Elessar – Reflections EP

Elessar_RingMasterReview

With a spring tour around the UK mere days away, British alternative/pop punk band Elessar set the scene and tone with their debut EP, Reflections. It offers five tracks of infectiously appetising and thoroughly enjoyable rock ‘n’ roll which might not be bursting with major originality but certainly gives the listener a fun and rousing time; a success never to be sniffed at.

Formed last year, the Gloucestershire-based Elessar soon invited attention with video/single Arrogance that May. Its line-up consists of school friends in Ricky Powell (vocals/guitar), Alex Evans (guitar/vocals), Jack Gambling (bass) and Dan James (drums), and it is fair to say that the quartet took little time to hit and earn a potent reputation on the local live scene swiftly expanding outwards from their first steps as a band. The Reflections EP is the outcome from the band working and recording last year with Romesh Dodangoda (Funeral For A Friend, The Blackout, Kids In Glass Houses), a release seemingly a long time in the unveiling from that first single but soon revealing the rich potential of Elessar.

art_RingMasterReviewIt opens with that first single, and straight away Arrogance has ears welcoming a sturdy wall of hungry riffs and swinging rhythms. Things relax a touch as the vocals step forward though grooves still engagingly flicker and hooks bite through the guitars as those initial rhythms continue to command attention with their tenacious and weighty persuasion.  Hitting its stride in no time, the song soon offers a contagiously rousing chorus and an enticing mix of varying intensity and eventful twists; all fine elements in the anthemic proposal that body and voice cannot resist getting involved in. It is a great start and easy to see why the track made people look up last year, and a success potently backed by the following likes of My Skin and Holding Back.

The first of the two shares a more melodically tempting lead into its proposition though again bass and drums unite to create a formidable spine and thumping drive for what becomes an increasingly fiery encounter unafraid to ebb and flow in attack and raw energy. Holding Back, in comparison to the almost imposing drama of the previous track, unveils a pop catchy character to its vivacious dance with ears and imagination. Hooks and melodies leap and lure like flames in the track’s robust fire, licking at the senses rather than burning them but asking and earning attention with every enjoyable twist and turn.

On the surface a casual listen finds a similarity between the songs on the EP, but deserved focus provides the window to some stylish and emotively fired individuality. Empty Frames is a song though which needs no extra effort to see its uniqueness; punchy beats and a brooding bassline the lure into inflamed melodic enterprise and spirit arousing energy accentuated by a subsequent drop into minimalistic moments of vocal caresses within an evocative ambience.

Goodwill completes the EP with its strong and captivating presence, though it does not have the same kind of effect on personal tastes or the same level of creative drama as its predecessors even in a certainly dynamic body. All the same, the song is a fine end to a release which suggests that Elessar warrants real attention, certainly if bands such as Taking Back Sunday, You Me At Six, and Lower Than Atlantis ring your bell.

The self-released Reflections EP is out on CD and Digital Download April 22nd via iTunes and other stores.

Elessar Spring Tour:

 27.04 – Manchester, Factory

28.04 – York, Fulford Arms

29.04 – Newcastle, Space Bar

30.04 – Leeds, Eiger Studios

01.05 – Stoke, Underground

02.05 – London, Nambucca

05.05 – Cheltenham, 2 Pigs

06.05 – Cardiff, Undertone

07.05 – Truro, Charlies Bar

08.05 – Exeter, Cavern

09.05 – Birmingham, The Rainbow

10.05 – Bristol – The Louisiana

https://www.facebook.com/ElessarBandUK   http://www.twitter.com/ElessarUK  https://elessaruk.bandcamp.com

Pete RingMaster 22/10/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Diamond Days – People Change

DD_RingMasterReview

In the second half of 2015, UK alternative pop/rock band Diamond Days grabbed attention with the release of two singles in quick succession; songs which built upon the potential and success of their previous EP. Now they nudge the bar of their melody rich sound again with new track People Change; a single confirming why good, praise loaded things are constantly being said about the Liverpool band.

DD art_RingMasterReviewFormed in 2014, the quartet soon sparked keen online attention with the release of debut single Start It From The End, its release soon followed by over 60,000 views on YouTube and the luring of over 30,000 followers across social media since. Drawing on inspirations ranging from Fall Out Boy, You Me At Six, and Panic! At The Disco to Foo Fighters, Young Guns, and Lower Than Atlantis, the band’s sound has persistently evolved with each release too starting with their impressing debut EP, We’ve Come A Long Way. Live the band has equally earned a potent reputation, sharing stages with bands such as The Blackout, William Control, Metro Station, Motion City Soundtrack, Fearless Vampire Killers, and Verses along the way. Both the Love Struck Kids and I Rewind singles of last year hinted at further growth in songwriting and sound which now People Change backs with infectious charm.

An opening melodic sigh brings in the punchy beats of Mark Highdale and the enticing lures of guitarists Tom Shepherd and Alex Fearn first, the latter equally as swift in offering his strong voice and expression to the emerging song. It is a rousing start which never explodes but continues to fuel the growing harmonic and melodic roar. Darker textures are provided by the bass of Tom Jack Jackson, giving a great temper to the vibrancy which soaks the song from enterprise and craft through to the potent tones of Fearn.

There is also a great hint of new unpredictability emerging in the band’s songwriting too; a sudden twist into a calmer emotive climate without real warning one great moment in the increasingly magnetic encounter.

With a great video to accompany it, People Change looks like being the start of another strong year for Diamond Days and an enjoyable one for us.

People Change is out now.

http://www.diamonddaysmusic.com   https://www.facebook.com/DiamondDaysUK   https://www.twitter.com/diamonddaysuk

Pete RingMaster 02/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Apherium – Embrace The Fall That Brought Us Here

Apherium_RingMaster Review

Our introduction to British alternative rockers Apherium came last September with the Neoteric EP. It was a striking and attention grabbing offering if one whose major peaks left the surrounding adventure of the release seeming like it was lacking a spark or two. The potential was inescapable though, and now in full flow in new offering Embrace The Fall That Brought Us Here. The new three-track EP from the Somerset quartet blows its predecessor out of the water and though it might contain less songs each shows a band on close terms with increasing craft and tenacious invention.

Its members having met at college, Yeovil hailing Apherium emerged in 2011 and within a year had released a self-titled EP and debut album The Cycle. Drawing on inspirations from the likes of Midgar, Biffy Clyro, InMe, TesseracT, and Anathema, the band continued to evolve and hone their sound in an exploration which provided a stirring tapestry of flavours in last year’s acclaimed Neoteric EP At that point it was announced as the band’s finest moment to date, though as suggested, the foursome of vocalist/guitarist Larry Turner, bassist/vocalist Callum Shortland, guitarist/vocalist Ross Derby, and drummer Ashley Jones have burst onto a new plateau of sound, invention, and seemingly passion with Embrace The Fall That Brought Us Here.

Recorded with legendary producer and sound engineer John Mitchell (YouMeAtSix, Lower Than Atlantis, Enter Shikari), the EP opens up with Resolve, a song swiftly enticing ears with jabbing beats and a moody bassline as guitars cast a thick mesh of sonic coaxing. A moment’s relaxation sparks a bold stroll ridden by the impressive vocals of Turner. Thereafter, the song is a forceful and anthemically engaging proposal, enhancing its gripping start with potent backing vocals amidst a rhythmic intensity and melodic flames which rise up with increasing contagion. By mid-way on the first listen, it is impossible not to be fully involved with participation a given by the second and certainly third outing with the excellent encounter.

Embrace The Fall That Brought Us Here (Artwork)_RingMaster ReviewIt is an attribute all three songs have, a familiarity which plays like an old, but previously unknown, friend. They also share the quality to be the lead song, the big invitation to the EP. Embrace has that pleasure and quickly has its infectious claws in ears as stabbing beats and irritable riffs collude with the emotive tones of Turner and the brewing ascent of evocative melodies. Raw vocal expulsions are amongst the unpredictable and inventively infused elements that create even greater hooks within the catchy, bordering on volatile blaze where angst powered roars are seamlessly merged with elegant calms.

Closing track Ever Present bruises and seduces from the off, the scything swings of Jones imposing drama backed by the moody tones of Shortland’s bass whilst the guitar enterprise of Derby and Turner is at times pure creative theatre and persistently an arousal of the imagination. Emotively inflamed and dynamically compelling, the song is a mighty end to the thrilling next step in the rise of Apherium.

With their last EP, comparisons to bands such as Funeral for a Friend were easy to suggest, but as the band has untapped further into the creative depths hinted at previously, Embrace The Fall That Brought Us Here emerges as something solely Apherium; with the promise of more to be discovered bringing extra intrigue in their future.

Embrace The Fall That Brought Us Here is available from February 29th, and able to be pre-ordered @ https://apheriumofficial.bandcamp.com/album/embrace-the-fall-that-brought-us-here

Upcoming Tour dates:

Feb

29th – Leicester, Sumo

Mar

1st – Guildford, The Star Inn

2nd – London, The Garage

3rd – Bristol, Stag & Hounds

4th – Yeovil, Quicksilver Mail

5th – Wigan, The Old Courts

http://www.apherium.com/     https://www.facebook.com/apherium   https://twitter.com/apheriumband

Pete RingMaster 23/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Day Old Hate – First Light

Day Old Hate Promo _RingMaster Review

Recently Oliver Swift, vocalist of UK alternative rock band Day Old Hate said of their new release, “We wanted to write better songs then we ever had before,” going on to add that “Making brave decisions and pushing ourselves out of our comfort zone was a must; it was an intense experience – we pushed ourselves to write the best Rock record we could. Overall, it feels like a more authentic representation of Day Old Hate than anything that’s come before.” It is fair to say that First Light more than backs up his words and the band’s intent with its quintet of rousing and dramatically dynamic songs. The EP simply hits the spot, fulfilling the band’s early potential whilst still suggesting there is plenty more to come and be discovered ahead.

Formed in 2012, the Leeds band made their first attention grabbing proposal with the Distances EP a year later. Recorded with Dan Lancaster (Don Broco, Lower Than Atlantis, Mallory Knox), the encounter was a well-received introduction backed by their potent live presence and subsequently the Dan Mizen (Twin Atlantic, Bring Me The Horizon) recorded single Tides in 2014. Last year saw Day Old Hate release the video to Tides and be premiered as BBC Introducing’s track of the week in the February before going on their first UK headlining tour in April and releasing second video for the single Living Without You, again to strong support. It is easy to sense though that things are going to get far busier for the band with the release of First Light which they recorded late last year with Romesh Dodangoda (Kids in Glass Houses, Funeral For A Friend, Motorhead); it an impressive declaration of a band growing fully into their sound and breaking open the imagination to new adventure and creative exploits.

First Light Artwork_RingMaster ReviewFirst Light hits ears with its title track first, enveloping them in a rich spicy guitar coaxing before pungent rhythms and attitude loaded riffs join the affair. It is a potent invitation which only blossoms further as the song relaxes into a muscular stroll graced by the quickly impressing tones of Swift and prowled by the deliciously dark, almost predatory bass line of Josh Flynn. With rapier like strikes from drummer Ed Dennis, there is no escaping the imposing nature of the song yet its forcefulness is tempered perfectly by the melodic and fiery enterprise of guitarists Ben Fletcher and Will Smith, from riffs to hooks and incisive grooves, their imagination as dynamic as rhythms are commanding and vocals highly persuasive.

There is a touch of Mallory Knox to the band’s sound in certainly the opener filtering through the EP and for less obvious reasons a Jimmy Eat World essence but Day Old Hate only allow them to flavour something which though maybe not boldly unique is certainly distinctly theirs, more evidence coming swiftly in second track Secrets. There is a less aggressive nature to the song than in its predecessor but it still provides a mighty punch on the senses and an inflamed roar on ears potently led by the strong vocal strains of Swift. The tapestry of sound and ideation is again unpredictable and skilfully woven whilst providing an easily accessible and boisterous proposal easy to get involved in, just as the following contagious canter that is Fifteen where jabbing hooks and spicy melodies collude in an addictive lure as the vocals add emotive tenacity. The relatively reserved beginning subsequently erupts into a virulently charged bellow before returning to start the brewing success all over again resulting in a thumping anthem of energy and captivation which almost alone makes First Light a must look at.

Minutes, Hours, Days dances on ears next with its driving riffs and eager revelry, coaxing the listener into another healthy involvement before Don’t Chase Me closes the EP with arguably its catchiest offering, though all qualify in some way. With mellow reflections around infectious strolls, the song is a magnetic slice of pop rock easy to see netting a fresh catch of new eager ears on its own.

Day Old Hate has grown as a band, founding new depths in all areas which only command attention as evidenced by First Light. As suggested it feels like the tap has only just been turned on though with the potential of even bolder and richer adventures to come as the band builds on the suspected big success of their latest heftily enjoyable encounter.

First Light is released worldwide on Feb 12th across most online stores.

Upcoming Day Old Hate live dates:

19/02/16 – Black Heart, Camden

20/02/16- The Key Club, Leeds

https://www.facebook.com/dayoldhate   https://twitter.com/dayoldhateband  http://www.dayoldhate.com

Pete RingMaster 11/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Go Primitive – 100 Ways EP

Pic MARIANNE HARRIS

Pic MARIANNE HARRIS

If you are looking for a slice of rousing alternative rock then taking a punt on the new Go Primitive EP would definitely be a good move. Featuring five tracks which seriously stir ears and appetite alike, the release is a sparkling offering from a UK band heading towards strong attention. Admittedly the 100 Ways EP employs many recognisable flavours within its tapestry of creative contagion, but what it lacks in major surprises it heavily makes up for in fresh adventure and creative tenacity.

Hailing from Rugby in Warwickshire, Go Primitive has been making a potent name for themselves locally and further afield, luring in an increasing horde of fans and media attention. Live the quartet of guitarists/vocalists Tomm E Williams and Adam White, bassist Dan Teale, and drummer Ben Goodwin has earned a reputation for adrenaline fuelled live performances, sharing stages with the likes of Mallory Knox, We Are The Ocean, The Subways, Lonely The Brave, Hawthorne Heights, and Yashin along the way. Now they are set to provoke national spotlights and support with the Romesh Dodangoda (Funeral For A Friend, The Blackout, Kids In Glass Houses) produced 100 Ways, a success easy to see being within its highly enjoyable persuasion.

It opens up with Breathe In, Bleed Out Go and instantly fires up ears and imagination with a rousing vocal roar against firm beats and the inflamed tempting of guitars. It is a relatively restrained but rich start quickly working on thoughts and emotions, expanding its potency as fiery melodies collude with shadowy rhythms within the persistently provocative vocal cry. References have already been made to bands such as Lower Than Atlantis, Mallory Knox, and Don Broco when talking about Go Primitive, suggestions easy to understand from the opener alone.

100_Ways_RingMaster Review   Its impressive presence is soon eclipsed by the excellent In A Band, a slice of rugged pop rock with a host of addictive hooks and tenacious enterprise around the excellent vocal union of Williams and White. The track is pure temptation; every lick of a riff, swing of a beat, and dance of a syllable virulent incitement impossible to avoid getting physically involved in let alone ignore.

The Sun Will Rise takes over next, its more fiery textures and sonic tone also a swift invitation with inescapable bait laid down by the anthemic craft and jabs of Goodwin. The bass of Teale is a darker coaxing too, it’s throaty prowl less intrusive but just as magnetic in the captivating emotive croon of the track. With a great tempestuousness to its air and touch, the song carries a volatile edge which hints at more than it realises but adds tension and attitude to the stormy music surrounding the excellent vocals.

The EP’s most virulent moment comes in the niggling hook of Save Your Self, it initiating the quickly blossoming slice of sinew crafted and melodically spicy rock ‘n’ roll. The track is another highly persuasive and anthemic stomp tempting feet and emotions with a web of nagging grooves and spidery sonic imagination, perpetually veined by an infection of rhythms and repetitious invention not forgetting that gripping first enticement.

Coming to a more than solid close with the highly flavoursome and emotively honed What You Pay For, an initial seeding of creative prowess which blossoms to greater and more riveting success with every listen, 100 Ways is a thoroughly enjoyable and exciting introduction to Go Primitive. It is hard not to imagine, as the band grows and evolves a more unique sound, that they will further come into their own and truly stand out on the crowded alternative rock landscape. More of the same next time would go down rather well too though.

The 100 Ways EP is out now @ http://goprimitive.bigcartel.com/product/100-ways-e-p

http://goprimitive.co.uk/   https://www.facebook.com/GoPrimitiveUK   https://twitter.com/goprimitive

Pete RingMaster 02/12/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

This City Limits – Here’s To Hoping

This City Limits Promo Shot_RingMaster Review

Much as recent single Too Scared To Swim took its time to seduce and fully tempt, so too does the new EP from UK melodic punks This City Limits. As that first teaser for its release, Here’s To Hoping ultimately succeeds in awakening a very healthy appetite for and strong enjoyment of its vibrant clutch of songs. This City Limits has a sound which maybe is unlikely to blow ears away first time around, but it rouses attention, tempts further investigation, and as found at The RR, becomes a lingering enticement; a success any band would embrace with eagerness.

Formed in 2014, the Leeds band consists of brothers Will (vocals, guitar) and George Turner (guitar), alongside Rob Burns (bass) and Josh Peters (drums). Their debut EP Brittle Brass & Broken Bone raised potent attention which was further inflamed by the singles, Amputate, Colourblind, and most of all, the aforementioned Too Scared To Swim. Each has lured fan and media attention, good radio play too which is sure to continue as Here’s To Hoping works its charms. Produced by James Hill, the EP is an accomplished slice of pop ‘n’ roll with attitude and steely endeavour its fuel.

This City Limits Cover Artwork_RingMaster Review   It begins with Thief and an immediate tempting of melodic guitar amid an emotive wash of sound. That parts as the enjoyable vocals of Will bring harmonic warm and emotional reflection to the emerging hug of gentle sound, though both aspects soon brew up into a fiery nature and flame brightly against the darker hues of bass. It is a magnetic affair luring ears and imagination with ease, even if maybe not exploding fiercely enough in its angst lined expulsions of passion. Growing with every passing minute in potency and impressiveness, the track seizes an appetite for its enterprise before allowing the infectious rousing of Too Scared To Swim to stir things up even more. With understated but strong hooks lining the melodic and harmonic walls of the certain crowd pleaser, the song canters along with a feel good factor in its heart and feisty nature to its energy, resulting in a stroll of pop punk to get fully involved in.

The calmer emotive croon of Runaway follows; its air intense and melodies inflamed whilst passion runs through it. Without setting a major fire, ears and emotions find themselves coaxed and drawn into the heart of the song, more often than not, vocal chords adding plaintive tones to those of the band as the track makes a smouldering and infectious persuasion. Equally there is no escaping the individual skills of band members; from vocals to guitar, bass to drums, each texture and imaginative twist is built for seduction as shown again by the final pair of tracks.

Neither song ignite personal tastes as fully as those before them yet with its provocative vocal and sonic hues aligned to robust rhythms, Saltwater fascinates and fully pleases whilst the melancholic serenade of So This Is Home, from a string blessed initial sigh, grows into a tenaciously dramatic and dynamic outpouring of craft and sound. It is fair to say that both songs only leave satisfaction full and enjoyment gripped, a success now expected as a minimum from any This City Limits endeavour.

Each listen to Here’s To Hoping leaves it impressing more but still there is feeling that they are in the midst of their journey to uniqueness and the realisation of all their potential. Theirs is a sound looking towards coming of age at some point, a potential and possibility ensuring each upcoming encounter will be keenly anticipated by a great many. Right now though, if bands like Mallory Knox, Lower Than Atlantis, and We Are The Ocean appeal than This City Limits’ EP is very worthy of attention.

The Here’s To Hoping EP is released November 13th through all stores.

http://www.thiscitylimits.com   https://www.facebook.com/thiscitylimits   https://twitter.com/ThisCityLimits

Pete RingMaster 13/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

THIS CITY LIMITS DROP NEW VIDEO

This City Limits Online Promo Shot_RingMaster Review

Energetic Yorkshire rockers ‘This City Limits’ have released their stunning new video ‘Runaway’. The single is taken from their blistering new EP ‘Here’s To Hoping’, which is out on Friday 13th November.

Check the video here – https://www.youtube.com/watch?v=ju1ZI24LD4c

This City Limits have already picked up glowing comparisons with bands ranging from Mallory Knox and Lower Than Atlantis to the likes of Rise Against and Brand New. The Leeds-based foursome unleash an intoxicating blend of hooks and refrains merged with vigor, power and thoughtful expression.

Formed in 2014, the band consist of brothers Will Turner (Vocals, Guitar) and George Turner (Guitar), bassist Rob Burns and drummer Josh Peters. In April and July 2014, the quartet released two singles, ‘Amputate’ and ‘Colourblind’, receiving keen attention from national press and radio. Since then, This City Limits have spent time working on their increasingly frenetic live shows and growing their fan base, gathering support along the way from figures such as Christian Carlisle of BBC Radio Sheffield and Tom Robinson of BBC 6 Music.

This City Limits’ current single ‘Too Scared To Swim’ was premiered by Big Cheese Magazine, and also picked up strong support from a wide range of radio stations and online publications. In support of the release, the band performed relentlessly over the summer, including shows at festivals such as Blissfields, Tramlines and Clarence Park. The guys now push on with the national release of their new EP ‘Here’s To Hoping’, which includes the stunning follow-up single ‘Runaway’. Stay tuned to the band’s website for details of upcoming tours.

-THIS CITY LIMITS HAVE RELEASED ‘RUNAWAY’ – https://www.youtube.com/watch?v=ju1ZI24LD4c

www.thiscitylimits.com @thiscitylimits www.facebook.com/thiscitylimits