Brightlight City – Our Future’s Not Dead

Having impressed with debut EP, Adventures in 2015, British rockers Brightlight City now reveal the blossoming invention and increasing maturity in their sound with successor Our Future’s Not Dead. Hinted at by a pair of singles last year, the new release is evidence of a band building on an impressive start and potential with stylish adventure whilst nurturing a whole new promise for continued growth.

Surrey bred, Brightlight City weave in inspirations from the likes of Hundred Reasons, Million Dead, Yourcodenameis:milo, At the Drive-In, Biffy Clyro, and Jimmy Eat World into their sound; indeed sparking comparisons to the former and others such as Thursday and Hell Is For Heroes with their melody rich and harmonically honed songs. Equally there is a fresh and potent catchiness and steel to Our Future’s Not Dead which as suggested was first glimpsed within last year’s singles Gravity and Thieves. It is a growth in sound which has come with an increasing reputation and praise for their live shows through the quintet sharing stages with Max Raptor, Fizzy Blood, Bad Sign, and Blood Youth and playing alongside Rise Against and Millencolin at Envol et Macadam Festival in Canada in 2015as well as their own shows.

Recorded with Matt Hyde (Funeral For A Friend, Bullet For My Valentine, Slipknot), Our Future’s Not Dead is likely to spark another bout of attention and hunger for Brightlight City, setting out its persuasive strength with opener It Depends On You. Skittish beats alongside vocal and guitar offered temptation bring the song into focus; their low key yet agitated attitude soon a full roar as vocalist Jamie Giarraputo heads a web of melodic enterprise from guitarists Jonathan Staunton and Justin Giarraputo, the latter adding his own potent vocal expression to the mix. Anthemic in heart, imposing in rhythm as the hefty jabs of drummer Ben Bell court the brooding lines of bassist Tom Stock, the track roars with energy and passion.

With a mellower air Leave A Light On follows, wiry melodies swimming round a throaty bassline as emotive vocals entice with distinctive expression. Once again there is an instinctive catchiness at work, never wavering as fiery textures evolve and unite in a livelier blaze of sound and emotion. In some ways it is a less intricate proposition than its predecessor but only to its strength as each element is a flame of craft and drama before making way for Heart Stops. The third track comes coated in the infectiousness of the opener, its swinging body almost pop punk like and relentlessly coaxing listener involvement with its vocal harmonies and controlled but boisterous swing; a tenacious essence just as open in the calmer moments of a song taking best track honours.

The EP is brought to an end by Past/Future, a track epitomising the evolution in the Brightlight City sound with its rounded fusion of melody and energy amidst a new depth of contagiousness and invention. As all the songs within Our Future’s Not Dead it is a memorable and lingering encounter going to make a thoroughly enjoyable and impressing release. The Brightlight City sound has yet to become something truly unique but as the EP shows, it is well on the way and providing some rather tasty encounters along the way.

Our Future’s Not Dead is out now through Undead Collective Records.

https://www.brightlightcityofficial.co.uk/   https://www.facebook.com/brightlightcityofficial   https://twitter.com/blcband

Pete RingMaster 12/04/2017

Copyright RingMaster: MyFreeCopyright

Seven Stories High – Take The Long Road Home

Seven Stories High Promo Shot_RingMasterReview

Take The Long Road Home is the new mini album from British quintet Seven Stories High, an encounter which finds the band’s already ear pleasing pop punk with even bolder infectiousness and melodic enterprise to tempt national awareness. Take The Long Road Home hits the ground running and continues to offer variety and creative tenacity throughout. Admittedly it might often avoid the uniqueness which certain moments within it suggests is there within the band’s imagination, but from start to finish the Swansea hailing band successfully ensure enjoyment is at the top of the agenda.

Formed at the beginning of 2014 with inspirations said to include the likes of Blink 182 and Sum 41, Seven Stories High soon made their mark on their local and increasingly the national live scene. Line-up changes and inner positional shuffles have been part of the band’s earlier times, as too and since, the sharing of stages with bands such as Moose Blood, Decade, Altered Sky, Light You Up, and Kids Can’t Fly. They released their self-titled debut EP on the January of 2015 to potent responses which now Take The Long Road Home threatens to turn into a stronger national recognition of their emerging presence.

The release opens proper with CTRL, a rousing slice of raucous pop punk with thumping beats and wiry riffs around the potent tones of vocalist Rhys Hyett-Ferrier. There is a great rawness to the song too, bringing a touch of Millencolin to it at times but equally a rousing energy which especially equips  the group roars and the irresistibly catchy enterprise shared by the guitars of Matt Davies and Charlie Porter.

The potent start continues with the similarly tenacious and lively That’s No Moon, another which takes no time in firing up ears and appetite with its raucous pop punk dexterity. Framed and driven by the throbbing bassline of Kallum Brain and the swinging beats of Dave Bevan, the song soon reveals a sonic and emotive fire in its belly. Admittedly, as its predecessor, there is something very familiar to the encounter but more than made up for by the adventurous hooks and a vocal strength which simply captures the imagination from Hyett-Ferrier with resourceful backing from Davies and Brain.

Seven Stories High Cover Artwork_RingMasterReviewIt is that aspect of the band which most consistently impresses across the release, with no negative reflection on the potent songwriting and skilfully woven sounds, the vocals making a constantly striking impression repeated on the feisty canter of Working For Wednesdays and following it, the excellent Wait For It. The first of the two also bears some great scything spicy grooves to keep ears and appetite busy, if without quite living up to the first pair while its successor, which features Charlotte Gilpin from Dream State, explores a more alternative rock canvas for its melodic seducing of ears. It still has a punk essence in its spirited flame, though it could be called more post hardcore scented; one of many textures in the emotively fuelled drama of sound led by the powerful vocal union of Hyett-Ferrier and Gilpin.

It is a track which becomes increasingly potent with every listen as too the acoustic stroll of Skin Me Alive. It is an immediately alluring proposal which further blossoms in ears the more time given to it. Its melodic serenade simply leaves a lingering impression before making way for album closer Fool’s Paradise, a boisterous tapestry of melodic suggestiveness around rapacious rhythms and expressively strong vocals. There is little surprising about the highly accomplished song, but it leaves enjoyment full so, as the release, warrants only recommending.

Seven Stories High have taken another potent step with Take The Long Road Home, and indeed their sound and its growing maturity. The band might not yet be in touch will major uniqueness but the signs and potential is there in some cracking tunes. A fan of bands such as Kids in Glass Houses, A Day to Remember, and All Time Low then Seven Stories High will be up your street.

Take The Long Road Home is released May 20th through all stores and at https://sevenstorieshigh.bandcamp.com/album/take-the-long-road-home

https://www.facebook.com/sevenstorieshigh/   https://twitter.com/7storieshigh

Pete RingMaster 19/05/2016

Copyright RingMaster: MyFreeCopyright

Daycare For Jedi – Worst Things First

DFJ _RingMaster Review

If you have a striking name, which Daycare For Jedi does, it is not a bad thing to back it up with a sound which grips attention with equal strength, and that is certainly what the Danish pop punksters have as evidenced by their debut EP Worst Things First. Uncaging four songs which are as contagious as they are inventively sculpted, the release is a magnet for ears and imagination, not one re-inventing the pop punk arena but one certainly giving it something fresh and tenacious to think about.

Formed in 2014, the Aarhus quartet openly embraces the origins of pop punk whilst giving it their own, if not startling, certainly invigorating twist. Early songs such as Throwing Dirt and Last Pages sparked eager intrigue and appetites to their potent emergence and sound whilst their live presence, which made its debut at the Distortion Festival in Copenhagen in the band’s first year, has only cemented and pushed their reputation for unleashing seriously energetic, hook laden, and intense rock ‘n’ roll. The early songs were a teaser of things to come, of the thoroughly enjoyable and impressive Worst Things First which should put Daycare For Jedi on broader genre maps from hereon in.

Cover_RingMaster Review   The Jacob Hansen recorded EP opens up with Outcome, quickly entangling ears in a web of melodic enterprise and sonic suggestiveness. Quickly riffs and forceful rhythms are joining the affair, as too the potent tones of vocalist Jens Erik, his expressive voice a magnetic lure alongside the resourceful endeavour of his and Mikkel Rohde’s guitar play. There is a touch of bands like Millencolin and Blink 182 to the song, but nothing too strong amidst other spices of familiarity in sound and texture. It all adds up to a strong and engaging start to the EP but just a taster to bigger things which start with its successor.

Broken Bones instantly flirts with a stirring rhythmic coaxing, its bait soon joined by great niggly hooks and an infectious raw caress of riffs. Into its even more energy driven stride, the song soon employs a great mix of vocals from across the band around the again inviting delivery of Jens Erik, whilst around them the heavier dark throated bass of Jacob and the crisp beats of Kristian provide intimidating contrast. Again the canvas of the song has a recognisable flavour but it is the inventive twists and turns, musically and vocally, which bring the track alive and into its creative own, as with the following Sinking Adventure. It too is a swiftly engaging and persistent protagonist unafraid to infuse its more straight forward spine with sparkling melodic imagination and juicy hooks aligned to fiercer adventure and unpredictable revelry.

Worst Things First increasingly impresses and grows stronger with every song, the third a potent peak but quickly eclipsed by the closing Gain And Lose, a light-footed agitation of infectious devilry shaped with sonic radiance and aggressive rhythms. The bass brews a delicious dirty tone whilst the vocals, singularly and united, have a slight belligerence to them which only lifts the song to greater impact and rigorous persuasion. The best song on the EP, it is a rich and thrilling climax to one thoroughly enjoyable encounter.

It is still early days for Daycare For Jedi but Worst Things First suggests not only are they heading in the right direction but they have the potential to become one of those names a genre is especially noted for.

The Worst Things First EP is available from August 3rd via Prime Collective.

https://www.facebook.com/DayCareForJedis

RingMaster 01/08/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

A SILENT ESCAPE’S Black Heart out 27th January, 2014‏

 A Silent Escape Online Promo Shot
COMMANDING QUINTET, A SILENT ESCAPE UNLEASH THEIR SOPHOMORE ALBUM THIS JANUARY!
A Silent Escape nationally release their spanking new album ‘Black Heart’ on Monday 27th January through all digital outlets.
Blending the potent prowess and hardcore edge of ‘Comeback Kid’ and ‘In Flames’ with the melodic fluency of ‘Millencolin’, A Silent Escape have formed a devastating sound that is ball-bustlingly heavy, abundantly tuneful and utterly engaging.
Born in 2010 and hailing from Falkenberg, Sweden (which is also home to the likes of Sonic Syndicate, Venerea, and The Unguided, amongst others), A Silent Escape are compromised of vocalist Patrick Stenborg, Martin Karlsson on bass, Joel Nilsson on Vocals/Lead Guitar, Eddie Hanlsa on Guitars and Per Qvarnström on drums(temporarily). Wanting to put the fun back into music after splitting from their previous bands, the rejuvenated combo began to write and soon amassed enough material for a stellar live set and debut album.
The energetic outfit soon toured extensively and released their self-titled album to the UK, garnering high praise from widespread national publications such as Rocksound, Big Cheese and Powerplay Magazine. The melodic hardcore crew will step up again with the national release of their sophomore album ‘Black Heart’. The album immediately grapples with your aural senses as ‘Gone’ ferociously bursts out of your speakers with pulsating beats and cut-throat riffery; and the pace doesn’t let up there. ‘Black Heart’ continues in a hearty vein, hammering your head into oblivion with a perfect assault of high velocity infused metallic punk-rock. The quartet shifts dynamics on ‘When The Last Song’ and unleashes an alluring cut that is blessed with an elephantine refrain. The album then strides forward with the monstrous ‘Gagball’, which again displays the band’s deft ability to merge blistering riffs with killer hooks, before closing with the immensely powerful and captivating ‘Still Commanding’. Look out as the band lay siege on the UK this year and next!
-A SILENT ESCAPE RELEASE ‘BLACK HEART’ ON MONDAY 27th JANUARY THROUGH ALL MAJOR STORES-
A Silent Escape Cover Artwork

A SILENT ESCAPE release ‘Black Heart’ on 27th January 2014

A Silent Escape Online Promo Shot
 
COMMANDING QUINTET  A SILENT ESCAPE UNLEASH THEIR SOPHOMORE ALBUM THIS JANUARY!
A Silent Escape nationally release their spanking new album ‘Black Heart’ on Monday 27th January through all digital outlets.
Blending the potent prowess and hardcore edge of ‘Comeback Kid’ and ‘In Flames’ with the melodic fluency of ‘Millencolin’, A Silent Escape have formed a devastating sound that is ball-bustlingly heavy, abundantly tuneful and utterly engaging.
Born in 2010 and hailing from Falkenberg, Sweden (which is also home to the likes of Sonic Syndicate, Venerea, and The Unguided, amongst others), A Silent Escape are compromised of vocalist Patrick Stenborg, Martin Karlsson on bass, Joel Nilsson on Vocals/Lead Guitar, Eddie Hanlsa on Guitars and Per Qvarnström on drums(temporarily). Wanting to put the fun back into music after splitting from their previous bands, the rejuvenated combo began to write and soon amassed enough material for a stellar live set and debut album.
The energetic outfit soon toured extensively and released their self-titled album to the UK, garnering high praise from widespread national publications such as Rocksound, Big Cheese and Powerplay Magazine. The melodic hardcore crew will step up again with the national release of their sophomore album ‘Black Heart’. The album immediately grapples with your aural senses as ‘Gone’ ferociously bursts out of your speakers with pulsating beats and cut-throat riffery; and the pace doesn’t let up there. ‘Black Heart’ continues in a hearty vein, hammering your head into oblivion with a perfect assault of high velocity infused metallic punk-rock. The quartet shifts dynamics on ‘When The Last Song’ and unleashes an alluring cut that is blessed with an elephantine refrain. The album then strides forward with the monstrous ‘Gagball’, which again displays the band’s deft ability to merge blistering riffs with killer hooks, before closing with the immensely powerful and captivating ‘Still Commanding’. Look out as the band lay siege on the UK this year and next!
-A SILENT ESCAPE RELEASE ‘BLACK HEART’ ON MONDAY 27th JANUARY THROUGH ALL MAJOR STORES-
A Silent Escape Cover Artwork

Hippos of Doom – Road Trip

Hippos of Doom photo

    Road Trip is an EP which brawls with the ear but has more fun and mischief in mind than antagonism as it offloads its more than satisfying punk rock passion. Working with the same seeds found in the likes of NOFX, Me First and the Gimmie Gimmies, and Millencolin, Ventura County hailing Hippos of Doom is a band which arguably does not stand apart from other similarly fuelled punk bands but has a charm and character to their sound which does make them noticeable. The EP is not without flaws and moments where maybe the band should not have gone but you cannot dismiss or dislike their energy and appetite, or not find a pleasure in their vibrant release.

Released via Veritas Vinyl and Thumper Punk Records, Road Trip first lights up the ear with Old School Rocking Crew, a track which does what it says on the tin, riffs and group shouts rifling the senses whilst the bass dances around with magnetic craft and boisterous enterprise as it skirts the lead vocals which themselves offer a raw yet honest inducement to join in and rally up limbs and energy. Though it does not leave anything truly memorable once departing from its barely glimpsing two minute length, the song is an accomplished and promising slice of punk rock with pop punk whispers to its presence.

The following Wool Brigade riles up the air with sonic abrasiveness before uncaging another rush of hungry rhythms and exhausting riffs. Once more the bass impresses and the vocals add a caustic rub to the encounter whilst the guitars vein its narrative with melodic acidity. Though like its predecessor there is nothing which lingers long after such the quality and appeal of bass and drums with the guitars in close quarter, it makes satisfying company.

Holiday Road is a cover song which stampedes across the ear with enthusiasm and unbridled devilment, easily recruiting full involvement from the listener though the vocal harmonies is one thing the band might have worked on or alternatively really taken to town for comic effect. Despite there less than successful presence the track is a feisty and riotous slab of fun and opens up the devilry in the band which was only suggested within the earlier songs.

The best moments of the release come with the final two songs, firstly from Judge Not, a track which rumbles on more impressive rhythms and bass courting of the ear whilst the melodic flames leave a hunger with their heated colour and unbridled appetite to rile and ignite the passions. Like all good punk songs, it is simple yet smartly crafted with hooks and rhythmic temptation alongside quarrelsome but inviting vocals, though here there is also that riveting bass call setting the song apart from most others.

The closing The Royal Philharmonic Goes to the Bathroom moves from an opening stomp into another squalling explosion of rapacious energy driven by riffs and drums. With vocals, solo and group, at their best and a jagged guitar persuasion breaking out at times, the track makes claims for best on the release though has to play second best to its predecessor. Both songs make a strong end to the EP and ensure the band is on the horizon of ones to watch.

For good solid punk rock with energy to its fun and intent, Road Trip makes a satisfying option which maybe does not come with blazes of originality but stokes up plenty of satisfaction with its company.

https://www.facebook.com/hipposofdoom

7/10

RingMaster 07/06/2013

 

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Metanoia: Retroceder Nunca

You cannot beat lean and hungry punk rock and that is exactly what you get with Retroceder Nunca, the new album from Chilean band Metanoia. It is a vibrant and refreshing slab of meaty riffs and thumping rhythms brought with inventive thought and anthemic passion, a combination which leaves one breathless and eager for much more.

Sung totally in Spanish, the release ensures that it is not a problem for us linguistically handicapped by simply firing up thoughts and emotions let alone quickening the heart rate through addictive hooks, infectious rhythms, and contagious melodies, yep the album is one feisty siren to be devoured without any reservations. Consisting of vocalist /bassist Benjamin Lopez, guitarist Claudio Bolivar, and drummer Cristobal Lopez, Metanoia whose name means the change in focus, mind and life brought about by Jesus, offers sounds which have essences in bands such as Millencolin, Dogwood, and Pennywise whilst adding some of the extra raw breath of a NOFX or Civ. Released through Thumper Punk Records it a record all punks should at least investigate if not leap upon with glee.

Translated as No Retreat, Retroceder Nunca opens with the outstanding song Evidente. It immediately sparks a strong reaction with its initial building haze of energy and sonic lures, reminding of those early Buzzcocks instrumentals, before exploding into a rampant riot of jabbing rhythms and whirling riffs. Though the delivery is in Spanish, song and vocals brew an openly anthemic presence especially in the chorus, to enlist feeble but unstoppable attempts at joining in. It is a boisterous party in the ear, as all the best punk songs.

The following title track and its successor Inútil just elevate the pleasure again, the first a sultry persuasion of precise grooves and twisting energies and the second a wonderfully bruising yet warm invitation to burst into life physically and emotionally. Both are excellent slices of rock n roll to turn the appetite more into a lustful need for more. As both songs show, the trio has an imaginative wing to their songwriting; all tracks prime punk rock driven by inventive unpredictable twists and sharp deeply rewarding hooks.

Peluquero with more than a whisper of Offspring about it is another peak in nothing but highlights, its uplifting core wrapped in finely spun melodies and great group harmonies. To be honest each listen to the album offers up a different pinnacle such the quality across all its ten stirring tracks. One listen it might be this song or Evidente claiming top honours and the next it could be the mischievous Dia Nuevo with its teasing caped crusaderesque groove within its bustling dust up, the pop punkish Te Amo , or the incendiary sonics of Este Es Tu Hogar, which steal the show for that moment in time.

Ending as impressively as it started with No Me Avergüenzo and Sin Palabras, the release is without doubt one of the best punk albums this year with very few rivals to match its rewarding and totally pleasing collection of songs. If punk rock is your spark in life than Metanoia is an essential piece of kindling to get those fires raging.

www.metanoiarock.tk

Ringmaster 31/10/2012

Copyright RingMaster: MyFreeCopyright