…Of Darkness and Light is one of those encounters which makes a striking initial impression but over time and subsequent journeys unveils and expands into a constantly rewarding and riveting adventure. The creation of Welsh progressive metallers Akb’al, the seven track album soon shows it is much more than that tag suggests, the band exploring and employing resources across a multitude of styles to produce one thoroughly absorbing and provocative experience. The release is not without minor issues, and they are minor but with craft and hunger to seduce and savage across its formidable presence, the band’s debut is an impressive adventure to grow from.
The seeds of the band began back in 2006 with Michael Young-Temple (vocals, bass, tablas, djembe, didgeridoo and the kaossilator!) who coming to the end of travelling around the world began fusing his experiences and world percussion instrumentation into a more stoner/prog rock and metal bred songwriting. Linking up with Thoby Davis (vocals, guitar, violins) and Rob Miles (guitar, backing vocals, synths), the trio began evolving and expanding Young-Temple’s early ideas. The band was eventually completed with drummer Michael Hourihan, also of Onslaught, and from 2010 set about building a live presence. The Cardiff quartet took little time in making a mark locally and with shows alongside bands such as Ten Cent Toy, Thorun, Chaos Trigger, and Fell on Black Days was soon an established and eagerly followed proposition around their region. Next came a venture into the studio to set about working on…Of Darkness and Light; the result a tempest of imagination and invention and one of the more exciting and compelling entrances so far this year.
The band bring influences from the likes of Tool, The Doors, and Porcupine Tree through to Kyuss, NIN, Alice in Chains, and 
Coheed And Cambria into their sound though again certainly they are spices heard but only a slight flavour of what …Of Darkness and Light feeds the senses within. The title track opens up an imaginative and intimidating flight, the track a venture through the dark side of the release’s theme, an exploration of the darkness and light in human reality and state of the mind. Opening female torment within a cloud of pestilential breath coaxes in a shadow drenched bass and guitar incitement, the former heavy and respectfully imposing and the latter a melodic tender heat wrapped in spoken whispers. It is an intriguing and imagination probing invitation which flows into an aggressive and tempestuous oppression of noise and intensity. Merging mellower caresses with menacing sonic rapaciousness the song weaves and entrances the senses with a blend of progressive, nu, and psyche metal for a potent and riveting start.
The Ride takes over with the same fluidity and mix of dark and light evocations, voracious and magnetic textures easily lying in each other’s arms as the song develops a melodic metal temptation. Again nothing settles into a singular persuasion or attack, bursts of primal agitation vocally and rhythmically punctuating the transfixing melodic wash of the song and great clean vocals. Sonically the track equally ebbs and flows with intimidation and temptation, both fuel to the open invention and craft consuming the ears.
From the very strong start the album switches up another creative and impacting gear with Totally Recalled and the following Equilibrium. A muscular rock essence which at times flirts with a Metallica like tempting guides the heavyweight stoner persuasion of the first song, an exhaustive metallic predation united with an infection clad groove just as irresistible and virulent in its ignition of the passions. As with many of the tracks there is a slight familiarity to certain moments but never anything to deter thoughts and emotions from falling greedily into the scintillating feast of sound and enterprise on offer. The track’s successor and new video single from the band is pure magnetism, simply nine minutes of smouldering wanton seduction from its opening melodic notes. Thumping rhythms and a bass snarl is soon stalking the senses whilst another strong and impressive swarm of clean vocal harmonies soak the ears with the equally pleasing lyrical narrative. The song is an unbridled addiction, unveiling a mouthwatering range of grooves and hooks within a flowing evocative soundscape which never relinquishes its hold and immense stature across its epic expanse. Like a mix of KingBathmat and Tricore with a healthy touch of Mishkin to its ingenuity at times, the song is a masterful triumph and the obvious doorway into Akb’al.
Restless And Waiting is bred from the same bloom of ideas and inventive sculpting as it predecessor but returning the ears to the scavenging causticity of coarse vocals and sonic predation within the melody rich adventure. The song provides a subtler though no less captivating addictiveness with its squalling charms. It imposingly completes a trio of major peaks in the range of lofty highs with the sultry suasion of Pacha Mama stepping up next to take its share of the imagination. A gentler and progressively crafted soar through melody enriched and expression cast sky, the song is a mesmeric and evocative exploration bringing diversity and further acclaim upon the release.
…Of Darkness and Light closes on the extensive instrumental Light, a lingering invention driven travelogue of emotional reflection and expressive scenery taking in twelve minutes of tantalising continent travelling endeavour. Admittedly like a couple of songs it is a little too long to keep attention as enraptured as it deserves but as mentioned earlier the issue is a minor quibble against the pleasure and enthrallment surrounding the senses. It completes an outstanding encounter from a band in Akb’al, who you can be sure we will hear much more of and in even greater circumstances ahead.
9/10
RingMaster 10/02/2014
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immediately riveting introduction soon joined by the hoarse growls of MacGregor and an acidic melodic wash. An intensive brew of rapier like jagged guitar spite and perpetually shifting vocal and enterprising invention, the track brings a suspicious and intimidating landscape to engage the listener whilst setting it ablaze with the excellent skill and progressively layered cutting sonic narrative. The promo accompanying the release suggests the EP is for fans of the likes of Devin Townsend, Sylosis, and Gojira, an impossible to argue with statement which can be stretched to include The First, Tesseract, and similarly inspired artists on evidence of this stretch of creativity alone.
