Following Foxes – Self Titled EP

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When an artist or band has a background which involves in part the Academy of Contemporary Music in Guildford, there is always an intrigue to learn more, partly because the town is a part of our musical heritage too and mostly because of some of the talent which has been nurtured at the ACM. From one of the UK’s most potent and impressive place of musical education, the likes of Newton Faulkner, Guy Davis who was part of the UK’s finest alternative rock antagonists Reuben, Joe Butterworth of Talanas, and Alexis Demetriou who formed the criminally unrecognised rockers Lost In Wonderland, have made varying impacting but potent marks on the British music scene. It is a long list also including members of Lawson and some bloke named Ed Sheeran, successes to which you can now add home town boys Following Foxes.

With its members all meeting at ACM, Following Foxes formed in 2013 and having a strong past year on the live scene now release their self-titled debut EP to nudge a broader attention to their presence. The five track release is a captivating introduction to the quartet, a handful of songs bred in a melodic caress of folk and indie/acoustic rock which energetically and skilfully bring a summery and creatively tenacious proposition to the senses. Drawing in inspirations from bands such as Biffy Clyro, Mumford & Sons, City and Colour, and Pink Floyd, Following Foxes shows themselves to be a thoroughly magnetic proposal and their EP more than likely to pick up wider media attention to back up already eager play on local radio stations across the South East of the UK.

The band’s new single, Almost Lost It is first up and right away with punchy bass lures from Mike Chapman and a great shuffle of beats within a caress of guitar, has ears and imagination paying close attention. The song relaxes soon after to welcome the strong vocals of Gid Sedgwick, his tones as warm and alluring as the melodic venture already shown by his and Alex Hill’s guitars. Subsequently with ears transfixed, another bait of thick beats from Steve Price adds fresh adventure before the song settles into a vibrant stroll loaded with a folkish revelry and melodic

Artwork by Harry Murr @ Roberts Clothing

Artwork by Harry Murr @ Roberts Clothing

swagger. There is still plenty of variety to gait and sound across the song though, sometimes more subtle than in others but a great unpredictable essence which grips the appetite and certain enjoyment.

The following I Saw, You Saw Me Back makes a less dramatic entrance though Sedgwick immediately holds court with his melodic croon and lyrical intimacy. It is still a strongly appealing first touch though which expands into a feisty but composed dance of voice and rhythms within a melodic seduction. As its predecessor, the track soon worms under the skin and into the psyche, a Lennon and McCartney whisper spicing part of the song whilst others times it romps along like a mix of Knots, Common Tongues, and The Radioactive Grandma.

Waiting for Someone, like those before it, simultaneously manages to be a warm reflective hug and a fiery little rocker, the great vocals across the band and occasionally a rigorously driving rhythmic thrust respectively igniting another memorable and increasingly enjoyable offering. It does not quite match up to the first pair such their might, but leaves satisfaction full before making way for Mother Brother. Though you cannot describe any of the songs as aggressive, there is a definite edge to the song when it steps up its energy around harmonically and melodically seductive embraces. It is a compelling end to a fine release; well not exactly an end as there is the brief melodic Outro to come but the party has ended by this point, its atmospheric haunting that drifting away of guests and excitement like after any slice of major fun.

Following Foxes has made a very impressive first step with a release which could straight away set them on a potent journey towards sparking the country’s attention. If not now it is impossible not to think or expect it will happen eventually but seems silly to wait, so go check out this highly pleasing release.

The Following Foxes EP is available now @ https://itunes.apple.com/gb/album/following-foxes-ep1-ep/id964894157

https://www.facebook.com/FollowingFoxes     http://followingfoxes.com/

RingMaster 02/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

 

 

 

 

Paddy Clegg – Dancing Shoes

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A song which can be best described as a melodic smile, Dancing Shoes the new single from UK singer songwriter Paddy Clegg reinforces why there has been a healthy buzz brewing up around the17 year old. Simple yet skilfully crafted, the single is a refreshing flirtation for feet, ears, and emotions with little more in its intent than to have and give fun.

From Huyton in Liverpool, Clegg at his tender age had already earned good experience from drumming in previous bands but deciding to take up another instrument in the guitar, he began writing and composing his own songs, recording them in his bedroom before stepping out in the Liverpool live scene and surrounding areas. Earlier this year he unveiled his debut single Back To The Start which was met with praise and focus, with his music drawing comparisons to the likes of The La’s, Newton Faulkner, Jake Bugg, and Mumford & Sons. Dancing Shoes now has its moment to push the reputation and presence of the young artist further and it is hard to expect anything other than another wave of potent attention for it.

Dancing Shoes does not make an overly striking or dramatic start, a gentle strum of guitar making a melodic caress which is soon joined by the potent tones of Clegg and punchy beats. It is a track though which seems to grow before and in ears, a dark bass line and a slightly more energetic intent to the drums helping broaden its weight and lure so that before you know it the song has seduced and recruited eager assistance from feet and vocal chords. A great blaze of brass adds to the increasing colour of the song whilst the vocals of Clegg similarly increase in potency and engaging hues. It is a smart and infectious slice of songwriting and musical invention with only the fact that at only two and a half minutes long, just as you are stretching muscles and limbs for an excited sortie on the dance floor, it stops.

Keep them wanting more is a wise old piece of advice and Clegg certainly does that with Dancing Shoes. It is another hint at the potential of Paddy Clegg and his music, an emerging proposition which so far has make a very show go of an obvious talent.

Dancing Shoes is available now via Twin City Records @ https://itunes.apple.com/gb/album/dancing-shoes-single/id915386236

https://www.facebook.com/paddy.clegg/

8/10

RingMaster 08/09/2104

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

Boomin – Original Junkie

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Taken from their acclaimed debut album released august of last Year, UK power pop/rock band Boomin now release their new single and title track from the album, Original Junkie. The band has drawn intensely positive responses and reviews since forming in 2006 with their first album ignited a sure elevation in their recognition and stature across the country, and though the song is not for personal tastes the first choice which comes to mind as the strongest lure to the album, its infectious and energetic presence easily confirms the Wigan trio as a band with all the tools and sounds to leave a lasting impression.

Since arriving on the local Northwest scene Boomin has moved through winning band competitions to sharing stages and supporting the likes of The Script, Scouting for Girls, McFly, N-Dubz, Ultrabeat, Basshunter, Newton Faulkner, Pixie Lott, Craig David and even Jedward, though maybe not a claim you would want on your CV in the future as it gives the wrong impression of the pop punk/power pop sound they create. As the single gives evidence of, the band creates music which has a familiarity in its breath but urgency and bite which solely belongs to the three-piece riot of energy and captures the imagination enough to draw further keen interest.

Produced by Mark Wainwright (INXS), Original Junkie opens on relaxed guitar strokes before the bass and drums add their impressive sinews to the easy flow of the track. The bass is especially tempting, its throaty call irresistible whilst the drums snap and frame all with skill and respectful force. The guitar carves a mesh of cradling riffs and melodic enterprise with additional grooves and catchy hooks which park the song into an even stronger encounter whilst the vocals and following harmonies are stocked up on expression and emotive potency.

As said the track is not the strongest magnet on the full length release but more than persuades that Boomin is a band well worth a punt on and their album which is even better than the single hints at, an investigation set to reward with even stronger riches than the very satisfying single.

http://www.boomin.us

7/10

RingMaster 07/05/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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