Sweet Gum Tree – Sustain The Illusion

With the single, The Gift, still ringing entrancingly in ears we thought we should catch up with the album it comes from and lures attention to. Sustain The Illusion is the second album from Sweet Gum Tree, the solo project of French singer songwriter/musician Arno Sojo and a release which simply captivates from start to finish with melodic beauty and emotively provocative exploration.

After the collaborative creation of its acclaimed predecessor three years ago, The Snakes You Charm & The Wolves You Tame, a release featuring among a few Isobel Campbell of Belle & Sebastian, Earl Harvin from the Tindersticks, and The Church’s Marty Willson-Piper, Sojo has created and recorded Sustain The Illusion pretty much on his own with producer David Odlum and musicians Romy and Lise Douylliez adding the only additional contributions. The result is a release which manages to feel even more intimate than its heart bred predecessor while embracing a richer texture and array of sound and enterprise.

Sustain The Illusion opens with the atmospheric Breaking The Bond, electronic beats leading in the inviting melodic coaxing of a lone guitar as colder winds whistle around them. Sojo’s tones soon join the blossoming reflection, the emotion of his voice and words stirring greater intensity in the suggestive sounds. It is energy though which sublimely ebbs and flows as the instinctive beauty of his music seduces the senses, at times with melancholic elegance.

The following Twinkle has a livelier gait, its electronic shimmer and melodic rock guitar stroll as transfixing as the rhythmic dance and vocal adventure within them. As the track gently explodes around ears and imagination certain essences remind of bands such as Slug Comparison and Sigur Rós before Someday hugs thoughts with its confidential emotions and sonic tension. As the song before, it is seriously mesmeric, deeply immersing the listener in its raw heart and emotional drama further expressed through the impressing tones of Sojo.

The infectious swing of Rollercoaster firmly entices next, its boisterous energies and enterprise pure magnetism infesting body and spirit. It is pop infused rock at its best and quite bewitching as too is successor Fairweather Faith, a folk spiced croon with the most delicious melody and a compelling XTC like air. It is an exquisitely layered seduction graced by worldly spices which absorbs attention and ardour like a sponge.

An earthy bass opens up Stars Align, its flirtatious nature matched in vocal and melody as the song evolves into a Nine Inch Nails meets The The like treat. Its eventful minimalistic air and Sojo’s vocal prowess alone stokes pure pleasure which angelic harmonies and an array of sounds and imaginative twists simply accentuates in the album’s best track.

The equally outstanding Guilt Trip similarly has something of Matt Johnson’s band to it, a touch of The Pineapple Thief too as its mix of eighties synth pop and post punk nurtured rock captivates with increasing dexterity. It is another beacon of songwriting and craft within the album taken to a greater plateau by Sojo’s passion and energy.

As the calmer but darker emotional waters of Clean Slate and Burn Your Icons, a track merging Cure-esque rhythms and shadows with jazzier progressive rock adventure, surround ears on the way to seducing the psyche Sustain The Illusion only strengthens its hold, squeezing tighter with recent single The Gift. The track caresses the senses with its golden melodic romance, its heart similarly graceful and reassuring to subdue the shadows which skirt but never threaten its hope fuelled beauty. It is fair to say that the song has been a powerful draw for a great many into Sustain The Illusion and for newcomers into the creative realm of Sweet Gum Tree, and even after a flood of plays seduces as powerfully as ever.

The album closes with the reassuring lullaby of Keeper, a safety clad hug which encapsulates everything masterfully charismatic and fascinating about not only the album but Sojo’s songwriting and talent. So we suggest you do yourself a big favour and check out Sustain The Illusion and Sweet Gum Tree now!

Sustain The Illusion is out now @ https://sweetgumtree.bandcamp.com/

http://sweetgumtree.tv    http://facebook.com/sweetgumtree    http://twitter.com/SweetGumTree

Pete RingMaster 03/10/2017

Copyright RingMaster: MyFreeCopyright