Day Old Hate – First Light

Day Old Hate Promo _RingMaster Review

Recently Oliver Swift, vocalist of UK alternative rock band Day Old Hate said of their new release, “We wanted to write better songs then we ever had before,” going on to add that “Making brave decisions and pushing ourselves out of our comfort zone was a must; it was an intense experience – we pushed ourselves to write the best Rock record we could. Overall, it feels like a more authentic representation of Day Old Hate than anything that’s come before.” It is fair to say that First Light more than backs up his words and the band’s intent with its quintet of rousing and dramatically dynamic songs. The EP simply hits the spot, fulfilling the band’s early potential whilst still suggesting there is plenty more to come and be discovered ahead.

Formed in 2012, the Leeds band made their first attention grabbing proposal with the Distances EP a year later. Recorded with Dan Lancaster (Don Broco, Lower Than Atlantis, Mallory Knox), the encounter was a well-received introduction backed by their potent live presence and subsequently the Dan Mizen (Twin Atlantic, Bring Me The Horizon) recorded single Tides in 2014. Last year saw Day Old Hate release the video to Tides and be premiered as BBC Introducing’s track of the week in the February before going on their first UK headlining tour in April and releasing second video for the single Living Without You, again to strong support. It is easy to sense though that things are going to get far busier for the band with the release of First Light which they recorded late last year with Romesh Dodangoda (Kids in Glass Houses, Funeral For A Friend, Motorhead); it an impressive declaration of a band growing fully into their sound and breaking open the imagination to new adventure and creative exploits.

First Light Artwork_RingMaster ReviewFirst Light hits ears with its title track first, enveloping them in a rich spicy guitar coaxing before pungent rhythms and attitude loaded riffs join the affair. It is a potent invitation which only blossoms further as the song relaxes into a muscular stroll graced by the quickly impressing tones of Swift and prowled by the deliciously dark, almost predatory bass line of Josh Flynn. With rapier like strikes from drummer Ed Dennis, there is no escaping the imposing nature of the song yet its forcefulness is tempered perfectly by the melodic and fiery enterprise of guitarists Ben Fletcher and Will Smith, from riffs to hooks and incisive grooves, their imagination as dynamic as rhythms are commanding and vocals highly persuasive.

There is a touch of Mallory Knox to the band’s sound in certainly the opener filtering through the EP and for less obvious reasons a Jimmy Eat World essence but Day Old Hate only allow them to flavour something which though maybe not boldly unique is certainly distinctly theirs, more evidence coming swiftly in second track Secrets. There is a less aggressive nature to the song than in its predecessor but it still provides a mighty punch on the senses and an inflamed roar on ears potently led by the strong vocal strains of Swift. The tapestry of sound and ideation is again unpredictable and skilfully woven whilst providing an easily accessible and boisterous proposal easy to get involved in, just as the following contagious canter that is Fifteen where jabbing hooks and spicy melodies collude in an addictive lure as the vocals add emotive tenacity. The relatively reserved beginning subsequently erupts into a virulently charged bellow before returning to start the brewing success all over again resulting in a thumping anthem of energy and captivation which almost alone makes First Light a must look at.

Minutes, Hours, Days dances on ears next with its driving riffs and eager revelry, coaxing the listener into another healthy involvement before Don’t Chase Me closes the EP with arguably its catchiest offering, though all qualify in some way. With mellow reflections around infectious strolls, the song is a magnetic slice of pop rock easy to see netting a fresh catch of new eager ears on its own.

Day Old Hate has grown as a band, founding new depths in all areas which only command attention as evidenced by First Light. As suggested it feels like the tap has only just been turned on though with the potential of even bolder and richer adventures to come as the band builds on the suspected big success of their latest heftily enjoyable encounter.

First Light is released worldwide on Feb 12th across most online stores.

Upcoming Day Old Hate live dates:

19/02/16 – Black Heart, Camden

20/02/16- The Key Club, Leeds

https://www.facebook.com/dayoldhate   https://twitter.com/dayoldhateband  http://www.dayoldhate.com

Pete RingMaster 11/02/2016

Copyright RingMaster: MyFreeCopyright

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Go Primitive – 100 Ways EP

Pic MARIANNE HARRIS

Pic MARIANNE HARRIS

If you are looking for a slice of rousing alternative rock then taking a punt on the new Go Primitive EP would definitely be a good move. Featuring five tracks which seriously stir ears and appetite alike, the release is a sparkling offering from a UK band heading towards strong attention. Admittedly the 100 Ways EP employs many recognisable flavours within its tapestry of creative contagion, but what it lacks in major surprises it heavily makes up for in fresh adventure and creative tenacity.

Hailing from Rugby in Warwickshire, Go Primitive has been making a potent name for themselves locally and further afield, luring in an increasing horde of fans and media attention. Live the quartet of guitarists/vocalists Tomm E Williams and Adam White, bassist Dan Teale, and drummer Ben Goodwin has earned a reputation for adrenaline fuelled live performances, sharing stages with the likes of Mallory Knox, We Are The Ocean, The Subways, Lonely The Brave, Hawthorne Heights, and Yashin along the way. Now they are set to provoke national spotlights and support with the Romesh Dodangoda (Funeral For A Friend, The Blackout, Kids In Glass Houses) produced 100 Ways, a success easy to see being within its highly enjoyable persuasion.

It opens up with Breathe In, Bleed Out Go and instantly fires up ears and imagination with a rousing vocal roar against firm beats and the inflamed tempting of guitars. It is a relatively restrained but rich start quickly working on thoughts and emotions, expanding its potency as fiery melodies collude with shadowy rhythms within the persistently provocative vocal cry. References have already been made to bands such as Lower Than Atlantis, Mallory Knox, and Don Broco when talking about Go Primitive, suggestions easy to understand from the opener alone.

100_Ways_RingMaster Review   Its impressive presence is soon eclipsed by the excellent In A Band, a slice of rugged pop rock with a host of addictive hooks and tenacious enterprise around the excellent vocal union of Williams and White. The track is pure temptation; every lick of a riff, swing of a beat, and dance of a syllable virulent incitement impossible to avoid getting physically involved in let alone ignore.

The Sun Will Rise takes over next, its more fiery textures and sonic tone also a swift invitation with inescapable bait laid down by the anthemic craft and jabs of Goodwin. The bass of Teale is a darker coaxing too, it’s throaty prowl less intrusive but just as magnetic in the captivating emotive croon of the track. With a great tempestuousness to its air and touch, the song carries a volatile edge which hints at more than it realises but adds tension and attitude to the stormy music surrounding the excellent vocals.

The EP’s most virulent moment comes in the niggling hook of Save Your Self, it initiating the quickly blossoming slice of sinew crafted and melodically spicy rock ‘n’ roll. The track is another highly persuasive and anthemic stomp tempting feet and emotions with a web of nagging grooves and spidery sonic imagination, perpetually veined by an infection of rhythms and repetitious invention not forgetting that gripping first enticement.

Coming to a more than solid close with the highly flavoursome and emotively honed What You Pay For, an initial seeding of creative prowess which blossoms to greater and more riveting success with every listen, 100 Ways is a thoroughly enjoyable and exciting introduction to Go Primitive. It is hard not to imagine, as the band grows and evolves a more unique sound, that they will further come into their own and truly stand out on the crowded alternative rock landscape. More of the same next time would go down rather well too though.

The 100 Ways EP is out now @ http://goprimitive.bigcartel.com/product/100-ways-e-p

http://goprimitive.co.uk/   https://www.facebook.com/GoPrimitiveUK   https://twitter.com/goprimitive

Pete RingMaster 02/12/2015

Copyright RingMaster: MyFreeCopyright

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This City Limits – Here’s To Hoping

This City Limits Promo Shot_RingMaster Review

Much as recent single Too Scared To Swim took its time to seduce and fully tempt, so too does the new EP from UK melodic punks This City Limits. As that first teaser for its release, Here’s To Hoping ultimately succeeds in awakening a very healthy appetite for and strong enjoyment of its vibrant clutch of songs. This City Limits has a sound which maybe is unlikely to blow ears away first time around, but it rouses attention, tempts further investigation, and as found at The RR, becomes a lingering enticement; a success any band would embrace with eagerness.

Formed in 2014, the Leeds band consists of brothers Will (vocals, guitar) and George Turner (guitar), alongside Rob Burns (bass) and Josh Peters (drums). Their debut EP Brittle Brass & Broken Bone raised potent attention which was further inflamed by the singles, Amputate, Colourblind, and most of all, the aforementioned Too Scared To Swim. Each has lured fan and media attention, good radio play too which is sure to continue as Here’s To Hoping works its charms. Produced by James Hill, the EP is an accomplished slice of pop ‘n’ roll with attitude and steely endeavour its fuel.

This City Limits Cover Artwork_RingMaster Review   It begins with Thief and an immediate tempting of melodic guitar amid an emotive wash of sound. That parts as the enjoyable vocals of Will bring harmonic warm and emotional reflection to the emerging hug of gentle sound, though both aspects soon brew up into a fiery nature and flame brightly against the darker hues of bass. It is a magnetic affair luring ears and imagination with ease, even if maybe not exploding fiercely enough in its angst lined expulsions of passion. Growing with every passing minute in potency and impressiveness, the track seizes an appetite for its enterprise before allowing the infectious rousing of Too Scared To Swim to stir things up even more. With understated but strong hooks lining the melodic and harmonic walls of the certain crowd pleaser, the song canters along with a feel good factor in its heart and feisty nature to its energy, resulting in a stroll of pop punk to get fully involved in.

The calmer emotive croon of Runaway follows; its air intense and melodies inflamed whilst passion runs through it. Without setting a major fire, ears and emotions find themselves coaxed and drawn into the heart of the song, more often than not, vocal chords adding plaintive tones to those of the band as the track makes a smouldering and infectious persuasion. Equally there is no escaping the individual skills of band members; from vocals to guitar, bass to drums, each texture and imaginative twist is built for seduction as shown again by the final pair of tracks.

Neither song ignite personal tastes as fully as those before them yet with its provocative vocal and sonic hues aligned to robust rhythms, Saltwater fascinates and fully pleases whilst the melancholic serenade of So This Is Home, from a string blessed initial sigh, grows into a tenaciously dramatic and dynamic outpouring of craft and sound. It is fair to say that both songs only leave satisfaction full and enjoyment gripped, a success now expected as a minimum from any This City Limits endeavour.

Each listen to Here’s To Hoping leaves it impressing more but still there is feeling that they are in the midst of their journey to uniqueness and the realisation of all their potential. Theirs is a sound looking towards coming of age at some point, a potential and possibility ensuring each upcoming encounter will be keenly anticipated by a great many. Right now though, if bands like Mallory Knox, Lower Than Atlantis, and We Are The Ocean appeal than This City Limits’ EP is very worthy of attention.

The Here’s To Hoping EP is released November 13th through all stores.

http://www.thiscitylimits.com   https://www.facebook.com/thiscitylimits   https://twitter.com/ThisCityLimits

Pete RingMaster 13/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

THIS CITY LIMITS DROP NEW VIDEO

This City Limits Online Promo Shot_RingMaster Review

Energetic Yorkshire rockers ‘This City Limits’ have released their stunning new video ‘Runaway’. The single is taken from their blistering new EP ‘Here’s To Hoping’, which is out on Friday 13th November.

Check the video here – https://www.youtube.com/watch?v=ju1ZI24LD4c

This City Limits have already picked up glowing comparisons with bands ranging from Mallory Knox and Lower Than Atlantis to the likes of Rise Against and Brand New. The Leeds-based foursome unleash an intoxicating blend of hooks and refrains merged with vigor, power and thoughtful expression.

Formed in 2014, the band consist of brothers Will Turner (Vocals, Guitar) and George Turner (Guitar), bassist Rob Burns and drummer Josh Peters. In April and July 2014, the quartet released two singles, ‘Amputate’ and ‘Colourblind’, receiving keen attention from national press and radio. Since then, This City Limits have spent time working on their increasingly frenetic live shows and growing their fan base, gathering support along the way from figures such as Christian Carlisle of BBC Radio Sheffield and Tom Robinson of BBC 6 Music.

This City Limits’ current single ‘Too Scared To Swim’ was premiered by Big Cheese Magazine, and also picked up strong support from a wide range of radio stations and online publications. In support of the release, the band performed relentlessly over the summer, including shows at festivals such as Blissfields, Tramlines and Clarence Park. The guys now push on with the national release of their new EP ‘Here’s To Hoping’, which includes the stunning follow-up single ‘Runaway’. Stay tuned to the band’s website for details of upcoming tours.

-THIS CITY LIMITS HAVE RELEASED ‘RUNAWAY’ – https://www.youtube.com/watch?v=ju1ZI24LD4c

www.thiscitylimits.com @thiscitylimits www.facebook.com/thiscitylimits

Koshiro – Crown Of Venom

Koshiro Promo Picture_RingMaster Review

Starting off well and just getting creatively bigger and bolder over its six tempestuous tracks, the Crown Of Venom EP from metalcore quintet Koshiro, pretty much reflects the emergence of the British band. Making a good and potent impression with the first release, the band has continued to grow into a formidable proposition on the underground metal scene. Whether their new EP is enough to push them into the thicker glare of the broader metal scene time will tell, as it still suggests there is plenty more from the band to come in greater originality and ingenuity, but it will forcibly remind that the Bristol fury is around and getting stronger and more sonically vocal.

Formed in 2010, Koshiro quickly drew attention and loyal local support with their fierce yet melodically fiery sound. Their self-titled EP of 2012 and a handful of singles around and since it have nudged wider attention with plaudits increasing in turn, whilst live the band’s reputation has similarly only grown, shows with the likes of Feed the Rhino, TRC, Lower Than Atlantis, The Safety Fire, Blessthefall, Malefice, I, The Breather, and LIFERUINER part of their emergence over the years. Crown Of Venom though, is a new big step for the band; in songwriting and imagination it easily outshines all before and musically reveals the band as mentioned earlier, bigger, bolder, and creatively busier. In the words of vocalist Ben Errington, “These new songs are both the most chaotic and the most heartfelt we’ve ever put together. There are tracks on this record that I never thought we’d be capable of; we really wanted these songs to capture our live sound perfectly but take it to the next level, really expand upon our grand ideas which have progressed from our past singles ‘Malevolent’ and ‘Guts Guilt Greed”.

Koshiro Cover Artwork_RingMaster Review     The EP was recorded with long-time collaborator Kevin Peters and opens with the thickly atmospheric, slightly portentous air of Green and Gold. Strings seep elegance and melancholy in equal measure whilst the ever strong tones of Errington share the emotive heart of the track as haunting keys cup his expressive voice with cinematic resonance. It is a potent coaxing into the release and the following King Of Snakes, if a start which does not light any particular fires outside of intrigue despite the prowess of all. Its successor quickly provides a bigger temptation, its initial breath Tricore like with again Errington providing rich bait as around him the guitars of Ben Bone and Thomas Clark begin sculpting a provocative and spiky weave of riffs, grooves, and sonic confrontation. The expected storm does not materialise despite ire and aggression lining all aspects, with the swiping beats of Craig Rudman especially intimidating and again the song does not hold the spark to get the blood raging through veins but with inventive enterprise and fine fluidity to its subtle and bigger twists of gait and ferocity, the song keeps ears and appetite easily on side, especially with its rousing anthemic calls, before being eclipsed by Necromancer.

As suggested, the EP improves and gets more fascinating with each subsequent track, and so as the first pair pleased, Necromancer stirs the senses like a landslide. From a dying heartbeat, the song erupts in barbarous rhythms and crushing riffs but amongst them a delicious scythe of violin ignites air and imagination, its wonderful touch just the first of ingenious hues and ideation within the carnivorous beast posing as a song. It would be hard to say it brings major originality but remembering others mixing up recognisable flavours as cleverly and tenaciously as Koshiro do is hard. The track continues to snarl and brawl with creative zeal but equally aligns the hostility with a striking melodic and vocal croon. In a way Crown Of Venom and indeed Koshiro seem to come of age at this point, a maturity continuing to impress hereon in.

Sleeper Cell steps up next with a rhythmic shuffle from Rudman which resonates through bone as it bewitches with infectiousness whilst bassist Rich Miller lures the darkest predacious tone from his strings as the guitars cast a tapestry of rancor and sonic romance. The ever riveting strings continue to spark adventure too whilst vocally Errington is as compelling, whether with raw squalls or clean persuasion, as the volatile furnace of sound and the musically driven bellow of emotion. The track is a climatic storm of temptation, and as its predecessor also ripe with the shoots of real originality which are definitely blooming within the band’s sound now, Creation Theory swift confirmation as between two vocal samples, which sound like they are voiced by Michael Caine, it sculpts a hellacious emprise of sound as physically carnal as it is evocatively suggestive. Like a war cry in many ways, the track has body and thoughts enflamed and ready to unleash their emotive strengths, a powerful success from a gladiatorial merger of devouring intensity and incendiary invention.

It is the pinnacle of the release, only relenting in its animosity as it departs for closing track Catharsis to begin spreading its melodic warmth with a slightly mercurial and antagonistic underbelly. It was up against it to match the previous trio of songs but still leaves the EP on a high whilst relishing the chance to reveal more of the depth and new diversity in the band’s sound and composing.

Actually there is one more offering upon Crown Of Venom, the bonus of a cover of Sia’s Chandelier. Though Koshiro easily improve the song it does nothing for the EP and quickly found itself ignored in our numerous listens of one increasingly impressive and enjoyable release.

Koshiro are again proving themselves to have the potential to make a big impact on the UK and European metal frontline, even more so this time around. They are probably still a couple of rungs short but with more progress as shown here, watch out world here they come.

The Crown Of Venom is available from September 25th through all stores.

Pete Ringmaster 24/09/2015

Copyright RingMaster: MyFreeCopyright

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Elasea – Where I Belong EP

Elasea-Common-3_RingMaster Review

Creating a rousing proposal with their new EP Where I Belong, UK quartet Elasea quickly show themselves to be a band with all the attributes to become a potently impacting proposition on the British rock scene, now and far more so ahead. The attention grabbing encounter brings five compelling tracks of inventive and impassioned alternative rock for ears and imagination to feast upon. The fact that you can still hear areas where the band is only just discovering depths and unique invention, whilst impressing throughout, it only increases anticipation that the potential shown here has all the possibilities of leading to major things for the band.

Hailing from Hungerford in Berkshire, Elasea initially emerged as a cover band and under the name Highly Personal. The band’s first EP was released in 2013 after which a subsequent line-up change and last year the switch to new moniker Elasea occurred. With that change in the band came a shift in sound too and a reputation earning live presence which has seen the band play with the likes of WeCaughtTheCastle, Funeral For A Friend, and Idiom over time. Now the foursome is primed to nudge upon national awareness with Where I Belong; vocalist/rhythm guitarist Andy Bradford, lead guitarist Calum Radmore, bassist Olivia Jones, and drummer Jevon Smith, who recently announced his departure from the band, following up a clutch of successful videos with a roar of a tempting.

Elasea - Where I Belong (Artwork)_RingMaster Review     The EP opens up with Glass Heart, rhythms and heavy resonating riffs instantly engulfing ears as the just as swift magnetic tones of Bradford uncage the song’s evocative narrative. The thumping beats of Smith shudder on impact, alongside the bass snarl tempering the more fiery exploits of guitar and captivating vocals from Bradford and across the band. Drama constantly stalks the song, hooks and riffs frequently twisting into imaginative incitement before re-igniting the initial and potent creative persuasion brewing the song.

It is a superb start backed just as strongly by the EP’s contagious title track. Immediately it has a breezier energy and flirtation to its pop fuelled rock ‘n’ roll, all the attributes of its predecessor returning to great but lighter and catchier effect. With a touch of bands like Mallory Knox and Lower Than Atlantis to it, the track arguably feeds expectations a touch but such its punkish ferocity and virulent adventure, it barely matters as ears again are fed a healthy temptation.

Lost In The Dark which features Simon Jackman steps up next, cradling ears in a melodic caress straight away before expanding into a reflective croon of sonic enterprise and again tenaciously delivered rhythms. The song constantly expands its body of sound and imagination throughout, though for personal tastes it is missing the particular spark of its predecessors. It is fair to say that it revels in accomplished songwriting and thoughtful invention nevertheless to provide a thickly enjoyable proposal with the mellow twist with great backing harmonies from Jones and an atmospheric weaving from Radmore’s guitar especially riveting deep into the song.

A harsher growl is offered by Time Is Against Us, vocally and musically the song feeding off an aggressive nature to create a mix of rich contrasts and intensive emotions. The bass of Jones is almost bestial in tone at times whilst Smith creates a tsunami like rumble across the ever shifting landscape of the enthralling proposition. Increasingly impressing and growing in strength with every listen, the song sets up the EP’s finale masterfully, its heavyweight presence the gripping shadow to the acoustically lit On The Line. The closing song is sultry radiance but with an earthy texture cast through the persistently impressive voice of Bradford. Alongside him guest vocalist Alex Gale of the band Paper Houses, which Bradford also plays in, lays down absorbing melodic beauty, the two shades of their voices an alluring union which only ignites further when entwining as the song erupts into a flaming crescendo of sound and energy.

The song is an engrossing end to a thoroughly enjoyable introduction to Elasea. This is a band at the start of its ascent and yet to find it’s truly original presence and voice. In saying that Where I Belong shows they already have the invention and craft to command attention, and songs which leave an appetite for more the lasting reaction.

The Where I Belong EP is available from 3rd August 2015

https://www.facebook.com/elaseauk   https://twitter.com/elaseauk

RingMaster 02/08/2015

Copyright RingMaster: MyFreeCopyright

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THIS CITY LIMITS show their ‘Too Scared To Swim’.

This City Limits Promo Shot

Yorkshire based Melody-Punksters ‘This City Limits’ have hurled out their breathtaking new video and single ‘Too Scared To Swim’.

You can view the video at https://www.youtube.com/watch?v=df4uKEVNf_Y&feature=youtu.be

Pitching the likes of ‘Brand New’ against modern British rock groups such as ‘Mallory Knox’, ‘Lower Than Atlantis’ and ‘We Are The Ocean’, ‘This City Limits’ serve up a delectable balance of musical power and energy, and sensitive melodic expression. ‘This City Limits’ genuinely offer a fresh take on the currently over-saturated punk-pop genre.

Formed last year and hailing from Leeds, the band consist of blood brothers Will Turner (Vocals, Guitar) and George Turner (Guitar), along with Rob Burns (Bass) and Josh Peters (Drums). Throughout 2014, the animated upstarts unveiled their debut four-track EP entitled ‘Brittle Brass & Broken Bone’, and last April, the quartet released the follow-up single, ‘Amputate’, which marked a turning point for the band, as they garnered attention from national press and radio. The band then spent the latter half of the year playing as many shows as possible, gathering support from Christian Carlisle of BBC Radio Sheffield and Tom Robinson of BBC 6 Music, and enhancing their ever growing fan-base.

This City Limits are now ready to up the ante with the release of their new single ‘Too Scared To Swim’, which was recorded at Steel City Studios with producer James Hill. The track is taken from the band’s second EP, which will be out later this year. ‘Too Scared To Swim’ is an enticing hook heavy affair brimming with alluring melodies and complete with driving guitar work and pounding drums. With shows and festival appearances lined up for the summer, the band are poised to make a name for themselves on the national scene by the end of the year.

THIS CITY LIMITS HAVE RELEASED ‘TOO SCARED TO SWIM’: https://www.youtube.com/watch?v=df4uKEVNf_Y&feature=youtu.be

www.thiscitylimits.com  www.facebook.com/thiscitylimits  

@thiscitylimits