IAmFire – From Ashes

With the self-titled debut Mary Beats Jane album one of our all-time favourite releases, we have kept a close eye on the exploits of vocalist Peter Dolving especially with his time in The Haunted. So there was certain anticipation when news of a first album from IAmFire emerged, a project originally seeing Dolving linking up with bassist/vocalist Mikael Ehlert, guitarist Peter Ahlers Olsen, and drummer Ulf Scott. Now completed by drummer Jakob Mygind with Rasmus Revsbech, the Copenhagen outfit swiftly and increasingly surprise, feed, and captivate with From Ashes and its feast of heavy psychedelic/stoner rock bred adventures.

From its first breath From Ashes imposes its presence and qualities upon ears and imagination, opener Magpies and crows forcibly prowling the senses with ominous riffs and hefty beats. It soon settles into a heavy footed magnetic stroll though as the contrasting but equally tempting warm tones of Dolving settle upon the trespass. Fusing essences akin to Electric Wizard, Black Sabbath, and Kyuss with the grungier spicing of a Gruntruck, the track submerges the listener in a weighty embrace of sound and hypnotic charm.

It is a compelling start carrying on into next up Did you find your name, the song sauntering in on a mellow melodic breeze driven by boisterous and instantly rousing rhythms. As its predecessor, its presence is immediately contagious, Dolving vocally and the band musically weaving a celestial tapestry of suggestion with a lurking lining of shadow bred implication. That dark inclination erupts with increasing intensity as the song twists and turns, its rapacious Palms spiced heart sharing its creativity with melodic stimulants and increasing imagination.

Burn your halo shares a more irritable nature in its grunge lined rock ‘n’ roll next with its successor, Eyes wide open, descending into psych rock foreboding and seduction, again with an ever present edge which keeps the senses wary and ears transfixed. Both songs infuse unpredictable and tantalising twists in their already riveting bodies, the second casting a sonic incantation with a raw Jane’s Addiction like air, and each leave ears and appetite just wanting more.

That need is potently fed by For what it´s worth, its tribal rhythmic predation and invasively dancing grooves as addictive as Dolving’s vocal incitement which carries as much portentousness as reassuring calm. Bordering ritualistic, the track is creative manipulation with increasing dexterity before a similar but individual persuasion is cast by Beamer. It too has a volatility which maybe threatens rather than erupts but adds to the song’s body and imagination involving mastery with the drums an addictive ringleader once again.

The album concludes with firstly My mistake, a ravenous cosmic infestation, and lastly through the caustic yet suave tenacious shuffle of Inside. As the album overall, both tracks simply get under the skin with the puppeteer qualities of the rhythms and irresistible trespass of the grooves, they just two aspects in their individual multi-layered and flavoured examinations.

From Ashes is psych/stoner manna with rabidity in its enterprise controlled by an imagination which barely recognises restraint itself, in its midst Dolving may be exploring his own finest moments yet. Simply it is striking irresistible stuff; so seems we have another to add to our persistent favourites.

From Ashes is out now via Elevation Denmark and available @ https://iamfirerocks.bandcamp.com/album/from-ashes

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Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Desert Kingdom – Self Titled

desert-kingdom_RingMasterReview

Hailing from the suburbs of Melbourne, Desert Kingdom recently made their introduction to greater attention with their self-titled debut release offering seven slabs of fiercely muscular stoner bred rock ‘n’ roll relishing the band’s inspirations. Certainly uniqueness is not as forceful as the physical power and prowess of the band but there was no escaping a richly pleasing and rousing first glimpse of the potential loaded quartet.

Consisting of vocalist Ritch, guitarist Emmett Young, bassist Brett Wright, and drummer Paul Coste, Desert Kingdom swiftly get down to business as opener You’ll Burn descends on ears with sinew woven riffs and swinging beats. Instantly infectious, it is a commanding coaxing for ears only increasing its potency as choppy tenacity infects those initial chords and a heavy grumble escapes the bass. The raw scowling tones of Ritch are equally as persuasive, it all combining for a fiery slice of stoner heaviness clothed in the influences of bands such as Orange Goblin, Kyuss, and Down.

desert_kingdom_art_RingMasterReviewThe atmospheric, drama soaked entrance of Mafiaso Opera deceptively makes a gentler proposition but its sinister air is soon a tempestuous torrent of catchy beats and predacious riffs. As vocals rage spicy grooves wind around the rhythmic temptation, varied metallic strains linking arms in a familiar yet fresh incitement. Brawling with the senses through every passing second, the track quickly eclipses its impressive predecessor, stomping with raw aggression and captivating enterprise before Doghouse Blues prowls with an equally rapacious intent to that of the previous track while military seeded rhythms impose their agreeable authority. Like a blend of Gruntruck and Pantera with a whiff of Mary Beats Jane, the track irritably rumbles leaving satisfaction full if not quite matching the heights sparked by the pair before it.

If the last track prowls then 7 Years stalks the senses with its doom bred trespass, sonic flames erupting within the pressure as choice grooves entwine voice and the engaging ponderous gait of the rhythms. It too lacks the sparks of those early successes but again only and increasingly pleases as its waspish sound intensifies in tandem with the song’s boisterous aggression with subsequent blues toxicity adding to the fun.

Abstainer rocks like a lustful dog next, its hungry riffs and heftily swung rhythms alone a carnal incitement while Fuck You is sonic belligerence and muscular aggravation bred to raise the spirit as the release re-hits the early plateau it began upon. With spicy hooks and scorching grooves, the track has all the attributes and open potential to raise expectations that Desert Kingdom will come under the scrutiny of the broadest spotlights if not now in the time ahead.

Concluded by the boozy blaze of Whiskey, sawdust and spit rock ‘n’ roll with all the groove laced liquor you could wish for, the release is a very easy to return to stomp. Originality might be a touch on the scarce side but enjoyment is full, something never drawing complaints.

The Desert Kingdom album is out now via Black Bow Records across most online stores.

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Pete RingMaster 01/03/2017

Copyright RingMaster: MyFreeCopyright