Bloodclot – Up in Arms

Pic Rick Rodney

Bringing together the highly recognised talent of certain individuals from various acclaimed bands does not always guarantee something special but in the case of Bloodclot, it feels a given such the instinctive union between its collective. The band is the coming together of Cro-Mags vocalist John Joseph, former Danzig and Murphy’s Law guitarist Todd Youth, drummer Joey Castillo formerly of Queens of the Stone Age, Danzig, and Eagles of Death Metal, and Mondo Generator frontman and ex- Queens of the Stone Age, Kyuss bassist Nick Oliveri. Together they confirm that given with debut album Up in Arms, a physical and lyrical roar of hardcore defiance.

Unleashing twelve ravenous slices of punk rock with more inescapable hooks than found in Leatherface’s pantry, all fuelled by raw irritability at the state of the world today, Up in Arms is a crowd uniting battle cry. It fuses familiar essences with the fresh appetite and invention of a quartet seemingly destined to come together at some point. Everything about it is as organic as it is rabid, as challenging as it is rousing; taking no prisoners but rewarding those who it devours time and time again.

The album’s title track crashes in on the listener first, springing from an invasive sonic mist with a slavery of guitar and rhythmic predation as Joseph pokes and stirs the senses with voice and word. Castillo’s beats are rapier sharp and imposing, Oliveri’s bass carries an infectious brooding whilst Youth’s riffs and hooks ensnare across four eventful minutes.

It is an ear gripping, appetite inflaming beginning which only kicks up a gear with the following Fire, a belligerent brawl of punk ‘n’ roll instantly chaining ears with a  virulent hook as rhythms jab and incite. If the Angelic Upstarts was merged with Sick Of It All, this could be their anthem while Manic infuses an even greater physical psychosis and unforgiving attitude to the torrential gait of its predecessor in its own addictive multi-flavoured rumble.

Through the sonic call to arms scourge of Kill the Beast and the Dead Kennedys scented Prayer, new twists of sound and invention force themselves through ears, each with a virulent strain of spiky hooks and body twisting grooves, while their successor has things bouncing like a dervish. Siva / Rudra is a contagion of enterprise as cantankerous as it is exotically seductive marked, as all three, by Oliveri springing basslines as funky as they are carnal. Alongside, Youth’s riffs and grooves come as primal as they are compelling whilst Joseph squeezes every ounce of uncompromising adventure and emotional incitement out of tone and syllable.

Soldiers of the New Babylon locks metal and punk together in its prickly vent, a testy proposition woven with nagging riffs and a magnetically throbbing bassline before Kali throws all those attributes into an insatiable maelstrom of punk rock temptation, taking best track honours along the way. Barely seeing the one minute mark, the track is irresistible but swiftly rivalled by the crabby assault of Slow Kill Genocide, the catchiness moment within Up in Arms and arguably the most choleric.

Pure punk rock truculence shapes the breath-sapping antics of the following Slipping into Darkness, Oliveri spawning his most addictive moment within the album bound in the searing flames of Youth’s guitar as vocals and beats vent their animosity with Life as One backing up its triumph with its mercurial but always commandingly imposing tapestry of quarrel and imagination.

The album is closed by You’ll Be the Death of Me, a slab of rock ‘n’ roll taking big chunks out of the senses as it excites with its Lard-esque espionage. Addiction has never been more vicious and seductive within three and a half minutes, certainly in recent times, as that spawned by the outstanding finale to one of the year’s biggest treats so far.

Produced by Zeuss (Hatebreed, Revocation) and mixed by Kyle McAulay at NRG, Up in Arms transcends being just a great release from another so called ‘super group’, it has given hardcore a fresh new breath and snarl which we can only hope is the first of many gales from Bloodclot.

Up in Arms is out now on Metal Blade Records across most stores and @ https://bloodclot.bandcamp.com/album/up-in-arms

https://www.facebook.com/bloodclotofficial/   https://www.instagram.com/Bloodclot2016/

Pete RingMaster 26/07/2017

Copyright RingMaster: MyFreeCopyright

Anti Nowhere League/The Damn Garrison – Split EP

OB-GD17D.pdf

As criticised as they were praised in many quarters from their first days for their true DIY punk simplicity and unpolished confrontational often salacious musical craft and attitude, UK punk legends Anti Nowhere League soon outrode their critics to become one of the most loved antagonists. A new split through Rebel Sound release sees the band at their adversarial inhospitable best alongside New Hampshire Oi punks The Damn Garrison, a union made in middle finger heaven. The link up makes for four tracks of punk rock which are as soaked in aggression and mischief as in anthemic provocation, and on the Anti Nowhere League side unbridled irreverence. They are a quartet of tracks which unreservedly feed the base desires of all punk fans.

The first pair of songs provided by Anti Nowhere League are a couple which previously could only be found on their Pig Iron CD and tracks which Captain Oi refused to release. Day The World Turned Gay pulls no punches as it uncages potent hooks and insatiable grooves into a mesh of punk rock causticity lyrically and sonically straight away. The Tunbridge Wells quartet of vocalist Animal, guitarist Tommy, bassist Shady, and drummer Nato, cast a riff and rhythmic slavery which is simply prime punk rock. Certainly the song is not touching new plateaus in originality of band or scene but equally it is virulent choice ANL which stands apart wantonly and excitingly from the rest. Its might is replicated and increased by the following The Adventures Of Peter Vile, of course another song with no regard and blinkers to ‘boundaries’, going places where most fear even contemplating. Once again a weave of intrusive hooks and riling riffs create a web of ridiculously catchy bait to which vocals unfurl an equally riveting, irreverent, and forcibly honest narrative. Again it is what you expect an ANL track to be and stand up as, and again a wholly invigorating provocation reminding just how important and rigorously rewarding the band has been and still is to a great many of us.

Hailing from Dover, N.H. and formed in the summer of 2012, The Damn Garrison has swiftly made their presence a potent and thrilling one OB-GD17D.pdfon stage where they have played with the likes of Murphys Law, Infa Riot, The Warriors, Bishops Green, Evil Conduct and many more and through their four track 7” release through Arrest Records, Unsung Heroes. Consisting of vocalist Mike Day, guitarists Ritchie and Sammy Plante, bassist James Morin, and drummer Chad Lafrance, the quintet instantly unleash a thick infectious anthem of a bruising on the split with The Real Ones. An intensely coaxing bassline and crisp beats sets things in motion, their strong bait scythed through with thrusts of guitar. It is an immediately enticing affair which increases its call with a raw scowl of vocals which enter the fray as the track settles into a voracious charge, group shouts and juicy hooks adding extra spice to the temptation. As with the ANL tracks, the band is not forging new avenues but certainly lying fresh addictive and thrilling designs on to an established template.

The band’s second track Pride & Honor again leads with a great bass enticement which is soon smothered with irritable beats and rowdy riffs matched by excellent vocal squalls, singularly and as a group. As great as both songs are it must be admitted, as suckers for toxic basslines with as much groove and infectiousness to them as contagious spite, that Morin steals the passions in what are wonderfully fiery and contentiously evocative songs. Again stacked to the gills with hooks and raging riffs, the track rampages into the passions with merciless efficiency matching its partner track, and the incitements of their cohorts in crime upon the release, in exhausting punk bred appetites.

Two great bands birthed in different eras but united in sculpting strenuously exciting punk revelry across four outstanding tracks, the split is a mouthwatering stomp confirming the lingering adversarial might of Anti Nowhere League and announcing an emerging force in The Damn Garrison; another slice of evidence that world punk is possibly heading to another major heyday.

Anti Nowhere League/The Damn Garrison Split EP is available @ http://www.rebelsoundrecords.com on vinyl (200 Black vinyl, 200 Halloween Orange vinyl, 100 Lime Green vinyl).

https://www.facebook.com/antinowhereleague

https://www.facebook.com/TheDamnGarrisonoi

9/10

RingMaster 30/05/2014

Copyright RingMaster: MyFreeCopyright

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Keyside Strike/Rust– Olde Worlde-New World split 7”

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A rigorous bruising of dirty uncompromising punk rock, the Olde Worlde-New World split 7” is one of those releases which slaps you around the chops and lifts the spirits as only the purest form of the genre can. Featuring UK punks Keyside Strike and Australian aural rioters Rust, the five track EP leaves emotions and thoughts drenched in aggressive intent whilst basking in raw stringent punk at its antagonistic height.

Released via Rebel Sound Music, the raucousness starts with two tracks from Rust. Hailing from Sydney, the band formed in 2005 and Rustfeatures members from some of Australia’s most prominent punk rock bands from over the years including Crucified Venus, Crankcase, Rule 303, World War 24, and Black Rose. The band is no stranger to acclaim back home and further afield from live performances which has seen them veterans of three UK tours and recently their first around America, as well as sharing stages with the likes of Dead Kennedys, GBH, Peter & The Test Tube Babies, The Exploited, UK Subs, DOA, The Business, Sham 69, Rose Tattoo, The Varukers, The Vibrators and many more. With equally potent responses to their releases, especially the 2010 album Lean Mean Street Machine and Oi Oi Aussie Rock & Roll live, Rust now offer two striking tracks to Olde Worlde-New World, starting with Send My Love From England. An opening throaty bass croon immediately grips attention and more, its coaxing irresistible and soon joined by the caustic riffs and strikes of guitar within a punching rhythmic testing. With the kind of punk vocal delivery you almost expect with old school bred assaults, the track offers strong magnetic hooks and excellent anthemic moments to seize full vocal and body co-operation from the listener. It is a great start, a song with no surprises but one that ticks all the boxes for a deeply pleasing slab of punk antagonism

Their second offering is a cover of The Specials track Concrete Jungle, another undeniably enterprising and enjoyable swipe across the jaw. With a sinew driven rhythmic frame close to the original but more exploratory flames of guitar invention rousing the spirits within one of its creators most memorable stomps, it is impossible not to swept up in its riotous but respectful barging. Rust have taken the already punk element of the song and given it freedom to shape its own riveting romp with an oi rampancy, the result we suggest one of the best covers this year.

Keyside Strike    Taking over on the EP, Darlington trio Keyside Strike create tempests of punk infused with dirty rock ‘n’ roll, blues, hardcore, and psychobilly. Formed in 2002 their sound is one which stomps on the senses whilst plucking the passions with irresistible hooks, all within again a brawling maelstrom of roughly imposing energy and invigorating urgency. Their two albums and numerous appearances on compilations has made the band one of the true rock ‘n’ roll bands in the Northeast of England whilst their impressive live shows has seen them share stages with bands such as The Business, Murphy’s Law, Street Dogs, UK Subs, Demented Are Go!, Discharge, Madball, Demon City Wreckers, Stitch Hopeless And The Sea Leg and loads more across the UK, Europe, and America.

The band instantly snarl and rampage from within the split EP with Back From Hell, the track an avalanche of barbaric beats, caustic riffs, and squalling grouchy vocals. Immediately the fury is like a violation from a banding together of Motorhead, Offspring, Discharge, and The Pirates. With the song already making the fullest persuasion, the waspish niggling grooves and vocals tension honed into anthem causing chants only secure a long term appetite which is fed to even greater heights by the following Knives, the best song on the EP. Bulging drum beats open up the passions to gripping effect and are soon leading the senses into a psychobilly honed bait flavoured to greater potency by the menacing blazes of guitar and rising swells of sonic invention not forgetting a predatory bass stalk and great vocal gruffness which are simply enslaving. In full stride the song grips with infectious hooks and a vibrant jaw which flings the imagination and emotions around like a submissive carcass, whilst the Therapy? like carnivorous seduction of primal voracity breeds lustful addiction to the rioting predation.

The final offering is Youth (Y2K), a cover of a track by The Blitz and a closing slice of pure old school punk which you just cannot resist adding voice and fist strikes to as it ignites nostalgic rapture with its raw simplicity and uncluttered, uncompromising punk rock hymn. It makes a great finish to an excellent release featuring two bands which from strangers will trigger a wealth of new attention and for fans simply confirm what they knew for ages, Rust and Keyside Strike are two outstanding impressive punk bands.

https://www.facebook.com/rustpunk

https://www.facebook.com/pages/Keyside-Strike/146906715382167

8/10

RingMaster 10/10/2013

Copyright RingMaster: MyFreeCopyright

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