Making Monsters – Bad Blood

2015 promo_RingMasterReview

We heard the buzz and now we know it is pretty much on the mark, UK band Making Monsters is one striking and seriously exciting proposition. Our evidence comes with the band’s new EP, Bad Blood. It is six tracks of highly irritable and even more contagious rock ‘n’ roll equipped with the snarl of punk and bold diversity of alternative rock; a proposal which stirs the instincts and spirit from start to finish; oh the fact that the band’s sound has a touch of Animal Alpha to it does it no harm either.

Emerging in 2011, the Derry based Making Monsters soon poked at keen attention with their self-titled debut EP the following year, that potently back by successor, Attention, two years later. Alongside that success, the quartet has developed and honed their sound and live presence, impressing and luring new flocks of fans while sharing stages with the likes of Young Guns, Silverstein, We Came As Romans, Max Raptor, and Skindred amongst many. A clutch of singles have increasingly stirred the blood and ears these past couple of years while a full UK tour with Fightstar and Arcane Roots last October cemented the band’s growing reputation. With Bad Blood though, it is easy to expect the band stepping into new spotlights and strength of acclaim, the EP holding all the creative cards to be a game changer in the ascent of the band as it is in their sound.

Straight away the EP suggests there is a new maturity and even bolder adventure to the Making Monsters sound, a thought confirmed song by song across Bad Blood. It opens up with its mighty title track, a slab of punk ‘n’ roll straight away teasing with spicy hooks as the instantly impressing roar of Emma Gallagher takes on all challengers in attitude and quality. Guitars and boisterous rhythms continue to entice and intimidate across the excellent encounter, Gallagher’s emotive fire backed by male scowls as Brian Doherty’s drum sticks beat out an addictive pattern.

MM - Better _RingMasterReviewIt is a glorious start with, as suggested at the start, a great Animal Alpha hue to its tempest; an imagination and appetite inciting beginning to the release quickly and potently backed up by Call Me Out. A kinder affair on the senses for the main but with an imposing volatility, the dark stroll of Gary Todd’s throaty bass at first holds court with the provocative tones of Gallagher, who is already showing much more of her versatility; the pair soon colluding with the fiery enterprise of guitarist Paul Monk and heftily swung beats to stir up an already keen appetite.

Latest single Better comes in next; its entrance also less intrusive but taking a quickly unshakeable firm grip on ears as shimmering melodies and senses piercing hooks lay their bait into the rhythmically virulent swing of the song. There are moments throughout it where thoughts wonder if Distillers were fused with Stolen Babies, would they sound like and as riveting as this. They are essences which continue to flavour a song which has the energies breathless and hunger greedier by its end, so luckily We Aren’t Living is next to eagerly share its melodic pop ‘n’ roll with a growl and a tenacious will. Like those around it, the track offers plenty of unpredictable twists and moments of fascinating imagination, neither ever disrupting the flow and impact.

Rose seduces next, Gallagher caressing ears with her warm yet snarly tones as sultry tendrils of guitar sway. It is a mesmeric coaxing soon over run by a torrent of spiky riffs and busy rhythms providing a just as enticing invitation. As now expected things are soon turning down new avenues and offering a variety of twists woven into a blaze of a song as raucous as it is emotively inflamed and intimate.

Bad Blood ends on our favourite track, a rampaging beast of attitude and invention going by the name of Noodle Sync. Noise and garage rock meets punk metal infused rock ‘n’ roll, the track is a blistering assault and trespass on ears and the senses. It is a cauldron of raw riffs and invasive hooks driven by the diverse drama and emotion of Gallagher’s explosive voice and presence, her ability and invention more than matched in sound and imagination by the rest of the band.

It is a stunning end to a quite exhilarating release; an EP which just might be the making of Making Monsters and certainly another step towards major things for the band one suspects.

The Bad Blood EP is out now digitally @ http://makingmonsters.bandcamp.com/ with physical copies available @ http://makingmonsters.bigcartel.com/product/bad-blood-ep

http://www.makingmonsters.co.uk/   https://www.facebook.com/makingmonsters   https://twitter.com/makingmonsters1

Pete RingMaster 16/05/2016

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Attack The Day – Shadows

Attack The Day_Reputation Radio/RingMaster Review

If you are hankering to be in on the ground level of something potentially very special then check out Northern Ireland alternative rockers Attack The Day and debut release, the Shadows EP. The six track release is a compelling and striking introduction to the County Fermanagh quintet which, though it is early days, suggests it is the beginning of bigger and bolder things. Ripe with varied flavours and imagination bred twists, its rich persuasion comes stocked with strong ideas which are not always fully realised but persistently spark a hunger for more in ears and appetite.

Formed 2012 in Lisnaskea, Attack The Day completed their line-up two years later with vocalist Dáithí Murphy. Since forming the band has been a constant presence on the local live scene subsequently spreading further afield and adding the sharing of stages with the likes of Cadaver Club, Axecatcher, The DMs, and Making Monsters to their CV as well as a tour with Germans Suddenly Human across Ireland and the UK. The release of Shadows is the next potent step in breaking broader attention, and as it consumes and ignites ears with every listen, success is expected here.

The EP opens with Intro, a minute long piece of guitar shaped coaxing which does not startle but certainly has intrigue and attention to what is following aroused. It slips away to make way for Alive, a track instantly bulging with metal seeded riffs and badgering rhythms within an aggression wash of guitar. The vocals of Murphy step into the mix with a raw and aggressive delivery, his unpolished lure soon enhanced further by additional anthemic contributions elsewhere. Tagged as alternative metal/rock band, band and song soon show they are just as rife with punk confrontation and hardcore tempestuousness as well as an inventive want to infuse other slithers and spices of varied styles.

Shadows Artwork_Reputation Radio/RingMaster Review     Boisterously anthemic, the track is matched and swiftly surpassed by Egyptian. More controlled in its entrance, the song quickly prowls ears vocally and musically as the guitars of Mark Cadden and Donavan McBrien cast nagging unrelenting bait with the brooding bass of Ciaran Fitzpatrick growling around them. As the persistence and intimidation of guitars and Shane McGovern’s heavily jabbing beats continue to brew a thick tempting there is no mistaking an early Therapy? feel to the encounter, especially when Cadden spills some potent sonic enterprise into the brewing tempest. The song simply continues to grip as it leads the listener into the even more impressive Divided.

The third song emerges with a post punk coldness to vocals and tone, the dark resonating bass initially the lone provocateur apart from firm beats before just as chilled tendrils of guitar winds around its addictive bait. Like Babyshambles meets Psychedelic Furs, the song gets under the skin with its infectious charm and inventive tenacity. It never explodes into a tsunami of sound and persuasion but leaves a breathless satisfaction in its wake all the same. The song is superb and if using just one offering to make a choice whether to embrace the band or not, it has everything you need to know about their craft, quality, and potential.

So too has the EPs title track to be fair, its Deftones like breath a lingering seducing within a fiery lure of melodies and sonic endeavour, veined by again a captivating rhythmic whipping up of attention. Though it has a feisty energy, the song crawls over the senses, preying on ears and imagination with increasing drama and explosive almost hostile unpredictability and enterprise, climaxing in an Able Archer like roar.

The release closes with This Is How It Ends, McGovern and Fitzpatrick providing a gripping and menacing canvas to which guitars and the increasingly impressive melancholic tones of Murphy lay their potent craft and expression. This time a feel of the Only Ones emerges, though as across the EP, any references spring from a sound and presence distinct to Attack The Day. The song is a swarm of monotone but endearing textures and a tangy grooving of guitar which also has a foot in eighties post punk and nineties alternative metal, it all adding up to something fresh and contagious.

As suggested earlier, there are elements within Shadows which do not go as bravely far enough as they might but with every listen the EP just grows and impresses more. Attack The Day is a presence to make a note of at the very least but recommended to dive into right now so you catch their ascent from its first wind.

The Shadows EP is out now @ https://attacktheday.bandcamp.com/releases

https://www.facebook.com/pages/Attack-The-Day/164901066967572

RingMaster 19/06/2015

Copyright RingMaster: MyFreeCopyright

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