Caustic Minds – Black Oil For A Soul

With a rather potent reputation in tow courtesy of their highly energetic live performances, alternative rock outfit Caustic Minds has a certain buzz brewing up around them and one sure to be only accelerated by the recent release of the band’s debut EP. Five tracks strong, Black Oil For A Soul is quite simply an encounter which makes you just stop and pay attention.

Formed in Germany in 2007, Berlin based Caustic Minds has a background as rich as their sound. Vocalist Laura Jiménez Alvarez comes from Mexico City, while guitarist Daniel Viseras Calvache is Granada in Spain hailing. With bassist Michiel Sybers born in Antwerpen, Belgium and drummer Chris Crabtree British/German bred, it is a cosmopolitan mix as flavoursome as the blend of hard rock and indie enticement they conjure up between them. Over time the band has had references to the likes of Queens Of The Stone Age, The Dead Weather, Arctic Monkeys, and Black Sabbath shared upon their sound though for our ears Black Oil For A Soul tantalises and captivates like a hybrid fusion of Karn8 and My Baby.

Persistently compelling in its enterprise and bold in its character, the EP immediately had ears and imagination enslaved with opener Eyes On Fire. Never relinquishing its favourite track grip from its first escapade, the song instantly harries and tempts with a stalking fusion of stabbing beats and siren scythes of guitar. Instantly magnetic, the track only escalates its lures as a swagger breaks out in a sure stroll ridden by the similarly captivating tones of Alvarez. With a groove which infests hips without invitation and an instinctive roar that demands unity, the imagination soaked track easily gripped body and appetite.

Though for personal tastes the release never quite reached those major heights again, its presence and enterprise is a lofty adventure that continues to beguile, next up Baby Doll providing a fiery blaze of punk shaped rock ‘n’ roll with progressive breath to its winds as melodic seduction fuels its great unpredictability.

Similarly Destroyer teased and taunted the imagination; its immediate launch part prowl part strut and all fascination. Intoxicating in its bluesy charm and eye balling in its attitude, the temptress of a song proved another irresistible holler which never fed expectations before Blacklist brought its own beguiling lures to the party. Rising on spirals of sonic and melodic heat, the track is another which teases as it tempts. Like flames in a fire stirring thoughts and gripping attention as its spellbinding hold sprung creative shapes the song simply flirted with the imagination as vocals and individual enterprise trapped ears.

The EP closes up with Carry On, another moment within the EP that enthralled with ease as its seductive moves and shameless grooves toyed alongside the ever compelling barracuda toned bass of Sybers. As each track and the EP as a whole, the closer is all sensuous bait and steamy endeavour honed into rock ‘n’ roll that shamelessly and skilfully entices and firmly attracts.

Black Oil For A Soul more than suggests that the boisterous murmur around Caustic Minds is sound and about to boil over beyond the German borders the band is already putting under their spell and as a bonus ‘name your own price’ release on the band’s Bandcamp site, it is one encounter no one should be ignoring.

Black Oil For A Soul is available now @ https://causticminds.bandcamp.com/

https://www.facebook.com/causticminds/

Pete RingMaster 29/07/2019

Copyright RingMaster: MyFreeCopyright

Pearl Handled Revolver – Fantasy Reigns

Though a band already with a wealth of compelling sounds and acclaim garnering releases behind them at the time, we were introduced to British dark rockers Pearl Handled Revolver three years back through their third studio album, If The Devil Cast His Net. It was an encounter which captivated ears and imagination in varying degrees across each track with all leaving a mark which inspired the real anticipation of its successor. Now the band has uncaged Fantasy Reigns, a fascination of sound and enterprise which firmly puts its predecessor in the shade.

The Bedford hailing quartet has brewed their enthralling blend of psychedelic rock, blues rock ‘n’ roll, and rhythmic animation with increasing invention and vision across every release. It is a potent reputation only further enlivened by a rousing live presence which has seen them share stages with the likes of The Black Crowes, The Blockheads, My Baby, Hawkwind, Focus, Uriah Heep, 10CC, Don Airey & Friends, and Stray over the years. With Fantasy Reigns though it feels like they have breached yet another fresh plateau of adventure and temptation, its eight tracks flourishing with richer flavours and creative dynamics to eagerly incite body and imagination alike.

Immediately Fantasy Reigns provided us with our favourite moment, In Your Blood a riveting, delicious incitement of a track which instantly had us wrapped in its lures as the sonic wires of guitarist Andy Paris encircle an opening sample. Within an instant the spirited rhythms of drummer Chris Thatcher infest appetite and limbs, their lure immersed in the equally enticing temptation of Simon Rinaldo’s keys. It is a tantalising persuasion only lifted again by the duskier tones of vocalist Lee Vernon and the eventful delivery it comes in. Drama soaks every note and syllable, creeping shadows courting the adventure of sound and storytelling with magnetic, almost predacious prowess.

The track is glorious, an instant pinnacle continuously worried with similarly potent enterprise across the release as proven by the following Machine Gun. Again real tenacity drives rhythms and melodic intimation, those darker hues as prevalent in the heated landscape of a song fuelled by emotive volatility. As dirt encrusts its inherent rock ‘n roll, guitars and organ cast a fiery tapestry of invention and again creative drama within before Belly of the Whale unfurls its epic tenebrific tale. Immersive to the point of claustrophobic within its thick atmospheric embrace, the song still leads limbs like a puppeteer on a funereal gaited dance as another major moment infests album and listener alike.

Its increasingly rousing dynamics and tempting lead to the calm coaxing of its successor, Something Going On Up There, where swarthy sonic sighs frequent the elegant embrace of keys. The emerging crepuscular serenade had little trouble seducing attention as again psych and blues hues lock together with fascination; the beguiling bass lures of Rinaldo bewitching before Siren lives up to its name drawing ears and appetite upon the rapacious rocks of its theatre and intensive darkness.

Petrol Skin equally captivated within its persuasive almost invasive sultry twilight while The Switch had us bouncing with its caliginous psych rock web cast in intoxicating guitar threads, each coated in the melodic humidity and suggestiveness of keys. With rhythms as magnetic and vulturine as vocals, the track was one more which simply and wholly seduced ears and passions and with greater force by the listen.

Fantasy Reigns concludes with Raise Your Hand, its voracious rock ‘n’ roll as virulent as it is tantalising but set with an instinctive indeed anthemic catchiness which had the body bouncing with lustful participation. In no time a fine end to the album is cast and a need to go again from the very start driving instincts.

Pearl Handled Revolver is no wallflower in impressing and exciting ears but with Fantasy Reigns they have boiled up a whole fresh cauldron of undiluted temptation for all psych/blues appetites to greedily feast upon.

Fantasy Reigns is out now across most stores.

https://pearlhandledrevolver.co.uk/   https://www.facebook.com/pearlhandledrevolver/   https://twitter.com/PearlHandledRev

Pete RingMaster 11/07/2019

Copyright RingMaster: MyFreeCopyright

Sly Palms – Self Titled EP

As they introduced themselves to us with their debut release, we introduce you to the individual Weirdo Wonk sounds of Sly Palms and one magnetically enjoyable self-titled debut EP. From the ever giving Bristol music scene, the British quintet brew up their own individual fusion of garage, psych, and blues rock described as “Nick Cave meets Go Go Bordello through the Doors.” All are references which add up as you listen to the five tracks making up their first release but also imagine the involvement of essences from My Baby, 13th Floor Elevators, and Horse Party and you have a fuller if still not quite accurate inkling to the band’s imaginative adventure.

Recorded at Malthouse Studios with Dom Mitchinson (Spectres, Oliver Wilde), the EP quickly has ears enticed with Bottle Of Sin, the new single from Sly Palms. Immediately the opener teases and tempts with its spicy percussive grooving and new wave like movement, early XTC coming to mind in the song’s unpredictable quirkiness before things settle a touch around the vocal lure of keyboardist Louise Schwarz. Poking beats and jabbing swings collude with her fine vocals, that eighties hue merging with a brewing blues revelry as the song grows even more flirtatious and irresistible with each passing second. Additional discord only adds to the pleasure, the song mere notes away from chaos at times and only blossoming with boldness because of it.

Things are a touch more reserved from hereon in across the EP but no less enjoyable as the swarthy rock ‘n’ roll of Spanish Song proves. With sultry blues melodies uniting with hazy psych nurtured sighs, the song has the same mischievous nature as its predecessor but strolls along with a less agitated gait. Lead vocals this time are taken by guitarist Ian Cross, or it could be fellow string picker Alex Davies or indeed drummer Jake Cheesman; whoever the supplier their grainy tone only adds to the Tom Waits spiced proposal swiftly tempting and pleasing ears. The warm keys and floating harmonies of Schwarz similarly enthral and add to a creative drama which is no less potent within next up River Rhein. With a rockabilly/country rock coaxing to its catchy shuffle, the song has the body bouncing, gently at first but with increasing vigour as crescendos of rock ‘n’ roll erupt across its increasingly heated body.

The bass of Jaime Botella is a perpetually appetising throb within all tracks, adding an instinctive pulse and often growl which is especially alluring within the more unkempt climate of Slaughterhouse. The track is superb, challenging the first for best track honours with its rowdy rock ‘n’ roll and expectation defeating devilment of sound and imagination.

The more lo-fi presence and touch of Wall brings things to a potent close, the song a dance of harmonies and rattling rhythms as the band weaves another slice of off kilter sound as blues, garage, and psych rock as it is simply ear exciting rock ‘n’ roll.

With potential as vocal in every song as existing imagination and adventure, Sly Palms have made a powerfully persuasive introduction to themselves with their debut. Already they have nurtured something unique about themselves and intriguingly we, like they, have only just scratched the surface.

The Sly Palms EP is released July 14th.

14/07/17 – E.P. Launch Party @ The Old England

10/08/17 – The Louisiana, Bristol

24/11/17 – St. James’ Wine Vaults, Bath

https://www.facebook.com/SlyPalms/

Pete RingMaster 11/07/2017

Copyright RingMaster: MyFreeCopyright

Carnival Club – Magdalena’s Cape

Woven from the threads of numerous flavours which alone instinctively grab attention, the Carnival Club sound is a tapestry which certainly on the UK rocker’s debut EP, Magdalena’s Cape, blossoms from a rich first temptation to a lustfully devoured introduction thereon in. It is an infestation of the imagination nurtured in the creative mystique of prog rock, the hearty emotion of blues rock, the bold roar of sixties punk, and the hazy climate of psych rock. In truth, it is all that and more in a proposal and release which is as fresh and striking as it is the return of familiar sonic strains; an EP which offers the potential of a new essential force from within the ever pregnant Manchester music scene.

Emerging April 2016, the quartet of Eddie Moxon, George Peel, Joe Lodge, and Kai Jon Roberts quickly made a potent impression on the local scene. Now national awareness is being readied and stirred by the outfit’s maiden EP, its mature presence and rich web of sound belying the youth of its creators whilst consuming ears in an adventure bordering on the essential.

Opener House of Cards instantly entwines ears in one spicy groove, its psych blues tang soon aligned to the heavy throb of bass and crisply landing beats. Vocals make for just as potent bait as the song almost crawls into view before settling into a boisterous rock ‘n’ roll shuffle. With every groove and melodic tendril seemingly becoming thicker and richer in psychedelic/hard rock tenacity as impressive vocals equally grow in energy and presence, the EP quickly becomes a captivating proposal only increasing its grip as Mistakes Troubles and Kisses takes over.

The second track has a lighter touch compared to the heavy presence of its predecessor but an infectious swing built on pure rock muscle and emotive intensity. Its pop rock temptation is as much modern indie as it is seventies heavy rock, another fusion already revealing the kaleidoscopic canvas of the Carnival Club songwriting and sound. Its inescapably catchy body and unpredictable but fluid twists only seduce, passing on a willing submission to its bold charms to the following You’re So Hostile. It is a track even more virulently infectious with its eighties pop hooks and brooding rhythmic seducing which within seconds has the body bouncing and hips swerving with its flirtatiously weighty stroll while roaming the psyche like a blend of The Cult, My Baby, and The Doors; essences of Hendrix and goth rock only adding to its best track grabbing magnificence.

The EP’s title track steps forward next, Magdalena’s Cape a mellow caress wrapped in psychedelic wooziness and prog rock musing but with a tart spicing to its melodic  tempting, kind of like a distantly related fusion of The Jesus and Mary Chain and The Electric Prunes to try and give an impression of its sultry beauty.

Another mighty moment comes with the EP’s closing track, Headache a web of crunchy riffs and imposing textures around prowling vocals and stalking rhythms complete with sixties bred punk rapacity. Those stabbing riffs alone ignite the passions, the scythes of guitar and predacious grooves of bass escalating the primal attraction as the ever magnetic vocals seal the devilish deal on offer between song and listener.

It is a masterful and irresistible end to a just as successful release, one still carrying the potential of bigger, bolder, and greater successes ahead for Carnival Club. Magdalena’s Cape is the declaration of something mouth-watering and truly exciting breaking out within the northern music scene. With more of the same, national attention is surely guaranteed and with the realisation of the raw promise within, watch out world.

Magdalena’s Cape is out now through Demolition Diner Records as a digital download, on CD with an additional Ltd Gatefold CD version, and on Ltd Vinyl @ https://carnivalclub.bandcamp.com/track/magdalenas-cape

https://www.facebook.com/carnivalclubuk    https://twitter.com/carnivalclubuk

Pete RingMaster 16/05/2017

Copyright RingMaster: MyFreeCopyright

Black Mirrors – Funky Queen

 Black Mirrors Pic Nanna Dis 2016

BW, Black Mirrors, Belgium, Music, c Nanna Dis 2016

Every loud acclaim loaded whisper and incessant buzz needs something to back it up and that is exactly what Belgian rockers Black Mirrors do with their debut EP. The Brussels hailing quartet is one of the keenest new names on more and more keenly crowing lips and Funky Queen offers plenty of reasons why.

There is little we can give as background to the band but with their music doing all the talking on their Napalm Records released first EP, additional details can wait. The Black Mirrors sound is a myriad of flavours; at times it is bluesy and punky, in other moments a mix of grungy stoner and psych/heavy rock imagination, more often a blend and varying combination of all and more; a varying web easy to hear in just the four songs within Funky Queen alone. Imagine a boiling pot of essences from the likes of Queens Of The Stone Age, My Baby, Soundgarden, Janis Joplin, Jess and The Ancients Ones, and Led Zeppelin and you get a sense of the fevered sound seducing and rousing ears.

Funky Queen opens with its title track making first contact with gnarly riffs and controlled pounding beats contrasted by fuzz gifted harmonies. Swiftly a driving spine of swinging rhythms and grumbling grooves court the alluring tones of vocalist Marcella Di Troia, her magnetic presence and prowess matched by the infectious throes of the sounds around her. There is nothing to stop hips swerving and feet shuffling in league with the virulence, the track’s fusion of desert and blues rock almost tribal in its catchiness.

707_blackmirrors_cmyk_RingMasterReviewIt is a stunning track awakening ears and appetite with lusty zeal and setting them up for the garage rock and blues punk revelry of Kick Out The Jam. Winding around the dark bait of Gino Caponi’s bassline, the grooves and melodic flames from Pierre Lateur’s guitar sizzle as the sticks of drummer Nicolas Scalliet land with relish. Di Troia again stands vocally astride it all with commanding dexterity and vocal zeal, a union of enterprise in spirit raising rock ‘n’ roll providing a striking cover of the MC5 classic.

Actually it is four such escapades on offer, The Mess just as persuasive as it ventures on a slower more controlled stroll soaked in anthemic temptation and sultry melodic juices. Like a siren, the song draws ears and emotions in but the rewards are invigorating not dangerous, except to swinging hips quickly involved in the fiery seduction.

Canard Vengeur Masqué brings things to a invasively captivating close, the song also reserved in its gait but eager in its sonic and melodic tempting with Di Troia a seductress to sound and listener as rhythms twist and turn around glowing grooves and hooks keen to infest the psyche. There is a touch of the now demised British band Karn8 to the song and of the aforementioned My Baby too, but Black Mirrors for the fourth time in the EP stand individual and irresistible in ears and praise.

The Funky Queen EP is quite superb and will only accentuate the band’s already heady reputation while drawing a horde of newcomers to the bold seduction that is Black Mirrors.

Funky Queen is released March 3rd via Napalm Records across most stores.

Upcoming Live Dates:

07.03.2017 TU – Ankara / ODTÜ

06.04.2017 BE – Antwerp / Trix

w/ Horisont

16.03.17 DE – Hamburg / Logo

17.03.17 DE – Siegen / Vortex

18.03.17 DE – Düsseldorf / Pitcher

23.03.17 DE – Munich / Backstage

25.03.17 CH – Pratteln / Z7

26.03.17 AT – Vienna / Das Bach

27.03.17 AT – Salzburg / Rockhouse

28.03.17 DE – Mörlenbach-Weiher / Live Music Hall

29.03.17 DE – Lichtenfels / Paunchy Cats

30.03.17 DE – Berlin / Privatclub

http://www.blackmirrorsmusic.com/   https://www.facebook.com/blackmirrorsmusic   https://twitter.com/BlackMirrorsmus

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright

Mannequin Death Squad – Eat Hate Regurgitate

mds_pic_RingMasterReview

After the rousing scuzz enticement of latest single KYMS, Australian duo Mannequin Death Squad uncage their debut mini-album Eat Hate Regurgitate to confirm all the mightily good things found in said single and it’s just as magnetic predecessor.

Emerging last year, Mannequin Death Squad consists of El and Dan; one girl, one boy who between them play and swap guitar and drums whilst offering their potent union of vocals. A striking presence on the Melbourne underground scene, the pair sparked attention with the single Sick earlier this year, following it up with the even more impressive and gripping KYMS a few weeks back. Both feature upon Eat Hate Regurgitate alongside a trio of new proposals which simply whip up attention and appetite for their scuzz punk devilry.

Released via the excellent UK indie Integrity Records (Million Dead, Horse Party, Valentiine), the release opens up with the raw magnetism of KYMS, a track raging “against the relentless pollution of our planet, the song inspired by a hatred of those who continue to defile and pollute the earth.” Plaintive strains of guitar make the first touch, swinging rhythms and caustic riffs the next as Dan vocally bursts into view with the warm tones of El in close attendance. It is raw and inviting, fiery and captivating, hooks and grooves a weave of temptation as the pair vocally dances around the senses. The track’s infectiousness is virulent but only part of the picture as darker shadows and textures blossom as the song progresses, its finale of an imposing and enjoyably oppressive nature breeding blues grooves and a sludgy climate before going out in a blaze of raw rock ‘n’ roll.

The impressive start is followed by Sick, a volcano of scathing pop punk with more bluesy flames in its melodic kiln as thumping and slightly predacious rhythms roam. Like a mix of My Baby, Karn8, and Valentiine, the track seizes ears and appetite swiftly, only tightening its hold midway as again the band suddenly twist into a whole new creative landscape which lifts things to another addictive level.

The muscular poppy romping of Sky comes next, its feisty canter carrying hues of bands such as Jack Killed Jill and The Melvins whilst creating its own character of unpredictability while Van Gogh snarls and aggressively bounces along before slipping into something more melodically and seductively comfortable. It is a strain of persuasion which switches between full-on assault and that bordering on salacious coaxing, casting a tempting which weakens knees in between having them feverishly stomping around. A great live air to the track only accentuates its glory, it challenging the opener for best track honours.

The album is concluded by the similarly addictive and enterprising Down, another swinging from bold energy to harmonic calm and leaving a greed for more in its wake. The track sums up everything great about Eat Hate Regurgitate and the Mannequin Death Squad sound in its four minutes plus and why so many are becoming rather excited about the twosome.

Eat Hate Regurgitate is released October 21st via Integrity Records.

https://www.facebook.com/mannequindeathsquad/   https://twitter.com/MannequinDsquad

Pete RingMaster 19/10/2016

Copyright RingMaster: MyFreeCopyright

Bluesness – The Last Valley Of Jupiter

Bluesness - The Last Valley Of Jupiter - cover_RingMasterReview

Bluesness comes from Porto in Portugal, a quartet with a sound living in character up to their name. Their style of blues is a flavoursome mix of modern and traditional embracing an instinctive catchiness which grabs ears with swift success. The Last Valley Of Jupiter is the band’s debut EP, and a highly accomplished ear pleasing introduction to a band it has proved to be.

Formed last year, Bluesness consists of vocalist Sara Jimmy, guitarist Ricardo Marques, bassist Vasco Pereira, and drummer Rúben Fernandes, a foursome bringing almost a decade of live and studio experience between them to the band. It is easy to hear that depth in experiences and know how within The Last Valley Of Jupiter, a strength on show straight away with opener My Kind Of People. Quickly maturity in songwriting and sound entices yet equally there is the hungry essence and bold imagination which comes with any new project. The track’s laid back start is a coaxing soon draped in sultry grooves with a fiery touch to their seductive tempting. The slow swing of the bass is just as welcoming, it providing great company to the instantly attractive and similarly delivered vocals of Jimmy. With the craft of Marques leaving trails of sonic flame behind his solo for extra spice, the track is a rich start to the release.

The EP’s title track saunters in next with the guitar spinning a web of enflamed grooves and smouldering melodies straight away as rhythms again share an inviting slow swing. Like a controlled fire, the song gently burns with emotive suggestiveness and sizzling flames of individual invention, it never quite finding the spark to match the energy of its predecessor but still captivating to the same degree before the southern rock spicing of Way Down meanders in on another seductive melody. There is a touch of My Baby to the song though Bluesness stays away from the more delta inspired textures of the Dutch/New Zealand bred band whilst serenading the ears.

Closing with the feistier canter of Dis-Connections, a piece of evocative rock ‘n’ roll as much a romance on the ear as it is a tenacious incitement on hips, The Last Valley Of Jupiter is a quickly and increasingly pleasing introduction to Bluesness. We cannot say that the blues is our forte here, but we know what we like and The Last Valley Of Jupiter easily fits the bill.

The Last Valley Of Jupiter EP is out now @ https://bluesness.bandcamp.com/

https://www.facebook.com/BluesnessBand/

Pete Ringmaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

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