Chris Mullin – Sooner or Later

Last year Chris Mullin, the bassist/co-songwriter of Liverpool outfit The Sums, took time out to explore the solo side of his musical imagination, the result a debut EP which was as richly enjoyable as it was heartfelt. This year he has done the same. Momentarily taking time away from recording The Sum’s third album, Mullins has created and unveiled a new collection of tracks in the shape of the Sooner or Later EP, an encounter which simply puts its impressive predecessor in the shade.

Also former member of Hurricane #1, Mullin has been a potent part of his home city’s current musical fabric through The Sums, his other projects and writing and also producing. As shown by the previous Myself Fooling Me EP, his solo side music has the potential to be just as impacting; indeed the introduction to his own sounds easily drew acclaim and attention. As suggested, Sooner or Later builds on and eclipses the emotively woven and sensitively delivered sounds of its predecessor. It has a spring in its step contrasting the melancholic gait of the first release but still embraces its calm and intimacy with fresh adventure and imagination.

Released on his self-owned Nowhere Music, Sooner or Later opens up with the immediately infectious Lonely Fools. Its initial melodic clang easily tempted ears, the subsequent reflective stroll centred by bass, voice, and guitar captivating them as melodic shimmers and sonic caresses surround the Mullin’s lure. Though not exactly in sound, there is something of Pete Wylie to the outstanding track, a slice of indie pop intimation and infection which just lit our ears and appetite.

The following Just Want You to Know is equally as magnetic, its instinctive catchiness aligned to personal openness in tone and word. Rhythms again entice as keys suggest and guitars weave, vocals making their earnest declaration with equal allurement and sincerity. As the first, the song is nothing less than contagious pleasure, third song, Dissatisfied Mind, enticing from the same instinctive template. Its shadows come with hopeful light, its emotional insecurity with a vibrancy that wants to escape within a weave of sound which just seduced ears.

The track completes easily the three best songs from Mullin’s solo work yet, a trio alone making Sooner or Later one irresistible proposition with the icing on the cake being its title track. An acoustic croon with imagination embracing orchestration, bold adventure, and organic catchiness understated but lively as it infests the spirit, the track just enthrals as it pleasures; those few words pretty much summing up the Sooner or Later EP as a whole.

The rumour is that Mullin’s next offering might be a full-length adventure; we for one are not only up for that, after Sooner or Later, we are greedy for it.

Sooner or Later is out now on Nowhere Music, available as download only from most stores and https://chrismullin.bandcamp.com/album/sooner-or-later

https://chrismullin.net/   https://www.facebook.com/chrismully   https://twitter.com/chrismullin74

Pete RingMaster 24/05/2018

Copyright RingMaster: MyFreeCopyright

Chris Mullin – Myself Fooling Me

Better known as the bassist and co-songwriter of The Sums (ex-Smaller) and bassist for nineties band Hurricane #1 who have recently reformed, Chris Mullin is set to entice his own corner of attention with his debut solo EP, Myself Fooling Me. The Liverpool bred musician bares his creative and emotional heart with a six fingered handful of songs as distinct and different from his other endeavours as they are similar in the captivation of ears and imagination; simply a collection of tracks just demanding attention.

The first of a planned series of EPs exploring Mullin’s appetite for “more experimental styles of music”, Myself Fooling Me opens up with Hard Times. As keys stroke ears and thoughts, swiftly there is a Lennon-esque quality to the song and its lively grace, Mullin’s vocal expression a heart sharing proposal accentuated by the spring of strings rising over and caressing a quickly awoken appetite for the song’s melodic suggestiveness. Catchy with increasing warm hope lining its initial melancholic tinge, the song is a captivating start to the release and introduction to Mullin’s personal creative character.

Lost At Sea follows, acoustic guitar stroking ears as Mullin’s again vocally shares his reflections being subsequently surrounded by simmering and increasingly bold flames of strings courted by celestial keys. The song laps at the senses, suggestive light shimmering on its surface before the darker hues of Colour Of Pain compellingly slip through ears. With a bluesy edge to its melodic lure and shadow hugged emotion, the outstanding track is a haunted bewitchment, melancholy and sorrow its engaging suit as Mullins reveals yet another side to his ever broadening solo journey.

From the rousing beauty of a song shouting single, Mullins shows a folkish flare with No More; a gentle melody seducing act of defiance which just grows more infectious with every passing note and word while Who Took The Beat? shows another hue to the same instinctive intent with darker emotional shadows at work. Blossoming in texture and flavour with every move, a sixties musical air from his home city as well as broader cosmopolitan scents seeping from its body, the song is one evocative serenade.

The EP closes with its title track; a song written over 20 years ago and revived after a one on one jamming session with Paul McCartney a few years back. Featuring ex-band mate, Bren Moore (Smaller/The Sums/Ella Guru) and the backing vocals of Fiona Holt O’Sullivan, Myself Fooling Me is a melody woven glide into the imagination with lyrical and vocal expression as provocative and honest as the boisterous sounds around them.

With every listen the Myself Fooling Me EP offers a richer seduction whilst sharing further depth to songwriting already part of some memorable moments with The Sums. Mullin’s solo exploration is a very different proposal to his ‘day job’, but something fans of the band and melody honed music as a whole will enthusiastically embrace.

Myself Fooling Me is available now via Nowhere Music through all major download retailers and @ https://chrismullin.bandcamp.com/releases

http://chrismullin.net/   https://www.facebook.com/chrismully   https://twitter.com/chrismullin74

Pete RingMaster 29/03/2017

Copyright RingMaster: MyFreeCopyright