Triverse Massacre – With Bared Teeth And Truths

Triverse Massacre Online Promo Shot There is nothing kind or merciful about With Bared Teeth And Truths, the new EP from UK extreme metallers Triverse Massacre, its title more than hinting at the ferocious and torrid tempest grasping every second of the encounter. It is a formidable and reasonably striking encounter which at times does arguably offer more potential than realised triumphs but still incites a healthy appetite for the Carlisle quintet. From a decent enough yet underwhelming start, the EP emerges as a creatively flavoursome and pleasingly hostile protagonist reinforcing the suggestion set by its predecessor that Triverse Massacre is a band with a potent horizon ahead of them. Formed in 2010, the band soon earned a strong reputation for their uncompromising sound and fierce stage performances, the sharing of stages with bands such as Aliases, The Sun Explodes, and Meta-Stasis cementing their emerging presence in the UK metal underground. The band has earned comparisons to the likes of The Black Dahlia Murder, Cannibal Corpse, and Slayer along the way whilst debut EP, In The Jaws Of Deceit set a potent base for the band to move on from. With Bared Teeth And Truths is possibly not as big a step forward from that well-received release as expected but certainly evidence of a band on the right course. The release opens with Wolves At Your Gates, a track which suggests more than it gives. From a raw and brewing tempestuous climate of distressed and pained sounds, rhythms emerge with intensive muscle and riffs with predatory Triverse Massacre Cover Artworkdesign, all ridden by the excellent insidiously venomous growls of Liam Clark. As the song settles into its purpose and stride there is an expected spark missing, hooks and acidic grooves from guitarists James Graham and Chris Kelsall imposing yet safe in their intensity whilst the rhythms of drummer Mike Collins, aligned to the sinister prowling intent of bassist Dan Fisher, are demanding but also devoid of real viciousness. Whether it is the production or the song itself, the encounter whilst still appealing potently just does not come alive as hoped. The individual craft of the band is impressive and the structure of the track as it tries to intimidate and scar the senses enticing but even with its inventive rabidity there is something amiss and lacking. The following Exhale Betrayal is instantly a more formidable and threatening proposition, swift grinding riffs rich bait to which rampaging rhythms add their mighty swings. The vocals again squall and squeal with an addictive presence, Clark’s delivery something you suspect will work for some and not others, but for those with a liking for his serpentine abrasing it is a highly pleasing asset of the band and songs. A virulent urgency drives the track as the guitars cast their unpredictable weave over ears and though there also is an incomplete air to the song, it is down to a lifeless production more than anything.      Bullets Kill Beasts opens on a melodic reflection, guitars casting an emotive hue framed by a military bred march of rhythms and a potent throaty bass suasion. Straight away the track brings a new breath and strength to the release, bringing more antagonism and potency to the vocal hostility and winding thrash fuelled grooves as well as the flurries of riffs. The track is soon charging contagiously into the imagination, its twists of ideation and sonically catchy enticements ensuring that With Bared Teeth And Truths is a completely different and now rigorously impressive proposition. The production still mutes some of the strengths of the track but compared to its predecessors it is able to throw off its restrictions to leave a lingering and fully satisfied impression. The closing Torn From The Throne takes things to another level again, the best track on the EP unleashing a greater physical and aural enmity on the senses and passions. The track simply tears at ears with a brutal predation and bestial rancor, bad blood infectiously flooding its sonic and melodic veining as oppressive weight and severity drives vocals and rhythms. In many ways the EP is one of two halves, the first appealing and full of promise but the second is where the real potential and potency of the band is on show. Triverse Massacre is gaining a fine reputation as they grow and With Bared Teeth And Truths definitely adds to that but it also seems like a missed opportunity to push the band onto a loftier step within the national metal scene. As said though they are heading in the right direction and more encounters like this, with a deserving production next time, will do nicely. The With Bared Teeth And Truths EP is available now via http://triversemassacre.bandcamp.com/album/with-bared-teeth-and-truths https://www.facebook.com/TriverseMassacre 7.5/10 RingMaster 04/08/2014 Copyright RingMaster: MyFreeCopyright Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://audioburger247.webs.com/    

From Sorrow To Serenity – Antithesis

FSTS

As ravenous and barbaric as a tornado but with the passionate insatiability of a tsunami, the Antithesis EP from Scottish metallers From Sorrow To Serenity is a striking ruthless ferocity wrapped in a scorching melodic elegance and rapacious imagination. Consisting of four merciless confrontations, the release is the debut of a band metal we will all be taking intensive attention of, if not now certainly in the near future as the Glasgow quintet build on their powerful and impressive entrance.

Formed in 2010 by the core of vocalist Fraser Smith alongside guitarists Steven Jones and Mark McInch, From Sorrow To Serenity  have earned a formidable reputation for their unbridled mesh of metalcore ripe with flames of progressive, groove, and technical metal; a colossal recipe which has fuelled their intensively impacting live show. Sharing stages with the likes of Memphis May Fire, Bleed From Within, Stray From The Path, The Color Morale and many more across Scotland, the band has continued to impress and strengthen their stature and explosive presence, bassist Andrew Simpson and drummer Matthew Cowie completing the potent line-up challenging and invigorating the senses. Following their recent successful showing at Techabilitation where the band played with the likes of Meta-stasis, Nexilva, Visions, and Aeolist, the Antithesis EP is the next heavy swipe at the nation, one you can only imagine leading the band to the strongest positive responses.

The title track instantly tells you all you need to know about From Sorrow To Serenity, Antithesis emerging from a sonic brew a0430344357_2designed by the guitars to launch a savage and riveting exploitation of the band’s craft and maliciousness. The track is a carnivore, riffs and rhythms a ravaging creative spite cloaked in a sonic seduction which scorches as it tempts. The technical enticement is equally as predacious and addictive, the band coaxing out a rapturous hunger for its towering and erosive presence whilst the vocals of Smith squall with as much animosity as that provided by the rhythms. It is a hypnotic fury completed with twisted grooves which swing with a compelling swagger from within the inventive and exciting maelstrom. The outstanding track never relinquishes being the finest moment on the release though it is constantly challenged by the remaining trio of songs.

The following Synergy approaches the ears with an electro cast ambience, an industrial lilted embrace not long alone as djent splintered rhythms and grooves encroach and prowl around the immersive evocative canvas. Into its full storm the song has less clarity to its individual elements than the first song but spawns intensive sonic smog which consumes and ignites the senses once again. It is a viscous encounter but one which flows with enticing ease as it intertwines aggressive rabidity and emotive suffocation into its exhausting melody stretched torrent.

Dead Reign is another to lend a gentle, in this case crystalline bait to lure the listener into a subsequent voracious furnace of intensity and emotional savagery. The track is a hypnotic and ferocious slab of sonic alchemy, an ever evolving passage of electronic shards and kisses, Middle Eastern promise, and melodic imagination which steals the passions within the similarly infectious violent abrasiveness and straight forward voracity. It is a masterful violation, a stunning and inventive blend of extremes and opposites merged into a sonic narrative which rivals the opener and is debatably the most creative confrontation on the EP.

The release is completed by i9, a track featuring Nexilva vocalist Gaz King. It is a barbarous challenge for the senses, the guitars and bass at their most uncivil yet refined on the release and the rhythms a blur of animosity and skilled intimidation. The track does not neglect the melodic hues the band has already shown they are accomplished at exploring either, the whole result a scintillating provocation for body and mind which backs up the immense promise and presence of the band.

There is little to temper the praise for Antithesis with, a slight lack of diversity from the vocals and a production which does submerge their delivery within the sonic tempest a little too much at times the only thing to be picky about. The EP is a powerful and incredibly weighty persuasion which declares From Sorrow To Serenity as a band to expect and anticipate a dominate future from.

The Antithesis EP is available as a buy now name your price digital release from http://fromsorrowtoserenity.bandcamp.com/album/antithesis-ep

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8/10

RingMaster 28/11/2013

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