My Tiny Robots – My Tiny Robots

Following the releases of Edinburgh band My Tiny Robots each step of the way has been not only rewarding but slightly nostalgic. Each track that comes our way from the quartet has us not only drooling in anticipation and delight at the results but likening them to eighties Scottish post punk/pop band Josef K. As the new single also called My Tiny Robots is unleashed May 28th, that comparison goes much further than in flavours of sound.  My Tiny Robots is arguably the first band since Josef K to draw the same emotions as a release appears over the horizon. Musically they are uniquely distinctive from everyone else but each track they unveil is individual too, offering nothing but intrigue and an exciting prospect. You can never expect what you get, apart from the quality, and find oneself surprised at where they go and what they invent each time, and like the works of their older Scots the songs linger within long after they have taken flight from the ear.

My Tiny Robots is the last of a trio of singles to be released digitally and as a very special and limited physical edition via Woodthief Records. It follows the previous striking duo of tracks Guild Of Defiants and Zut Alor, both skilled and intelligent pieces of songwriting and music to inflame the passions. The band from the start with their debut EP Some Of My Best Ideas through the following EP Rock Bossa Nova Four Beat Black, has shown invention and imagination to their songs but this trio of releases has found a new elevation in  maturity and invention which is nothing less than impressive. It would not be too far to say the foursome of Dylan Childs (lead vocals, guitar), Ryan Marinello (guitar, drums, keys, vocals), Russell Williams (bass, keys), and Gareth Anderson (drums, percussion), stand in a small crowd of bands able to create tunes as instinctive to our passions as their own.

The track starts with a dusty rock guitar, its presence on the horizon a pull into the electronic breath and thick atmosphere brewing beneath. Once more Childs hits us with that wonderful Edwyn Collins toned voice as the electronic essences and weaves mill around the ear like early mist. The track does not take long to kick up a storm of electrified scuzz as the guitars and bass find angles and sounds as wonderfully discordant as they are caustically melodic nor does it take long to transport feelings back to the early Postcard label days to add to the unpredictable and inciteful ambience.  The song swings from relative calm into dirty frantic maelstrom of sounds and energy and back throughout and it is never less than hypnotic.

Arguably not the most accessible of the three tunes it is the most creative and striking with an infection just as deep as those with more barbed and inescapable hooks. The singles have shown the band in evolution and onto an even higher plateau with My Tiny Robots the most rewarding of all. Let us just hope the last of the triplet does not mean a long wait for the next instalment from the band, indie and music in general needs a constant output from My Tiny Robots, it is as simple as that.

RingMaster 25/05/2012 Registered & Protected

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The Machine Room – Love From A Distance EP

Whatever is in the drinking water up in Scotland that is dripping into its musical creativity long may it continue. This especially applies to the city of  Edinburgh with bands like Letters, My Tiny Robots and Dead Boy Robotics have more than made a stir over recent months and releases. Joining them is The Machine Room who will release their new EP Love From A Distance on March 5th. The new EP follows up previous acclaimed singles Girly which formed part of a split release with a song from Dead Boy Robotics for the TAPE singles club and Camino de Soda, which finds a place also on the EP.

The Machine Room create music which soothes the senses, its dream pop/shoegaze caresses a smooth yet startling stroke across the ear and beyond. The quintet of John Bryden, Tom Adam, Adie Emanuel, Scott Hitchings, and Ryan Marinello explore and bring forth music and expression influenced by the likes of New Order, Depeche Mode, and seemingly at times with a spice of the likes of Blancmange, though The Machine Room never more than dip their toes in the easily accessible waters of electronic eighties pop.

Consisting of four quite varied songs within the overall jangly guitar and broad soaring synth sound, the EP is an expression of love gone wrong and its contemplation. The opening song Cost Of Progress immediately stands out and remains through the length of the EP the strongest and most engaging song. With a nagging bass throughout and dazzling spotlight like melodies the song sways and leans upon the ear wonderfully with more than a heavy feel of eighties band The House Of Love, and with the wonderful falsetto sound of vocalist John Bryden has a definite flavor of Shine On from the Guy Chadwick led band to it. Attentive and attention seeking the song is a glorious flight for the ear to catch a ride upon and the one song that surely will take the band to more and more hearts.

The electronic driven Your Head On The Floor Next Door comes next, dripping with an ethereal gentleness which sparkles within its harder crystalline flow; the song dazzles rather than erupts within the ear. It is another song that one can see many finding the doorway to the bands sounds through, its honest well lit journey a simple joy.

Previous single Camino de Soda fingers the senses with care and an easily pleasing nature. It is not hard to see why the song drew much attention to the band when it was released the latter part of last year but against the previous two songs it does dim in its light a little despite being an attraction the ear cannot deny.

The heavier tones and emotion of Picking Holes completes the release to further delighted satisfaction. Again with a New Order like touch the song offers an emotive mass that soaks the feelings with a melancholic density to temper the other more vibrant sounds previously unveiled on the release, though at no point can the EP be accused of being in party mode.

      Love From A Distance is a refreshing release that coaxes rather than enflames the senses. It does not hold a song with an infectious hook or hypnotic melody to easily captivate but offers a mesmeric charm and knowing arm around the shoulders for the same result. For sounds where emotion and touching sounds walk arm in arm The Machine Room is your destination.

RingMaster 28/02/2012 Registered & Protected


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My Tiny Robots – Zut Alor

With each release Edinburgh’s My Tiny Robots has shone brighter and engaged deeper with their eclectic melodic discordant sounds. From their debut release the Some Of My Best Ideas EP of 2007 through to the free to download single ‘Rock Bossa Nova Four Beat Black’ via the Rock Bossa Nova EP the quartet has intrigued and thrilled with their imaginative well crafted songs.

November of last year saw the release of the first of three singles from the band in the shape of the captivating ‘Guild Of Defiants’. This past week saw the release of single two ‘Zut Alor’ and yet another mesmeric and sparkling release from the quirk pop band. Once more the distinct melodic yet discord spiced vocal combination of Dylan Childs and Ryan Marinello swarm all over their own jangly hypnotic guitars. Backed by the thoughtful rhythms of drummer Gareth Anderson and the moody bass of Russell Williams the foursome create their own unique sound. In a previous review of ‘Guild Of Defiants’ which we loved we ended by saying “the song is not ground breaking as such and does not deliver any striking surprises…” To clarify that and to put it into context with regard to the band’s music, against all other current contemporaries My Tiny Robot offer fully original and inspired songs that few if any match in sound. What the band does do though is bring forth the intelligent and musical quiddities of very early Orange Juice and definitely the brilliant Josef K. Whether intentional or by chance there is a certain defined similarity and evolution from the 80’s band’s sound, reinterpreted into their own striking creations which is the reason for the original comment.

Zut Alor’ starts on an emotively touching subdued feel, caressing the ear for a soothing minute before unfurling tantalising guitars and firm rhythms. The single has a more chaotic feel once it swells into its full texture making it less instant then the previous single but more adventurous and eventful. As with most of their songs ‘Zut Alor’ is instinctively anthemic, it invites and encourages spirit and voice to join its call without trying.

Released with Wood Thief Recordings, ‘Zut Alor’ is another dazzling track from My Tiny Robots and leads to the eagerest anticipation and impatience for third single ‘My Tiny Robots’ later in the year.

RingMaster 25/01/2012 Registered & Protected

My Tiny Robots – Zut Alor



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My Tiny Robots – Guild Of Defiants

From the first time the new single ‘Guild Of Defiants’ sparkles in the ear it is unmissable where My Tiny Robots come from. Revisiting and reinterpreting the Scottish quirky pop sound and inspired songwriting which first graced the world from the likes of Orange Juice, The Bluebells, and Josef K, the Edinburg quartet lead a new bunch of incisive and striking indie pop creators including bands like Letters and Miniature Dinosaurs. My Tiny Robots are flavoured more directly from the early Postcard sound adding it to their own uniqueness to create music and a single that is strongly emotive and engaging.

Guild Of Defiants’ is the first of three singles from the band to be released digitally and as a very special and limited physical edition via Woodthief Records. Following previous and acclaimed releases in their debut EP Some Of My Best Ideas and the follow up EP Rock Bossa Nova Four Beat Black, the foursome return with a song that captures the imagination with its carefully crafted melodies and uncluttered tight guitars. Along with their EP’s, the sharing of stages with the likes of The Maccabees , Jack Penate, and Minus The Bear has increased their standing and this new single will only reinforce and expand their status as one of the more exciting indie pop makers around.

From the opening jangly guitar and Edwyn Collins like vocals from guitarist Dylan Childs one knows what they are going to get, insightful and wonderfully crafted sounds, it is that apparent that quickly. Of course previous songs have also shown this but even to newcomers to My Tiny Robots their skill and intelligent touch is easy to see right away. Harmonised vocals with Childs and fellow guitarist Ryan Marinello ease the way for the song to make its way deeper into the heart guided by firm and patient rhythms from bassist Russell Williams and Gareth Anderson on drums. The song has an element of the Orange Juice track ‘Simply Thrilled Honey’ about it, clasping the slightly discordant melodies tightly to its chest. The added scuzzed guitar sounds as the song reaches its climax gives the track an extra edge and layer to seal a triumphant return and song.

It would be honest to say that the song is not ground breaking as such and does not deliver any striking surprises but what ‘Guild Of Defiants’ does do is make one feel warm and completely content with its charismatic touching melodies and heart stirring creativity far more than other singles released this year so far. A great pop song should do more and go deeper than simply gracing the ear, something My Tiny Robots instinctively have the ability to eagerly do.

RingMaster 17/11/2011 Registered & Protected


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