For a change we are clubbing together a trio of releases to look at in one go, the reason for this being the common denominator of musician/songwriter Stewart Anderson. The 7” releases from Boyracer, Hulaboy, and The Safe Distance are three early propositions of new indie label Emotional Response formed by Anderson and wife Jen Turrell. Having also run 555 Records and Red Square over the past couple of decades, the pair set up their new project with the intent of recording and releasing new music with friends, the outcomes limited in availability, produced on coloured vinyl, and only available right now through their website http://jenandstew.com/.
With their first release coming in 1991, Boyracer has been a constant source of excited punk pop, releasing over 800 songs since that first exploit with records unleashed through labels such as Sarah, Slumberland, Blackbean, and Placenta. Coming off a four year hiatus, the Anderson founded proposition offers the Pete Shelley EP as their final release, with Turrell and Sarah Records era guitarist Matt Green joining Anderson for four irrepressible pop escapades. The EP opens with its title track, a bass and guitar drama with jabbing beats and expressive vocals. The song is lightly stomping from the off, beats punchy in a weave of politely jangling guitars and potently alluring hooks. It is not much more than a breath over a minute in length but provides pure contagious revelry for feet and imagination to greedily devour.
The following 3nd Wave Mod is similarly parading a fleet of inescapable hooks and quaint melodies within this time a rawer frame of rhythms and chords. As infectious as the first and with a great concussive crescendo in its middle, the song provides a tasty alternative pop adventure which the following The Kind Of Man You Really Are emulates with its tangy melodic clang and the brilliant Jump surpasses with its twee pop devilry. Led vocally by Turrell this time, the fourth song swiftly reminds of seventies UK bands like The Chefs and Girls At Our Best. Bouncing with a mischievous melodic grin enhanced by the summery caress of keys, and a rhythmic incitement which again has feet instantly engaged, the song is an anthem for the passions. The release comes with two bonus tracks which were not on our promo but it is hard to imagine them being any less thrilling than the four songs already treating ears.
The Hulaboy EP, He’s making violent love to me, mother, is the celebration of a twenty year friendship between Anderson and Eric M. Stoess, a three track vinyl offering which plays ears with melodic charm and citrus sonic flavouring. As shown by first track Exes and Enemies, there is a sharp tone to the melodies which caress the senses but comes wrapped in a mellow and engaging elegance which is almost whimsical in its breath and temptation. Rhythms are firm though, giving the endeavour depth and muscle in all the right places and through the quirkily enterprising croon of the song.
Napalm Heart flares with lo-fi tenacity and melodic flaming from the first second, its undiluted catchiness and crispy resonance like a blend of The Freshies with a more cheerful Josef K, which for a minute and a half has ears inflamed and emotions wrapped up in sonic devilment. The flirtatious track is followed by Kids Under Stars, a raw blaze of sonic rapacity and garage rock causticity soaked in sixties pop colouring. The blistering encounter completes the impressive vinyl version of the single whilst the download comes with an additional seven tracks, with I find your topsiders and beard amusing and a great cover of Echo and the Bunnymen’s The Cutter particular standout moments.
Final release, the Songs EP from The Safe Distance, is the global link up of American Anderson on bass and organ with vocalist/guitarist Crayola Sarandon (Sarandon / A Witness) from the UK and Australian drummer David Nichols (Cannanes / Huon). Casting quirky dark pop clad in gripping shadows and brought with rippling sinews, the band uncage four tracks for the vinyl release of their EP. Hey you sets things off, probing beats aligned to guitar jangles and great monotone delivered vocals the initial delicious bait. The song proceeds to roam with a predatory glint in its sonic eye and bracing flames to its melodic hue, the imposition tempered by the flowery charm of keys and the addictive lure of the vocals. The song is pure drama and quite infectious, a description also suiting the more restlessly contagious Soap. Tastily scuzzy but retaining a warm glow to its raw sound and invention, the track swiftly has thoughts and appetite gripped, whilst A bigger splash with its sultry smouldering of melodies and keys takes a little longer to draw a healthy dose of satisfaction but has ears and imagination fully involved by the time of its final fuzzy note.
The punkish Sandpit concludes the quartet of tracks, its bluesy roar and caustic energy colluding for a thoroughly thrilling slice of dirty rock ‘n’ roll, keys and guitars especially kicking up a dust storm with their sonic voracity. Completing the vinyl version, it is just part of another four original tracks on the download as well as a trio of covers featuring Hawkwind’s Silver Machine, Adam and the Ants’ Young Parisians, and the excellent take of Bogshed’s Fat lad exam failure.
Perfectly diverse but united in the songwriting prowess of Anderson and others involved, all the singles make an impressive entrance into the independent and underground scene by Emotional Response Records.
The releases from Boyracer, Hulaboy, and The Safe Distance are all available on coloured 7” vinyl and digitally now via Emotional Response Records @ http://jenandstew.com/
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