Suffer No Fools – Songs For The Restless Youth

suffer no fools_RingMaster Review

Suffer No Fools is a name you will be getting used to if they fulfil the promise running through debut EP Songs For The Restless Youth. The British metallers are merely months into their emergence after forming earlier this year but offer a sizeable introduction and potential loaded first collection of fiery, groove lined incitements suggesting there is experience in the ranks of their creators. Whether that is so or not, it is a highly accomplished encounter leaving a definite appetite for more from the London based quintet.

Roaring out of Ealing, Suffer No Fools draw on inspirations from the likes of Metallica, Rammstein, Killswitch Engage, and Trivium for their aggressive melody rich sound, influences which do not hide in the shadows within songs but tone rather than direct their direction. As mentioned the band only formed a few months back but have quickly got down to creating strong persuasions as shown in Songs For The Restless Youth. Led by the strong tones of Ali Khan and driven by the rousing rhythms of bassist Alex Bain and drummer Mike Taylor, music and songs take little time in luring ears and attention. Once entwined in the skilled and imaginative enterprise, whether in stirring riffs, imagination inciting grooves, or evocative melodies, of guitarists Jamie Newdeck and Jack Kirby, the EP is a magnetic fire of potential and thick inventive craft. Recently Kirby has left the band to pursue other musical ventures but leaves his potent part in the first steps of a band surely heading to bigger and stronger things.

albumart_RingMaster Review   Opener Acheron is a one minute atmospheric introduction washing the senses in intrigue and sonic radiance; calm before the storm of The Bombing Campaign which is already brewing its potency and tempest in the closing ambience of the first track before striding purposefully into ears with military like rhythms. As riffs and beats welcome the voice of Khan there is no escaping the Metallica spicing, a hue also lining the subsequent melodic and grooved exploits of the song. It is an ear pleasing, emotion stirring encounter, a sturdy anthem to set the EP off properly but one also unafraid to switch into contrasting provocative flavours and textures.

Prey continues the strong start to Songs For The Restless Youth in equally rousing fashion, pushing the accelerator down a touch more and creating an aggressively urgent and compelling proposition at the same time. Again fluidly emerging spicy melodies and vocal harmonies provide a temper to a stormy landscape whilst some of those other inspirations come to mind across the song. Equally though Suffer No Fools, if not dramatically, still offer their own character as shown by the growling Forgiven Or Forgotten. Here guitars further flirt with sonic imagination and ear wrapping grooves but in a climate more hostile and dirty than in its predecessors; its riffs a snarling confrontation and rhythms a fierce barracking. As all tracks and the EP itself, it makes a more than decent first impression but just grows in stature and persuasion over time.

Both the resourceful almost progressive scenery of Abyss and the scorching prowl and anthemic enterprise of Dirge Of The Old Gods make enjoyable times, even if without finding the same heights of those before them and certainly the EP’s best track which brings Songs For The Restless Youth to a mighty close. Into The Breach is the jewel in the crown of the EP, a treat of a song equipped with striking imagination and ear enriching melodic enticement lined with glorious hooks. The song takes a little while to get going but when in full flight and flow, is a riveting beast simultaneously antagonistic and bewitchingly seductive. Alone it makes Suffer No Fools worth keeping an eye on and with its companions in tow encourages thoughts of a band with the tools to make a big impact.

It is probably fair to say that Songs For The Restless Youth has open embers of originality but apart from its final offering, lacks the spark of the unpredictable, to yet truly leap away of the crowd. Suffer No Fools though is a band with individual skills and a united craft that demands attention, rewarding that with a strongly satisfying first look; so again make a note of the name as you enjoy the quality and potential.

Songs For The Restless Youth is available now from the Suffer No Fools Bandcamp.

Pete RingMaster 01/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Carnivora – The Vision EP

mkramer_Reputation Radio/RingMaster Review

Boston metallers Carnivora first caught our attention with an appearance on the excellent Bluntface Records compilation Operation: Underground. It featured a track from the band’s debut album Eternal, which after investigation turned out to equally be a stirring and attention exciting proposal. Now the band returns with the vicious exploits and temptations of The Vision EP, a ravenous and thrilling declaration of all the band’s skills and even bolder creative enmity.

Everything about The Vision is a step up from their impressive and acclaimed 2013 debut, the EP’s four tracks a cauldron of fierce imagination and volatile invention cast in maelstroms of diversely sculpted extreme metal. Groove and melodic metal enterprise colludes with death and thrash animosity in slabs of unpredictable and brutally irritable incitements, but furies ripe with captivating sonic adventure and melodic expression. Its release follows a successful couple of years which saw the band tearing up festivals such as the New England Metal & Hardcore Festival, Rockstar Energy Mayhem Festival, The Summer Slaughter Tour, and Rock And Shock Festival, all last year, with their merciless sound and share stages with the likes of Cannibal Corpse, Behemoth, Overkill, Trivium, Job For A Cowboy, Avenged Sevenfold, Morbid Angel, Shadows Fall, and many more. The Vision is Carnivora now snarling viciously at broader and more intensive spotlights and a global awakening to their presence sure to be on the cards such the EP’s dramatic persuasion.

CARNIVORA_VisionCover_jpegReputation Radio/RingMaster Review     It opens with A Vision In Red, a song venomously driving through ears straight away, swiftly getting under the skin and invading into the psyche. Riffs and grooves from Cody Michaud and Mike Meehan swarm maliciously over the senses, their addictive presence and prowess addictive bait to which the raw vocal squalls of M. Scott Lentine unleash a diversely delivered and magnetic hostility. It is a gripping proposition, the barbarous swings of drummer Dan DeLucia and serpentine tones cast by the bass of Cam Hunt, an addictive spine around which the guitars blossom and expand rich acidic textures bred in sonic imagination. As unpredictable as it is fascinatingly virulent, increasing in both the further it evolves its creative landscape, the song provides a tremendous start to the release.

Its success is quickly matched by Pessimist’s Tongue, its opening suggestive ambience subsequently whipped up into a tempestuous climate of blistering and rancorous intensity. The guitars lay out a melodic invitation even in the stormy climate of the song, a beckoning impossible to resist despite rhythms hailing down on them and the senses. The vocals, singularly and as the band, soon bring another shade to the encounter, offering a cancerous trespass and rally cry for thoughts and emotions. The song is a glorious violation with underlying temptations such as an understated but seductive lure of keys, solidly backed by Razors & Rust. Arguably more restrained than its predecessors, well slightly more merciful, the track stands toe to toe with the listener raging vocally and emotionally whilst guitars again entangle their enterprise around body and imagination. It does not quite have the spark of the first two tracks but easily entices ears and thoughts into exploring its rich depths and textures to a success similar to that found by those before it.

With a thrilling end to its creative ire, the track departs for EP closer The Reek Of Defeat to provide a final bracing and abrasive ravishing. It carries an almost mischievous flirtation to its melodic design and adventurous gait yet there is little about the song which not predatory or fuelled by bad blood. Its consuming maliciousness leaves ears ringing and emotions high and enjoyably completes a thrilling onslaught of a release.

Carnivora has climbed to new plateaus with The Vision EP yet you can only feel it is just the start of new and greater creative grudges, which in turn is a thought and anticipation to savour.

The Vision EP is available from 23rd June via Manshark Entertainment @ http://carnivora.bandcamp.com/ and http://carnivora.bigcartel.com/

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RingMaster 23/06/2015

Copyright RingMaster: MyFreeCopyright

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Immension – In Vain

Immension Press Shot

Continuing where their previous EP left off whilst showing greater rigorous invention and accomplished songwriting, British metallers Immension release debut album In Vain to reaffirm the potential of their already potent emergence. It is not an encounter destined to leave ears awe struck but certainly it is an album merging familiarity and fresh imagination in one persistently enjoyable proposition.

The Sheffield bred Immension was formed in 2008 by Jake Kearsley (vocals, guitar, bass and piano) and Tim Dolan (lead guitar), and soon began earning local attention with a sound seemingly Bullet For My Valentine inspired, certainly on the evidence of their self-titled first EP. Its successor The Enemy Within increased the band’s ever growing fan base whilst sparking a more national awareness too, its arrival also revealing a more Metallica influenced creativity and air was blossoming in the band’s sound and again part fuels Immension’s first and increasingly pleasing full-length. With drummer Jonni Sowter, who joined the band back in 2011, the trio are set to awaken the strongest and broadest spotlight yet with In Vain, with expected success.

Carrying a presence which is like nineties era Metallica meets Trivium, In Vain opens up with its title track and an enticing of guitar which in turn leads to a robust and skilfully tangled weave of melodic endeavour and rhythmic incitement. The vocals led by Kearsley, similarly have a tenacious and full presence, and like the music carry a Hetfield and co ring to them in varying ways. Rigorous in some moments, more energetically composed in others, the track grabs ears and attention with ease with Sowter a commanding and resourceful presence within the web of enterprise cast by Dolan’s guitar.

Immension Album Cover Art   The rich start to the album continues with The Fantasy, Sowtor’s heavy swings again instantly incendiary bait as riffs and grooves unleash a fiery magnetism against the dark swing riffs of bass. As the rest of the album, there are plenty of recognisable aspects to the song, of others and the band’s previous releases, but equally a new adventure is explored too via more provocative sonic textures and Middle Eastern spices. It is a climatic and richly satisfying encounter, its mix of deliberate prowling and ruggedly enthusiastic charges a contagious persuasion reinforced by the creative imagination and ever impressing vocals within all sides of the band.

All That Remains follows with a mellower and more restrained if still fiery character, vocals and guitar caressing ears as rhythms provide a sturdier framing. Impassioned energy flows through the heart and narrative of the song though, ensuring its more placid nature is always on the edge of emotional eruption before it makes way for the skilfully crafted and dynamic Lost & Forgotten. Neither track can match the persuasion of the first two on the album, and both also begin to reveal a surface similarity in certain areas between tracks within In Vain, but each has ears and appetite enthused for more with their also present elements of individuality, and again duly offered by In The Dead Of Winter and Shadow Of Yourself. The first of these two opens with an ominous yet regal ambience around dramatic beats before being further infused with wiry melodic hues of guitar. There is a rampancy to it which is just as highly persuasive as the ever evident technical and thoughtful potency going into songs. It is one of the loftier peaks of the album, a height its successor tries to emulate with its familiar inventive route clad in thoroughly engaging sound and creativity.

For maybe the first openly dramatic time a major twist of originality comes with the piano led and vocally harmonic Love Never Dies. Its opening charm and beauty is mesmeric but aligned to portentous shadows through the heavy tones of bass and firmly jabbing beats, it all gripping the imagination as much as ears. Continuing to evolve and expand its character and creative colour, the song becomes a blaze of melodic and emotional angst, sublimely capturing pleasure and thoughts before the just as excellent The Enemy Within uncages its barbarous and exhilarating turbulence. The track is never as aggressive and volatile as it might be due to the excellent smooth tones of Kearsley, but it thrills a treat with an enticing which is inviting and barbed simultaneously. The two tracks provide further pinnacles to the album before closing track The Father You Will Never Be offers a final imposing croon and emotional ferocity restrained by melodic temptation.

The song is a fine end to a consistently and increasingly enjoyable release. Immension are still a distance away from finding a truly unique sound but In Vain shows that in craft and sound they have taken big and impressive steps. This is not an encounter to be surprised by or find brand new terrains through but as a proposition to simply spend forty five minutes or so enjoying potent melodic metal, it is a success many other bands will envy.

In Vain is available from June 15th through all stores.

https://www.facebook.com/immension https://twitter.com/immension

RingMaster 15/06/2015

Copyright RingMaster: MyFreeCopyright

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Elderoth – Mystic

Collin McGee - Live

To call Mystic, the new album from Canadian melodic metallers Elderoth, easy going and very likeable does not do any justice to the technical craft and skilled invention at work within the proposition, but that is exactly what it is, a highly enjoyable encounter very easy to get on with. The bands second full-length is also a collection of thoroughly captivating songs bred with tenacious imagination and as mentioned, technically impressive invention, a release sure to awaken a new and broader wave of attention on the Montreal based band.

Elderoth is the creation of vocalist/lead guitarist Collin McGee, a project formed in 2007 and soon making a mark on the Canadian metal underground. 2012 saw the release of the band’s self-titled debut album, its presence well-received and awash with the potential of greater exploits ahead, now coming to fruition with Mystic. Infusing N. American and European flavours comparable to bands like Devin Townsend Project and Periphery, with the sound and instrumentation of East Asia, the new album is a fascinating and enchanting offering but also not without a raw snarl or two, or indeed an aggressive streak. It offers tracks which seduce and impose simultaneously, though it is predominantly the former which holds ears and ignites the imagination.

Though a full band live, the album seemingly was performed entirely by McGee showing the talent and multi-instrumental skills he possesses. Within opens things up, the brief instrumental instantly revealing its oriental influence and just as swiftly creating a wind of imposing rhythms and tempestuous riffs. With melodic designs also luring ears from within, the piece evolves into the following Black and Blue where keys create an immediate sunrise of melodic seducing, one bolstered by thickly laid rhythms and the resourceful prowess of the guitars. McGee’s vocals are just as warm and inviting, harmonies flowing and caressing ears in a superbly expressive delivery of the song’s hope bred narrative. It is fair to say that the track is a tempest on the senses, but the kindest, warmest one possible and seriously magnetic with the kiss of Japanese seeded beauty.

elderoth_cover4     Next up the initially darker This Shadow By My Side makes an entrance which is bound by spicy grooves and almost portentous in breath and air. It soon dispels that feeling though with inviting vocals and sparkling sonic enterprise. Into its riveting stride, the excellent encounter brings a whisper of bands like Heights and Voyager to its temptation whilst it’s more creatively turbulent moments suggests elements of The Contortionist and KingBathmat. As the album, time is needed to explore all the layers and adventures within the song but effort only ensures it and in turn the release impresses more.

The outstanding My Future has appetite and emotions inflamed again with its virulently contagious character and thrilling endeavour whilst Falling Star has ears and imagination in an eager submission right from its opening weave of Asian elegance. Of course any essence is part of a richer more involved web, and here rugged almost tempestuous scenery gets involved as spiralling key crafted melodies cross imagined continents with its stirring adventure. The song is pure seduction and the moments when “like a falling star” in the chorus is mistaken for saying like a porn star only adds to the fun.

The calmer charm of In A Dream with its Dream Theater like essence simply dances with body and thoughts, its increasingly energetic and strenuous exploits a beguiling proposal. It is straight away matched by the more heavy metal spiced The Ocean, though its classic tones are soon awash with oriental instrumentation and bewitchment too. Though not managing to carry the instinctive spark exciting the senses in previous songs, with its atmospheric drama around McGee’s impressive technical and composing skills, the song only enthrals before the heavy striding presence and almost shanty like infectiousness of Far In The Sea steals attention away from the real world. The album makes the listener feel like a traveller in many ways, this track one of the most theatrically visual adventures.

The album closes with the transfixing instrumental Always Remember, a track kind of summing up all the exploits and elements found within Mystic in one final individual flight. It is an intriguing hug on the senses and suggestive incitement for thoughts bringing a great release to a thrilling end. Mystic is like a giant melodic magnet, ever since its first touch it has gripped our attention on a daily schedule so far. It is not necessarily the very best album heard or likely to be explored this year but as a highly personable and persistently alluring proposition, it is a winning treat.

Mystic is out now @ http://elderothband.bandcamp.com/album/mystic

https://www.facebook.com/elderothband   http://www.elderoth.com/

RingMaster 29/04/2015

Copyright RingMaster: MyFreeCopyright

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All To Ruin – Among Us

All To Ruin Promo Picture

Back in 2013, Welsh melodic metallers All To Ruin made their introduction with the Parables EP, a striking collection of songs whose only real issue was a sound which lay comfortably within that of the crowd. The suggestion and potential though was that the band would evolve into something much more distinct in time. Now the Port Talbot band return with its successor Among Us with the first question in anticipation of its release being had All To Ruin found that unique identity. Certainly in adventure, craft, and maturity, the band’s sound has openly leapt on, but in originality it is a bit of yes and no. A familiarity to bands such as Funeral For A Friend, Protest The Hero, and at times August Burns persists but it is now coloured with a freshness and creative tenacity which makes the band’s sound linger and take on a more individual character. All To Ruin is still searching for that real originality it is fair to say but as you get caught up in their powerful anthemic choruses and the fiery passion of vocals and sound, that moment in time belongs solely to them.

Formed in 2011 and with a demo under their belts by the end of that first year, All To Ruin swiftly lured attention from fans and media alike. It was Parables which lit an even stronger awareness and following, backed as potently by live performances which has taken the band to play over the past four years with the likes of The Gallows, Young Guns, Deaf Havana, This Is Hell, Lower Than Atlantis, The Blackout, Funeral For A Friend, Heart Of A Coward, Heights, Exit Ten, Textures, Continents, Sylosis, The Chariot, Revoker, The Casino Brawl…well the list goes on and on. Entering the studio, as with their last EP, with Martyn ‘Ginge’ Ford and Matt Bond (Slipknot, Trivium and Bullet For My Valentine), All To Ruin reveal a bigger, bolder, and more flavoursome sound in Among Us with, as earned by the earlier release, similar if not greater responses expected in return.

All To Ruin Cover Art     The EP opens with Take The Reins and instantly encases ears in spicy grooves, hungry riffs, and punchy rhythms. Vocalist Aaron Roberts just as quickly brings his impressive voice to the affair whilst the guitar of Rhodri Williams provides a spiral of sonic enterprise and temptation. That new strength in songwriting and sound needs little prompting to show itself, as too a bolder imagination as the song slips into a gentle melodic embrace of voice and guitar. The thick swipes and rolls of drummer Tom Richardson keep an aggression bubbling though, eventually becoming the spark for a return of the opening impassioned roar of the encounter.

It is heavily enticing start to Among Us taken up another level by its title track straight after. Jabbing beats and a dark throaty bassline from Dan George provide the initial bait, their intimidation swiftly wrapped in the sonic tendrils of guitar. It all evens out as a warmer but no less imposing weave of increasingly gripping melodic adventure unites with the tempestuous and intensive rhythmic side of the proposition. There is also a drama to the song, emotionally and physically, which reveals more of the inventive and mature edge to the band’s creativity. An orchestral seducing in the background of the song helps that theatre arise as it flirts throughout, and once given its clarity, simply captivates in the finale of the excellent song.

Certainly there are plenty of recognisable elements on the two songs so far, but in reality that kind of applies to most releases these days, and as mentioned when songs like Among Us and the following Disconnect bellow with passion and imagination, it is predominantly a flavouring which only adds to the enjoyment. The third song brings a similar canvas to the previous track, an emotive orchestral colouring immersing the imagination as rhythms plunder the senses and vocals unleash the heart of the proposal. Aggressive and reflective simultaneously, the track spins another intriguing web of sparkling endeavour soaked in familiarity though it reveals itself to be even stronger in enterprise and emotion.

Aggression fuels History next, the best song on the EP driven by a creative snarl and provocative energy spawned by carnivorous riffs and uncompromising rhythms. Rather than being tempered this is complimented by the blistering sonic exploits cast by the guitars and the inventive twists further stirring up an already explosive song. On the last EP there was one song which stood out and pushed the envelope on the release and on Among Us it is History.

The EP comes to an end through Beneath The Steel Sky, a blaze of melodic rock which like a friend wraps enjoyably around ears and feeds the appetite. As shown here, technically the band has grown impressively as they have in songwriting and sound, but it is the imagination which lines every song which most stands out even if uniqueness is taking longer to come through. As with Parables though, Among Us suggests it is looming and closer still, but again the reality is that as songs consume ears and imagination only thorough enjoyment is the outcome.

The Among Us EP is available from April 27th via http://www.alltoruin.bigcartel.com/ and through all stores.

https://www.facebook.com/alltoruinmetal   https://twitter.com/alltoruinuk

RingMaster 27/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Entropy OAC – Dark Clouds and Clarity

 

EntropyOAC_Pic

Though not a new band, Entropy O.A.C. will be making their introduction to most outside of their local fan base with new EP, Dark Clouds and Clarity. A rather flavoursome and enjoyable proposition it is too; not one tearing up the melodic rock/metal scene but certainly one bristling with potential and great ideas brought with a craft and maturity developed by seasoned veterans of the heavy music scene. Consisting of three tracks, the release is a constant spark in ears and imagination. It most likely will not have anyone roaring from the rooftops but for an entrance into a much broader global spotlight by the band, Dark Clouds and Clarity is a strong and captivating persuasion.

Formerly just called Entropy, the Spooner in Wisconsin hailing quartet self-released their debut album Smiles For Stab Wounds around 2004-05. It was well-received by fans and critics alike but followed by a period of line-up instability before the band returned in 2011 with the What Nightmares Are Made Of EP. Its success and potency led the band to a developmental record deal with Pavement Entertainment and now the release of Dark Clouds and Clarity. In many ways the last three years or so has been a fresh start for Entropy OAC, one which you get the sense from their new release and words offered that the foursome of original band members Ben Poulin (vocals) and Josh Aalto (bass) with Austin Wagner (guitar) and Brandon Hall (drums) are going to make the most of.

DCaC_Cover     The Ryan Guanzon produced Dark Clouds and Clarity opens up with Failure to Thrive, and instantly builds an imposing wall of intimidating rhythms, equally predatory riffs, and a part spoken vocal delivery from Poulin which reeks of discontent. It is a strong and compelling start with a feel of Stone Sour to it and continues to entice and grip until the song erupts into a belligerent stride punctured by the sinew swung beats of Hall. Guitar and bass create their own raw causticity and menace as Poulin merges melodic and snarling tones in his delivery to fine effect. The track does not explode and rampage as you think it would once hitting its stride, as it suggests it might and personally we wanted it to, but there is no denying it loses none of the hold it gained by its potent start. Grooves and hooks spark throughout the mix of melodic metal and emotion fuelled rock ‘n’ roll, again to pleasing success and temptation even if originality is less potent. The willingness of the band to mix soft and harsh elements, light and dark textures is a plus too, and the fluidity they achieve it with.

It is a great start to the EP soon overshadowed by the excellent Endless Fire. The song almost sidles up to ears, though heavy bass resonance and drums thumps means it swiftly gains eager attention, as do the spiralling strains of guitar and again strong vocals. Melodies and scythes of sonic invention are like flames against the earthier canvas, licking the more aggressive essences of the song whilst helping breed a contagious air. Simultaneously roaring and crooning, the track is a thrilling example of the band’s talent and potential, and easily inspiring an appetite for their sound.

Realm of Grey completes the EP’s offerings, a track straight away leaning into the band’s metal voracity whilst bringing a raw edge and attitude to their melodic endeavour. Again Stone Sour comes to mind, which is no bad thing, whilst invention wise the track is maybe the least dynamic and adventurous compared its predecessors but has plenty to engage ears and thoughts with. Subsequently increasing its persuasion with the addition of small twists within a greater voracious intensity to the song, it makes a highly satisfying end to the release.

There are only things to enjoy about Dark Clouds and Clarity and plenty of promise to get excited over, and right now with their highly satisfying release, Entropy O.A.C has announced themselves to wider awareness in solid and potent style.

Dark Clouds and Clarity is out now via Pavement Entertainment at most online stores.

https://www.facebook.com/Entropyofall   https://twitter.com/entropy_oac

RingMaster 22/04/2015

Copyright RingMaster: MyFreeCopyright

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ASCENDING MELODIC METAL CREW ALL TO RUIN RETURN WITH NEW EP!

All To Ruin Online Promo Picture

With a melting pot of influences stemming from August Burns Red and Protest The Hero, All To Ruin continue their climb with their own brand of melodic metal that blends blistering riffage against catchy hooks. The rising crew nationally release their spanking new EP ‘Among Us’ on Monday 27th April.

Hailing from the blue collar steel works town of Port Talbot, South Wales, All To Ruin were born in 2011 and quickly became a force to be reckoned with. By the end of the year, the band began work on their first demo, which happily secured national attention from Kerrang! Magazine. A series of successful shows followed before the band headed into the studio with Martyn ‘Ginge’ Ford and Matt Bond, whose previous credits include Slipknot, Trivium and Bullet For My Valentine. The tuneful metallers came out of the studio with a cracking debut EP in hand. The five-some dropped the record in 2013 and it firmly stamped All To Ruin on the map. The EP picked up glowing reviews and support from Rock Sound Magazine, Metal Hammer, Big Cheese, Powerplay, XFM Rock show and Team Rock Radio.

In addition to picking up critical acclaim for their recorded work, the band also have an impressive live CV to date, having played shows with The Gallows, Young Guns, Deaf Havana, This Is Hell, Lower Than Atlantis, The Blackout, Fei Comodo, Funeral For A Friend, Heart Of A Coward, Heights, Exit Ten, Textures, Viatrophy, Continents, Sylosis, The Chariot, Revoker, The Casino Brawl, Twin Zero, Bury Tomorrow and Yashin.

2015 looks ripe for the band to transcend the underground, and they are loaded with their explosive new EP ‘Among Us’. Opener ‘Take The Reins’ gets the ball rolling in supreme style with its crunching techy riff assault pitched by Aaron Roberts’ hugely infectious vocal lines that will bed down deep into your pores. The EP’s namesake ‘Among Us’ is another impressive nugget of melodic metal with its thunderous riffery and layered texturing. ‘Disconnect’ and ‘History’ offer up additional evidence that the South Wales metallers really have an arsenal of banging tunes at their disposal. Lastly, ‘Beneath The Steel Sky’ completes the record with its stunning muscular delivery and killer refrain. Stay tuned to the band’s Facebook page for tour announcements and show updates; big things are going to happen ……
All To ruin PromoImage
www.facebook.com/alltoruinmetal https://twitter.com/alltoruinuk

-ALL TO RUIN RELEASE ‘AMONG US’ ON MONDAY 27th APRIL THROUGH ALL STORES-