Eryn Non Dae. – Abandon Of The Self

Can it really be approaching six years since French metallers Eryn Non Dae. left us and so many others drooling over their last album Meliora. It was a release which continues to lure and led us at the time to boldly suggest that extreme and progressive metal had a band which would “continually stretch the wide genres to impressive heights.” At last they have released its successor in the invasive shape of Abandon Of The Self; an encounter which more than justifies our claim.

Since the release of Meliora, unsurprisingly there have been a fair few bands and releases which have offered similar striking propositions. Many have pushed the boundaries of genres which are never slow in exploring new trespasses and adventures anyway.  Abandon Of The Self now steps forward to join that collection of inspiring encounters, and we dare to say from the very frontline of the triumphant wave.

Formed in 2001, as The End, the Toulouse hailing quintet released their debut album, Hydra Lernaïa, through Metal Blade in 2009. It was a spark to attention and an already well brewed reputation the band had nurtured through their live presence and earlier EP. Meliora brought a whole new plateau of sound and imagination with its unveiling in 2012 which Abandon Of The Self has now escalated with its atmospheric drama and sonic invention.

Once again Eryn Non Dae. linked up with Mobo for the recording, mixing and mastering of Abandon Of The Self and swiftly gripped attention and the imagination with opener Astral. It looms in from a distance, static distortion shimmering in its air as a rhythmic shuffle soon infests ears and incites even keener attention. The raw throated scowl of vocalist Mathieu Nogues erupts against the track’s swing, the guitars of Franck Quintin and Yann Servanin gathering their wiry lures to subsequently wind around the pulsating surge of the growing trespass. Calm, clean vocals rise within the brewing tempest, conflicting atmospheres colluding rather than battling around the intrigue and voracity of the song. The rolling beats of Julien Rufié unite with the rhythmic grumble of Mickaël André’s bass to magnetically entice but it is the layers of contrasting textures and the immersive breath of the track which really pulls the listener in.

The compelling start to the album is thickened by the menace lined flirtation of Stellar. Nogues vocally walks through atmospheric intimation; his tones and expression becoming more intense as guitars weave a captivating almost feral aurora of sound as again rhythms court the predacious climate with their manipulative swing. It is a truly magnetic soundscape for ears to embrace and the imagination to explore, the band’s own lyrical and physical suggestion equally sparking fresh ventures in thoughts even as the senses increasingly cower before the brewing celestial storm.

Omni similarly sees Nogues with an initially controlled and provocative presence within a kaleidoscope of melodic and sonic wiring around the ever infectious craft of André and Rufié. Though inescapably invasive and disturbing, the ambient winds cast by Quintin and Servanin are tantalising, hinting and probing the psyche whilst allowing the volatility in the song’s heart and atmosphere to increasingly infest their mercurial weave. As with all songs and the album, every listen unveils new melancholic aspects, rapacious shadows, and dark depths to feast upon but equally a radiance which only draws you back time and time again.

The following Eclipse has a bubbling urgency to its predatory rock ‘n’ roll which arouses the senses just as potently as the atmospheric ferocity and seduction which entangles via the guitars. Every corner of the song and band unleash a compelling statement of emotion and enticement, again lust and fear hand in hand as submission to its evocative inferno was swift and inescapable before the epic flight of Halo invades and consumes, driven by further outstanding rhythmic engineering of song and the senses it manipulates. Getting lost in its soundscape was easy, immersing in its angst and emotional turbulence similarly certain, every moment of its ten minutes plus a refreshing intrusion of body and psyche.

The album closes with firstly Fragment, a pulsating inferno of intensity and untethered dissonance from voice to melodic toxicity and rhythmic incitement, and finally through the apocalyptic realm of Abyss. As with all tracks, the pair escort, no drag the listener through soundscapes which never settle and never allow predictability or an absence of adventure confront ears, the latter especially monstrous yet majestic as ire and fury merge with monolithic beauty and ravenous passion.

Though Abandon Of The Self made an immediate rich and irresistible impact, it was with time that is really gripped and thrilled as those dark corners and skilled layers were further exposed. The band describes their album as “a trip into the depths of the soul”, its press release, “a beast of a release!” We can only endorse both and suggest Eryn Non Dae. have not only sprung their finest moment yet but one of the year’s essential listens.

Abandon Of The Self is out now via Debemur Morti Productions; available @ https://erynnondae.bandcamp.com/ or https://erynnondae.bandcamp.com/album/abandon-of-the-self

https://www.erynnondae.com/    http://www.facebook.com/ERYNNONDAEofficial/

Pete RingMaster 21/05/2018

Copyright RingMaster: MyFreeCopyright

Eryn Non Dae. : Meliora

End.image11

    Meliora is the new album from French experimental metallers Eryn Non Dae. and is a tsunami of a release, a record which swamps without respite the senses with colossal waves of remarkable imagination and aggressive fury. Already the recipients of strong acclaim for previous album Hydra Lernaia, the Toulouse based quintet have raised not only their own bar with its successor but that of dark progressive and extreme metal as a whole. The previous album did not get the rewards it deserved but with the impressive evolution of their sound upon Meliora, one can only hope and suspect that the M&O Music released album will have no such issues.

Since forming in 2001,Eryn Non Dae. has created sounds which for a lack of a better description, find an alliance within avant-garde metal, not that they can truly be placed anywhere. It is a band which creates soundscapes of rich bleeding shadows and dark thirsty ambiences alongside unique progressive ingenuity in sound and thought as well as ferocious debilitating intensities and rhythms. They do not offer journeys which are easy or immediately accessible but without doubt make the rewards triumphant and wholly fulfilling. The band has built up a massive reputation for their craft and invention through stunning live shows alongside the likes of Gojira, Pelican, Jenx, The Ocean, Black Bomb A, Sleepers, Trigger the Bloodshed, and across multiple festival performances, as well as releases which began in 2005 with The Never-Ending Whirl Of Confusion EP. The EP was released under the name END and received great critical acclaim. With the signing to Metal Blade Records for their debut album Hydra Lernaïa in 2009, the band changed the name to Eryn Non Dae. to avoid confusion with other artists. Again the release was strongly received, the complexities of songwriting and craft as well as the impacting atmospheres garnering ever increasing positivity. As with the previous releases, Meliora was recorded with producer Mobo and simply leaves those earlier great creations in its wake.

The seven track release leaves no aspect of the mind and senses untouched, the seemingly never ending opening to first track eryn_non_dae-cover_webChrysalis alone a scorched sonic heralding of destructive ambience which intimidates and ignites the tentative of openness. Once at full expanse, the track is a bruising storm of intensive sonic manipulation from guitarists Franck Quintin and Yann Servanin, caged by the tremendous skills and aggression of drummer Julien Rufié. The song ripples with thought and ingenuity, perpetually rearranging and reinventing its textures and stark atmospheres to accentuate and deepen their power and intrigue whether through melodic and reserved devices or outright fury. The vocals of Mathieu B. Nogues are as impressive of the sounds, his ease at sharing corrosive growls or whispered suggestions as immense and dramatic as the towering sounds surrounding him.

Also impressive and important is the clarity to each member the production offers whilst holding tight the intense power and presence they have as a unit. For many releases this can be an issue where their aural torrents outweighs the individual elements but not upon Meliora where bassist Mickaël André, who anywhere else might have been lost in the sonic furnace, is able to bring great depth to the tracks whilst showing the inventive skills and ideas he offers.

The following tracks The Great Downfall and Scarlet Rising transports the listener to adjacent and different emotive post-apocalyptic engagements, the first dawning on a similar premise to the first song before unleashing a doom soaked thick wrap of colossal energy and towering guitar venom. The track crawls through a varied landscape to continually intrigue and infect the senses whilst its successor is a greedier rabid sonic rage. It too though is an uncompromising and twisting proposition which nothing can be taken granted over, the song like all an unpredictable glory which flows seamlessly and effortlessly despite the obvious and unrelentingly shifting technical prowess in songwriting and play at work.

Best track on the album is Ignitus, though closely rivalled by all. It is a devastating outpouring of insidious energies and spiteful creativity, a raging aural thirst which saps the breath whilst fuelling the passions with incredible imagination and enterprise. Muto and Black Obsidian Pyre stand close by its side, both a deluge of innovation and heart borne rancor bringing the mightiest of pleasure in their individually diverse ways.

Closing with the outstanding Hidden Lotus, another inspiring and astonishing encounter, Meliora is outstanding to its very core and a release impossible to compare to others. Certainly fans of bands such as Meshuggah, The Faceless, Between The Buried And Me, and The Afterimage will devour the album but extreme metal as a whole should note that in Eryn Non Dae. it has a band which will continually stretch the wide genre to impressive heights.

www.erynnondae.com

RingMaster 30/11/2012

Copyright RingMaster: MyFreeCopyright