Saltlake – Medicate Me

As much as talent and craft helps a band step out from the crowd having a sound with distinct character to it is just as potent a weapon. On the evidence of their new EP, UK alternative rock trio Saltlake has found that key. It may not have true uniqueness yet but there is no escaping a captivating prowess and enterprise which commands attention.

One of the first things the Medicate Me EP hooks ears with is the depth and expanse of its sound, a soundscape of electronic and electric drama which belies the slim number of the band’s personnel. It comes drenched in emotional intensity and a hungry energy which again only adds to its potency. Consisting of vocalist/guitarist Henry Gottelier, bassist Liam Quinn, and drummer John Godly, Saltlake emerged from within the Sussex countryside and London suburbs in 2013. Medicate Me is our introduction to the band and takes short time in sparking an appetite to hear more.

It opens up with Badlands, keys and rhythms looming up on ears bringing a tide of riffs and melodic intrigue. The robust and enticing rhythms of Quinn and Godly probe and incite as Gottelier’s strong and alluring tones roar. As quickly familiar essences grab thoughts but only adding to the richness of the track in sound and tone as it simmers and boils with creative and emotive enterprise. Comparisons to the likes of Young Guns, Mallory Knox, and Bring Me The Horizon have been made with the threesome and it is easy to hear why through the EP opener.

The following Sympathy Apathy entices initially in a similar way to its predecessor if with less of an imposing trespass. It too casts a dramatic tapestry of sound swiftly upon ears, melodic suggestion wearing an early U2-esque hue to whet the appetite before Saltlake weaves their own individual theatre of sound and adventure. As with the first, there is a mix of the familiar and the fresh entwined to catch the imagination; creating a song which mixes unpredictable and recognisable flavours to push the release to another level.

Hourglass simmers and erupts next with melodic persuasion and emotive intensity, vocals as reflective as keys and guitars against the more formidable touch of rhythms. It is a track which just blossoms from moment to moment and listen to listen. The drama of synths and melody are matched by the prowess of voice and creative imagination fuelling a song where though there is something familiar nagging away with one of its key hooks, though still to be exposed in realisation as to why, it soon steals the limelight within Medicate Me.

The EP closes with its title track, a proposal rising from an electronic mist around a dark bass throb into an atmospheric heart bred croon prone to more volatile, ear grabbing cries of emotion and intensity. Even with its thick haunting air the song is as catchy as anything before it and brings things to a highly enjoyable conclusion.

As suggested, Medicate Me is a mix of the familiar and individual which increasingly impresses over time from a band which is heading the right way towards real attention.

Medicate Me is available through all stores now.

https://www.saltlakeuk.com/     https://www.facebook.com/SaltlakeUK     https://twitter.com/saltlakeuk

Pete RingMaster 16/11/2017

Copyright RingMaster: MyFreeCopyright

Witterquick – Fire & Ice

With a sound which sits rather nicely yet individually among the likes of Brand New, Young Guns, and Mallory Knox, UK outfit Witterquick has been stirring up plenty of praise carrying attention their way over the past year or so which new EP Fire & Ice can only re-energise. Offering four slices of their melody rich, emotion thick, forceful rock ‘n’ roll, the release confirms the band’s rising presence in the British music rock scene.

With success and acclaim already stoked by their debut EP, Beneath the Spinning Lights, and a sold-out UK tour with Nothing But Thieves among their own shows, Witterquick linked up with producer Romesh Dodangoda (Bring Me the Horizon, Lower Than Atlantis, Twin Atlantic) for Fire & Ice. Straight away it hints at the reasons for the increased attention upon the band, opener Shattered Suns skipping in on a summery breeze before rhythms pounce and the voice of Will Alford impressively grabs ears. The simmer of keys flirt among the tide of riffs and rhythms, guitarists Ben Chanter and Sean Davey creating a web of melody and hooks which tempt infectiously within the invitingly imposing strikes of Andy Lewis’ drums and the brooding tones of Ollie Chanter’s bass. Swiftly infectious and increasingly so as Alford impressively leads the way with his potent voice, the song grips attention and appetite.

A single which has already earned the band eager radio play, Lie To Me follows with its gentle but catchy swing and warm melodic embrace. There is a more caustic edge to the song which swarms its shadows to add further depth to its presence, but it is the emotive tide and melodic dexterity of the band and songwriting which fuels its character to great effect. Though for these ears its predecessor is a mightier lure into the EP, there is no denying the track gets under the skin and into the hips with its accomplished heat and tenacious catchiness.

Hiding Place brings a rockier swagger with its robust presence next, rhythms almost assaulting the senses with their forceful nature. It is a pleasure emulated in the fiery textures erupting from the guitars as the harmonic strengths of Alford are matched by his enterprise on keys. Emotionally and musically anthemic, the track really hits the spot in swift time, it too a perfect lure into the creative heart of Witterquick.

The release is closed up by the gentle fires of I Need A Friend Tonight, a melancholic reflection with crescendos of intensity and emotion which really blossoms over listen. It epitomises the band’s intelligent songwriting and layered sounds, over time breeding the same kind of infectiousness its rowdier companions generate more quickly.

It would be wrong to say that Fire & Ice blew us off out feet yet every moment with it has brought thick pleasure and an intrigue flooded hunger for more and there is nothing wrong with that at all.

Fire & Ice is out now and available @ http://witterquick.bigcartel.com/

http://www.witterquickband.com/    https://www.facebook.com/Witterquickband    https://twitter.com/witterquickband

Pete RingMaster 17/10/2017

Copyright RingMaster: MyFreeCopyright

All Tied Up – Breaking Silence

Entwining the energy and urgency of pop punk with the rousing guile of alternative rock, UK outfit All Tied Up have provided one enterprising vehicle for it to shine in the shape of their new EP. Breaking Silence features five tracks which pretty easily has the body bouncing and the imagination held, each also ripe with a potential which whets the appetite for the evolution of the  band’s already intriguing sound.

From Milton Keynes, All Tied Up have persistently nurtured a broadening eagerly loyal fan base as well as increasing praise across a debut album and a pair of EPs as well as with their live presence which has seen the quartet shares stages across the country with bands such as The Ataris, [SPUNGE], Kenneths, Big D and the Kids Table, Whitmore, and Sonic Boom Six. Recently they linked up with new indie label, Stack-in-a-box Records, for the Andy Davies produced and Joe LaPorta (David Bowie, Foo Fighters, Mallory Knox) and Katie Tavini (Sonic Boom Six) mastered Breaking Silence, a union which should see potent fruits from their joint endeavour.

The EP opens up with So Enthusiastic, a song which from a gentle thoughtful melody gathers its rhythmic tenacity and eager energy to burst into a boisterous stroll. In its lively canter there is a steely edge to the bass of Leebo, a darker hue which equally clads the swings of drummer Nick Freeman. The guitars of vocalist Dave Palfreyman and Billy Norman though flirt with melody around a hook which just teases the passions as the former’s vocals, with their engaging twang, cap the captivation. The band’s new single, the song simply hits the spot and soon commands a deeper look at the EP.

Whether the remaining tracks live up to the first is debateable such its impressive proposition but certainly the following Better Day swings along with ear pleasing endeavour and a melodic spicing which only satisfies. Its rhythmic shuffle is similarly adventurous working away on feet as too the ruggedly dancing beats and bass grumble coring the increasingly addictive and next up Asbestos Box. Though leaving no sense of dissatisfaction in its first play, the track simply grows listen by listen; its unpredictable character and infectious heart relentlessly getting under the skin and if there is one song which rivals the first, this is it.

The EP’s title track romps along with its own eagerness and dexterity, ebbing and flowing in the energy of its attack but always a flood of catchiness which also blossoms over time if still lacking the bolder creative sparks of its predecessor. In saying that, enjoyment is a given as emotive hues entangle pop punk; a mixture just as assertive and magnetic in closing track Master Of Disguise. It too is a great mix of reflective calm and spirited dynamics which again, and this applies to the whole EP too, just becomes more persuasive and alluring with every encounter.

There is deep potential to the All Tied Up sound which demands further attention and a readymade attraction which makes Breaking Silence a thoroughly enjoyable encounter which anyone with a taste for pop punk and infection loaded rock should find quite flavoursome.

Breaking Silence is out now via Stack-in-a-box Records on all major online stores.

https://www.facebook.com/alltiedupband    https://twitter.com/alltiedupband

Pete RingMaster 01/10/2017

Copyright RingMaster: MyFreeCopyright

 

Lonely The Brave – Diamond Days EP

A handful of weeks short of its acclaim luring release a year ago, UK outfit Lonely The Brave follow their chart topping album with another new ear hugging EP. Featuring Diamond Days from the acclaimed Things Will Matter, the Cambridge quartet’s latest offering also provides two brand new songs and a haunting cover of a long time band favourite. Together they seduce the senses and spark the imagination, offering further reasons as to why people are suggesting that Lonely The Brave could be Britain’s, if not the world’s, future big thing.

Last year saw, beside the album’s triumphant release, the band play a sell-out headline tour and support Biffy Clyro on their travels across Europe. With the band currently in the midst of a UK tour supporting fellow city bred outfit Mallory Knox alongside Glasgow trio, Fatherson, Lonely The Brave with Diamond Days build on the similarly potent encounter of last Autumn’s EP, Dust & Bones; both releases not only feeding an appetite for the band’s ever brewing growth in sound and songwriting but re-energising attention on Things Will Matter with their lead tracks.

Diamond Days, song and EP swiftly captures devoted attention as a lone melody unfurls its gentle caress around ears. Soon beats add their rhythmic shuffle as vocalist David Jakes shares his distinctive and emotively honed tones. Quickly magnetic, the track only increases its potency as harmonies and further melodic enterprise from guitarist Ross Smithwick unites with the similarly potent touch of Andrew Bushen’s bass, together casting a suggestive web of temptation. Floating over the senses like a melancholic yet elegant cloud, the song haunts and bewitches in equal measure, brooding keys adding to its evocative air.

With the beats of Gavin Edgeley just as striking and lively, Two Heads follows, bringing a greater energy in gait and instinctive but controlled aggression. It is more a forcefulness than attack at the heart of the EPs second offering, but an anthemic trespass which gives greater urgency to the tapestry of infectious melodies and hungry riffs persuading an already keen appetite for the band’s sound to find a touch more greed.

Collider is a blend of the previous pair, initiating its presence with another blustery air but slowly creeping into the psyche with meandering melodies and vocal resourcefulness. Overall the song is more of a slow burner than its predecessors, its angular hooks and blossoming catchiness reserved and subtle yet ultimately the song leaves just as rich a pleasure behind as those before it eventually leaving in a blaze of emotive intensity.

As they have shown before, Lonely The Brave makes any track they cover their own, and The Rat is no exception. The Walkmen song is an emotionally exposed encounter, a haunting and haunted proposition floating solemnly across ears and thoughts as shadows brew in its lining. Their injection of drama builds into a rousing tide of emotive density ridden by Jakes’ continually impressing delivery and the melodic weaving of Smithwick. The track is superb, matching the heights of its companions if not stealing their thunder just a little as it too builds to a thrilling crescendo.

For those with the album already in their hearts, the Diamond Days EP is a new and compelling treat and for newcomers also a reason to further embrace a band and sound which is indeed evolving into something rather special.

The Diamond Days EP is out now through Hassle Records across most online stores digitally and on Ltd Ed Mint coloured vinyl; all links @ http://smarturl.it/DiamondDays_Order

Upcoming Mallory Knox/Lonely The Brave Tour Dates:

31/03/17 – Newcastle – University SU

01/04/17 – Liverpool – O2 Academy

02/04/17 – Portsmouth – Pyramids

04/04/17 – Oxford – O2 Academy

05/04/17 – London – Koko

06/04/17 – London – Koko

http://lonelythebrave.com/    https://www.facebook.com/LonelyTheBrave   https://twitter.com/lonelythebrave

Pete RingMaster 27/03/2017

Copyright RingMaster: MyFreeCopyright

Deadset Dream – Snakes and Ladders

Photography by Elliot Young.

Photography by Elliot Young.

Following a 2015 which saw the band earn great attention, British alternative rockers Deadset Dream are keeping that same success going on stage and recently through the release of new single Snakes and Ladders. The track is a rousingly infectious slice of melody thick rock ‘n’ roll driven by the warm jangle of guitar aligned with emotively shaped vocals, and very swiftly is very satisfying.

ARTWORK_RingMasterReviewFormed on 2013, Sheffield hailing Deadset Dream has bred and honed their sound into a flavoursome proposition matched in strength by the interest it has sparked. As mentioned earlier, last year was the most potent yet for the quintet of vocalist Shiney Lingwood, guitarists Dan Burridge and Alex Hudson, bassist James Yeaman, and drummer Conor Burridge. Live, the band supported the likes of Funeral for a Friend, Roam, and Autumn Ruin as well as selling out Sheffield’s Corporation towards its end. The release of The Fall, a single taken from Battlecry, the band’s first EP in three years, only added to Deadset Dream’s success with their reputation growing in tandem.

Surging into 2016 with the same live intensity, Deadset Dream gives attention another firm nudge with Snakes and Ladders. The single initially caresses ears with a guitar jangle before Lingwood counts down to an immediately catchy and evocative flow of riffs and melodies around his following plaintive vocals. With rhythms framing all with their own infectious drama, the track croons and rumbles as it sweeps ears up in its anthemically toned adventure.

There is a feel of Mallory Knox and Bring Me The Horizon to the song, open hues which add to an overall roar which fires up the appetite for the Deadset Dream sound. Produced by James Pinder of Treehouse Studios, who lists the likes of Bullet For My Valentine and Fightstar on his CV, Snakes and Ladders suggests this year is more than capable of matching the last in the ascent of Deadset Dream.

Snakes and Ladders is out now with Deadset Dream playing the Kaya Festival in Wales August 7th.

https://www.facebook.com/deadsetdreamband   https://twitter.com/deadsetdreamuk

Pete RingMaster 04/08/2016

Copyright RingMaster: MyFreeCopyright

Syren City – Paradise In The Dirt

Syren City Promo Shot_RingMasterReview

Almost two years ago, UK rockers Syren City laid a hefty punch on attention with the Escape EP, five tracks of multi-flavoured rock ‘n’ roll which was as compelling as it was thrilling. Now the Bristol quintet returns with its successor Paradise In The Dirt and three more encounters which leave ears ringing with pleasure and an appetite for more simply greedier.

Formed in 2011, Syren City swiftly bred a sound from essences drawn across the likes of post hardcore, punk, metal and alternative rock. The 2014 Escape EP quickly showed it was a formidable and striking mix, echoing the band’s live reputation earned through festival appearances and shows with the likes of Turbowolf, The Alarm, Mallory Knox, Max Raptor, The Hell, Roam, Black Foxxes, Futures, Young Legionnaire, Attack Attack, and Blitz Kids. The release of their new proposition shows that the band’s sound has continued to expand and indulge in greater adventurous traits, increasing in magnetism with equal measure. The first in a series of EPs which have a conceptual thread and link, Paradise In The Dirt captures ears and imagination with swift deftness of enterprise and a rousing boisterousness, never relenting upon or releasing the listener until its final note has shared its mighty bait.

Syren City Cover Artwork_RingMasterReviewIt opens up with It’s Morphine Time, a song which descends on the senses like a tempestuous challenge from its first breath, but a threat just as quickly seducing ears and appetite as riffs and rhythms launch their hungry persuasion. In no times wiry grooves are entangling song and listener while anthemic vocal roars across the band find a great Beastie Boys feel to them. As it proceeds, the scent of bands such as Rage Against The Machine and Refused also colour the encounter, with frontman Simon Roach taking vocal charge as the barbarous rhythms of bassist Sam Leworthy and drummer Mat Capper badger and incite. It is a virulent infectious affair with the enterprise and fiery grooves of guitarists Ian Chadderton and Josh Mortazavi arousing, aiding and shaping the songs twists and turns as its metal/heavy rock antagonism and inescapable catchiness fuels pleasure, the song alone surely ensuring the EP’s certain success.

It is quickly backed up by its companions though, Danielle coming next and opening on a melodic caress which inspires the following vocals and flirtatious gait of the song. Little time passes before again a volcanic quality and energy erupts, its theatre creating a My Chemical Romance like attraction before things slip back into the captivating calm and the repeat of the galvanic cycle. As within its predecessor, there is a kind of tempestuousness to ideas and intensity which only adds to the riveting drama provided before 10,000 Knives steps forward to grab its share of the plaudits. Initial riffs and lures have a slight Therapy? feel before the punk heart of band and song grips and adds a Reuben meets Taking Back Sunday hue to the outstanding encounter.

All three tracks are uniquely distinct to each other but fuelled by a sound with a character all Syren City’s. The band impressed with their last release and have only made a bigger impact with Paradise In The Dirt, a release sure to be the favourite EP of 2016 for a great many.

The Paradise In The Dirt EP is out now through all stores-

https://www.facebook.com/SyrenCity  https://twitter.com/SyrenCity  http://instagram.com/syrencitymusic

Pete RingMaster 30/06/2016

Copyright RingMaster: MyFreeCopyright

Attack The Day – Felons EP

Pic Michal Spigiel

Pic Michal Spigiel

Attack The Day is another of those bands with a sound which defeats exact tagging due to its nature and eagerness to weave in a host of diverse flavours. The Northern Ireland hailing quintet, though it might be that they have lost a member since recording their new release,  are generally classed as alternative metal/rock but as Felons shows, they have the snarl of punk, the rousing tenacity of raw metal, the swing of funk, and the unpredictable character of post rock in their invention. The band’s second EP is an ear pleasing, imagination sparking encounter which captivates more and more with every listen.

Formed in Enniskillen in County Fermanagh in early 2012, Attack The Day soon developed a hunger to play live and soon had their local scene won over. Inspirations come from the likes of Sum 41, Mallory Knox, Maximum The Hormone, Slipknot, The Blackout, Gob, and Korn which alone gives you a hint to the variety in their sound. Last year saw debut EP This Is How It Ends released, its singles finding play and support on various radio stations such as IUR FM and RTE 2XM. 2015 also saw the band touring Ireland and play support to Suddenly Human. Now it is Felons poised to stir up further attention, a success easy to assume with its creative step on from its predecessor.

ATD - _RingMasterReviewFrom its opener, the EP shows a new expansion and invention in the Attack The Day sound as We Are The Change grabs ears with a sonic clamour and a tide of group roars. From there the lead vocal of Dáithí Murphy steps forward within a busy hustle of riffs and firmly jabbing rhythms which is part punk, part heavy rock, and quickly infectious. There is no mistaking the appetite sparking attitude soaking the song, but a challenge bound in spicy grooves from guitarist Mark Cadden as Ciaran Fitzpatrick’s bass throatily prowls the intimidating beats of Shane McGovern. Not for the last time, the punkish hue to a song within the EP, hints at a Stiff Little Fingers like growl to add further temptation for ears to embrace.

It is fair to say that the first song is a relatively and enjoyably straight forward slice of raw rock ‘n’ roll, something its successor Bridges I Burn certainly embraces while revealing the more off kilter imagination of the band. Its relatively mellow start is soon a lively funk fest of grooves and energetic rhythms, but a revelry which in turn sparks vocal animosity and imposing metal bred intensity. It is a passage of invention which repeats with increasing potency, every round revealing a fresh essence and spice within the adventurous exploits.

Epidemic follows that compelling proposal, bringing its own creative captivation with elegant melodies and suggestive beauty, the instrumental a warm yet melancholic caress of the imagination and senses before Part To Play springs its irritable metal and post hardcore causticity on ears. The slightly dour tones of Murphy work a treat against the fiery nature of sound and the band’s bullish harmonies, but the unpredictable character of the song soon has ears and thoughts buzzing in other ways. Slips into ska seeded swings and atmospheric caresses are great moments matched by the contrasting and corrosive winds of sound and intent which also wash across the senses, each providing a fascinating and successful piece in the inventive jigsaw of the track.

The EP is concluded by the boisterous rock stomp of Who We Are, a song emulating the first in providing an anthemic punk ‘n’ roll charge which just hits the spot. It is a great end to a thoroughly enjoyable second encounter with Attack The Day. Fiercely agreeable on the ear, the release also highlights the potential within the band, a promise and quality hard not to see making a bigger impact on the British rock scene ahead.

The Felons EP is released 20th May, available @ https://attacktheday.bandcamp.com/releases

https://www.facebook.com/attackthedayband/   https://twitter.com/_AttackTheDay

Pete RingMaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

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