Lifecycle Interview

Hello and thanks for taking time out to talk with us.

Our pleasure, thank you!  By the way, my name is Scott Pustilnick (Bass, Keyboards, Vocals)

Can you first introduce the band and give us some background to how it all started and what brought you all together? LIFECYCLE is a hard-hitting Alternative Metal band based out of Jackson, NJ. LIFECYCLE features Asim Rizvi (4Karma), John Soden (Legion), Joe Viggiano (formerly Ataraxia), Kevin Hightower (formerly Noosphere), and  myself, Scott Pustilnick (formerly MCA recording Artist Familiar 48).

Have you been involved in other bands before? If so has that had any impact on what you are doing now, in maybe inspiring a change of style or direction?

Everyone in the band has been in other bands to some degree.  Personally, I was in a band signed to MCA records (When that label existed).  All of us used our prior knowledge and hard work ethic to get the band off the ground.  The direction is a million times better with this band than with other bands.  Very focused!

What inspired the band name?

We actually had the song title “LifeCycle” picked out before we named the band, “LifeCycle”…A Black Sabbath – “Black Sabbath” kind of deal. As we wrote more music, we realized a lot of what we were writing focused around aspects of life itself. When we realized the motto of that song was on point with what we generally write about, a light bulb went off.

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

I wanted to play with musicians that had the same vision. The vision is to write great songs that can appeal to a massive audience.  In addition, we love to entertain so finding a group of guys that are totally dedicated and are passionate about music was really important.  The band writes 3-4 minute songs that are have heavy guitar riffs but offer melodic vocals.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

The band is very new.  The debut single “Lifecycle” just dropped on all digital media stores.  We all still love each other! Lol.

How would you say your sound is evolving so far?

Due to the band being new, the evolution is tough to call out.  I can tell you that song writing is very easy with this band.  There is NO shortage of material and we constantly have new content ready to release.

Has the growth of the band and its sound from birth been more of an organic movement or more the band deliberately exploring  new things?

Completely organic, thank you tiny baby Jesus!  We have 5 members with 5 voices.  We write what is best for the song and if it isn’t broken, we don’t fix it!  The sound is natural and nothing is forced.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

The band has a real good formula for creating music.  I think the inspiration is really working together.  Everyone is very close and we really enjoy being around each other and having fun.  Due to this inspiration, the band decided to make a YouTube series that documents this fact.  The name of the YouTube series is called “A Day in the LifeCycle” and it can be found on our YouTube Channel.  People seem to love it and we have way too much fun making it.  New Episodes drop every 2 weeks.

Is there a particular process to the band’s  songwriting?

Most of the time, our talented guitarists (Kevin, Joe) bring killer riffs to the table. We then sit in a room and work out the music portion.  We feed off of each other’s ideas so I really believe we inspire each other during this process.  At that point, once we have a legit framework of a song, we listen and listen and listen.  It’s organic and it changes and gets tweaked.  We let the song dictate the path. This is really important for us.  If the song calls for a part, it’s getting done.  If the song doesn’t need a blazing fast shredder solo……it’s not part of the song.   Asim (lead singer) writes most of the words in the band and he is also a part of the creative process with the music.  The method works and we are very happy doing things this way.

Where are, more often than not, lyrical inspirations drawn from?

As for what LifeCycle songs are about……Music in general can mean different things to different people. One person’s interpretation of lyrics/ song can be completely different from another person’s. That is part of the beauty of music. So Asim will not typically like giving a song a definitive meaning because the way he sees it and writes it, may be interpreted another way by someone else. Doesn’t mean anyone is wrong, it’s just their perspective.  However, as a songwriter Asim typically likes to focus on aspects of life itself. Love, lust, greed, vulnerability, purpose, life and death are all common themes in our music, all served with a side of metal.

Give us some background to your latest release, that first single.

The debut single, “Lifecycle” dropped on 1/15/2020!  It’s everywhere.  You look at a digital store and it is there for the taking.  You can also grab it on Sound cloud or YouTube if you don’t subscribe to one of the big four.  The plan is to drop the acoustic version of “Lifecycle” at the end of Feb 2020 and then follow it up with the next single, “Burnout” mid-April 2020.  Constantly new content coming!

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

We enter into the studio one thousand present ready to record.  We don’t develop new parts during the recording process.  Here is why: we have recorded our song prior every time we write a new part.  Organically, we have a dozen or some versions from step 1 to the last step along with way , already recorded on someone’s phone.  By the time we get in the studio , we are ready to work and no longer write.

Tell us about the live side to the band, presumably a big favorite aspect of the band?

We’ll do it live!!! The band is super high energy.  No one just stands there and looks down at their instrument.  We see it with other bands and it doesn’t work for us.  The band is excited to play so when we hit the stage its go time.  Constant movement and having fun.  We do not take ourselves so seriously…..come see us.  We will make sure you have a great time and are not bored to death!

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods? Are there the opportunities to make a mark if the drive is there for new bands?

Yes there are opportunities everywhere I believe.  The secret is not only working hard but being smart about it.  Don’t waste your time with anything that is not moving the band in the right direction.  Think about it and have a plan.  Without a plan or direction, there is wasted time and that is the most precious resource we all have.

How has the internet and social media impacted on the band to date?

In a world where we all live our lives through the internet, how has it particularly aided the band?

It’s great! It allows people we have never met an opportunity to see the band, hear the band, laugh at the band, and either like or hate the band.  Our episodic YouTube Series, “A Day in the Lifecycle” is doing great and people seem to love it. Without YouTube, no one would be able to enjoy the comedy side of the band along with the behind the scenes footage of live shows.

Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

If bands struggle with the internet and social media, I would assume that they don’t quite understand one important thing…..This is a marathon, not a sprint.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank you!  We love writing and creating and playing our music for everyone.  If you REALLY want to learn more about the band, go to YouTube and pull up our YouTube series called “A Day in the Lifecycle”.  I know I mentioned it prior, but it’s a great way to see why Joe hates white bread, why Asim is sponsored by Hi-Chew, why John doesn’t talk and on and on. Thanks for the opportunity to talk!

-Scott Pustilnick (LifeCycle)

Check Lifecycle out further@ …

https://www.lifecycleband.com   https://twitter.com/lifecycleband   https://www.instagram.com/lifecycleband   https://www.youtube.com/channel/UCN4sHHIMmtMno__3t9wl4eA/featured

Pete RingMaster 27/02/2020

Lifecycle – Lino Cosmos

Picture 59

Listening to Lino Cosmos is like being locked in a creative frenzy brought with the most sublime resourcefulness and intricate control. The new album from UK rockers Lifecycle is a delicious weave of styles and imagination which defies description yet nestles perfectly in the appetite of any melodic and alternative rock fan. Strolling with bold exploration through rhythmic jungles, melodic dramas, and electronic emprises, Lino Cosmos is an insatiably adventurous flight driven by sultry tribal tenacity across diverse soundscapes beneath hazily psychedelic skies.

The London band consists of guitarist/vocalist Geoffrey Dent, bassist Letitia Austin, and drummer Nick Holder. The history of Dent and Austin goes back a fair way having met in the nineties. It was another fifteen years though before the pair met again and merged their skills in Lifecycle with Holder, having come across Dent in 2009, linking up a year later. With the album Luxury Condominium under its belt and a renowned live presence which is as much a trigger to mass bodily involvement in dance fans as rock, the trio release their most gripping and incendiary incitement yet. Lino Cosmos is a voracious flirtation and agitated seduction which just cannot be ignored, a tapestry of flavours and genres which converge into one inescapable psyche swamping sensation.

As soon as the opening rhythmic shuffle of Dissolve tantalises ears, band and album has attention and imagination in their palms. It is a teasing invitation which swiftly grows in stature as beats gain weight and Austin’s bass begins its primal flirtation. The instinctive dance only increases in temptation as Dents sandy tones courted by melodic intrigue add their colour to the creative revelry. There is a swagger and energy to the song which recalls the core of Happy Mondays whilst rhythmically the band brings thoughts of eighties band King Trigger to the fore. Never exploding into an outright rampage but wonderfully nagging away with anthemic potency across a net of magnetic beats wrapped in a warm electro ambience the track is insatiably hypnotic and warmly fascinating.

The powerful start is swiftly matched by the gorgeous beauty and infectiousness of Not Enough. Entering on another eighties seeded melodic and rhythmic dance, thoughts of Electric Guitars and Hey! Elastica swiftly in place, the song is soon breaking out its sinews with heavy bass courting and funk bred enterprise. Again it is all bound in an electro festivity and vocal excellence with radiant harmonies, the mix a full captivation to feet and imagination. Virulent in its energy, exhausting in its voracious persuasion, and incessant in its almost exotic charm, the song is scintillating and easily one of the best incitements heard this year.Lino Cosmos art SUPSYM004_4000

The rhythmic and melodic seducing shows no signs of relinquishing their addictive holds as both Patterns and Burst Your Bubble swarm over ears and emotions. The first has a slightly more restrained vivacity compared to the previous songs but with bewitching and increasingly feisty agitation to the rhythms and a Police like mellowness to vocals and melodies, it moves and flirts like a Caribbean temptress as radiance spills from every caress of keys and stroke of guitar. Its successor prowls with a shadowed smile to its presence and intriguing colour, the song as others carrying a melodic grin within a web of alluring rhythms, yet there is a bordering on sinister lilt to the heart and atmosphere of the emerging exploration too. At times the track has a whisper of Pop Will Eat Itself to it and in others an enticing of Vampire Weekend meets Silhouettes, and though it is more a smouldering tempting than the instantly enslaving stomps of its predecessors, the track evolves into an equally compelling treat.

Every song upon Line Cosmos has its own individual drama, the meaty scenery and scorched rock walls of The Big Picture next a riveting example. It spreads cunningly over the imagination, sparking new adventures with every climb of its broody and continually expanding narrative. Listening to the album is like being bound and held in the throes of sonic alchemy, the next up Rush Into This immersing senses and thoughts in a haunting melodic experiment as rock, pop, dub, and electronic majesty entwine in an extraordinary cinematic descent into dark realms and emotional shadows.

Change Tact also explores a haunted realm, melodies emotionally reflective whilst shards of guitars and breezes of keys paint the song’s canvas with crystaline and celestial hues respectively. The track is engrossing though it lacks something to spark the passions as the previous songs, similarly final song Greed. Nevertheless both leave ears satisfied and appetite full, the closing track springing a fiery stroll of rock pop with electronic spotting.

Lino Cosmos is an encounter which lingers longer than most and incites complete involvement of body and soul in its company. Lifecycle are sonic alchemists, centuries ago they would be burnt as witches but today we can only hungrily indulge and devour their creative majesty.

Lino Cosmos is available now digitally and on CD via Supersymmetry and at http://thelifecycle.bandcamp.com/album/lino-cosmos

http://www.thelifecycl.es/

RingMaster 28/10/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/