Reckless Intentions – Lights EP

UK outfit Reckless Intentions might be primarily tagged as pop punks but as their debut EP shows, they have an instinctive devilment and creative belligerence which reveals there is much more to their aggressively magnetic sound.

Embracing inspirations from the likes of Green Day, The Clash, and Foo Fighters through to others such as All Time Low and Moose Blood, Reckless Intentions host varied flavours in their music which is clearly audible and potent within the Lights EP. Equally, the Brighton hailing quartet bring an individual character to their songs and presence which is maybe still slightly more potential than realisation but is already helping shape them into a prospect which stands out.

Formed in 2016, the band concentrated scene last year on establishing themselves on the south coast music, and successfully so, before linking up with Alex Gordon at Brighton Electric Studios to work on and record their first release in the sprightly shape of Lights. With its five boisterous tracks, the EP quickly shows it has the intent and energy to stir up richer attention the way of the foursome but more so the imagination to make Reckless Intentions a rather exciting prospect.

The EP opens with the outstanding Ghost Town, a song swiftly making a successful claim for best moment and most potent lure within Lights. With a great slightly off-kilter indie rock revelry to its punk rock tenacity, the track like a mix of Asylums and The Wildhearts, things are swiftly bold and sweaty as the swinging beats of  Josh Woolnough scythe through the nagging riffs and spiky grooves of guitarists Matty Halliwell and Lewis Horsley respectively. The energetic vocals of the former equally inject an energy and fresh identity to the encounter, it all colluding in an adventurous and unpredictable mix driven by the alluringly throbbing groan of Laurence Burkitt’s bassline. In no time body and vocal chords are enlisted by the arousing antics of the song, its dynamic and almost bitchy start the perfect introduction to Reckless Intentions.

Stitches, the band’s latest single is next, its melodic bait and harmonic enticement quickly flirting with ears. The hooks of Horsley beckon within a more familiar temptation of sound; the track openly sharing All Time Low meets Brand New like essences within its infectiously swinging exploits. Halliwell again makes a potent vocal lead, his tones giving the track something more unique than other pop punk outfits though something its enjoyable sounds arguably lack a touch. Nevertheless, the song hits the spot before evolving into the short instrumental of the EP’s title track, a piece which neither detracts or adds to the overall strength of the release but keeps an appetite for its adventure on board.

The following Outcast only enriches the fun though, its instant Smash Mouth like swagger led by the ever flirtatious bass easy to get hooked on prime bait with vocals again a strong pull at its core. Becoming more punk ‘n’ roll with every lively beat and niggling riff, the song growls at and flirts with the listener, all the time brewing a pop catchiness which has hips enlisted in quick time. The song also reveals yet another hue to the band’s songwriting and sound, a variety exposed once more by closing song Home. With his own suggestive piano melody alongside, Halliwell plaintively croons from the speakers; melancholy lining his words and fingers. Alluring ears with ease, things only become more intense and potent as the band eventfully bring their emotion and craft to the reflection; the song catching fire with pop punk catchiness caught in an emotion soaked blaze.

It is a fine end to an ear pleasing first delving into the Reckless Intentions adventure, the first of many more highly pleasurable unions if they build on the undoubted potential and fun of Lights.

The Lights EP is out now across most online stores.

http://www.recklessintentions.co.uk   https://www.facebook.com/recklessintentionsuk/    https://twitter.com/recklessband_uk

Pete RingMaster 18/07/2017

Copyright RingMaster: MyFreeCopyright

Seven Stories High – Take The Long Road Home

Seven Stories High Promo Shot_RingMasterReview

Take The Long Road Home is the new mini album from British quintet Seven Stories High, an encounter which finds the band’s already ear pleasing pop punk with even bolder infectiousness and melodic enterprise to tempt national awareness. Take The Long Road Home hits the ground running and continues to offer variety and creative tenacity throughout. Admittedly it might often avoid the uniqueness which certain moments within it suggests is there within the band’s imagination, but from start to finish the Swansea hailing band successfully ensure enjoyment is at the top of the agenda.

Formed at the beginning of 2014 with inspirations said to include the likes of Blink 182 and Sum 41, Seven Stories High soon made their mark on their local and increasingly the national live scene. Line-up changes and inner positional shuffles have been part of the band’s earlier times, as too and since, the sharing of stages with bands such as Moose Blood, Decade, Altered Sky, Light You Up, and Kids Can’t Fly. They released their self-titled debut EP on the January of 2015 to potent responses which now Take The Long Road Home threatens to turn into a stronger national recognition of their emerging presence.

The release opens proper with CTRL, a rousing slice of raucous pop punk with thumping beats and wiry riffs around the potent tones of vocalist Rhys Hyett-Ferrier. There is a great rawness to the song too, bringing a touch of Millencolin to it at times but equally a rousing energy which especially equips  the group roars and the irresistibly catchy enterprise shared by the guitars of Matt Davies and Charlie Porter.

The potent start continues with the similarly tenacious and lively That’s No Moon, another which takes no time in firing up ears and appetite with its raucous pop punk dexterity. Framed and driven by the throbbing bassline of Kallum Brain and the swinging beats of Dave Bevan, the song soon reveals a sonic and emotive fire in its belly. Admittedly, as its predecessor, there is something very familiar to the encounter but more than made up for by the adventurous hooks and a vocal strength which simply captures the imagination from Hyett-Ferrier with resourceful backing from Davies and Brain.

Seven Stories High Cover Artwork_RingMasterReviewIt is that aspect of the band which most consistently impresses across the release, with no negative reflection on the potent songwriting and skilfully woven sounds, the vocals making a constantly striking impression repeated on the feisty canter of Working For Wednesdays and following it, the excellent Wait For It. The first of the two also bears some great scything spicy grooves to keep ears and appetite busy, if without quite living up to the first pair while its successor, which features Charlotte Gilpin from Dream State, explores a more alternative rock canvas for its melodic seducing of ears. It still has a punk essence in its spirited flame, though it could be called more post hardcore scented; one of many textures in the emotively fuelled drama of sound led by the powerful vocal union of Hyett-Ferrier and Gilpin.

It is a track which becomes increasingly potent with every listen as too the acoustic stroll of Skin Me Alive. It is an immediately alluring proposal which further blossoms in ears the more time given to it. Its melodic serenade simply leaves a lingering impression before making way for album closer Fool’s Paradise, a boisterous tapestry of melodic suggestiveness around rapacious rhythms and expressively strong vocals. There is little surprising about the highly accomplished song, but it leaves enjoyment full so, as the release, warrants only recommending.

Seven Stories High have taken another potent step with Take The Long Road Home, and indeed their sound and its growing maturity. The band might not yet be in touch will major uniqueness but the signs and potential is there in some cracking tunes. A fan of bands such as Kids in Glass Houses, A Day to Remember, and All Time Low then Seven Stories High will be up your street.

Take The Long Road Home is released May 20th through all stores and at https://sevenstorieshigh.bandcamp.com/album/take-the-long-road-home

https://www.facebook.com/sevenstorieshigh/   https://twitter.com/7storieshigh

Pete RingMaster 19/05/2016

Copyright RingMaster: MyFreeCopyright