Kirsten Adamson – New York Girl

Photograph by James Glossop.

Photograph by James Glossop.

Taken from and backing up a thoroughly captivating debut album, New York Girl is the new irresistible single from Scottish singer songwriter Kirsten Adamson. It is one of those songs which though thoroughly fresh you feel you already know and have an affinity with, a lively romp to raise the spirit and get those feet leaping around to. The summer might not quite be here yet but in sound Kirsten Adamson brings it to your doorstep with New York Girl.

If the name has a tinge of familiarity to it that is because Kirsten is the daughter of ex-Skids and Big Country songwriter/guitarist/vocalist Stuart Adamson. As hinted at by her self-titled album released last December and the new single, plenty of his talent has transferred in the genes. With influences from the likes of Kate Bush and indeed Big Country a major part of her formative years, the summers spent in Nashville where her father relocated to in 1998, have equally left a potent impression on her invention and quirky pop sound. Pinning her down with comparisons is a tough thing such the refreshing distinctiveness which flows through voice and music but imagine a mix of Rachel Sweet and Fay Fife with Lene Lovich for occasional company and you get closer.

New York Girl instantly leaps upon ears as throbbing rhythms collude with the energetic and spicy coaxing of keys and guitars. It is a lively entrance which only continues to invite participation as Kirsten’s voice dances amongst the jangly strands of guitar and the bold rhythms which still bound around within the melodic seducing of keys. There is a definite eighties alternative pop scenting to the magnetic encounter, so much so that if Kirsten was around back then you could easily see her being swooped up by Stiff Records.

Continuing to twist and swing with an inescapable pop contagion, New York Girl leaves a spring in the step and a satisfied smile on the spirit; much as the album it comes from which maybe is an even better way to get the song because then you get to bask in the feisty revelry of tracks like Robot Girlfriend, The Calling, and Valentine alongside the beauty of others such as Like This, Feel The Same, and Time To Be Afraid amongst many other impressing proposals.

New York Girl is released Match 18th whilst the Kirsten Adamson debut album is out now @

Upcoming UK tour dates:


22nd The Hope and Ruin, Brighton

23rd The Fiddlers Elbow, Camden London

24th The Vic, Derby

26th Gullivers, Manchester

27th The Cluny. Newcastle

30th Stereo, Glasgow

31st Cafe Drummond, Aberdeen


2nd Mad Hatters, Inverness

3rd Voodoo Rooms, Edinburgh

Pete RingMaster 18/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out

Le Butcherettes – A Raw Youth

photo credit- Monica Lozano

photo credit- Monica Lozano

Contagious and fierce, diversely imaginative and aggressively bold, A Raw Youth is punk rock at its best. In sound it might not always seem so but in attitude and uncompromising nature it is a rebel, a confrontation to match its theme, which is best described by the words of Teri Gender Bender, “The focus of the album is the recurring conflict between minorities (the raw youths) and society: The oppressor and the oppressed,” the vocalist adding “Each song is a different story of a youth from a different time era. Some of them want to die because their faith in humanity has ended, some want to fight the authority, think outside themselves.

The new album from Mexico based Le Butcherettes also roars with a celebratory air and rousing enterprise, a quality ensuring each track not only hits the spot musically and lyrically but leaves a lingering web of temptation for body and emotions. That will not really be a major surprise to fans of the band, their previous albums Sin Sin Sin of 2011 and last year’s Cry Is For The Flies especially, bulging riots of gripping sound and middle finger combat, but fair to say the trio of Gender Bender, drummer Chris Common (These Arms Are Snakes) and bassist Jamie Aaron Aux have pushed the creative intensity and adventure on again with A Raw Youth. The band’s third, and as its predecessors, Omar Rodriguez-Lopez produced, the album is their finest incitement yet, a rebel rousing slice of primal, thought provoking rock ‘n’ roll.

It all begins with Shave The Pride, a growling punk bred encounter quickly availing ears of grouchy riffs and the ever appealing tones of Gender Bender. Common’s beats frame the union with zest whilst Aux’s bass just snarls its way into the passions. The song itself never meanders from a cantankerous tone and infectious stride through ears, leaving greater adventure to those to come but easily makes for a stirring and anthemic start which has ears and appetite wide awake and ready for tracks like My Mallely which follows. Discord kissed melodies from keys opens up the swift attention grabber, bass and guitars again adding their irritable bait before the compelling and ever distinct tones of Gender Bender enrich ears. The infectious swagger of the song, driven by the excellent addictive nature of Common’s rhythms, has a 4 Non Blondes feel to it backed by warm keys which just slip over the senses with emotive temptation.

Le Butcherettes A Raw Youth Cover_RingMaster Review   From one major highlight to another pair in Reason to Die Young and La Uva. The first seduces and bellows like a blend of PJ Harvey and a restrained Lene Lovich, voice and sound effortlessly inciting body and emotions with its tempestuous yet wholly virulent, slightly No Doubt like, blaze. Within it that an off kilter enticing adds a great unpredictability which is fully explored more in its successor. The fourth track on the album is a maze of textures and inventive sound entwining with and bouncing off the superb vocal union between the siren-esque harmonics of Gender Bender and the dark, lordly tones of guest Iggy Pop. Like De Staat meets Bauhaus with the devilment of a 6:33 infused, the track is a gloriously sinister and gripping fascination; a union of dark and light, warped power and innocence.

The outstanding Sold Less Than Gold keeps the lusty emotions inflamed again with its sixties pop meets indie revelry. A song looking on women who are sold into marriages or sex slavery, it is an invigorating flame of catchy rhythms, warm vocals, and bracing horns within a bouncy canter and energy in which potently reflects the resilience in the spirits of those enslaved.

Tantalising tones over a fuzzy landscape provides the next recruitment of feet and imagination in the shape of Stab My Back, its punchy touch and defiant nature ebbing and flowing with greater voracity across its four minutes before the aggression of They Fuck You Over ensures things get even scuzzier and antagonistically fiercer. A storm of punk and garage rock, it brawls with the listener yet has them on the dance-floor too. It with raw zeal uncages a contagion of addiction which in its own distinct way is matched by Witchless C Spot. Atmospherically immersive and haunting, the track wraps the senses like a dry mist initially, the voice of Gender Bender hypnotic in presence and word, before stalking textures and suggestiveness boil over in a fiery but controlled crescendo. It is a tempting repeating again, with the calm after holding more spicy additives second time around.

The Hitch Hiker is a riveting duet between the two protagonists within the narrative of the excellent encounter, Gender Bender taking both sides against saucy keys with an Oingo Boingo essence to them, and the ever welcome trespass of bass and swinging beats. Again the band has bodies out of their seats with ease whilst inciting thought, the lyrical writing and prowess of the vocalist as cutting and potent as the sounds relishing their input. It is a quality of course shown again in the transfixing Lonely & Drunk, a song far more hard hitting than on first appearances and increasingly magnetic with its golden melodies and predatory rhythms.

A favourite moment of the album comes with Oil The Shoe If The Critter Knew Any Better, a funk punk stroll of garage rock tenacity and psych rock hues which is as masterful prowling the imagination as it is venting its full energy and rapacious intent. The track just hits the spot leaving closing song My Half a tough job to match. Fair to say it does not quite find that success yet with the featured John Frusciante bringing his majestic fingers on steely strings to the bluesy/psyche mix, the album is provided with a thoroughly enjoyable and impressive end.

Le Butcherettes continue to burn the imagination and the issues of the world with their ravenous maelstrom of rock ‘n’ roll and A Raw Youth is their latest plateau of craft and imagination. There is always a smile when something new from the band arrives and their new album shows exactly why; one highly recommended proposal for you all.

A Raw Youth is available via Ipecac Recordings from September 18th via through all digital platforms.

Pete RingMaster 18/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out

Venus DeVilo – Edgar Allan Ho EP

venus devile 2

Let us introduce you to the dark seductiveness of Venus DeVilo, an artist which preys on the passions like a sultry vampiric temptress bred from artistic alchemy raised from the fire of Imelda May, the snarl of Wanda Jackson, the energy of Fay Fife, and the devilry of Dick Venom, not forgetting a pinch of the infected essences of Horrorpops. Her creative world is one of shadowed carnivals, blood drenched burlesques, and dead borne vaudeville; her music pure sexual fascination and the Edgar Allan Ho EP the perfect introduction to the temptress before the arrival of her debut album Til Death Do Us Party, which we hope will see daylight in the near future, such the hunger now raging.

Hailing from the cemeteries of Dublin, Ireland, well probably a very nice comfortable abode but that hardly goes with the theme does it, Venus since 2011 has frequented and lit up rock/metal bars, Burlesque and Cabaret nights, open mic nights, and other numerous venues around her home city and much further across the country with her Goth-Shock anthems. The host of a series of popular horror themed gigs at the Twisted Pepper, Dublin which have become an almost monthly event, the sonic siren has captured the imagination of the internet media with her dramatic sounds, becoming the favourite sister of the likes of Elegant Savages webzine and the Bone Orchard podcast. Since its release the Edgar Allan Ho EP has drawn lustful attention and it is hard not to understand why as it stalks the minds darkest imagination and cinematic desires.

    Heartless Horseman steps up to tempt the passions first, its initial acoustic guitar stabs and instantly potent vocals the 602969_406666232785880_346571255_nentrance into lyrical and musical stalking of night terrors and their romantic suasion. There is a rockabilly feel to the song which reminds of The Creepshow whilst the excellent soaring vocal imagination and drama of its delivery brings thoughts of Agnete Kjølsrud and the band Djerv as well as Dominique Lenore Persi and Stolen Babies. Unafraid to twist and turn the gait and intent of the track, Venus also sends it into angular and less accessible turns which make suggestions of Lene Lovich. For all the references we offer though, do not make the mistake of assuming the sound of Venus DeVilo is not something quite unique to the graveyard walking beguiler.

The following Apocalips equally enthrals with predominantly acoustic guitar and vocals, though rhythms and bass prowl with devilment in their hearts and wide mischief on their grinning lips too. The song sways and swaggers with the wantonness of a fifties siren and the intimidating composure of instinctive rockabilly, but like the band references these pointers to the sound are only whispers of the full hue of flavours making up the wholly contagious shards of mesmeric aural delight.

Penny Dreadful Love is a song you know should play in the bowels of any mausoleum, its funeral caress punctured and kissed by the again outstanding voice and delivery of its creator. As the lady and song lace the senses and thoughts with their visceral evocation, Venus provokes another comparison, this time to Lesley Woods of Au Pairs in the way she at times slaps words and syllables into the ear. It is a style that is impossible to resist and one which makes the forthcoming album so exciting and this song a dark hearted romantic serenade.

The best song on the release comes with Ringmaster, and no we were not biased in our decision. The vibrant waltz of the colourful enchantment goes hand in hand with the dark carnivale touch, guitar and vocals swinging across the high tented air of the hypnotic mystique and elegant poise. It makes for a glorious soaring flight of theatrical imagination honed into a glorious sirenesque aural spectacular which leads the listener on a tightrope walk of tension and astounding adventure, and note for extra spice its core call around the chorus is a dead ringer for one of the greatest songs ever, Killer Klowns From Outer Space by The Dickies.

The release is completed by firstly Carmilla’s Return, a song which initially has the shadow clouded  ambience reminiscence of Bauhaus song Bela Lugosi’s Dead  and goes on to atmospherically swarm around the ear with the chants of the ‘dead’ harmonising behind the continually powerful and virulently enticing tones of Venus. Once more it is a song which transports you within the sweeping sinister mists of a cinematic painting whilst its successor Miss Frankenstein is simply an epidemically catchy romp with big bold rhythms shaping the cage you are enslaved within. It has a delicious toxicity which leaves you no option but to throw voice and feet into the twisted majesty.

Venus DeVilo is an artist who will scare as many as she seduces but one who will only ever leave a lingering mark in her shadow and if it is anything like the Edgar Allan Ho EP, this dank earth will be a better place.


RingMaster 24/07/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from