Rainium – Sounds Of Berlin

Having thoroughly enjoyed their new single, the offer from Rainium themselves to check out their debut album was easy to take up. So with thanks and help to guitarists Rainer Krenzke and Jay Parmar we did just that and discovered in Sounds Of Berlin another of this year’s pleasures.

Rainium is an Anglo/German endeavour created by Krenzke in 2017. With a swift link up with vocalist Michael Voss (Mad Max, Casanovo, ex-Bonfire), the emerging project was soon the host of new songs, demos, and a line-up subsequently completed by bassist Marco Tardanico (ELA) and British lead guitarist Jay Parmar (Eden’s Curse, Iron Knights, The Inner Road). Musically, Rainium weave a sound bedded in a fusion of classic and hard rock and alive with individual craft. As that first single and its title track revealed, the album revels in a blend of familiar and wholly fresh ingredients though across a dozen tracks Sounds Of Berlin quickly and firmly unveils a far richer adventure of sound and enterprise.

The brief attention luring invitation of ET (Et Toujours) leads eagerly into the waiting arms of Two Friends which welcomes ears with big swinging beats amidst rapacious threads of guitar. Quickly it opens up a web of melodic threads and vocal incitement, both as persuasive on ears and body as the continuingly infectious rhythms. Edging on the side of snarling, riffs drive the song’s catchy stroll whilst the melodic prowess of Krenzke aligns with Parmar’s skilled intricacies and invention until it all rousingly unites with the anthemic incitement of the band’s combined vocals.

It is a potent start to the album which the band’s current single wraps itself as it shares its own individual enticement. From the enclosed theatre of the subways, Sounds Of Berlin hits its catchy stride with a boisterous appetite, setting up classic rock nurtured riffs and hooks in a catchy and tempting embrace at the same time. Tardanico’s bass throbs magnetically under the song’s skin as Parmar’s stylish weave wraps a body teasing with almost industrial hued flavours at times though its chorus is pure eighties rock natured.

In The Dead Of Winter strides in next, confident in its temptation and indeed it takes mere seconds to get under the skin as rhythms pounce and vocals hook. It is a wicked start which softens a touch as its equally contagious chorus shares keen energy, the cycle just as virulent the second time around. With Parmar again enthralling in his craft and enterprise, the track lays down a strong best track claim before Farewell slows things a little but adds greater intensity and emotion in its metal infused canter. Melodically haunting as drama lines every moment entangled in the emotive intimation of the guitars, the song makes for one of the album’s most absorbing moments.

Another big highlight of the release comes with Right Here Right Now, a song which starts with almost predatory intent as its initial riffs strike but soon simply seduces attention as the instantly captivating tones of Ilo Schnittchen (Isle Of Rock) nestle in the melodic embrace of the song. With rousing eruptions in the heart of the temptation, the track proved increasingly irresistible and firmly one of our favourite moments.

Both Just The One with its open nineties rock seeding and the wild almost salacious antics and suggestiveness of Gypsy had the body bouncing if neither could quite rival the success of its predecessor while Wake Up stakes its own claim on one of the album’s major moments with its prowling intrigue and drama. From the compelling throaty lures of Tardanico’s bass to the subsequent almost new wave nurtured melodic captivation which wraps the imagination, the song enthralled and embroiled us in its gentle swing.

With Parmar’s steel strings as poetic as ever, it is a fine close to the collection of seriously engaging and forcibly memorable songs though Sounds Of Berlin still has the pleasure of three bonus tracks to please ears with. The first is another version of Right Here Right Now which sees Schnittchen and Voss in more of a duet across its highly magnetic body, its treat followed by an instrumental demo of In The Dead Of Winter and a demo take of Just The One.

From the moment an idea, which was to become Rainium, escaped Krenzke’s imagination it has been three years of inspiration, passion, and endeavour from all members, traits shaping and fuelling a release we can only suggest needs a lusty checking out.

Sounds Of Berlin is available now.

 http://rainium.com   https://www.facebook.com/RainiumBand   https://twitter.com/jayparmarguitar

Pete RingMaster 05/12/2019

Copyright RingMasterReview: MyFreeCopyright

Renegade Twelve – Self Titled

renegade-twelve-promo-shot_RingMasterReview

With a character which refuses to be pigeonholed yet openly embraces every flavour of melodic metal and heavy rock you care to mention, the self-titled debut from Renegade Twelve is oh so easy to like. Offering ten rousing slices of rock ‘n’ roll as inventive as they are seemingly familiar, the release is a formidable and increasingly captivating introduction to the British outfit.

Hailing from Suffolk, Renegade Twelve emerged in 2014, formed by long-time friends in lead guitarists Jacob Mayes and Dan Potter, bassist Josh Barnard, and drummer Jack Mcsloy. It was with the addition of vocalist Sam Robson that the jigsaw of talent was finally complete, a union driving the band through over 100 gigs in 2016 alone in support and preparation for the release of their first album.

Recording it with producer Rupert Matthews who has collaborated with the likes of Rolling Stones, Led Zeppelin, The Who, The Eagles, and Black Sabbath, Renegade Twelve quickly unleash their individual and united enterprise with opener Mad Max. It opens from afar, sonic melodies and fiery energy brewing up their engines at a distance until ready to stand toe to toe with the listener. Once in place it is an imposing yet not overtly aggressive proposition, Robson soon leading the surge of adventure with his quickly impressive tones as guitars weave their sonic tapestry around the swinging rhythms of Barnard and Mcsloy. A definite Avenged Sevenfold colouring coats the song but it also offers plenty more to get the teeth into.

Vanity follows with its own blistering weave of melodic and heavy metal, its instinctive roar equally brewed on an array of textures from alternative and groove metal to classic rock. With ease, as its predecessor, it sparks the spirit and energies before Heroes Of Mine embraces ears with its melody rich, almost folk metal spiced enterprise before settling into its muscular melodically persuasive rock ‘n’ roll canter. Though the track is eclipsed by those around it, there is no lessening of appetite and enjoyment already bred by the album especially as the technical imagination of the guitarists dance evocatively on ears.

A carnivorously toned bass growl is just one ingredient in the thickly riveting success of Bipolar, anthemic vocals and raw virulence another as it energetically and at times venomously prowls the senses. It too just misses out on matching earlier heights yet has attention solely in its inventive hands especially when the organic animosity of its heart erupts and fuels a great passage of irritability.

renegade-twelve-cover-artwork_RingMasterReviewThrough the predatory landscape and infection clad swing of the outstanding This Town the album hits a new plateau, the track a boisterous funk lined stomp with a defiant snarl on every corner. Its individual nature adds to the already open variety within release and Renegade Twelve sound, a diversity further stretched by the power balladry/classic metal blaze of War Plane and in turn the epic yet intimate bellow of Somme. The first of the two leaves nothing to be dissatisfied with but is overshadowed by its surrounding companions with the sensational second of the two pure creative theatre with no signs of indulgence or wasteful seconds.

Yeah Boi swaggers in straight after, grouchy basslines and punchy beats joining cantankerous riffs in an irresistibly compelling instrumental unafraid to reveal a Pantera inspired swing bound in spicily toxic grooves. It sets ears and pleasure up perfectly for the fiercely catchy antics of MFC, a blistering sonic ravaging of ears, and straight after the melodic hug of closing track Bill & Chief. From its gentle, acoustically nurtured start, the song catches ablaze with melodic and emotive flames to bring the album to a conclusion as impressive as its start.

Renegade Twelve is a stunning debut sure to appeal to fans of most flavours within the metal realm such its richness of styles. The fact that the band still finds a pretty distinct sound even with its familiar essences is testament to the imaginative writing and unmissable skills of its individuals.

Renegade Twelve is out 27th January.

http://renegadetwelve.co.uk/   https://www.facebook.com/Renegade-Twelve-1393405887586971/   https://twitter.com/renegadetwelve

Pete RingMaster 25/02/2017

Copyright RingMaster: MyFreeCopyright